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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AD09A it is the complementary color #652F65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AD09A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AD09A shade: #9FD095, #B0E2A8, #C1F4BB, #D2FFCE and #E3FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AD09A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AD09A shade: #9AD09A, #89BE87, #78AC74, #679A61 and #56884E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AD09A shade: #9ACF9A, #A8CF9A, #B7CF9A, #C5CF9A and #CFCB9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AD09A shade: #9ACF9A, #9ACFA8, #9ACFB7, #9ACFC5 and #9ACBCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AD09A shade matches the following richer shades: #9ACF9A, #8EDB8E, #82E782 and #76F376

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AD09A shade: #9ACF9A, #A6C3A6, #B2B7B2, #BEABBE and #CA9FCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AD09A shade: #B6CF9A, #A8CF9A, #9ACF9A, #9ACFA8 and #9ACFB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AD09A shade: #62B562, #7EC27E, #9ACF9A, #B6DCB6 and #D2EAD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AD09A shade: #9AD09A, #9AC5CF and #CF9AAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AD09A shade: #9AD09A, #9A9ACF and #CF9A9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AD09A shade: #9AD09A, #9AC5CF, #CF9ACF and #CFA59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AD09A shade: #9AD09A, #9AB5CF, #CF9ACF and #CFB59A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 26 / 18

HEX #9AD09A

RGB 154 208 154

HSL 120, 0.36%, 0.71%

LAB 78.64, -27.98, 21.32

 

Complementary color

CMYK 0 / 53 / 0 / 60

HEX #652F65

RGB 101 47 101

HSL 300, 0.36%, 0.29%

LAB 28.75, 32.75, -21.23

 

CMYK 24 / 0 / 28 / 18

HEX #9FD095

RGB 159 208 149

HSL 109.83, 0.39%, 0.7%

LAB 78.84, -27.12, 24.26

 

CMYK 22 / 0 / 26 / 11

HEX #B0E2A8

RGB 176 226 168

HSL 111.72, 0.5%, 0.77%

LAB 85.23, -26.94, 23.25

 

CMYK 21 / 0 / 23 / 4

HEX #C1F4BB

RGB 193 244 187

HSL 113.68, 0.72%, 0.85%

LAB 91.52, -26.77, 22.28

 

CMYK 18 / 0 / 19 / 0

HEX #D2FFCE

RGB 210 255 206

HSL 115.1, 1%, 0.9%

LAB 95.86, -23.28, 18.76

 

CMYK 11 / 0 / 12 / 0

HEX #E3FFE1

RGB 227 255 225

HSL 116, 1%, 0.94%

LAB 97.34, -14.45, 11.29

 

CMYK 26 / 0 / 26 / 18

HEX #9AD09A

RGB 154 208 154

HSL 120, 0.36%, 0.71%

LAB 78.64, -27.98, 21.32

 

CMYK 28 / 0 / 29 / 25

HEX #89BE87

RGB 137 190 135

HSL 117.82, 0.3%, 0.64%

LAB 72.16, -28.2, 22.36

 

CMYK 30 / 0 / 33 / 33

HEX #78AC74

RGB 120 172 116

HSL 115.71, 0.25%, 0.56%

LAB 65.56, -28.44, 23.48

 

CMYK 33 / 0 / 37 / 40

HEX #679A61

RGB 103 154 97

HSL 113.68, 0.23%, 0.49%

LAB 58.84, -28.68, 24.66

 

CMYK 37 / 0 / 43 / 47

HEX #56884E

RGB 86 136 78

HSL 111.72, 0.27%, 0.42%

LAB 51.99, -28.9, 25.93

 

CMYK 26 / 0 / 26 / 19

HEX #9ACF9A

RGB 154 207 154

HSL 120, 0.36%, 0.71%

LAB 78.36, -27.5, 20.93

 

CMYK 19 / 0 / 26 / 19

HEX #A8CF9A

RGB 168 207 154

HSL 104.15, 0.36%, 0.71%

LAB 79.2, -22.71, 22.22

 

CMYK 12 / 0 / 26 / 19

HEX #B7CF9A

RGB 183 207 154

HSL 87.17, 0.36%, 0.71%

LAB 80.19, -17.36, 23.74

 

CMYK 5 / 0 / 26 / 19

HEX #C5CF9A

RGB 197 207 154

HSL 71.32, 0.36%, 0.71%

LAB 81.2, -12.2, 25.27

 

CMYK 0 / 2 / 26 / 19

HEX #CFCB9A

RGB 207 203 154

HSL 55.47, 0.36%, 0.71%

LAB 80.91, -6.38, 25.01

 

CMYK 26 / 0 / 26 / 19

HEX #9ACF9A

RGB 154 207 154

HSL 120, 0.36%, 0.71%

LAB 78.36, -27.5, 20.93

 

CMYK 26 / 0 / 19 / 19

HEX #9ACFA8

RGB 154 207 168

HSL 135.85, 0.36%, 0.71%

LAB 78.65, -25.01, 13.91

 

CMYK 26 / 0 / 12 / 19

HEX #9ACFB7

RGB 154 207 183

HSL 152.83, 0.36%, 0.71%

LAB 78.99, -22.11, 6.38

 

CMYK 26 / 0 / 5 / 19

HEX #9ACFC5

RGB 154 207 197

HSL 168.68, 0.36%, 0.71%

LAB 79.34, -19.21, -0.61

 

CMYK 26 / 2 / 0 / 19

HEX #9ACBCF

RGB 154 203 207

HSL 184.53, 0.36%, 0.71%

LAB 78.51, -14.97, -7.2

 

CMYK 26 / 0 / 26 / 19

HEX #9ACF9A

RGB 154 207 154

HSL 120, 0.36%, 0.71%

LAB 78.36, -27.5, 20.93

 

CMYK 35 / 0 / 35 / 14

HEX #8EDB8E

RGB 142 219 142

HSL 120, 0.52%, 0.71%

LAB 80.94, -38.93, 30.56

 

CMYK 44 / 0 / 44 / 9

HEX #82E782

RGB 130 231 130

HSL 120, 0.68%, 0.71%

LAB 83.71, -49.52, 40.1

 

CMYK 51 / 0 / 51 / 5

HEX #76F376

RGB 118 243 118

HSL 120, 0.84%, 0.71%

LAB 86.63, -59.17, 49.39

 

CMYK 26 / 0 / 26 / 19

HEX #9ACF9A

RGB 154 207 154

HSL 120, 0.36%, 0.71%

LAB 78.36, -27.5, 20.93

 

CMYK 15 / 0 / 15 / 24

HEX #A6C3A6

RGB 166 195 166

HSL 120, 0.19%, 0.71%

LAB 76, -15.35, 11.34

 

CMYK 3 / 0 / 3 / 28

HEX #B2B7B2

RGB 178 183 178

HSL 120, 0.03%, 0.71%

LAB 73.9, -2.68, 1.92

 

CMYK 0 / 10 / 0 / 25

HEX #BEABBE

RGB 190 171 190

HSL 300, 0.13%, 0.71%

LAB 72.09, 10.27, -7.2

 

CMYK 0 / 21 / 0 / 21

HEX #CA9FCA

RGB 202 159 202

HSL 300, 0.29%, 0.71%

LAB 70.61, 23.25, -15.92

 

CMYK 12 / 0 / 26 / 19

HEX #B6CF9A

RGB 182 207 154

HSL 88.3, 0.36%, 0.71%

LAB 80.13, -17.72, 23.63

 

CMYK 19 / 0 / 26 / 19

HEX #A8CF9A

RGB 168 207 154

HSL 104.15, 0.36%, 0.71%

LAB 79.2, -22.71, 22.22

 

CMYK 26 / 0 / 26 / 19

HEX #9ACF9A

RGB 154 207 154

HSL 120, 0.36%, 0.71%

LAB 78.36, -27.5, 20.93

 

CMYK 26 / 0 / 19 / 19

HEX #9ACFA8

RGB 154 207 168

HSL 135.85, 0.36%, 0.71%

LAB 78.65, -25.01, 13.91

 

CMYK 26 / 0 / 12 / 19

HEX #9ACFB6

RGB 154 207 182

HSL 151.7, 0.36%, 0.71%

LAB 78.97, -22.31, 6.88

 

CMYK 46 / 0 / 46 / 29

HEX #62B562

RGB 98 181 98

HSL 120, 0.36%, 0.55%

LAB 66.92, -42.42, 34.53

 

CMYK 35 / 0 / 35 / 24

HEX #7EC27E

RGB 126 194 126

HSL 120, 0.36%, 0.63%

LAB 72.58, -35.2, 27.59

 

CMYK 26 / 0 / 26 / 19

HEX #9ACF9A

RGB 154 207 154

HSL 120, 0.36%, 0.71%

LAB 78.36, -27.5, 20.93

 

CMYK 17 / 0 / 17 / 14

HEX #B6DCB6

RGB 182 220 182

HSL 120, 0.35%, 0.79%

LAB 84.23, -19.63, 14.6

 

CMYK 10 / 0 / 10 / 8

HEX #D2EAD2

RGB 210 234 210

HSL 120, 0.36%, 0.87%

LAB 90.41, -12.29, 8.98

 

CMYK 26 / 0 / 26 / 18

HEX #9AD09A

RGB 154 208 154

HSL 120, 0.36%, 0.71%

LAB 78.64, -27.98, 21.32

 

CMYK 26 / 5 / 0 / 19

HEX #9AC5CF

RGB 154 197 207

HSL 191.32, 0.36%, 0.71%

LAB 76.86, -11.87, -9.65

 

CMYK 0 / 26 / 15 / 19

HEX #CF9AAF

RGB 207 154 175

HSL 336.23, 0.36%, 0.71%

LAB 69.09, 23, -3.15

 

CMYK 26 / 0 / 26 / 18

HEX #9AD09A

RGB 154 208 154

HSL 120, 0.36%, 0.71%

LAB 78.64, -27.98, 21.32

 

CMYK 26 / 26 / 0 / 19

HEX #9A9ACF

RGB 154 154 207

HSL 240, 0.36%, 0.71%

LAB 65.35, 11.61, -27.09

 

CMYK 0 / 26 / 26 / 19

HEX #CF9A9A

RGB 207 154 154

HSL 0, 0.36%, 0.71%

LAB 68.54, 19.8, 7.76

 

CMYK 26 / 0 / 26 / 18

HEX #9AD09A

RGB 154 208 154

HSL 120, 0.36%, 0.71%

LAB 78.64, -27.98, 21.32

 

CMYK 26 / 5 / 0 / 19

HEX #9AC5CF

RGB 154 197 207

HSL 191.32, 0.36%, 0.71%

LAB 76.86, -11.87, -9.65

 

CMYK 0 / 26 / 0 / 19

HEX #CF9ACF

RGB 207 154 207

HSL 300, 0.36%, 0.71%

LAB 70.09, 28.6, -19.41

 

CMYK 0 / 20 / 26 / 19

HEX #CFA59A

RGB 207 165 154

HSL 12.45, 0.36%, 0.71%

LAB 71.22, 13.81, 11.57

 

CMYK 26 / 0 / 26 / 18

HEX #9AD09A

RGB 154 208 154

HSL 120, 0.36%, 0.71%

LAB 78.64, -27.98, 21.32

 

CMYK 26 / 13 / 0 / 19

HEX #9AB5CF

RGB 154 181 207

HSL 209.43, 0.36%, 0.71%

LAB 72.51, -3.37, -16.18

 

CMYK 0 / 26 / 0 / 19

HEX #CF9ACF

RGB 207 154 207

HSL 300, 0.36%, 0.71%

LAB 70.09, 28.6, -19.41

 

CMYK 0 / 13 / 26 / 19

HEX #CFB59A

RGB 207 181 154

HSL 30.57, 0.36%, 0.71%

LAB 75.23, 5.18, 17.19

 

Description

Color code: HEX #9AD09A | qconv.com Color code: HEX #9AD09A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 208 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 208 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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