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Color name
HEX #9AD75B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AD75B it is the complementary color #6528A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AD75B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AD75B shade: #9FD756, #B0E969, #C1FB7C, #D2FF8F and #E3FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AD75B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AD75B shade: #9AD75B, #89C548, #78B335, #67A122 and #568F0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AD75B shade: #99D75A, #BBD75A, #D7D15A, #D7AF5A and #D78E5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AD75B shade: #99D75A, #78D75A, #5AD75E, #5AD780 and #5AD7A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AD75B shade matches the following richer shades: #99D75A, #9AE74A and #9AF839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AD75B shade: #99D75A, #99C66B, #99B67B, #99A58C and #98959C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AD75B shade: #D7D05A, #BCD75A, #9BD75A, #79D75A and #5AD75C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AD75B shade: #70B32B, #85CF39, #99D75A, #AEDF7B and #C2E79D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AD75B shade: #9AD75B, #5AD7AF and #D75ACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AD75B shade: #9AD75B, #5A9BD7 and #D75A9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AD75B shade: #9AD75B, #5AD7AF, #965AD7 and #D75A82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AD75B shade: #9AD75B, #5AD7D5, #965AD7 and #D75A5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 58 / 16

HEX #9AD75B

RGB 154 215 91

HSL 89.52, 0.61%, 0.6%

LAB 79.74, -39.51, 53.97

 

Complementary color

CMYK 38 / 76 / 0 / 36

HEX #6528A4

RGB 101 40 164

HSL 269.52, 0.61%, 0.4%

LAB 31.73, 50.75, -55.74

 

CMYK 26 / 0 / 60 / 16

HEX #9FD756

RGB 159 215 86

HSL 86.05, 0.62%, 0.59%

LAB 79.98, -38.14, 56.5

 

CMYK 24 / 0 / 55 / 9

HEX #B0E969

RGB 176 233 105

HSL 86.72, 0.74%, 0.66%

LAB 86.27, -38.29, 55.55

 

CMYK 23 / 0 / 51 / 2

HEX #C1FB7C

RGB 193 251 124

HSL 87.4, 0.94%, 0.74%

LAB 92.48, -38.37, 54.5

 

CMYK 18 / 0 / 44 / 0

HEX #D2FF8F

RGB 210 255 143

HSL 84.11, 1%, 0.78%

LAB 94.83, -32.05, 48.71

 

CMYK 11 / 0 / 36 / 0

HEX #E3FFA2

RGB 227 255 162

HSL 78.06, 1%, 0.82%

LAB 96.19, -23.67, 41.48

 

CMYK 28 / 0 / 58 / 16

HEX #9AD75B

RGB 154 215 91

HSL 89.52, 0.61%, 0.6%

LAB 79.74, -39.51, 53.97

 

CMYK 30 / 0 / 63 / 23

HEX #89C548

RGB 137 197 72

HSL 88.8, 0.52%, 0.53%

LAB 73.36, -39.34, 54.85

 

CMYK 33 / 0 / 70 / 30

HEX #78B335

RGB 120 179 53

HSL 88.1, 0.54%, 0.45%

LAB 66.89, -39.05, 55.41

 

CMYK 36 / 0 / 79 / 37

HEX #67A122

RGB 103 161 34

HSL 87.4, 0.65%, 0.38%

LAB 60.33, -38.57, 55.36

 

CMYK 40 / 0 / 90 / 44

HEX #568F0F

RGB 86 143 15

HSL 86.72, 0.81%, 0.31%

LAB 53.66, -37.81, 54.14

 

CMYK 29 / 0 / 58 / 16

HEX #99D75A

RGB 153 215 90

HSL 89.76, 0.61%, 0.6%

LAB 79.68, -39.96, 54.32

 

CMYK 13 / 0 / 58 / 16

HEX #BBD75A

RGB 187 215 90

HSL 73.44, 0.61%, 0.6%

LAB 81.79, -27.12, 57.27

 

CMYK 0 / 3 / 58 / 16

HEX #D7D15A

RGB 215 209 90

HSL 57.12, 0.61%, 0.6%

LAB 82.26, -12.86, 58.39

 

CMYK 0 / 19 / 58 / 16

HEX #D7AF5A

RGB 215 175 90

HSL 40.8, 0.61%, 0.6%

LAB 73.44, 4.73, 48.37

 

CMYK 0 / 34 / 58 / 16

HEX #D78E5A

RGB 215 142 90

HSL 24.96, 0.61%, 0.6%

LAB 65.38, 22.48, 38.76

 

CMYK 29 / 0 / 58 / 16

HEX #99D75A

RGB 153 215 90

HSL 89.76, 0.61%, 0.6%

LAB 79.68, -39.96, 54.32

 

CMYK 44 / 0 / 58 / 16

HEX #78D75A

RGB 120 215 90

HSL 105.6, 0.61%, 0.6%

LAB 78.07, -50.92, 52.06

 

CMYK 58 / 0 / 56 / 16

HEX #5AD75E

RGB 90 215 94

HSL 121.92, 0.61%, 0.6%

LAB 77.03, -58.54, 48.76

 

CMYK 58 / 0 / 40 / 16

HEX #5AD780

RGB 90 215 128

HSL 138.24, 0.61%, 0.6%

LAB 77.48, -53.6, 32.77

 

CMYK 58 / 0 / 25 / 16

HEX #5AD7A1

RGB 90 215 161

HSL 154.08, 0.61%, 0.6%

LAB 78.08, -47.31, 16.42

 

CMYK 29 / 0 / 58 / 16

HEX #99D75A

RGB 153 215 90

HSL 89.76, 0.61%, 0.6%

LAB 79.68, -39.96, 54.32

 

CMYK 33 / 0 / 68 / 9

HEX #9AE74A

RGB 154 231 74

HSL 89.43, 0.77%, 0.6%

LAB 84.23, -47.79, 65.85

 

CMYK 38 / 0 / 77 / 3

HEX #9AF839

RGB 154 248 57

HSL 89.53, 0.93%, 0.6%

LAB 89.06, -55.71, 76.27

 

CMYK 29 / 0 / 58 / 16

HEX #99D75A

RGB 153 215 90

HSL 89.76, 0.61%, 0.6%

LAB 79.68, -39.96, 54.32

 

CMYK 23 / 0 / 46 / 22

HEX #99C66B

RGB 153 198 107

HSL 89.67, 0.44%, 0.6%

LAB 74.96, -30.38, 40.7

 

CMYK 16 / 0 / 32 / 29

HEX #99B67B

RGB 153 182 123

HSL 89.49, 0.29%, 0.6%

LAB 70.63, -20.45, 26.87

 

CMYK 7 / 0 / 15 / 35

HEX #99A58C

RGB 153 165 140

HSL 88.8, 0.12%, 0.6%

LAB 66.19, -8.91, 11.53

 

CMYK 3 / 4 / 0 / 39

HEX #98959C

RGB 152 149 156

HSL 265.71, 0.03%, 0.6%

LAB 62.14, 2.46, -3.29

 

CMYK 0 / 3 / 58 / 16

HEX #D7D05A

RGB 215 208 90

HSL 56.64, 0.61%, 0.6%

LAB 82, -12.36, 58.1

 

CMYK 13 / 0 / 58 / 16

HEX #BCD75A

RGB 188 215 90

HSL 72.96, 0.61%, 0.6%

LAB 81.85, -26.72, 57.37

 

CMYK 28 / 0 / 58 / 16

HEX #9BD75A

RGB 155 215 90

HSL 88.8, 0.61%, 0.6%

LAB 79.79, -39.24, 54.48

 

CMYK 44 / 0 / 58 / 16

HEX #79D75A

RGB 121 215 90

HSL 105.12, 0.61%, 0.6%

LAB 78.11, -50.62, 52.12

 

CMYK 58 / 0 / 57 / 16

HEX #5AD75C

RGB 90 215 92

HSL 120.96, 0.61%, 0.6%

LAB 77.01, -58.78, 49.65

 

CMYK 37 / 0 / 76 / 30

HEX #70B32B

RGB 112 179 43

HSL 89.56, 0.61%, 0.44%

LAB 66.41, -42.58, 58.39

 

CMYK 36 / 0 / 72 / 19

HEX #85CF39

RGB 133 207 57

HSL 89.6, 0.61%, 0.52%

LAB 76.01, -46.17, 63.34

 

CMYK 29 / 0 / 58 / 16

HEX #99D75A

RGB 153 215 90

HSL 89.76, 0.61%, 0.6%

LAB 79.68, -39.96, 54.32

 

CMYK 22 / 0 / 45 / 13

HEX #AEDF7B

RGB 174 223 123

HSL 89.4, 0.61%, 0.68%

LAB 83.55, -32.54, 43.79

 

CMYK 16 / 0 / 32 / 9

HEX #C2E79D

RGB 194 231 157

HSL 90, 0.61%, 0.76%

LAB 87.51, -24.75, 32.17

 

CMYK 28 / 0 / 58 / 16

HEX #9AD75B

RGB 154 215 91

HSL 89.52, 0.61%, 0.6%

LAB 79.74, -39.51, 53.97

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 0 / 58 / 5 / 16

HEX #D75ACC

RGB 215 90 204

HSL 305.28, 0.61%, 0.6%

LAB 58.15, 62.97, -36.05

 

CMYK 28 / 0 / 58 / 16

HEX #9AD75B

RGB 154 215 91

HSL 89.52, 0.61%, 0.6%

LAB 79.74, -39.51, 53.97

 

CMYK 58 / 28 / 0 / 16

HEX #5A9BD7

RGB 90 155 215

HSL 208.8, 0.61%, 0.6%

LAB 62.1, -3.15, -36.87

 

CMYK 0 / 58 / 28 / 16

HEX #D75A9B

RGB 215 90 155

HSL 328.8, 0.61%, 0.6%

LAB 56.21, 55.77, -10.76

 

CMYK 28 / 0 / 58 / 16

HEX #9AD75B

RGB 154 215 91

HSL 89.52, 0.61%, 0.6%

LAB 79.74, -39.51, 53.97

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 30 / 58 / 0 / 16

HEX #965AD7

RGB 150 90 215

HSL 268.8, 0.61%, 0.6%

LAB 50.34, 48.72, -55.23

 

CMYK 0 / 58 / 40 / 16

HEX #D75A82

RGB 215 90 130

HSL 340.8, 0.61%, 0.6%

LAB 55.45, 52.8, 2.81

 

CMYK 28 / 0 / 58 / 16

HEX #9AD75B

RGB 154 215 91

HSL 89.52, 0.61%, 0.6%

LAB 79.74, -39.51, 53.97

 

CMYK 58 / 0 / 1 / 16

HEX #5AD7D5

RGB 90 215 213

HSL 179.04, 0.61%, 0.6%

LAB 79.37, -34.76, -9.44

 

CMYK 30 / 58 / 0 / 16

HEX #965AD7

RGB 150 90 215

HSL 268.8, 0.61%, 0.6%

LAB 50.34, 48.72, -55.23

 

CMYK 0 / 58 / 57 / 16

HEX #D75A5C

RGB 215 90 92

HSL 359.04, 0.61%, 0.6%

LAB 54.59, 49.33, 23.98

 

Description

Color code: HEX #9AD75B | qconv.com Color code: HEX #9AD75B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 215 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 215 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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