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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ABDEF it is the complementary color #654210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ABDEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ABDEF shade: #9FBDEA, #B0CFFD, #C1E1FF, #D2F3FF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ABDEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ABDEF shade: #9ABDEF, #89ABDC, #7899C9, #6787B6 and #5675A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ABDEF shade: #99BCEF, #99A5EF, #A499EF, #BB99EF and #D299EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ABDEF shade: #99BCEF, #99A5EF and #9999EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ABDEF shade matches the following richer shades: #99BCEF and #90BBF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ABDEF shade: #99BCEF, #A3BEE5, #ACC0DC, #B6C1D2 and #BFC3C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ABDEF shade: #99EAEF, #99D4EF, #99BDEF, #99A6EF and #A399EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ABDEF shade: #528EE4, #75A5E9, #99BCEF, #BDD4F4 and #E0EBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ABDEF shade: #9ABDEF, #DC99EF and #DFEF99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ABDEF shade: #9ABDEF, #EF99BD and #BDEF99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ABDEF shade: #9ABDEF, #DC99EF, #EFCB99 and #ACEF99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ABDEF shade: #9ABDEF, #EF99E8, #EFCB99 and #99EFA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 21 / 0 / 6

HEX #9ABDEF

RGB 154 189 239

HSL 215.29, 0.73%, 0.77%

LAB 75.76, 0.16, -28.61

 

Complementary color

CMYK 0 / 35 / 84 / 60

HEX #654210

RGB 101 66 16

HSL 35.29, 0.73%, 0.23%

LAB 31.12, 10.5, 34.46

 

CMYK 32 / 19 / 0 / 8

HEX #9FBDEA

RGB 159 189 234

HSL 216, 0.64%, 0.77%

LAB 75.89, 0.29, -25.68

 

CMYK 30 / 18 / 0 / 1

HEX #B0CFFD

RGB 176 207 253

HSL 215.84, 0.95%, 0.84%

LAB 82.35, 0.04, -25.89

 

CMYK 24 / 12 / 0 / 0

HEX #C1E1FF

RGB 193 225 255

HSL 209.03, 1%, 0.88%

LAB 88.16, -4.07, -18.03

 

CMYK 18 / 5 / 0 / 0

HEX #D2F3FF

RGB 210 243 255

HSL 196, 1%, 0.91%

LAB 93.89, -8.22, -9.36

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 36 / 21 / 0 / 6

HEX #9ABDEF

RGB 154 189 239

HSL 215.29, 0.73%, 0.77%

LAB 75.76, 0.16, -28.61

 

CMYK 38 / 22 / 0 / 14

HEX #89ABDC

RGB 137 171 220

HSL 215.42, 0.54%, 0.7%

LAB 69.19, 0.48, -28.45

 

CMYK 40 / 24 / 0 / 21

HEX #7899C9

RGB 120 153 201

HSL 215.56, 0.43%, 0.63%

LAB 62.5, 0.85, -28.33

 

CMYK 43 / 26 / 0 / 29

HEX #6787B6

RGB 103 135 182

HSL 215.7, 0.35%, 0.56%

LAB 55.67, 1.28, -28.23

 

CMYK 47 / 28 / 0 / 36

HEX #5675A3

RGB 86 117 163

HSL 215.84, 0.31%, 0.49%

LAB 48.69, 1.81, -28.17

 

CMYK 36 / 21 / 0 / 6

HEX #99BCEF

RGB 153 188 239

HSL 215.58, 0.73%, 0.77%

LAB 75.43, 0.44, -29.11

 

CMYK 36 / 31 / 0 / 6

HEX #99A5EF

RGB 153 165 239

HSL 231.63, 0.73%, 0.77%

LAB 69.41, 13.22, -38.43

 

CMYK 31 / 36 / 0 / 6

HEX #A499EF

RGB 164 153 239

HSL 247.67, 0.73%, 0.77%

LAB 67.21, 23.03, -41.81

 

CMYK 22 / 36 / 0 / 6

HEX #BB99EF

RGB 187 153 239

HSL 263.72, 0.73%, 0.77%

LAB 69.17, 29.58, -38.6

 

CMYK 12 / 36 / 0 / 6

HEX #D299EF

RGB 210 153 239

HSL 279.77, 0.73%, 0.77%

LAB 71.36, 36.4, -35.02

 

CMYK 36 / 21 / 0 / 6

HEX #99BCEF

RGB 153 188 239

HSL 215.58, 0.73%, 0.77%

LAB 75.43, 0.44, -29.11

 

CMYK 36 / 31 / 0 / 6

HEX #99A5EF

RGB 153 165 239

HSL 231.63, 0.73%, 0.77%

LAB 69.41, 13.22, -38.43

 

CMYK 36 / 36 / 0 / 6

HEX #9999EF

RGB 153 153 239

HSL 240, 0.73%, 0.77%

LAB 66.36, 20.05, -43.21

 

CMYK 36 / 21 / 0 / 6

HEX #99BCEF

RGB 153 188 239

HSL 215.58, 0.73%, 0.77%

LAB 75.43, 0.44, -29.11

 

CMYK 42 / 25 / 0 / 3

HEX #90BBF8

RGB 144 187 248

HSL 215.19, 0.88%, 0.77%

LAB 74.98, 1.02, -34.7

 

CMYK 36 / 21 / 0 / 6

HEX #99BCEF

RGB 153 188 239

HSL 215.58, 0.73%, 0.77%

LAB 75.43, 0.44, -29.11

 

CMYK 29 / 17 / 0 / 10

HEX #A3BEE5

RGB 163 190 229

HSL 215.45, 0.56%, 0.77%

LAB 76.24, -0.33, -22.43

 

CMYK 22 / 13 / 0 / 14

HEX #ACC0DC

RGB 172 192 220

HSL 215, 0.41%, 0.77%

LAB 77.06, -0.81, -16.26

 

CMYK 13 / 8 / 0 / 18

HEX #B6C1D2

RGB 182 193 210

HSL 216.43, 0.24%, 0.77%

LAB 77.72, -0.35, -9.8

 

CMYK 5 / 3 / 0 / 21

HEX #BFC3C9

RGB 191 195 201

HSL 216, 0.08%, 0.77%

LAB 78.65, -0.24, -3.49

 

CMYK 36 / 2 / 0 / 6

HEX #99EAEF

RGB 153 234 239

HSL 183.49, 0.73%, 0.77%

LAB 87.9, -23.39, -10.26

 

CMYK 36 / 11 / 0 / 6

HEX #99D4EF

RGB 153 212 239

HSL 198.84, 0.73%, 0.77%

LAB 81.89, -12.31, -19.28

 

CMYK 36 / 21 / 0 / 6

HEX #99BDEF

RGB 153 189 239

HSL 214.88, 0.73%, 0.77%

LAB 75.7, -0.11, -28.7

 

CMYK 36 / 31 / 0 / 6

HEX #99A6EF

RGB 153 166 239

HSL 230.93, 0.73%, 0.77%

LAB 69.67, 12.65, -38.03

 

CMYK 32 / 36 / 0 / 6

HEX #A399EF

RGB 163 153 239

HSL 246.98, 0.73%, 0.77%

LAB 67.13, 22.76, -41.94

 

CMYK 64 / 38 / 0 / 11

HEX #528EE4

RGB 82 142 228

HSL 215.34, 0.73%, 0.61%

LAB 58.73, 7.19, -49.43

 

CMYK 50 / 29 / 0 / 9

HEX #75A5E9

RGB 117 165 233

HSL 215.17, 0.73%, 0.69%

LAB 66.96, 2.5, -39.14

 

CMYK 36 / 21 / 0 / 6

HEX #99BCEF

RGB 153 188 239

HSL 215.58, 0.73%, 0.77%

LAB 75.43, 0.44, -29.11

 

CMYK 23 / 13 / 0 / 4

HEX #BDD4F4

RGB 189 212 244

HSL 214.91, 0.71%, 0.85%

LAB 84.19, -0.91, -18.24

 

CMYK 10 / 6 / 0 / 2

HEX #E0EBFA

RGB 224 235 250

HSL 214.62, 0.72%, 0.93%

LAB 92.65, -0.79, -8.5

 

CMYK 36 / 21 / 0 / 6

HEX #9ABDEF

RGB 154 189 239

HSL 215.29, 0.73%, 0.77%

LAB 75.76, 0.16, -28.61

 

CMYK 8 / 36 / 0 / 6

HEX #DC99EF

RGB 220 153 239

HSL 286.74, 0.73%, 0.77%

LAB 72.38, 39.42, -33.36

 

CMYK 7 / 0 / 36 / 6

HEX #DFEF99

RGB 223 239 153

HSL 71.16, 0.73%, 0.77%

LAB 91.56, -18.52, 39.87

 

CMYK 36 / 21 / 0 / 6

HEX #9ABDEF

RGB 154 189 239

HSL 215.29, 0.73%, 0.77%

LAB 75.76, 0.16, -28.61

 

CMYK 0 / 36 / 21 / 6

HEX #EF99BD

RGB 239 153 189

HSL 334.88, 0.73%, 0.77%

LAB 72.76, 36.99, -5.1

 

CMYK 21 / 0 / 36 / 6

HEX #BDEF99

RGB 189 239 153

HSL 94.88, 0.73%, 0.77%

LAB 89.32, -30.85, 36.53

 

CMYK 36 / 21 / 0 / 6

HEX #9ABDEF

RGB 154 189 239

HSL 215.29, 0.73%, 0.77%

LAB 75.76, 0.16, -28.61

 

CMYK 8 / 36 / 0 / 6

HEX #DC99EF

RGB 220 153 239

HSL 286.74, 0.73%, 0.77%

LAB 72.38, 39.42, -33.36

 

CMYK 0 / 15 / 36 / 6

HEX #EFCB99

RGB 239 203 153

HSL 34.88, 0.73%, 0.77%

LAB 83.63, 5.81, 29.67

 

CMYK 28 / 0 / 36 / 6

HEX #ACEF99

RGB 172 239 153

HSL 106.74, 0.73%, 0.77%

LAB 88.35, -36.63, 35.07

 

CMYK 36 / 21 / 0 / 6

HEX #9ABDEF

RGB 154 189 239

HSL 215.29, 0.73%, 0.77%

LAB 75.76, 0.16, -28.61

 

CMYK 0 / 36 / 3 / 6

HEX #EF99E8

RGB 239 153 232

HSL 304.88, 0.73%, 0.77%

LAB 74.16, 43.95, -26.63

 

CMYK 0 / 15 / 36 / 6

HEX #EFCB99

RGB 239 203 153

HSL 34.88, 0.73%, 0.77%

LAB 83.63, 5.81, 29.67

 

CMYK 36 / 0 / 33 / 6

HEX #99EFA0

RGB 153 239 160

HSL 124.88, 0.73%, 0.77%

LAB 87.51, -41.58, 30.24

 

Description

Color code: HEX #9ABDEF | qconv.com Color code: HEX #9ABDEF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 189 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 189 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 21 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 21% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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