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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AB5F3 it is the complementary color #654A0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AB5F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AB5F3 shade: #9FB5EE, #B0C7FF, #C1D9FF, #D2EBFF and #E3FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AB5F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AB5F3 shade: #9AB5F3, #89A3E0, #7891CD, #677FBA and #566DA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AB5F3 shade: #9AB5F3, #9A9DF3, #AF9AF3, #C79AF3 and #DF9AF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AB5F3 shade: #9AB5F3, #9A9DF3 and #9A9AF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AB5F3 shade matches the following richer shades: #9AB5F3 and #91B1FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AB5F3 shade: #9AB5F3, #A3B9EA, #ACBCE1, #B5C0D7 and #BEC3CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AB5F3 shade: #9AE5F3, #9ACEF3, #9AB6F3, #9A9FF3 and #AD9AF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AB5F3 shade: #507FEA, #759AEE, #9AB5F3, #BFD0F7 and #E4EBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AB5F3 shade: #9AB5F3, #E89AF3 and #DAF39A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AB5F3 shade: #9AB5F3, #F39AB6 and #B6F39A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AB5F3 shade: #9AB5F3, #E89AF3, #F3D79A and #A4F39A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AB5F3 shade: #9AB5F3, #F39AE2, #F3D79A and #9AF3AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

Complementary color

CMYK 0 / 27 / 88 / 60

HEX #654A0C

RGB 101 74 12

HSL 41.8, 0.79%, 0.22%

LAB 33.33, 5.41, 38.01

 

CMYK 33 / 24 / 0 / 7

HEX #9FB5EE

RGB 159 181 238

HSL 223.29, 0.7%, 0.78%

LAB 73.93, 5.67, -30.86

 

CMYK 31 / 22 / 0 / 0

HEX #B0C7FF

RGB 176 199 255

HSL 222.53, 1%, 0.85%

LAB 80.35, 4.82, -30.02

 

CMYK 24 / 15 / 0 / 0

HEX #C1D9FF

RGB 193 217 255

HSL 216.77, 1%, 0.88%

LAB 86.1, 0.11, -21.15

 

CMYK 18 / 8 / 0 / 0

HEX #D2EBFF

RGB 210 235 255

HSL 206.67, 1%, 0.91%

LAB 91.84, -4.14, -12.42

 

CMYK 11 / 1 / 0 / 0

HEX #E3FDFF

RGB 227 253 255

HSL 184.29, 1%, 0.95%

LAB 97.55, -8, -3.83

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 39 / 27 / 0 / 12

HEX #89A3E0

RGB 137 163 224

HSL 222.07, 0.58%, 0.71%

LAB 67.2, 6.04, -33.73

 

CMYK 41 / 29 / 0 / 20

HEX #7891CD

RGB 120 145 205

HSL 222.35, 0.46%, 0.64%

LAB 60.47, 6.56, -33.71

 

CMYK 45 / 32 / 0 / 27

HEX #677FBA

RGB 103 127 186

HSL 222.65, 0.38%, 0.57%

LAB 53.61, 7.17, -33.73

 

CMYK 49 / 35 / 0 / 35

HEX #566DA7

RGB 86 109 167

HSL 222.96, 0.32%, 0.5%

LAB 46.59, 7.92, -33.8

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 37 / 35 / 0 / 5

HEX #9A9DF3

RGB 154 157 243

HSL 237.98, 0.79%, 0.78%

LAB 67.62, 19.09, -43.41

 

CMYK 28 / 37 / 0 / 5

HEX #AF9AF3

RGB 175 154 243

HSL 254.16, 0.79%, 0.78%

LAB 68.53, 26.53, -41.86

 

CMYK 18 / 37 / 0 / 5

HEX #C79AF3

RGB 199 154 243

HSL 270.34, 0.79%, 0.78%

LAB 70.68, 33.44, -38.35

 

CMYK 8 / 37 / 0 / 5

HEX #DF9AF3

RGB 223 154 243

HSL 286.52, 0.79%, 0.78%

LAB 73.07, 40.58, -34.45

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 37 / 35 / 0 / 5

HEX #9A9DF3

RGB 154 157 243

HSL 237.98, 0.79%, 0.78%

LAB 67.62, 19.09, -43.41

 

CMYK 37 / 37 / 0 / 5

HEX #9A9AF3

RGB 154 154 243

HSL 240, 0.79%, 0.78%

LAB 66.86, 20.8, -44.6

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 42 / 30 / 0 / 1

HEX #91B1FC

RGB 145 177 252

HSL 222.06, 0.95%, 0.78%

LAB 72.56, 7.9, -40.62

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 30 / 21 / 0 / 8

HEX #A3B9EA

RGB 163 185 234

HSL 221.41, 0.63%, 0.78%

LAB 75.09, 3.6, -26.88

 

CMYK 24 / 16 / 0 / 12

HEX #ACBCE1

RGB 172 188 225

HSL 221.89, 0.47%, 0.78%

LAB 76.18, 2.48, -20.3

 

CMYK 16 / 11 / 0 / 16

HEX #B5C0D7

RGB 181 192 215

HSL 220.59, 0.3%, 0.78%

LAB 77.54, 0.91, -12.78

 

CMYK 8 / 5 / 0 / 19

HEX #BEC3CE

RGB 190 195 206

HSL 221.25, 0.14%, 0.78%

LAB 78.71, 0.4, -6.1

 

CMYK 37 / 6 / 0 / 5

HEX #9AE5F3

RGB 154 229 243

HSL 189.44, 0.79%, 0.78%

LAB 86.69, -19.7, -14.16

 

CMYK 37 / 15 / 0 / 5

HEX #9ACEF3

RGB 154 206 243

HSL 204.94, 0.79%, 0.78%

LAB 80.45, -7.91, -23.58

 

CMYK 37 / 25 / 0 / 5

HEX #9AB6F3

RGB 154 182 243

HSL 221.12, 0.79%, 0.78%

LAB 74.06, 5.03, -33.38

 

CMYK 37 / 35 / 0 / 5

HEX #9A9FF3

RGB 154 159 243

HSL 236.63, 0.79%, 0.78%

LAB 68.12, 17.95, -42.62

 

CMYK 29 / 37 / 0 / 5

HEX #AD9AF3

RGB 173 154 243

HSL 252.81, 0.79%, 0.78%

LAB 68.36, 25.97, -42.14

 

CMYK 66 / 46 / 0 / 8

HEX #507FEA

RGB 80 127 234

HSL 221.69, 0.79%, 0.62%

LAB 54.89, 17.96, -58.91

 

CMYK 51 / 35 / 0 / 7

HEX #759AEE

RGB 117 154 238

HSL 221.65, 0.78%, 0.7%

LAB 64.21, 10.31, -46.19

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 23 / 16 / 0 / 3

HEX #BFD0F7

RGB 191 208 247

HSL 221.79, 0.78%, 0.86%

LAB 83.39, 2.48, -21.03

 

CMYK 9 / 6 / 0 / 2

HEX #E4EBFB

RGB 228 235 251

HSL 221.74, 0.74%, 0.94%

LAB 92.96, 0.68, -8.53

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 5 / 37 / 0 / 5

HEX #E89AF3

RGB 232 154 243

HSL 292.58, 0.79%, 0.78%

LAB 74.02, 43.29, -32.9

 

CMYK 10 / 0 / 37 / 5

HEX #DAF39A

RGB 218 243 154

HSL 76.85, 0.79%, 0.78%

LAB 92.28, -22.2, 40.24

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 0 / 37 / 25 / 5

HEX #F39AB6

RGB 243 154 182

HSL 341.12, 0.79%, 0.78%

LAB 73.25, 36.86, -0.47

 

CMYK 25 / 0 / 37 / 5

HEX #B6F39A

RGB 182 243 154

HSL 101.12, 0.79%, 0.78%

LAB 90.04, -34.97, 36.88

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 5 / 37 / 0 / 5

HEX #E89AF3

RGB 232 154 243

HSL 292.58, 0.79%, 0.78%

LAB 74.02, 43.29, -32.9

 

CMYK 0 / 12 / 37 / 5

HEX #F3D79A

RGB 243 215 154

HSL 41.12, 0.79%, 0.78%

LAB 86.99, 1.27, 33.68

 

CMYK 33 / 0 / 37 / 5

HEX #A4F39A

RGB 164 243 154

HSL 113.26, 0.79%, 0.78%

LAB 89.08, -40.87, 35.45

 

CMYK 37 / 26 / 0 / 5

HEX #9AB5F3

RGB 154 181 243

HSL 221.8, 0.79%, 0.78%

LAB 73.8, 5.59, -33.79

 

CMYK 0 / 37 / 7 / 5

HEX #F39AE2

RGB 243 154 226

HSL 311.46, 0.79%, 0.78%

LAB 74.61, 43.65, -22.63

 

CMYK 0 / 12 / 37 / 5

HEX #F3D79A

RGB 243 215 154

HSL 41.12, 0.79%, 0.78%

LAB 86.99, 1.27, 33.68

 

CMYK 37 / 0 / 30 / 5

HEX #9AF3AA

RGB 154 243 170

HSL 130.79, 0.79%, 0.78%

LAB 88.86, -41.4, 27

 

Description

Color code: HEX #9AB5F3 | qconv.com Color code: HEX #9AB5F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 181 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 181 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 26 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 26% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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