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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AADC5 it is the complementary color #65523A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AADC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AADC5 shade: #9FADC0, #B0BFD3, #C1D1E6, #D2E3F9 and #E3F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AADC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AADC5 shade: #9AADC5, #899BB2, #78899F, #67778C and #566579

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AADC5 shade: #9AADC5, #9AA1C5, #9E9AC5, #AA9AC5 and #B59AC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AADC5 shade: #9AADC5, #9AA1C5 and #9A9AC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AADC5 shade matches the following richer shades: #9AADC5, #8DABD2, #81AADE, #74A9EB and #67A7F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AADC5 shade: #9AADC5, #A7AEB8, #B4B0AB, #C0B19E and #CDB392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AADC5 shade: #9AC4C5, #9AB9C5, #9AADC5, #9AA2C5 and #9E9AC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AADC5 shade: #6682A7, #8098B6, #9AADC5, #B4C2D4 and #CFD8E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AADC5 shade: #9AADC5, #BA9AC5 and #BEC59A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AADC5 shade: #9AADC5, #C59AAD and #ADC59A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AADC5 shade: #9AADC5, #BA9AC5, #C5B29A and #A5C59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AADC5 shade: #9AADC5, #C59AC3, #C5B29A and #9AC59C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

Complementary color

CMYK 0 / 19 / 43 / 60

HEX #65523A

RGB 101 82 58

HSL 33.49, 0.27%, 0.31%

LAB 36.19, 4.18, 17.05

 

CMYK 17 / 10 / 0 / 25

HEX #9FADC0

RGB 159 173 192

HSL 214.55, 0.21%, 0.69%

LAB 70.22, -0.87, -11.35

 

CMYK 17 / 9 / 0 / 17

HEX #B0BFD3

RGB 176 191 211

HSL 214.29, 0.28%, 0.76%

LAB 76.8, -1.01, -11.76

 

CMYK 16 / 9 / 0 / 10

HEX #C1D1E6

RGB 193 209 230

HSL 214.05, 0.43%, 0.83%

LAB 83.26, -1.14, -12.18

 

CMYK 16 / 9 / 0 / 2

HEX #D2E3F9

RGB 210 227 249

HSL 213.85, 0.76%, 0.9%

LAB 89.62, -1.26, -12.59

 

CMYK 11 / 4 / 0 / 0

HEX #E3F5FF

RGB 227 245 255

HSL 201.43, 1%, 0.95%

LAB 95.52, -3.97, -6.82

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 23 / 13 / 0 / 30

HEX #899BB2

RGB 137 155 178

HSL 213.66, 0.21%, 0.62%

LAB 63.32, -1.2, -14.07

 

CMYK 25 / 14 / 0 / 38

HEX #78899F

RGB 120 137 159

HSL 213.85, 0.17%, 0.55%

LAB 56.47, -1.04, -13.72

 

CMYK 26 / 15 / 0 / 45

HEX #67778C

RGB 103 119 140

HSL 214.05, 0.15%, 0.48%

LAB 49.46, -0.87, -13.39

 

CMYK 29 / 17 / 0 / 53

HEX #566579

RGB 86 101 121

HSL 214.29, 0.17%, 0.41%

LAB 42.26, -0.67, -13.07

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 22 / 18 / 0 / 23

HEX #9AA1C5

RGB 154 161 197

HSL 230.23, 0.27%, 0.69%

LAB 66.82, 5.29, -19.28

 

CMYK 20 / 22 / 0 / 23

HEX #9E9AC5

RGB 158 154 197

HSL 245.58, 0.27%, 0.69%

LAB 65.29, 10.49, -21.58

 

CMYK 14 / 22 / 0 / 23

HEX #AA9AC5

RGB 170 154 197

HSL 262.33, 0.27%, 0.69%

LAB 66.28, 14.36, -19.98

 

CMYK 8 / 22 / 0 / 23

HEX #B59AC5

RGB 181 154 197

HSL 277.67, 0.27%, 0.69%

LAB 67.25, 17.99, -18.42

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 22 / 18 / 0 / 23

HEX #9AA1C5

RGB 154 161 197

HSL 230.23, 0.27%, 0.69%

LAB 66.82, 5.29, -19.28

 

CMYK 22 / 22 / 0 / 23

HEX #9A9AC5

RGB 154 154 197

HSL 240, 0.27%, 0.69%

LAB 64.97, 9.23, -22.09

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 33 / 19 / 0 / 18

HEX #8DABD2

RGB 141 171 210

HSL 213.91, 0.43%, 0.69%

LAB 69.07, -1.01, -23.12

 

CMYK 42 / 23 / 0 / 13

HEX #81AADE

RGB 129 170 222

HSL 213.55, 0.58%, 0.69%

LAB 68.53, -0.53, -30.62

 

CMYK 51 / 28 / 0 / 8

HEX #74A9EB

RGB 116 169 235

HSL 213.28, 0.75%, 0.69%

LAB 68.08, 0.62, -38.48

 

CMYK 58 / 33 / 0 / 3

HEX #67A7F8

RGB 103 167 248

HSL 213.52, 0.91%, 0.69%

LAB 67.5, 3.04, -46.53

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 9 / 5 / 0 / 28

HEX #A7AEB8

RGB 167 174 184

HSL 215.29, 0.11%, 0.69%

LAB 70.84, -0.46, -5.96

 

CMYK 0 / 2 / 5 / 29

HEX #B4B0AB

RGB 180 176 171

HSL 33.33, 0.06%, 0.69%

LAB 72.02, 0.51, 3.05

 

CMYK 0 / 8 / 18 / 25

HEX #C0B19E

RGB 192 177 158

HSL 33.53, 0.21%, 0.69%

LAB 72.97, 2.21, 11.66

 

CMYK 0 / 13 / 29 / 20

HEX #CDB392

RGB 205 179 146

HSL 33.56, 0.37%, 0.69%

LAB 74.38, 4.38, 20.31

 

CMYK 22 / 1 / 0 / 23

HEX #9AC4C5

RGB 154 196 197

HSL 181.4, 0.27%, 0.69%

LAB 76.3, -13.59, -5.08

 

CMYK 22 / 6 / 0 / 23

HEX #9AB9C5

RGB 154 185 197

HSL 196.74, 0.27%, 0.69%

LAB 73.28, -7.82, -9.55

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 22 / 18 / 0 / 23

HEX #9AA2C5

RGB 154 162 197

HSL 228.84, 0.27%, 0.69%

LAB 67.08, 4.73, -18.88

 

CMYK 20 / 22 / 0 / 23

HEX #9E9AC5

RGB 158 154 197

HSL 245.58, 0.27%, 0.69%

LAB 65.29, 10.49, -21.58

 

CMYK 39 / 22 / 0 / 35

HEX #6682A7

RGB 102 130 167

HSL 214.15, 0.27%, 0.53%

LAB 53.58, -0.36, -22.85

 

CMYK 30 / 16 / 0 / 29

HEX #8098B6

RGB 128 152 182

HSL 213.33, 0.27%, 0.61%

LAB 62.02, -1.33, -18.36

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 15 / 8 / 0 / 17

HEX #B4C2D4

RGB 180 194 212

HSL 213.75, 0.27%, 0.77%

LAB 77.9, -1.11, -10.63

 

CMYK 9 / 5 / 0 / 11

HEX #CFD8E3

RGB 207 216 227

HSL 213, 0.26%, 0.85%

LAB 85.97, -0.92, -6.45

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 6 / 22 / 0 / 23

HEX #BA9AC5

RGB 186 154 197

HSL 284.65, 0.27%, 0.69%

LAB 67.71, 19.66, -17.68

 

CMYK 4 / 0 / 22 / 23

HEX #BEC59A

RGB 190 197 154

HSL 69.77, 0.27%, 0.69%

LAB 78, -9.69, 20.81

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 0 / 22 / 12 / 23

HEX #C59AAD

RGB 197 154 173

HSL 333.49, 0.27%, 0.69%

LAB 68.02, 19.06, -3.73

 

CMYK 12 / 0 / 22 / 23

HEX #ADC59A

RGB 173 197 154

HSL 93.49, 0.27%, 0.69%

LAB 76.77, -15.94, 18.92

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 6 / 22 / 0 / 23

HEX #BA9AC5

RGB 186 154 197

HSL 284.65, 0.27%, 0.69%

LAB 67.71, 19.66, -17.68

 

CMYK 0 / 10 / 22 / 23

HEX #C5B29A

RGB 197 178 154

HSL 33.49, 0.27%, 0.69%

LAB 73.57, 2.96, 14.75

 

CMYK 16 / 0 / 22 / 23

HEX #A5C59A

RGB 165 197 154

HSL 104.65, 0.27%, 0.69%

LAB 76.23, -18.79, 18.09

 

CMYK 22 / 12 / 0 / 23

HEX #9AADC5

RGB 154 173 197

HSL 213.49, 0.27%, 0.69%

LAB 70.03, -1.34, -14.43

 

CMYK 0 / 22 / 1 / 23

HEX #C59AC3

RGB 197 154 195

HSL 302.79, 0.27%, 0.69%

LAB 68.69, 22.99, -14.98

 

CMYK 0 / 10 / 22 / 23

HEX #C5B29A

RGB 197 178 154

HSL 33.49, 0.27%, 0.69%

LAB 73.57, 2.96, 14.75

 

CMYK 22 / 0 / 21 / 23

HEX #9AC59C

RGB 154 197 156

HSL 122.79, 0.27%, 0.69%

LAB 75.58, -22.25, 16

 

Description

Color code: HEX #9AADC5 | qconv.com Color code: HEX #9AADC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 173 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 173 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 12 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 12% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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