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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A7E84 it is the complementary color #65817B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A7E84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A7E84 shade: #9F7E7F, #B09092, #C1A2A5, #D2B4B8 and #E3C6CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A7E84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A7E84 shade: #9A7E84, #896C71, #785A5E, #67484B and #563638

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A7E84 shade: #9A7E84 and #9A7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A7E84 shade: #9A7E84, #9A7E8B, #9A7E93, #997E9A and #917E9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A7E84 shade matches the following richer shades: #9A7E84, #AC6B79, #BF596F, #D14664 and #E43459

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A7E84 shade: #9A7E84, #87918E, #74A399, #62B6A4 and #4FC8AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A7E84 shade: #9A7E93, #9A7E8B, #9A7E84, #9A7F7E and #9A877E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A7E84 shade: #6E575C, #85696F, #9A7E84, #AC959A and #BEACB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A7E84 shade: #9A7E84, #9A997E and #7E8F9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A7E84 shade: #9A7E84, #849A7E and #7E849A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A7E84 shade: #9A7E84, #9A997E, #7E9A94 and #7E7E9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A7E84 shade: #9A7E84, #929A7E, #7E9A94 and #867E9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

Complementary color

CMYK 22 / 0 / 5 / 49

HEX #65817B

RGB 101 129 123

HSL 167.14, 0.12%, 0.45%

LAB 51.72, -11.34, -0.05

 

CMYK 0 / 21 / 20 / 38

HEX #9F7E7F

RGB 159 126 127

HSL 358.18, 0.15%, 0.56%

LAB 55.91, 12.89, 4.31

 

CMYK 0 / 18 / 17 / 31

HEX #B09092

RGB 176 144 146

HSL 356.25, 0.17%, 0.63%

LAB 62.72, 12.35, 3.47

 

CMYK 0 / 16 / 15 / 24

HEX #C1A2A5

RGB 193 162 165

HSL 354.19, 0.2%, 0.7%

LAB 69.39, 11.86, 2.69

 

CMYK 0 / 14 / 12 / 18

HEX #D2B4B8

RGB 210 180 184

HSL 352, 0.25%, 0.76%

LAB 75.95, 11.43, 1.96

 

CMYK 0 / 13 / 11 / 11

HEX #E3C6CB

RGB 227 198 203

HSL 349.66, 0.34%, 0.83%

LAB 82.4, 11.03, 1.26

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 0 / 21 / 18 / 46

HEX #896C71

RGB 137 108 113

HSL 349.66, 0.12%, 0.48%

LAB 48.56, 12.34, 1.61

 

CMYK 0 / 25 / 22 / 53

HEX #785A5E

RGB 120 90 94

HSL 352, 0.14%, 0.41%

LAB 41.4, 12.98, 2.49

 

CMYK 0 / 30 / 27 / 60

HEX #67484B

RGB 103 72 75

HSL 354.19, 0.18%, 0.34%

LAB 34.04, 13.73, 3.49

 

CMYK 0 / 37 / 35 / 66

HEX #563638

RGB 86 54 56

HSL 356.25, 0.23%, 0.27%

LAB 26.45, 14.65, 4.68

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 0 / 18 / 18 / 40

HEX #9A7E7E

RGB 154 126 126

HSL 0, 0.12%, 0.55%

LAB 55.38, 10.78, 4.06

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 0 / 18 / 10 / 40

HEX #9A7E8B

RGB 154 126 139

HSL 332.14, 0.12%, 0.55%

LAB 55.74, 13.03, -2.96

 

CMYK 0 / 18 / 5 / 40

HEX #9A7E93

RGB 154 126 147

HSL 315, 0.12%, 0.55%

LAB 55.99, 14.51, -7.24

 

CMYK 1 / 18 / 0 / 40

HEX #997E9A

RGB 153 126 154

HSL 297.86, 0.12%, 0.55%

LAB 56.11, 15.52, -11.11

 

CMYK 6 / 18 / 0 / 40

HEX #917E9A

RGB 145 126 154

HSL 280.71, 0.12%, 0.55%

LAB 55.35, 12.67, -12.33

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 0 / 38 / 30 / 33

HEX #AC6B79

RGB 172 107 121

HSL 347.08, 0.28%, 0.55%

LAB 52.58, 27.8, 3.2

 

CMYK 0 / 53 / 42 / 25

HEX #BF596F

RGB 191 89 111

HSL 347.06, 0.44%, 0.55%

LAB 51.12, 43.11, 7.38

 

CMYK 0 / 67 / 52 / 18

HEX #D14664

RGB 209 70 100

HSL 347.05, 0.6%, 0.55%

LAB 50.52, 56.66, 13.56

 

CMYK 0 / 77 / 61 / 11

HEX #E43459

RGB 228 52 89

HSL 347.39, 0.77%, 0.55%

LAB 51.46, 67.68, 22.05

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 7 / 0 / 2 / 43

HEX #87918E

RGB 135 145 142

HSL 162, 0.04%, 0.55%

LAB 59.3, -4.22, 0.34

 

CMYK 29 / 0 / 6 / 36

HEX #74A399

RGB 116 163 153

HSL 167.23, 0.2%, 0.55%

LAB 63.51, -17.95, 0.11

 

CMYK 46 / 0 / 10 / 29

HEX #62B6A4

RGB 98 182 164

HSL 167.14, 0.37%, 0.55%

LAB 68.56, -29.94, 1.25

 

CMYK 61 / 0 / 13 / 22

HEX #4FC8AE

RGB 79 200 174

HSL 167.11, 0.52%, 0.55%

LAB 73.56, -39.96, 2.98

 

CMYK 0 / 18 / 5 / 40

HEX #9A7E93

RGB 154 126 147

HSL 315, 0.12%, 0.55%

LAB 55.99, 14.51, -7.24

 

CMYK 0 / 18 / 10 / 40

HEX #9A7E8B

RGB 154 126 139

HSL 332.14, 0.12%, 0.55%

LAB 55.74, 13.03, -2.96

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 0 / 18 / 18 / 40

HEX #9A7F7E

RGB 154 127 126

HSL 2.14, 0.12%, 0.55%

LAB 55.64, 10.2, 4.43

 

CMYK 0 / 12 / 18 / 40

HEX #9A877E

RGB 154 135 126

HSL 19.29, 0.12%, 0.55%

LAB 57.76, 5.65, 7.46

 

CMYK 0 / 21 / 16 / 57

HEX #6E575C

RGB 110 87 92

HSL 346.96, 0.12%, 0.39%

LAB 39.42, 10.35, 0.71

 

CMYK 0 / 21 / 17 / 48

HEX #85696F

RGB 133 105 111

HSL 347.14, 0.12%, 0.47%

LAB 47.28, 12.18, 0.9

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 0 / 13 / 10 / 33

HEX #AC959A

RGB 172 149 154

HSL 346.96, 0.12%, 0.63%

LAB 63.83, 9.4, 0.52

 

CMYK 0 / 9 / 7 / 25

HEX #BEACB0

RGB 190 172 176

HSL 346.67, 0.12%, 0.71%

LAB 71.95, 7.17, 0.3

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 0 / 1 / 18 / 40

HEX #9A997E

RGB 154 153 126

HSL 57.86, 0.12%, 0.55%

LAB 62.64, -4.38, 14.35

 

CMYK 18 / 7 / 0 / 40

HEX #7E8F9A

RGB 126 143 154

HSL 203.57, 0.12%, 0.55%

LAB 58.43, -3.64, -7.88

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 14 / 0 / 18 / 40

HEX #849A7E

RGB 132 154 126

HSL 107.14, 0.12%, 0.55%

LAB 61.24, -13.27, 12.15

 

CMYK 18 / 14 / 0 / 40

HEX #7E849A

RGB 126 132 154

HSL 227.14, 0.12%, 0.55%

LAB 55.35, 2.62, -12.49

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 0 / 1 / 18 / 40

HEX #9A997E

RGB 154 153 126

HSL 57.86, 0.12%, 0.55%

LAB 62.64, -4.38, 14.35

 

CMYK 18 / 0 / 4 / 40

HEX #7E9A94

RGB 126 154 148

HSL 167.14, 0.12%, 0.55%

LAB 61.38, -11.04, -0.11

 

CMYK 18 / 18 / 0 / 40

HEX #7E7E9A

RGB 126 126 154

HSL 240, 0.12%, 0.55%

LAB 53.7, 6.1, -14.99

 

CMYK 0 / 18 / 14 / 40

HEX #9A7E84

RGB 154 126 132

HSL 347.14, 0.12%, 0.55%

LAB 55.54, 11.79, 0.81

 

CMYK 5 / 0 / 18 / 40

HEX #929A7E

RGB 146 154 126

HSL 77.14, 0.12%, 0.55%

LAB 62.28, -8.01, 13.75

 

CMYK 18 / 0 / 4 / 40

HEX #7E9A94

RGB 126 154 148

HSL 167.14, 0.12%, 0.55%

LAB 61.38, -11.04, -0.11

 

CMYK 13 / 18 / 0 / 40

HEX #867E9A

RGB 134 126 154

HSL 257.14, 0.12%, 0.55%

LAB 54.37, 8.83, -13.91

 

Description

Color code: HEX #9A7E84 | qconv.com Color code: HEX #9A7E84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 126 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 126 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 14 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 14% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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