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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A77D3 it is the complementary color #65882C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A77D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A77D3 shade: #9F77CE, #B089E1, #C19BF4, #D2ADFF and #E3BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A77D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A77D3 shade: #9A77D3, #8965C0, #7853AD, #67419A and #562F87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A77D3 shade: #9A78D3, #B378D3, #CB78D3, #D378C2 and #D378A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A77D3 shade: #9A78D3, #8278D3 and #7878D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A77D3 shade matches the following richer shades: #9A78D3, #9769E1, #935BF0 and #904CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A77D3 shade: #9A78D3, #9E86C4, #A195B6, #A5A3A7 and #A8B199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A77D3 shade: #7887D3, #8178D3, #9978D3, #B178D3 and #CA78D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A77D3 shade: #6D3DBB, #8359C9, #9A78D3, #B297DD and #C9B6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A77D3 shade: #9A77D3, #D3789F and #7BD378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A77D3 shade: #9A77D3, #D39978 and #78D399

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A77D3 shade: #9A77D3, #D3789F, #B1D378 and #78D3AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A77D3 shade: #9A77D3, #D37884, #B1D378 and #78D3C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 44 / 0 / 17

HEX #9A77D3

RGB 154 119 211

HSL 262.83, 0.51%, 0.65%

LAB 56.85, 32.68, -42.58

 

Complementary color

CMYK 26 / 0 / 68 / 47

HEX #65882C

RGB 101 136 44

HSL 82.83, 0.51%, 0.35%

LAB 52.46, -27.16, 43.75

 

CMYK 23 / 42 / 0 / 19

HEX #9F77CE

RGB 159 119 206

HSL 267.59, 0.47%, 0.64%

LAB 57.1, 32.9, -39.33

 

CMYK 22 / 39 / 0 / 12

HEX #B089E1

RGB 176 137 225

HSL 266.59, 0.59%, 0.71%

LAB 63.8, 32.1, -39.34

 

CMYK 21 / 36 / 0 / 4

HEX #C19BF4

RGB 193 155 244

HSL 265.62, 0.8%, 0.78%

LAB 70.39, 31.36, -39.38

 

CMYK 18 / 32 / 0 / 0

HEX #D2ADFF

RGB 210 173 255

HSL 267.07, 1%, 0.84%

LAB 76.56, 28.92, -35.64

 

CMYK 11 / 25 / 0 / 0

HEX #E3BFFF

RGB 227 191 255

HSL 273.75, 1%, 0.87%

LAB 82.28, 24.37, -26.72

 

CMYK 27 / 44 / 0 / 17

HEX #9A77D3

RGB 154 119 211

HSL 262.83, 0.51%, 0.65%

LAB 56.85, 32.68, -42.58

 

CMYK 29 / 47 / 0 / 25

HEX #8965C0

RGB 137 101 192

HSL 263.74, 0.42%, 0.57%

LAB 50.02, 33.59, -42.65

 

CMYK 31 / 52 / 0 / 32

HEX #7853AD

RGB 120 83 173

HSL 264.67, 0.35%, 0.5%

LAB 43.06, 34.59, -42.73

 

CMYK 33 / 58 / 0 / 40

HEX #67419A

RGB 103 65 154

HSL 265.62, 0.41%, 0.43%

LAB 35.98, 35.64, -42.81

 

CMYK 36 / 65 / 0 / 47

HEX #562F87

RGB 86 47 135

HSL 266.59, 0.48%, 0.36%

LAB 28.8, 36.69, -42.81

 

CMYK 27 / 43 / 0 / 17

HEX #9A78D3

RGB 154 120 211

HSL 262.42, 0.51%, 0.65%

LAB 57.08, 32.11, -42.21

 

CMYK 15 / 43 / 0 / 17

HEX #B378D3

RGB 179 120 211

HSL 278.9, 0.51%, 0.65%

LAB 59.63, 39.28, -38.02

 

CMYK 4 / 43 / 0 / 17

HEX #CB78D3

RGB 203 120 211

HSL 294.73, 0.51%, 0.65%

LAB 62.37, 46.36, -33.55

 

CMYK 0 / 43 / 8 / 17

HEX #D378C2

RGB 211 120 194

HSL 311.21, 0.51%, 0.65%

LAB 62.66, 45.74, -23.45

 

CMYK 0 / 43 / 20 / 17

HEX #D378A9

RGB 211 120 169

HSL 327.69, 0.51%, 0.65%

LAB 61.78, 41.74, -10.56

 

CMYK 27 / 43 / 0 / 17

HEX #9A78D3

RGB 154 120 211

HSL 262.42, 0.51%, 0.65%

LAB 57.08, 32.11, -42.21

 

CMYK 38 / 43 / 0 / 17

HEX #8278D3

RGB 130 120 211

HSL 246.59, 0.51%, 0.65%

LAB 54.95, 25.6, -45.72

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 27 / 43 / 0 / 17

HEX #9A78D3

RGB 154 120 211

HSL 262.42, 0.51%, 0.65%

LAB 57.08, 32.11, -42.21

 

CMYK 33 / 53 / 0 / 12

HEX #9769E1

RGB 151 105 225

HSL 263, 0.67%, 0.65%

LAB 54.15, 43.28, -54.77

 

CMYK 39 / 62 / 0 / 6

HEX #935BF0

RGB 147 91 240

HSL 262.55, 0.83%, 0.65%

LAB 51.81, 53.73, -66.97

 

CMYK 43 / 70 / 0 / 0

HEX #904CFE

RGB 144 76 254

HSL 262.92, 0.99%, 0.65%

LAB 49.8, 64.11, -78.06

 

CMYK 27 / 43 / 0 / 17

HEX #9A78D3

RGB 154 120 211

HSL 262.42, 0.51%, 0.65%

LAB 57.08, 32.11, -42.21

 

CMYK 19 / 32 / 0 / 23

HEX #9E86C4

RGB 158 134 196

HSL 263.23, 0.34%, 0.65%

LAB 60.16, 21.67, -28.9

 

CMYK 12 / 18 / 0 / 29

HEX #A195B6

RGB 161 149 182

HSL 261.82, 0.18%, 0.65%

LAB 63.71, 10.96, -15.55

 

CMYK 1 / 2 / 0 / 35

HEX #A5A3A7

RGB 165 163 167

HSL 270, 0.02%, 0.65%

LAB 67.26, 1.48, -1.82

 

CMYK 5 / 0 / 14 / 31

HEX #A8B199

RGB 168 177 153

HSL 82.5, 0.13%, 0.65%

LAB 70.92, -7.54, 11.21

 

CMYK 43 / 36 / 0 / 17

HEX #7887D3

RGB 120 135 211

HSL 230.11, 0.51%, 0.65%

LAB 58.06, 14.13, -40.86

 

CMYK 39 / 43 / 0 / 17

HEX #8178D3

RGB 129 120 211

HSL 245.93, 0.51%, 0.65%

LAB 54.87, 25.34, -45.85

 

CMYK 27 / 43 / 0 / 17

HEX #9978D3

RGB 153 120 211

HSL 261.76, 0.51%, 0.65%

LAB 56.99, 31.83, -42.37

 

CMYK 16 / 43 / 0 / 17

HEX #B178D3

RGB 177 120 211

HSL 277.58, 0.51%, 0.65%

LAB 59.42, 38.7, -38.37

 

CMYK 4 / 43 / 0 / 17

HEX #CA78D3

RGB 202 120 211

HSL 294.07, 0.51%, 0.65%

LAB 62.25, 46.06, -33.75

 

CMYK 42 / 67 / 0 / 27

HEX #6D3DBB

RGB 109 61 187

HSL 262.86, 0.51%, 0.49%

LAB 38.16, 47.97, -58.93

 

CMYK 35 / 56 / 0 / 21

HEX #8359C9

RGB 131 89 201

HSL 262.5, 0.51%, 0.57%

LAB 47.22, 41.21, -52.33

 

CMYK 27 / 43 / 0 / 17

HEX #9A78D3

RGB 154 120 211

HSL 262.42, 0.51%, 0.65%

LAB 57.08, 32.11, -42.21

 

CMYK 19 / 32 / 0 / 13

HEX #B297DD

RGB 178 151 221

HSL 263.14, 0.51%, 0.73%

LAB 67.14, 23.91, -31.92

 

CMYK 13 / 21 / 0 / 9

HEX #C9B6E7

RGB 201 182 231

HSL 263.27, 0.51%, 0.81%

LAB 77.07, 16.11, -21.99

 

CMYK 27 / 44 / 0 / 17

HEX #9A77D3

RGB 154 119 211

HSL 262.83, 0.51%, 0.65%

LAB 56.85, 32.68, -42.58

 

CMYK 0 / 43 / 25 / 17

HEX #D3789F

RGB 211 120 159

HSL 334.29, 0.51%, 0.65%

LAB 61.47, 40.27, -5.3

 

CMYK 42 / 0 / 43 / 17

HEX #7BD378

RGB 123 211 120

HSL 118.02, 0.51%, 0.65%

LAB 77.37, -44.59, 36.91

 

CMYK 27 / 44 / 0 / 17

HEX #9A77D3

RGB 154 119 211

HSL 262.83, 0.51%, 0.65%

LAB 56.85, 32.68, -42.58

 

CMYK 0 / 27 / 43 / 17

HEX #D39978

RGB 211 153 120

HSL 21.76, 0.51%, 0.65%

LAB 68.01, 17.65, 25.9

 

CMYK 43 / 0 / 27 / 17

HEX #78D399

RGB 120 211 153

HSL 141.76, 0.51%, 0.65%

LAB 77.8, -39.94, 20.42

 

CMYK 27 / 44 / 0 / 17

HEX #9A77D3

RGB 154 119 211

HSL 262.83, 0.51%, 0.65%

LAB 56.85, 32.68, -42.58

 

CMYK 0 / 43 / 25 / 17

HEX #D3789F

RGB 211 120 159

HSL 334.29, 0.51%, 0.65%

LAB 61.47, 40.27, -5.3

 

CMYK 16 / 0 / 43 / 17

HEX #B1D378

RGB 177 211 120

HSL 82.42, 0.51%, 0.65%

LAB 80.34, -26.11, 41.29

 

CMYK 43 / 0 / 19 / 17

HEX #78D3AB

RGB 120 211 171

HSL 153.63, 0.51%, 0.65%

LAB 78.18, -36.36, 11.41

 

CMYK 27 / 44 / 0 / 17

HEX #9A77D3

RGB 154 119 211

HSL 262.83, 0.51%, 0.65%

LAB 56.85, 32.68, -42.58

 

CMYK 0 / 43 / 37 / 17

HEX #D37884

RGB 211 120 132

HSL 352.09, 0.51%, 0.65%

LAB 60.74, 36.76, 9.14

 

CMYK 16 / 0 / 43 / 17

HEX #B1D378

RGB 177 211 120

HSL 82.42, 0.51%, 0.65%

LAB 80.34, -26.11, 41.29

 

CMYK 43 / 0 / 6 / 17

HEX #78D3C7

RGB 120 211 199

HSL 172.09, 0.51%, 0.65%

LAB 78.87, -30.07, -2.57

 

Description

Color code: HEX #9A77D3 | qconv.com Color code: HEX #9A77D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 119 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 119 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 44 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 44% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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