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Color name
HEX #9A4D13

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A4D13 it is the complementary color #65B2EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A4D13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A4D13 shade: #9F4D0E, #B05F21, #C17134, #D28347 and #E3955A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A4D13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A4D13 shade: #9A4D13, #893B00, #782900, #671700 and #560500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A4D13 shade: #9A4D13, #9A2813 and #9A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A4D13 shade: #9A4D13, #9A7113, #9A9613, #7A9A13 and #559A13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A4D13 shade matches the following richer shades: #9A4D13 and #A84B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A4D13 shade: #9A4D13, #8C4F21, #7E512F, #70533D and #62554B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A4D13 shade: #9A1322, #9A2713, #9A4B13, #9A6F13 and #9A9313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A4D13 shade: #502809, #753A0E, #9A4D13, #BF5F17 and #E3721C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A4D13 shade: #9A4D13, #469A13 and #15139A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A4D13 shade: #9A4D13, #139A4B and #4B139A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A4D13 shade: #9A4D13, #469A13, #13619A and #66139A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A4D13 shade: #9A4D13, #1E9A13, #13619A and #8F139A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

Complementary color

CMYK 57 / 25 / 0 / 7

HEX #65B2EC

RGB 101 178 236

HSL 205.78, 0.78%, 0.66%

LAB 69.94, -7.24, -36.19

 

CMYK 0 / 52 / 91 / 38

HEX #9F4D0E

RGB 159 77 14

HSL 26.07, 0.84%, 0.34%

LAB 42.32, 30.49, 48.04

 

CMYK 0 / 46 / 81 / 31

HEX #B05F21

RGB 176 95 33

HSL 26.01, 0.68%, 0.41%

LAB 48.91, 28.45, 47.45

 

CMYK 0 / 41 / 73 / 24

HEX #C17134

RGB 193 113 52

HSL 25.96, 0.58%, 0.48%

LAB 55.48, 26.64, 46.04

 

CMYK 0 / 38 / 66 / 18

HEX #D28347

RGB 210 131 71

HSL 25.9, 0.61%, 0.55%

LAB 61.99, 25.04, 44.41

 

CMYK 0 / 34 / 60 / 11

HEX #E3955A

RGB 227 149 90

HSL 25.84, 0.71%, 0.62%

LAB 68.43, 23.64, 42.78

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 57 / 100 / 46

HEX #893B00

RGB 137 59 0

HSL 25.84, 1%, 0.27%

LAB 34.9, 30.62, 45.81

 

CMYK 0 / 66 / 100 / 53

HEX #782900

RGB 120 41 0

HSL 20.5, 1%, 0.24%

LAB 28.32, 32.88, 39.87

 

CMYK 0 / 78 / 100 / 60

HEX #671700

RGB 103 23 0

HSL 13.4, 1%, 0.2%

LAB 21.93, 34.48, 32.61

 

CMYK 0 / 94 / 100 / 66

HEX #560500

RGB 86 5 0

HSL 3.49, 1%, 0.17%

LAB 15.94, 34.68, 24.65

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 74 / 88 / 40

HEX #9A2813

RGB 154 40 19

HSL 9.33, 0.78%, 0.34%

LAB 34.87, 46.05, 39.81

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 27 / 88 / 40

HEX #9A7113

RGB 154 113 19

HSL 41.78, 0.78%, 0.34%

LAB 50.37, 8.07, 52.63

 

CMYK 0 / 3 / 88 / 40

HEX #9A9613

RGB 154 150 19

HSL 58.22, 0.78%, 0.34%

LAB 60.54, -12.36, 60.94

 

CMYK 21 / 0 / 88 / 40

HEX #7A9A13

RGB 122 154 19

HSL 74.22, 0.78%, 0.34%

LAB 59.25, -28.44, 58.86

 

CMYK 45 / 0 / 88 / 40

HEX #559A13

RGB 85 154 19

HSL 90.67, 0.78%, 0.34%

LAB 57.16, -42.66, 56.25

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 55 / 97 / 34

HEX #A84B05

RGB 168 75 5

HSL 25.77, 0.94%, 0.34%

LAB 43.31, 35.11, 51.9

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 44 / 76 / 45

HEX #8C4F21

RGB 140 79 33

HSL 25.79, 0.62%, 0.34%

LAB 40.04, 21.77, 37.01

 

CMYK 0 / 36 / 63 / 51

HEX #7E512F

RGB 126 81 47

HSL 25.82, 0.46%, 0.34%

LAB 38.77, 15.17, 27.48

 

CMYK 0 / 26 / 46 / 56

HEX #70533D

RGB 112 83 61

HSL 25.88, 0.29%, 0.34%

LAB 37.79, 8.97, 17.57

 

CMYK 0 / 13 / 23 / 62

HEX #62554B

RGB 98 85 75

HSL 26.09, 0.13%, 0.34%

LAB 37.12, 3.54, 7.79

 

CMYK 0 / 88 / 78 / 40

HEX #9A1322

RGB 154 19 34

HSL 353.33, 0.78%, 0.34%

LAB 32.81, 52.7, 29.51

 

CMYK 0 / 75 / 88 / 40

HEX #9A2713

RGB 154 39 19

HSL 8.89, 0.78%, 0.34%

LAB 34.74, 46.42, 39.7

 

CMYK 0 / 51 / 88 / 40

HEX #9A4B13

RGB 154 75 19

HSL 24.89, 0.78%, 0.34%

LAB 41.14, 29.57, 45.03

 

CMYK 0 / 28 / 88 / 40

HEX #9A6F13

RGB 154 111 19

HSL 40.89, 0.78%, 0.34%

LAB 49.84, 9.21, 52.2

 

CMYK 0 / 5 / 88 / 40

HEX #9A9313

RGB 154 147 19

HSL 56.89, 0.78%, 0.34%

LAB 59.69, -10.77, 60.25

 

CMYK 0 / 50 / 89 / 69

HEX #502809

RGB 80 40 9

HSL 26.2, 0.8%, 0.17%

LAB 20.99, 16.14, 26.65

 

CMYK 0 / 50 / 88 / 54

HEX #753A0E

RGB 117 58 14

HSL 25.63, 0.79%, 0.26%

LAB 31.44, 22.81, 36.49

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 0 / 50 / 88 / 25

HEX #BF5F17

RGB 191 95 23

HSL 25.71, 0.79%, 0.42%

LAB 51.06, 34.4, 54.01

 

CMYK 0 / 50 / 88 / 11

HEX #E3721C

RGB 227 114 28

HSL 25.93, 0.78%, 0.5%

LAB 60.29, 39.19, 61.92

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 55 / 0 / 88 / 40

HEX #469A13

RGB 70 154 19

HSL 97.33, 0.78%, 0.34%

LAB 56.55, -47.39, 55.48

 

CMYK 86 / 88 / 0 / 40

HEX #15139A

RGB 21 19 154

HSL 240.89, 0.78%, 0.34%

LAB 19.88, 48.51, -69.44

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 88 / 0 / 51 / 40

HEX #139A4B

RGB 19 154 75

HSL 144.89, 0.78%, 0.34%

LAB 55.84, -51.44, 32

 

CMYK 51 / 88 / 0 / 40

HEX #4B139A

RGB 75 19 154

HSL 264.89, 0.78%, 0.34%

LAB 24.62, 52.52, -61.43

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 55 / 0 / 88 / 40

HEX #469A13

RGB 70 154 19

HSL 97.33, 0.78%, 0.34%

LAB 56.55, -47.39, 55.48

 

CMYK 88 / 37 / 0 / 40

HEX #13619A

RGB 19 97 154

HSL 205.33, 0.78%, 0.34%

LAB 39.62, -0.76, -37.29

 

CMYK 34 / 88 / 0 / 40

HEX #66139A

RGB 102 19 154

HSL 276.89, 0.78%, 0.34%

LAB 28.44, 56.06, -55.02

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 81 / 0 / 88 / 40

HEX #1E9A13

RGB 30 154 19

HSL 115.11, 0.78%, 0.34%

LAB 55.52, -55.98, 54.18

 

CMYK 88 / 37 / 0 / 40

HEX #13619A

RGB 19 97 154

HSL 205.33, 0.78%, 0.34%

LAB 39.62, -0.76, -37.29

 

CMYK 7 / 88 / 0 / 40

HEX #8F139A

RGB 143 19 154

HSL 295.11, 0.78%, 0.34%

LAB 35.28, 62.84, -43.62

 

Description

Color code: HEX #9A4D13 | qconv.com Color code: HEX #9A4D13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 77 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 77 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 88 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 88% 40% C M Y K

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Provide designers and agencies with accurate color values.

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