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Color name
HEX #9A4085

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A4085 it is the complementary color #65BF7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A4085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A4085 shade: #9F4080, #B05293, #C164A6, #D276B9 and #E388CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A4085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A4085 shade: #9A4085, #892E72, #781C5F, #670A4C and #560039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A4085 shade: #9A4085, #9A406D, #9A4055 and #9A4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A4085 shade: #9A4085, #97409A, #7F409A, #66409A and #4E409A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A4085 shade matches the following richer shades: #9A4085, #AC2E8F, #BE1D98 and #CF0BA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A4085 shade: #9A4085, #88527C, #776472, #657569 and #53875F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A4085 shade: #7F409A, #97409A, #9A4085, #9A406D and #9A4055

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A4085 shade: #602853, #7D346C, #9A4085, #B54F9D and #C16CAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A4085 shade: #9A4085, #9A6740 and #409A8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A4085 shade: #9A4085, #859A40 and #40859A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A4085 shade: #9A4085, #9A6740, #409A55 and #40739A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A4085 shade: #9A4085, #9A8240, #409A55 and #40589A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

Complementary color

CMYK 47 / 0 / 36 / 25

HEX #65BF7A

RGB 101 191 122

HSL 134, 0.41%, 0.57%

LAB 70.48, -42.01, 26.7

 

CMYK 0 / 60 / 19 / 38

HEX #9F4080

RGB 159 64 128

HSL 319.58, 0.43%, 0.44%

LAB 42.15, 46.89, -16.74

 

CMYK 0 / 53 / 16 / 31

HEX #B05293

RGB 176 82 147

HSL 318.51, 0.37%, 0.51%

LAB 48.72, 46.37, -17.93

 

CMYK 0 / 48 / 14 / 24

HEX #C164A6

RGB 193 100 166

HSL 317.42, 0.43%, 0.57%

LAB 55.28, 45.7, -18.88

 

CMYK 0 / 44 / 12 / 18

HEX #D276B9

RGB 210 118 185

HSL 316.3, 0.51%, 0.64%

LAB 61.79, 44.96, -19.68

 

CMYK 0 / 40 / 10 / 11

HEX #E388CC

RGB 227 136 204

HSL 315.16, 0.62%, 0.71%

LAB 68.24, 44.21, -20.36

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 66 / 17 / 46

HEX #892E72

RGB 137 46 114

HSL 315.16, 0.5%, 0.36%

LAB 34.98, 46.39, -19.38

 

CMYK 0 / 77 / 21 / 53

HEX #781C5F

RGB 120 28 95

HSL 316.3, 0.62%, 0.29%

LAB 28.51, 45.95, -17.46

 

CMYK 0 / 90 / 26 / 60

HEX #670A4C

RGB 103 10 76

HSL 317.42, 0.82%, 0.22%

LAB 22.38, 44.21, -14.58

 

CMYK 0 / 100 / 34 / 66

HEX #560039

RGB 86 0 57

HSL 320.23, 1%, 0.17%

LAB 16.86, 40.25, -10.2

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 58 / 29 / 40

HEX #9A406D

RGB 154 64 109

HSL 330, 0.41%, 0.43%

LAB 40.64, 42.57, -7.38

 

CMYK 0 / 58 / 45 / 40

HEX #9A4055

RGB 154 64 85

HSL 346, 0.41%, 0.43%

LAB 39.9, 39.64, 6.54

 

CMYK 0 / 58 / 58 / 40

HEX #9A4040

RGB 154 64 64

HSL 0, 0.41%, 0.43%

LAB 39.42, 37.67, 19

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 2 / 58 / 0 / 40

HEX #97409A

RGB 151 64 154

HSL 298, 0.41%, 0.43%

LAB 42.12, 48.98, -32.65

 

CMYK 18 / 58 / 0 / 40

HEX #7F409A

RGB 127 64 154

HSL 282, 0.41%, 0.43%

LAB 38.75, 42.49, -38.22

 

CMYK 34 / 58 / 0 / 40

HEX #66409A

RGB 102 64 154

HSL 265.33, 0.41%, 0.43%

LAB 35.64, 35.97, -43.35

 

CMYK 49 / 58 / 0 / 40

HEX #4E409A

RGB 78 64 154

HSL 249.33, 0.41%, 0.43%

LAB 33.18, 30.26, -47.45

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 73 / 17 / 33

HEX #AC2E8F

RGB 172 46 143

HSL 313.81, 0.58%, 0.43%

LAB 42.32, 59.97, -25.46

 

CMYK 0 / 85 / 20 / 25

HEX #BE1D98

RGB 190 29 152

HSL 314.16, 0.74%, 0.43%

LAB 44.37, 69.87, -27.47

 

CMYK 0 / 95 / 22 / 19

HEX #CF0BA2

RGB 207 11 162

HSL 313.78, 0.9%, 0.43%

LAB 47.12, 77.1, -28.93

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 40 / 9 / 47

HEX #88527C

RGB 136 82 124

HSL 313.33, 0.25%, 0.43%

LAB 42.34, 29.17, -14.29

 

CMYK 0 / 16 / 4 / 53

HEX #776472

RGB 119 100 114

HSL 315.79, 0.09%, 0.43%

LAB 44.59, 10.24, -5.03

 

CMYK 14 / 0 / 10 / 54

HEX #657569

RGB 101 117 105

HSL 135, 0.07%, 0.43%

LAB 47.64, -8.5, 4.62

 

CMYK 39 / 0 / 30 / 47

HEX #53875F

RGB 83 135 95

HSL 133.85, 0.24%, 0.43%

LAB 51.83, -26.46, 16.17

 

CMYK 18 / 58 / 0 / 40

HEX #7F409A

RGB 127 64 154

HSL 282, 0.41%, 0.43%

LAB 38.75, 42.49, -38.22

 

CMYK 2 / 58 / 0 / 40

HEX #97409A

RGB 151 64 154

HSL 298, 0.41%, 0.43%

LAB 42.12, 48.98, -32.65

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 58 / 29 / 40

HEX #9A406D

RGB 154 64 109

HSL 330, 0.41%, 0.43%

LAB 40.64, 42.57, -7.38

 

CMYK 0 / 58 / 45 / 40

HEX #9A4055

RGB 154 64 85

HSL 346, 0.41%, 0.43%

LAB 39.9, 39.64, 6.54

 

CMYK 0 / 58 / 14 / 62

HEX #602853

RGB 96 40 83

HSL 313.93, 0.41%, 0.27%

LAB 25.65, 31.48, -14.33

 

CMYK 0 / 58 / 14 / 51

HEX #7D346C

RGB 125 52 108

HSL 313.97, 0.41%, 0.35%

LAB 33.77, 39.01, -17.62

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 56 / 13 / 29

HEX #B54F9D

RGB 181 79 157

HSL 314.12, 0.41%, 0.51%

LAB 49.31, 50.92, -22.9

 

CMYK 0 / 44 / 10 / 24

HEX #C16CAD

RGB 193 108 173

HSL 314.12, 0.41%, 0.59%

LAB 57.15, 42.72, -20.08

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 33 / 58 / 40

HEX #9A6740

RGB 154 103 64

HSL 26, 0.41%, 0.43%

LAB 48.19, 16.22, 30.11

 

CMYK 58 / 0 / 10 / 40

HEX #409A8B

RGB 64 154 139

HSL 170, 0.41%, 0.43%

LAB 58.1, -30.52, -0.17

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 14 / 0 / 58 / 40

HEX #859A40

RGB 133 154 64

HSL 74, 0.41%, 0.43%

LAB 60.31, -21.21, 43.88

 

CMYK 58 / 14 / 0 / 40

HEX #40859A

RGB 64 133 154

HSL 194, 0.41%, 0.43%

LAB 52.06, -15.38, -17.82

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 33 / 58 / 40

HEX #9A6740

RGB 154 103 64

HSL 26, 0.41%, 0.43%

LAB 48.19, 16.22, 30.11

 

CMYK 58 / 0 / 45 / 40

HEX #409A55

RGB 64 154 85

HSL 134, 0.41%, 0.43%

LAB 56.94, -42.33, 28.33

 

CMYK 58 / 25 / 0 / 40

HEX #40739A

RGB 64 115 154

HSL 206, 0.41%, 0.43%

LAB 46.56, -5.1, -26.29

 

CMYK 0 / 58 / 14 / 40

HEX #9A4085

RGB 154 64 133

HSL 314, 0.41%, 0.43%

LAB 41.58, 46.17, -20.74

 

CMYK 0 / 16 / 58 / 40

HEX #9A8240

RGB 154 130 64

HSL 44, 0.41%, 0.43%

LAB 55.28, 0.83, 38.59

 

CMYK 58 / 0 / 45 / 40

HEX #409A55

RGB 64 154 85

HSL 134, 0.41%, 0.43%

LAB 56.94, -42.33, 28.33

 

CMYK 58 / 43 / 0 / 40

HEX #40589A

RGB 64 88 154

HSL 224, 0.41%, 0.43%

LAB 38.56, 11.69, -38.88

 

Description

Color code: HEX #9A4085 | qconv.com Color code: HEX #9A4085 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 64 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 64 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 14 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 14% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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