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Color name
HEX #9A20A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A20A2 it is the complementary color #65DF5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A20A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A20A2 shade: #9F209D, #B032B0, #C144C3, #D256D6 and #E368E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A20A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A20A2 shade: #9A20A2, #890E8F, #78007C, #670069 and #560056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A20A2 shade: #991FA1, #A11F86, #A11F63, #A11F40 and #A11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A20A2 shade: #991FA1, #761FA1, #531FA1, #301FA1 and #1F1FA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A20A2 shade matches the following richer shades: #991FA1, #A710B1 and #B500C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A20A2 shade: #991FA1, #8C2F92, #7E3F82, #704F72 and #625E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A20A2 shade: #531FA1, #761FA1, #991FA1, #A11F87 and #A11F65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A20A2 shade: #58125C, #79197F, #991FA1, #BA26C4 and #CE3BD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A20A2 shade: #9A20A2, #A1311F and #1FA165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A20A2 shade: #9A20A2, #A1991F and #1FA199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A20A2 shade: #9A20A2, #A1311F, #28A11F and #1F90A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A20A2 shade: #9A20A2, #A1581F, #28A11F and #1F69A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 80 / 0 / 36

HEX #9A20A2

RGB 154 32 162

HSL 296.31, 0.67%, 0.38%

LAB 38.75, 63.22, -42.79

 

Complementary color

CMYK 55 / 0 / 58 / 13

HEX #65DF5D

RGB 101 223 93

HSL 116.31, 0.67%, 0.62%

LAB 79.8, -58.95, 52.54

 

CMYK 0 / 80 / 1 / 38

HEX #9F209D

RGB 159 32 157

HSL 300.94, 0.66%, 0.37%

LAB 39.31, 63.4, -38.84

 

CMYK 0 / 72 / 0 / 31

HEX #B032B0

RGB 176 50 176

HSL 300, 0.56%, 0.44%

LAB 45.15, 64.65, -40.72

 

CMYK 1 / 65 / 0 / 24

HEX #C144C3

RGB 193 68 195

HSL 299.06, 0.51%, 0.52%

LAB 51.17, 65.11, -42.1

 

CMYK 2 / 60 / 0 / 16

HEX #D256D6

RGB 210 86 214

HSL 298.13, 0.61%, 0.59%

LAB 57.28, 65.1, -43.14

 

CMYK 3 / 55 / 0 / 9

HEX #E368E9

RGB 227 104 233

HSL 297.21, 0.75%, 0.66%

LAB 63.44, 64.79, -43.95

 

CMYK 5 / 80 / 0 / 36

HEX #9A20A2

RGB 154 32 162

HSL 296.31, 0.67%, 0.38%

LAB 38.75, 63.22, -42.79

 

CMYK 4 / 90 / 0 / 44

HEX #890E8F

RGB 137 14 143

HSL 297.21, 0.82%, 0.31%

LAB 33.17, 60.83, -40.32

 

CMYK 3 / 100 / 0 / 51

HEX #78007C

RGB 120 0 124

HSL 298.06, 1%, 0.24%

LAB 27.98, 56.91, -36.95

 

CMYK 2 / 100 / 0 / 59

HEX #670069

RGB 103 0 105

HSL 298.86, 1%, 0.21%

LAB 23.35, 50.81, -32.35

 

CMYK 0 / 100 / 0 / 66

HEX #560056

RGB 86 0 86

HSL 300, 1%, 0.17%

LAB 18.59, 44.53, -27.57

 

CMYK 5 / 81 / 0 / 37

HEX #991FA1

RGB 153 31 161

HSL 296.31, 0.68%, 0.38%

LAB 38.42, 63.12, -42.72

 

CMYK 0 / 81 / 17 / 37

HEX #A11F86

RGB 161 31 134

HSL 312.46, 0.68%, 0.38%

LAB 38.34, 60.64, -26.3

 

CMYK 0 / 81 / 39 / 37

HEX #A11F63

RGB 161 31 99

HSL 328.62, 0.68%, 0.38%

LAB 36.85, 56.32, -6.62

 

CMYK 0 / 81 / 60 / 37

HEX #A11F40

RGB 161 31 64

HSL 344.77, 0.68%, 0.38%

LAB 35.84, 53.26, 14.46

 

CMYK 0 / 81 / 81 / 37

HEX #A11F1F

RGB 161 31 31

HSL 0, 0.68%, 0.38%

LAB 35.31, 51.61, 34.38

 

CMYK 5 / 81 / 0 / 37

HEX #991FA1

RGB 153 31 161

HSL 296.31, 0.68%, 0.38%

LAB 38.42, 63.12, -42.72

 

CMYK 27 / 81 / 0 / 37

HEX #761FA1

RGB 118 31 161

HSL 280.15, 0.68%, 0.38%

LAB 32.71, 56.55, -52.22

 

CMYK 48 / 81 / 0 / 37

HEX #531FA1

RGB 83 31 161

HSL 264, 0.68%, 0.38%

LAB 27.82, 50.94, -60.4

 

CMYK 70 / 81 / 0 / 37

HEX #301FA1

RGB 48 31 161

HSL 247.85, 0.68%, 0.38%

LAB 24.26, 46.86, -66.4

 

CMYK 81 / 81 / 0 / 37

HEX #1F1FA1

RGB 31 31 161

HSL 240, 0.68%, 0.38%

LAB 23.15, 45.59, -68.27

 

CMYK 5 / 81 / 0 / 37

HEX #991FA1

RGB 153 31 161

HSL 296.31, 0.68%, 0.38%

LAB 38.42, 63.12, -42.72

 

CMYK 6 / 91 / 0 / 31

HEX #A710B1

RGB 167 16 177

HSL 296.27, 0.83%, 0.38%

LAB 40.83, 71.31, -48.29

 

CMYK 6 / 100 / 0 / 24

HEX #B500C1

RGB 181 0 193

HSL 296.27, 1%, 0.38%

LAB 43.76, 77.78, -52.87

 

CMYK 5 / 81 / 0 / 37

HEX #991FA1

RGB 153 31 161

HSL 296.31, 0.68%, 0.38%

LAB 38.42, 63.12, -42.72

 

CMYK 4 / 68 / 0 / 43

HEX #8C2F92

RGB 140 47 146

HSL 296.36, 0.51%, 0.38%

LAB 37.27, 52.22, -35.59

 

CMYK 3 / 52 / 0 / 49

HEX #7E3F82

RGB 126 63 130

HSL 296.42, 0.35%, 0.38%

LAB 37.12, 37.66, -26.15

 

CMYK 2 / 31 / 0 / 55

HEX #704F72

RGB 112 79 114

HSL 296.57, 0.18%, 0.38%

LAB 38.29, 20.36, -14.59

 

CMYK 1 / 5 / 0 / 61

HEX #625E63

RGB 98 94 99

HSL 288, 0.03%, 0.38%

LAB 40.41, 2.63, -2.29

 

CMYK 48 / 81 / 0 / 37

HEX #531FA1

RGB 83 31 161

HSL 264, 0.68%, 0.38%

LAB 27.82, 50.94, -60.4

 

CMYK 27 / 81 / 0 / 37

HEX #761FA1

RGB 118 31 161

HSL 280.15, 0.68%, 0.38%

LAB 32.71, 56.55, -52.22

 

CMYK 5 / 81 / 0 / 37

HEX #991FA1

RGB 153 31 161

HSL 296.31, 0.68%, 0.38%

LAB 38.42, 63.12, -42.72

 

CMYK 0 / 81 / 16 / 37

HEX #A11F87

RGB 161 31 135

HSL 312, 0.68%, 0.38%

LAB 38.39, 60.78, -26.84

 

CMYK 0 / 81 / 37 / 37

HEX #A11F65

RGB 161 31 101

HSL 327.69, 0.68%, 0.38%

LAB 36.92, 56.53, -7.79

 

CMYK 4 / 80 / 0 / 64

HEX #58125C

RGB 88 18 92

HSL 296.76, 0.67%, 0.22%

LAB 21.13, 40.92, -27.5

 

CMYK 5 / 80 / 0 / 50

HEX #79197F

RGB 121 25 127

HSL 296.47, 0.67%, 0.3%

LAB 30.14, 52.4, -35.37

 

CMYK 5 / 81 / 0 / 37

HEX #991FA1

RGB 153 31 161

HSL 296.31, 0.68%, 0.38%

LAB 38.42, 63.12, -42.72

 

CMYK 5 / 81 / 0 / 23

HEX #BA26C4

RGB 186 38 196

HSL 296.2, 0.68%, 0.46%

LAB 46.73, 73.46, -49.82

 

CMYK 5 / 73 / 0 / 15

HEX #CE3BD8

RGB 206 59 216

HSL 296.18, 0.67%, 0.54%

LAB 53.18, 74.68, -50.83

 

CMYK 5 / 80 / 0 / 36

HEX #9A20A2

RGB 154 32 162

HSL 296.31, 0.67%, 0.38%

LAB 38.75, 63.22, -42.79

 

CMYK 0 / 70 / 81 / 37

HEX #A1311F

RGB 161 49 31

HSL 8.31, 0.68%, 0.38%

LAB 37.61, 45.24, 36.7

 

CMYK 81 / 0 / 37 / 37

HEX #1FA165

RGB 31 161 101

HSL 152.31, 0.68%, 0.38%

LAB 58.71, -47.95, 21.88

 

CMYK 5 / 80 / 0 / 36

HEX #9A20A2

RGB 154 32 162

HSL 296.31, 0.67%, 0.38%

LAB 38.75, 63.22, -42.79

 

CMYK 0 / 5 / 81 / 37

HEX #A1991F

RGB 161 153 31

HSL 56.31, 0.68%, 0.38%

LAB 62.05, -10.44, 59.37

 

CMYK 81 / 0 / 5 / 37

HEX #1FA199

RGB 31 161 153

HSL 176.31, 0.68%, 0.38%

LAB 59.96, -34.76, -5.45

 

CMYK 5 / 80 / 0 / 36

HEX #9A20A2

RGB 154 32 162

HSL 296.31, 0.67%, 0.38%

LAB 38.75, 63.22, -42.79

 

CMYK 0 / 70 / 81 / 37

HEX #A1311F

RGB 161 49 31

HSL 8.31, 0.68%, 0.38%

LAB 37.61, 45.24, 36.7

 

CMYK 75 / 0 / 81 / 37

HEX #28A11F

RGB 40 161 31

HSL 115.85, 0.68%, 0.38%

LAB 58.07, -56.07, 53.38

 

CMYK 81 / 11 / 0 / 37

HEX #1F90A1

RGB 31 144 161

HSL 187.85, 0.68%, 0.38%

LAB 54.88, -23.95, -17.65

 

CMYK 5 / 80 / 0 / 36

HEX #9A20A2

RGB 154 32 162

HSL 296.31, 0.67%, 0.38%

LAB 38.75, 63.22, -42.79

 

CMYK 0 / 45 / 81 / 37

HEX #A1581F

RGB 161 88 31

HSL 26.31, 0.68%, 0.38%

LAB 45.16, 25.81, 44.03

 

CMYK 75 / 0 / 81 / 37

HEX #28A11F

RGB 40 161 31

HSL 115.85, 0.68%, 0.38%

LAB 58.07, -56.07, 53.38

 

CMYK 81 / 35 / 0 / 37

HEX #1F69A1

RGB 31 105 161

HSL 205.85, 0.68%, 0.38%

LAB 42.71, -1.9, -36.53

 

Description

Color code: HEX #9A20A2 | qconv.com Color code: HEX #9A20A2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 32 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 32 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 80 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 80% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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