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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A1EC1 it is the complementary color #65E13E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A1EC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A1EC1 shade: #9F1EBC, #B030CF, #C142E2, #D254F5 and #E366FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A1EC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A1EC1 shade: #9A1EC1, #890CAE, #78009B, #670088 and #560075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A1EC1 shade: #9A1EC2, #C21EBD, #C21E90, #C21E64 and #C21E38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A1EC1 shade: #9A1EC2, #6E1EC2, #421EC2 and #1E1EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A1EC1 shade matches the following richer shades: #9A1EC2 and #A40CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A1EC1 shade: #9A1EC2, #9130AF, #87429D, #7E548B and #756679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A1EC1 shade: #411EC2, #6D1EC2, #991EC2, #C21EBF and #C21E93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A1EC1 shade: #61137A, #7E189E, #9A1EC2, #B32BDE and #C04FE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A1EC1 shade: #9A1EC1, #C21E26 and #1EC257

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A1EC1 shade: #9A1EC1, #C2991E and #1EC299

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A1EC1 shade: #9A1EC1, #C21E26, #47C21E and #1EC2B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A1EC1 shade: #9A1EC1, #C2471E, #47C21E and #1E99C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 84 / 0 / 24

HEX #9A1EC1

RGB 154 30 193

HSL 285.64, 0.73%, 0.44%

LAB 40.65, 69.25, -58.12

 

Complementary color

CMYK 55 / 0 / 72 / 12

HEX #65E13E

RGB 101 225 62

HSL 105.64, 0.73%, 0.56%

LAB 80.16, -62.49, 65.32

 

CMYK 15 / 84 / 0 / 26

HEX #9F1EBC

RGB 159 30 188

HSL 288.99, 0.72%, 0.43%

LAB 41.11, 69.18, -54.41

 

CMYK 15 / 77 / 0 / 19

HEX #B030CF

RGB 176 48 207

HSL 288.3, 0.62%, 0.5%

LAB 46.78, 70.69, -56.19

 

CMYK 15 / 71 / 0 / 11

HEX #C142E2

RGB 193 66 226

HSL 287.63, 0.73%, 0.57%

LAB 52.65, 71.37, -57.46

 

CMYK 14 / 66 / 0 / 4

HEX #D254F5

RGB 210 84 245

HSL 286.96, 0.89%, 0.65%

LAB 58.63, 71.52, -58.38

 

CMYK 11 / 60 / 0 / 0

HEX #E366FF

RGB 227 102 255

HSL 289.02, 1%, 0.7%

LAB 64.2, 69.63, -54.89

 

CMYK 20 / 84 / 0 / 24

HEX #9A1EC1

RGB 154 30 193

HSL 285.64, 0.73%, 0.44%

LAB 40.65, 69.25, -58.12

 

CMYK 21 / 93 / 0 / 32

HEX #890CAE

RGB 137 12 174

HSL 286.3, 0.87%, 0.36%

LAB 35.28, 66.58, -55.73

 

CMYK 23 / 100 / 0 / 39

HEX #78009B

RGB 120 0 155

HSL 286.45, 1%, 0.3%

LAB 30.3, 62.34, -52.47

 

CMYK 24 / 100 / 0 / 47

HEX #670088

RGB 103 0 136

HSL 285.44, 1%, 0.27%

LAB 25.75, 56.39, -48.27

 

CMYK 26 / 100 / 0 / 54

HEX #560075

RGB 86 0 117

HSL 284.1, 1%, 0.23%

LAB 21.07, 50.3, -43.97

 

CMYK 21 / 85 / 0 / 24

HEX #9A1EC2

RGB 154 30 194

HSL 285.37, 0.73%, 0.44%

LAB 40.72, 69.44, -58.59

 

CMYK 0 / 85 / 3 / 24

HEX #C21EBD

RGB 194 30 189

HSL 301.83, 0.73%, 0.44%

LAB 47.07, 75.62, -45.11

 

CMYK 0 / 85 / 26 / 24

HEX #C21E90

RGB 194 30 144

HSL 318.29, 0.73%, 0.44%

LAB 44.82, 69.54, -21.88

 

CMYK 0 / 85 / 48 / 24

HEX #C21E64

RGB 194 30 100

HSL 334.39, 0.73%, 0.44%

LAB 43.24, 65.07, 2.88

 

CMYK 0 / 85 / 71 / 24

HEX #C21E38

RGB 194 30 56

HSL 350.49, 0.73%, 0.44%

LAB 42.28, 62.27, 29.08

 

CMYK 21 / 85 / 0 / 24

HEX #9A1EC2

RGB 154 30 194

HSL 285.37, 0.73%, 0.44%

LAB 40.72, 69.44, -58.59

 

CMYK 43 / 85 / 0 / 24

HEX #6E1EC2

RGB 110 30 194

HSL 269.27, 0.73%, 0.44%

LAB 34.27, 62.99, -69.39

 

CMYK 66 / 85 / 0 / 24

HEX #421EC2

RGB 66 30 194

HSL 253.17, 0.73%, 0.44%

LAB 29.37, 58.37, -77.65

 

CMYK 85 / 85 / 0 / 24

HEX #1E1EC2

RGB 30 30 194

HSL 240, 0.73%, 0.44%

LAB 27.02, 56.29, -81.62

 

CMYK 21 / 85 / 0 / 24

HEX #9A1EC2

RGB 154 30 194

HSL 285.37, 0.73%, 0.44%

LAB 40.72, 69.44, -58.59

 

CMYK 23 / 94 / 0 / 17

HEX #A40CD4

RGB 164 12 212

HSL 285.6, 0.89%, 0.44%

LAB 42.63, 77.3, -65.88

 

CMYK 21 / 85 / 0 / 24

HEX #9A1EC2

RGB 154 30 194

HSL 285.37, 0.73%, 0.44%

LAB 40.72, 69.44, -58.59

 

CMYK 17 / 73 / 0 / 31

HEX #9130AF

RGB 145 48 175

HSL 285.83, 0.57%, 0.44%

LAB 39.96, 58.5, -48.69

 

CMYK 14 / 58 / 0 / 38

HEX #87429D

RGB 135 66 157

HSL 285.49, 0.41%, 0.44%

LAB 40.38, 44.25, -37.36

 

CMYK 9 / 40 / 0 / 45

HEX #7E548B

RGB 126 84 139

HSL 285.82, 0.25%, 0.44%

LAB 42.22, 27.62, -23.71

 

CMYK 3 / 16 / 0 / 53

HEX #756679

RGB 117 102 121

HSL 287.37, 0.09%, 0.44%

LAB 45.17, 9.73, -8.41

 

CMYK 66 / 85 / 0 / 24

HEX #411EC2

RGB 65 30 194

HSL 252.8, 0.73%, 0.44%

LAB 29.28, 58.3, -77.79

 

CMYK 44 / 85 / 0 / 24

HEX #6D1EC2

RGB 109 30 194

HSL 268.9, 0.73%, 0.44%

LAB 34.14, 62.86, -69.61

 

CMYK 21 / 85 / 0 / 24

HEX #991EC2

RGB 153 30 194

HSL 285, 0.73%, 0.44%

LAB 40.57, 69.28, -58.85

 

CMYK 0 / 85 / 2 / 24

HEX #C21EBF

RGB 194 30 191

HSL 301.1, 0.73%, 0.44%

LAB 47.18, 75.92, -46.1

 

CMYK 0 / 85 / 24 / 24

HEX #C21E93

RGB 194 30 147

HSL 317.2, 0.73%, 0.44%

LAB 44.95, 69.9, -23.49

 

CMYK 20 / 84 / 0 / 52

HEX #61137A

RGB 97 19 122

HSL 285.44, 0.73%, 0.28%

LAB 24.99, 48.44, -40.71

 

CMYK 20 / 85 / 0 / 38

HEX #7E189E

RGB 126 24 158

HSL 285.67, 0.74%, 0.36%

LAB 33.04, 59.42, -49.8

 

CMYK 21 / 85 / 0 / 24

HEX #9A1EC2

RGB 154 30 194

HSL 285.37, 0.73%, 0.44%

LAB 40.72, 69.44, -58.59

 

CMYK 19 / 81 / 0 / 13

HEX #B32BDE

RGB 179 43 222

HSL 285.59, 0.73%, 0.52%

LAB 47.73, 75.42, -63.21

 

CMYK 15 / 65 / 0 / 11

HEX #C04FE3

RGB 192 79 227

HSL 285.81, 0.73%, 0.6%

LAB 54.39, 66.22, -55.24

 

CMYK 20 / 84 / 0 / 24

HEX #9A1EC1

RGB 154 30 193

HSL 285.64, 0.73%, 0.44%

LAB 40.65, 69.25, -58.12

 

CMYK 0 / 85 / 80 / 24

HEX #C21E26

RGB 194 30 38

HSL 357.07, 0.73%, 0.44%

LAB 42.06, 61.61, 39.44

 

CMYK 85 / 0 / 55 / 24

HEX #1EC257

RGB 30 194 87

HSL 140.85, 0.73%, 0.44%

LAB 69.15, -62.13, 42.34

 

CMYK 20 / 84 / 0 / 24

HEX #9A1EC1

RGB 154 30 193

HSL 285.64, 0.73%, 0.44%

LAB 40.65, 69.25, -58.12

 

CMYK 0 / 21 / 85 / 24

HEX #C2991E

RGB 194 153 30

HSL 45, 0.73%, 0.44%

LAB 65.24, 4.34, 63.65

 

CMYK 85 / 0 / 21 / 24

HEX #1EC299

RGB 30 194 153

HSL 165, 0.73%, 0.44%

LAB 70.29, -49.12, 9.54

 

CMYK 20 / 84 / 0 / 24

HEX #9A1EC1

RGB 154 30 193

HSL 285.64, 0.73%, 0.44%

LAB 40.65, 69.25, -58.12

 

CMYK 0 / 85 / 80 / 24

HEX #C21E26

RGB 194 30 38

HSL 357.07, 0.73%, 0.44%

LAB 42.06, 61.61, 39.44

 

CMYK 63 / 0 / 85 / 24

HEX #47C21E

RGB 71 194 30

HSL 105, 0.73%, 0.44%

LAB 69.48, -60.88, 64.37

 

CMYK 85 / 0 / 5 / 24

HEX #1EC2B9

RGB 30 194 185

HSL 176.71, 0.73%, 0.44%

LAB 71.12, -40.53, -6.69

 

CMYK 20 / 84 / 0 / 24

HEX #9A1EC1

RGB 154 30 193

HSL 285.64, 0.73%, 0.44%

LAB 40.65, 69.25, -58.12

 

CMYK 0 / 63 / 85 / 24

HEX #C2471E

RGB 194 71 30

HSL 15, 0.73%, 0.44%

LAB 47.07, 47.39, 48.15

 

CMYK 63 / 0 / 85 / 24

HEX #47C21E

RGB 71 194 30

HSL 105, 0.73%, 0.44%

LAB 69.48, -60.88, 64.37

 

CMYK 85 / 21 / 0 / 24

HEX #1E99C2

RGB 30 153 194

HSL 195, 0.73%, 0.44%

LAB 58.93, -17.55, -30.19

 

Description

Color code: HEX #9A1EC1 | qconv.com Color code: HEX #9A1EC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 30 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 30 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 84 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 84% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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