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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A120C it is the complementary color #65EDF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A120C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A120C shade: #9F1207, #B0241A, #C1362D, #D24840 and #E35A53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A120C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A120C shade: #9A120C, #890000, #780000, #670000 and #560000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A120C shade: #9C110B and #9C0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A120C shade: #9C110B, #9C380B, #9C5F0B, #9C870B and #8B9C0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A120C shade matches the following richer shades: #9C110B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A120C shade: #9C110B, #8E1E19, #812A27, #733734 and #664342

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A120C shade: #9C0B54, #9C0B2D, #9C100B, #9C370B and #9C5D0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A120C shade: #4F0906, #760D08, #9C110B, #C2160E and #E91A11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A120C shade: #9A120C, #7A9C0B and #0B409C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A120C shade: #9A120C, #0B9C10 and #100B9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A120C shade: #9A120C, #7A9C0B, #0B979C and #2D0B9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A120C shade: #9A120C, #4F9C0B, #0B979C and #580B9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 92 / 40

HEX #9A120C

RGB 154 18 12

HSL 2.54, 0.86%, 0.33%

LAB 32.54, 52.33, 41.19

 

Complementary color

CMYK 58 / 2 / 0 / 5

HEX #65EDF3

RGB 101 237 243

HSL 182.54, 0.86%, 0.67%

LAB 86.9, -35.05, -14.05

 

CMYK 0 / 89 / 96 / 38

HEX #9F1207

RGB 159 18 7

HSL 4.34, 0.92%, 0.33%

LAB 33.6, 53.68, 44.44

 

CMYK 0 / 80 / 85 / 31

HEX #B0241A

RGB 176 36 26

HSL 4, 0.74%, 0.4%

LAB 38.84, 54.54, 41.52

 

CMYK 0 / 72 / 77 / 24

HEX #C1362D

RGB 193 54 45

HSL 3.65, 0.62%, 0.47%

LAB 44.47, 54.44, 37.98

 

CMYK 0 / 66 / 70 / 18

HEX #D24840

RGB 210 72 64

HSL 3.29, 0.62%, 0.54%

LAB 50.34, 53.8, 34.69

 

CMYK 0 / 60 / 63 / 11

HEX #E35A53

RGB 227 90 83

HSL 2.92, 0.72%, 0.61%

LAB 56.35, 52.87, 31.82

 

CMYK 0 / 88 / 92 / 40

HEX #9A120C

RGB 154 18 12

HSL 2.54, 0.86%, 0.33%

LAB 32.54, 52.33, 41.19

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 89 / 93 / 39

HEX #9C110B

RGB 156 17 11

HSL 2.48, 0.87%, 0.33%

LAB 32.9, 53.08, 42.07

 

CMYK 0 / 93 / 93 / 39

HEX #9C0B0B

RGB 156 11 11

HSL 0, 0.87%, 0.33%

LAB 32.55, 54.1, 41.83

 

CMYK 0 / 89 / 93 / 39

HEX #9C110B

RGB 156 17 11

HSL 2.48, 0.87%, 0.33%

LAB 32.9, 53.08, 42.07

 

CMYK 0 / 64 / 93 / 39

HEX #9C380B

RGB 156 56 11

HSL 18.62, 0.87%, 0.33%

LAB 37.7, 39.84, 45.39

 

CMYK 0 / 39 / 93 / 39

HEX #9C5F0B

RGB 156 95 11

HSL 34.76, 0.87%, 0.33%

LAB 46.01, 19.11, 51.44

 

CMYK 0 / 13 / 93 / 39

HEX #9C870B

RGB 156 135 11

HSL 51.31, 0.87%, 0.33%

LAB 56.51, -3.52, 59.38

 

CMYK 11 / 0 / 93 / 39

HEX #8B9C0B

RGB 139 156 11

HSL 67.03, 0.87%, 0.33%

LAB 61.04, -22.31, 62.27

 

CMYK 0 / 89 / 93 / 39

HEX #9C110B

RGB 156 17 11

HSL 2.48, 0.87%, 0.33%

LAB 32.9, 53.08, 42.07

 

CMYK 0 / 89 / 93 / 39

HEX #9C110B

RGB 156 17 11

HSL 2.48, 0.87%, 0.33%

LAB 32.9, 53.08, 42.07

 

CMYK 0 / 79 / 82 / 44

HEX #8E1E19

RGB 142 30 25

HSL 2.56, 0.7%, 0.33%

LAB 31.23, 45.82, 32.43

 

CMYK 0 / 67 / 70 / 49

HEX #812A27

RGB 129 42 39

HSL 2, 0.54%, 0.33%

LAB 30.57, 37.25, 22.49

 

CMYK 0 / 52 / 55 / 55

HEX #733734

RGB 115 55 52

HSL 2.86, 0.38%, 0.33%

LAB 30.94, 26.05, 14.16

 

CMYK 0 / 34 / 35 / 60

HEX #664342

RGB 102 67 66

HSL 1.67, 0.21%, 0.33%

LAB 32.33, 15.01, 6.78

 

CMYK 0 / 93 / 46 / 39

HEX #9C0B54

RGB 156 11 84

HSL 329.79, 0.87%, 0.33%

LAB 33.87, 57.79, -1.48

 

CMYK 0 / 93 / 71 / 39

HEX #9C0B2D

RGB 156 11 45

HSL 345.93, 0.87%, 0.33%

LAB 32.91, 55.13, 22.77

 

CMYK 0 / 90 / 93 / 39

HEX #9C100B

RGB 156 16 11

HSL 2.07, 0.87%, 0.33%

LAB 32.84, 53.27, 42.02

 

CMYK 0 / 65 / 93 / 39

HEX #9C370B

RGB 156 55 11

HSL 18.21, 0.87%, 0.33%

LAB 37.53, 40.31, 45.26

 

CMYK 0 / 40 / 93 / 39

HEX #9C5D0B

RGB 156 93 11

HSL 33.93, 0.87%, 0.33%

LAB 45.53, 20.25, 51.08

 

CMYK 0 / 89 / 92 / 69

HEX #4F0906

RGB 79 9 6

HSL 2.47, 0.86%, 0.17%

LAB 14.79, 31.28, 20.41

 

CMYK 0 / 89 / 93 / 54

HEX #760D08

RGB 118 13 8

HSL 2.73, 0.87%, 0.25%

LAB 24.18, 42.76, 32.71

 

CMYK 0 / 89 / 93 / 39

HEX #9C110B

RGB 156 17 11

HSL 2.48, 0.87%, 0.33%

LAB 32.9, 53.08, 42.07

 

CMYK 0 / 89 / 93 / 24

HEX #C2160E

RGB 194 22 14

HSL 2.67, 0.87%, 0.41%

LAB 41.33, 62.69, 50.34

 

CMYK 0 / 89 / 93 / 9

HEX #E91A11

RGB 233 26 17

HSL 2.5, 0.86%, 0.49%

LAB 49.62, 72.35, 58.43

 

CMYK 0 / 88 / 92 / 40

HEX #9A120C

RGB 154 18 12

HSL 2.54, 0.86%, 0.33%

LAB 32.54, 52.33, 41.19

 

CMYK 22 / 0 / 93 / 39

HEX #7A9C0B

RGB 122 156 11

HSL 74.07, 0.87%, 0.33%

LAB 59.83, -29.6, 60.81

 

CMYK 93 / 59 / 0 / 39

HEX #0B409C

RGB 11 64 156

HSL 218.07, 0.87%, 0.33%

LAB 29.76, 21.63, -54.38

 

CMYK 0 / 88 / 92 / 40

HEX #9A120C

RGB 154 18 12

HSL 2.54, 0.86%, 0.33%

LAB 32.54, 52.33, 41.19

 

CMYK 93 / 0 / 90 / 39

HEX #0B9C10

RGB 11 156 16

HSL 122.07, 0.87%, 0.33%

LAB 55.97, -58.56, 55.14

 

CMYK 90 / 93 / 0 / 39

HEX #100B9C

RGB 16 11 156

HSL 242.07, 0.87%, 0.33%

LAB 19.01, 51.8, -72.12

 

CMYK 0 / 88 / 92 / 40

HEX #9A120C

RGB 154 18 12

HSL 2.54, 0.86%, 0.33%

LAB 32.54, 52.33, 41.19

 

CMYK 22 / 0 / 93 / 39

HEX #7A9C0B

RGB 122 156 11

HSL 74.07, 0.87%, 0.33%

LAB 59.83, -29.6, 60.81

 

CMYK 93 / 3 / 0 / 39

HEX #0B979C

RGB 11 151 156

HSL 182.07, 0.87%, 0.33%

LAB 56.69, -30.47, -12.06

 

CMYK 71 / 93 / 0 / 39

HEX #2D0B9C

RGB 45 11 156

HSL 254.07, 0.87%, 0.33%

LAB 20.82, 52.89, -69.06

 

CMYK 0 / 88 / 92 / 40

HEX #9A120C

RGB 154 18 12

HSL 2.54, 0.86%, 0.33%

LAB 32.54, 52.33, 41.19

 

CMYK 49 / 0 / 93 / 39

HEX #4F9C0B

RGB 79 156 11

HSL 91.86, 0.87%, 0.33%

LAB 57.52, -45.68, 57.97

 

CMYK 93 / 3 / 0 / 39

HEX #0B979C

RGB 11 151 156

HSL 182.07, 0.87%, 0.33%

LAB 56.69, -30.47, -12.06

 

CMYK 44 / 93 / 0 / 39

HEX #580B9C

RGB 88 11 156

HSL 271.86, 0.87%, 0.33%

LAB 25.9, 56.55, -60.48

 

Description

Color code: HEX #9A120C | qconv.com Color code: HEX #9A120C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 18 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 18 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 92 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 92% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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