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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A19A3 it is the complementary color #65E65C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A19A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A19A3 shade: #9F199E, #B02BB1, #C13DC4, #D24FD7 and #E361EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A19A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A19A3 shade: #9A19A3, #890790, #78007D, #67006A and #560057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A19A3 shade: #9A19A3, #A31987, #A31961, #A3193C and #A31919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A19A3 shade: #9A19A3, #7519A3, #4F19A3, #2A19A3 and #1919A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A19A3 shade matches the following richer shades: #9A19A3 and #A70AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A19A3 shade: #9A19A3, #8C2893, #7F3884, #724775 and #655666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A19A3 shade: #5019A3, #7519A3, #9A19A3, #A31987 and #A31962

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A19A3 shade: #560E5B, #78137F, #9A19A3, #BB1FC6 and #D330DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A19A3 shade: #9A19A3, #A32B19 and #19A362

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A19A3 shade: #9A19A3, #A39A19 and #19A39A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A19A3 shade: #9A19A3, #A32B19, #22A319 and #1990A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A19A3 shade: #9A19A3, #A35519, #22A319 and #1967A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

Complementary color

CMYK 56 / 0 / 60 / 10

HEX #65E65C

RGB 101 230 92

HSL 116.09, 0.73%, 0.63%

LAB 81.91, -61.62, 55.4

 

CMYK 0 / 84 / 1 / 38

HEX #9F199E

RGB 159 25 158

HSL 300.45, 0.73%, 0.36%

LAB 38.79, 65.25, -40.27

 

CMYK 1 / 76 / 0 / 31

HEX #B02BB1

RGB 176 43 177

HSL 299.55, 0.61%, 0.43%

LAB 44.42, 67.04, -42.46

 

CMYK 2 / 69 / 0 / 23

HEX #C13DC4

RGB 193 61 196

HSL 298.67, 0.53%, 0.5%

LAB 50.29, 67.9, -44.07

 

CMYK 2 / 63 / 0 / 16

HEX #D24FD7

RGB 210 79 215

HSL 297.79, 0.63%, 0.58%

LAB 56.29, 68.16, -45.28

 

CMYK 3 / 59 / 0 / 8

HEX #E361EA

RGB 227 97 234

HSL 296.93, 0.77%, 0.65%

LAB 62.36, 68.04, -46.21

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 5 / 95 / 0 / 44

HEX #890790

RGB 137 7 144

HSL 296.93, 0.91%, 0.3%

LAB 32.88, 62.03, -41.39

 

CMYK 4 / 100 / 0 / 51

HEX #78007D

RGB 120 0 125

HSL 297.6, 1%, 0.25%

LAB 28.04, 57.08, -37.48

 

CMYK 3 / 100 / 0 / 58

HEX #67006A

RGB 103 0 106

HSL 298.3, 1%, 0.21%

LAB 23.42, 50.98, -32.89

 

CMYK 1 / 100 / 0 / 66

HEX #560057

RGB 86 0 87

HSL 299.31, 1%, 0.17%

LAB 18.66, 44.69, -28.13

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 0 / 85 / 17 / 36

HEX #A31987

RGB 163 25 135

HSL 312.17, 0.73%, 0.37%

LAB 38.25, 62.67, -27.02

 

CMYK 0 / 85 / 40 / 36

HEX #A31961

RGB 163 25 97

HSL 328.7, 0.73%, 0.37%

LAB 36.64, 58.14, -5.62

 

CMYK 0 / 85 / 63 / 36

HEX #A3193C

RGB 163 25 60

HSL 344.78, 0.73%, 0.37%

LAB 35.61, 55.14, 16.81

 

CMYK 0 / 85 / 85 / 36

HEX #A31919

RGB 163 25 25

HSL 0, 0.73%, 0.37%

LAB 35.11, 53.63, 37.67

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 28 / 85 / 0 / 36

HEX #7519A3

RGB 117 25 163

HSL 280, 0.73%, 0.37%

LAB 32.08, 58.65, -54.46

 

CMYK 52 / 85 / 0 / 36

HEX #4F19A3

RGB 79 25 163

HSL 263.48, 0.73%, 0.37%

LAB 26.74, 53.25, -63.42

 

CMYK 74 / 85 / 0 / 36

HEX #2A19A3

RGB 42 25 163

HSL 247.39, 0.73%, 0.37%

LAB 23.11, 49.76, -69.54

 

CMYK 85 / 85 / 0 / 36

HEX #1919A3

RGB 25 25 163

HSL 240, 0.73%, 0.37%

LAB 22.11, 48.84, -71.23

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 6 / 94 / 0 / 30

HEX #A70AB2

RGB 167 10 178

HSL 296.07, 0.89%, 0.37%

LAB 40.65, 72.21, -49.18

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 5 / 73 / 0 / 42

HEX #8C2893

RGB 140 40 147

HSL 296.07, 0.57%, 0.37%

LAB 36.37, 55.11, -37.64

 

CMYK 4 / 58 / 0 / 48

HEX #7F3884

RGB 127 56 132

HSL 296.05, 0.4%, 0.37%

LAB 36, 42, -29.14

 

CMYK 3 / 39 / 0 / 54

HEX #724775

RGB 114 71 117

HSL 296.09, 0.24%, 0.37%

LAB 36.68, 26.53, -18.9

 

CMYK 1 / 16 / 0 / 60

HEX #655666

RGB 101 86 102

HSL 296.25, 0.09%, 0.37%

LAB 38.52, 9.35, -6.92

 

CMYK 51 / 85 / 0 / 36

HEX #5019A3

RGB 80 25 163

HSL 263.91, 0.73%, 0.37%

LAB 26.86, 53.37, -63.21

 

CMYK 28 / 85 / 0 / 36

HEX #7519A3

RGB 117 25 163

HSL 280, 0.73%, 0.37%

LAB 32.08, 58.65, -54.46

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 0 / 85 / 17 / 36

HEX #A31987

RGB 163 25 135

HSL 312.17, 0.73%, 0.37%

LAB 38.25, 62.67, -27.02

 

CMYK 0 / 85 / 40 / 36

HEX #A31962

RGB 163 25 98

HSL 328.26, 0.73%, 0.37%

LAB 36.68, 58.25, -6.21

 

CMYK 5 / 85 / 0 / 64

HEX #560E5B

RGB 86 14 91

HSL 296.1, 0.73%, 0.21%

LAB 20.23, 41.6, -28.29

 

CMYK 6 / 85 / 0 / 50

HEX #78137F

RGB 120 19 127

HSL 296.11, 0.74%, 0.29%

LAB 29.39, 53.85, -36.58

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 6 / 84 / 0 / 22

HEX #BB1FC6

RGB 187 31 198

HSL 296.05, 0.73%, 0.45%

LAB 46.47, 75.54, -51.37

 

CMYK 5 / 78 / 0 / 13

HEX #D330DE

RGB 211 48 222

HSL 296.21, 0.73%, 0.53%

LAB 53.21, 79.81, -54.14

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 0 / 74 / 85 / 36

HEX #A32B19

RGB 163 43 25

HSL 7.83, 0.73%, 0.37%

LAB 37.09, 48.08, 39.48

 

CMYK 85 / 0 / 40 / 36

HEX #19A362

RGB 25 163 98

HSL 151.74, 0.73%, 0.37%

LAB 59.24, -49.93, 24.19

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 0 / 6 / 85 / 36

HEX #A39A19

RGB 163 154 25

HSL 56.09, 0.73%, 0.37%

LAB 62.48, -10.26, 61.46

 

CMYK 85 / 0 / 6 / 36

HEX #19A39A

RGB 25 163 154

HSL 176.09, 0.73%, 0.37%

LAB 60.55, -35.9, -5.16

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 0 / 74 / 85 / 36

HEX #A32B19

RGB 163 43 25

HSL 7.83, 0.73%, 0.37%

LAB 37.09, 48.08, 39.48

 

CMYK 79 / 0 / 85 / 36

HEX #22A319

RGB 34 163 25

HSL 116.09, 0.73%, 0.37%

LAB 58.61, -57.95, 55.51

 

CMYK 85 / 12 / 0 / 36

HEX #1990A3

RGB 25 144 163

HSL 188.26, 0.73%, 0.37%

LAB 54.86, -23.81, -18.83

 

CMYK 6 / 85 / 0 / 36

HEX #9A19A3

RGB 154 25 163

HSL 296.09, 0.73%, 0.37%

LAB 38.22, 65.11, -44.24

 

CMYK 0 / 48 / 85 / 36

HEX #A35519

RGB 163 85 25

HSL 26.09, 0.73%, 0.37%

LAB 44.74, 28.12, 46.3

 

CMYK 79 / 0 / 85 / 36

HEX #22A319

RGB 34 163 25

HSL 116.09, 0.73%, 0.37%

LAB 58.61, -57.95, 55.51

 

CMYK 85 / 37 / 0 / 36

HEX #1967A3

RGB 25 103 163

HSL 206.09, 0.73%, 0.37%

LAB 42.08, -0.48, -38.73

 

Description

Color code: HEX #9A19A3 | qconv.com Color code: HEX #9A19A3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 25 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 25 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 85 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 85% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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