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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CF659 it is the complementary color #6309A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CF659. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CF659 shade: #A1F654, #B2FF67, #C3FF7A, #D4FF8D and #E5FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CF659. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CF659 shade: #9CF659, #8BE446, #7AD233, #69C020 and #58AE0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CF659 shade: #9CF65A, #C6F65A, #F1F65A, #F6D15A and #F6A75A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CF659 shade: #9CF65A, #72F65A, #5AF66B, #5AF695 and #5AF6BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CF659 shade matches the following richer shades: #9CF65A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CF659 shade: #9CF65A, #9EE868, #A0DA76, #A3CC84 and #A5BE92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CF659 shade: #F1F65A, #C7F65A, #9DF65A, #74F65A and #5AF669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CF659 shade: #6EF10C, #85F433, #9CF65A, #B4F881 and #CBFAA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CF659 shade: #9CF659, #5AF6D1 and #F65ADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CF659 shade: #9CF659, #5A9DF6 and #F65A9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CF659 shade: #9CF659, #5AF6D1, #B25AF6 and #F65A7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CF659 shade: #9CF659, #5AEBF6, #B25AF6 and #F6645A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 64 / 4

HEX #9CF659

RGB 156 246 89

HSL 94.39, 0.9%, 0.66%

LAB 88.78, -52.18, 64.88

 

Complementary color

CMYK 40 / 95 / 0 / 35

HEX #6309A6

RGB 99 9 166

HSL 274.39, 0.9%, 0.34%

LAB 28.38, 60.4, -62.43

 

CMYK 35 / 0 / 66 / 4

HEX #A1F654

RGB 161 246 84

HSL 91.48, 0.9%, 0.65%

LAB 88.98, -50.9, 67.13

 

CMYK 30 / 0 / 60 / 0

HEX #B2FF67

RGB 178 255 103

HSL 90.39, 1%, 0.7%

LAB 92.56, -47.35, 63.62

 

CMYK 24 / 0 / 52 / 0

HEX #C3FF7A

RGB 195 255 122

HSL 87.07, 1%, 0.74%

LAB 93.68, -39.64, 56.87

 

CMYK 17 / 0 / 45 / 0

HEX #D4FF8D

RGB 212 255 141

HSL 82.63, 1%, 0.78%

LAB 94.92, -31.55, 49.81

 

CMYK 10 / 0 / 37 / 0

HEX #E5FFA0

RGB 229 255 160

HSL 76.42, 1%, 0.81%

LAB 96.29, -23.18, 42.62

 

CMYK 37 / 0 / 64 / 4

HEX #9CF659

RGB 156 246 89

HSL 94.39, 0.9%, 0.66%

LAB 88.78, -52.18, 64.88

 

CMYK 39 / 0 / 69 / 11

HEX #8BE446

RGB 139 228 70

HSL 93.8, 0.75%, 0.58%

LAB 82.6, -51.9, 65.42

 

CMYK 42 / 0 / 76 / 18

HEX #7AD233

RGB 122 210 51

HSL 93.21, 0.64%, 0.51%

LAB 76.36, -51.45, 65.51

 

CMYK 45 / 0 / 83 / 25

HEX #69C020

RGB 105 192 32

HSL 92.63, 0.71%, 0.44%

LAB 70.04, -50.78, 64.83

 

CMYK 49 / 0 / 93 / 32

HEX #58AE0D

RGB 88 174 13

HSL 92.05, 0.86%, 0.37%

LAB 63.65, -49.78, 62.88

 

CMYK 37 / 0 / 63 / 4

HEX #9CF65A

RGB 156 246 90

HSL 94.62, 0.9%, 0.66%

LAB 88.79, -52.09, 64.49

 

CMYK 20 / 0 / 63 / 4

HEX #C6F65A

RGB 198 246 90

HSL 78.46, 0.9%, 0.66%

LAB 91.08, -37.23, 67.63

 

CMYK 2 / 0 / 63 / 4

HEX #F1F65A

RGB 241 246 90

HSL 61.92, 0.9%, 0.66%

LAB 94.03, -20.45, 71.65

 

CMYK 0 / 15 / 63 / 4

HEX #F6D15A

RGB 246 209 90

HSL 45.77, 0.9%, 0.66%

LAB 84.96, -0.03, 62.12

 

CMYK 0 / 32 / 63 / 4

HEX #F6A75A

RGB 246 167 90

HSL 29.62, 0.9%, 0.66%

LAB 74.81, 21.87, 50.79

 

CMYK 37 / 0 / 63 / 4

HEX #9CF65A

RGB 156 246 90

HSL 94.62, 0.9%, 0.66%

LAB 88.79, -52.09, 64.49

 

CMYK 54 / 0 / 63 / 4

HEX #72F65A

RGB 114 246 90

HSL 110.77, 0.9%, 0.66%

LAB 87.11, -64.38, 62.17

 

CMYK 63 / 0 / 57 / 4

HEX #5AF66B

RGB 90 246 107

HSL 126.54, 0.9%, 0.66%

LAB 86.58, -67.99, 54.13

 

CMYK 63 / 0 / 39 / 4

HEX #5AF695

RGB 90 246 149

HSL 142.69, 0.9%, 0.66%

LAB 87.12, -61.86, 34.86

 

CMYK 63 / 0 / 22 / 4

HEX #5AF6BF

RGB 90 246 191

HSL 158.85, 0.9%, 0.66%

LAB 87.89, -53.63, 14.52

 

CMYK 37 / 0 / 63 / 4

HEX #9CF65A

RGB 156 246 90

HSL 94.62, 0.9%, 0.66%

LAB 88.79, -52.09, 64.49

 

CMYK 37 / 0 / 63 / 4

HEX #9CF65A

RGB 156 246 90

HSL 94.62, 0.9%, 0.66%

LAB 88.79, -52.09, 64.49

 

CMYK 32 / 0 / 55 / 9

HEX #9EE868

RGB 158 232 104

HSL 94.69, 0.74%, 0.66%

LAB 84.99, -44.28, 54.26

 

CMYK 27 / 0 / 46 / 15

HEX #A0DA76

RGB 160 218 118

HSL 94.8, 0.57%, 0.66%

LAB 81.25, -35.83, 43.19

 

CMYK 20 / 0 / 35 / 20

HEX #A3CC84

RGB 163 204 132

HSL 94.17, 0.41%, 0.66%

LAB 77.66, -26.34, 31.58

 

CMYK 13 / 0 / 23 / 25

HEX #A5BE92

RGB 165 190 146

HSL 94.09, 0.25%, 0.66%

LAB 74.13, -16.55, 19.46

 

CMYK 2 / 0 / 63 / 4

HEX #F1F65A

RGB 241 246 90

HSL 61.92, 0.9%, 0.66%

LAB 94.03, -20.45, 71.65

 

CMYK 19 / 0 / 63 / 4

HEX #C7F65A

RGB 199 246 90

HSL 78.08, 0.9%, 0.66%

LAB 91.14, -36.85, 67.71

 

CMYK 36 / 0 / 63 / 4

HEX #9DF65A

RGB 157 246 90

HSL 94.23, 0.9%, 0.66%

LAB 88.84, -51.77, 64.55

 

CMYK 53 / 0 / 63 / 4

HEX #74F65A

RGB 116 246 90

HSL 110, 0.9%, 0.66%

LAB 87.17, -63.87, 62.26

 

CMYK 63 / 0 / 57 / 4

HEX #5AF669

RGB 90 246 105

HSL 125.77, 0.9%, 0.66%

LAB 86.56, -68.23, 54.99

 

CMYK 54 / 0 / 95 / 5

HEX #6EF10C

RGB 110 241 12

HSL 94.32, 0.91%, 0.5%

LAB 85.12, -67.7, 80.82

 

CMYK 45 / 0 / 79 / 4

HEX #85F433

RGB 133 244 51

HSL 94.51, 0.9%, 0.58%

LAB 86.96, -61.09, 75.66

 

CMYK 37 / 0 / 63 / 4

HEX #9CF65A

RGB 156 246 90

HSL 94.62, 0.9%, 0.66%

LAB 88.79, -52.09, 64.49

 

CMYK 27 / 0 / 48 / 3

HEX #B4F881

RGB 180 248 129

HSL 94.29, 0.89%, 0.74%

LAB 90.97, -41.05, 50.18

 

CMYK 19 / 0 / 33 / 2

HEX #CBFAA8

RGB 203 250 168

HSL 94.39, 0.89%, 0.82%

LAB 93.4, -29.07, 34.57

 

CMYK 37 / 0 / 64 / 4

HEX #9CF659

RGB 156 246 89

HSL 94.39, 0.9%, 0.66%

LAB 88.78, -52.18, 64.88

 

CMYK 63 / 0 / 15 / 4

HEX #5AF6D1

RGB 90 246 209

HSL 165.77, 0.9%, 0.66%

LAB 88.3, -49.52, 5.76

 

CMYK 0 / 63 / 11 / 4

HEX #F65ADC

RGB 246 90 220

HSL 310, 0.9%, 0.66%

LAB 63.4, 73.34, -36.55

 

CMYK 37 / 0 / 64 / 4

HEX #9CF659

RGB 156 246 89

HSL 94.39, 0.9%, 0.66%

LAB 88.78, -52.18, 64.88

 

CMYK 63 / 36 / 0 / 4

HEX #5A9DF6

RGB 90 157 246

HSL 214.23, 0.9%, 0.66%

LAB 64.11, 5.78, -50.82

 

CMYK 0 / 63 / 36 / 4

HEX #F65A9D

RGB 246 90 157

HSL 334.23, 0.9%, 0.66%

LAB 61.08, 65.23, -4.17

 

CMYK 37 / 0 / 64 / 4

HEX #9CF659

RGB 156 246 89

HSL 94.39, 0.9%, 0.66%

LAB 88.78, -52.18, 64.88

 

CMYK 63 / 0 / 15 / 4

HEX #5AF6D1

RGB 90 246 209

HSL 165.77, 0.9%, 0.66%

LAB 88.3, -49.52, 5.76

 

CMYK 28 / 63 / 0 / 4

HEX #B25AF6

RGB 178 90 246

HSL 273.85, 0.9%, 0.66%

LAB 55.51, 62.18, -64.17

 

CMYK 0 / 63 / 49 / 4

HEX #F65A7E

RGB 246 90 126

HSL 346.15, 0.9%, 0.66%

LAB 60.26, 62.23, 12.67

 

CMYK 37 / 0 / 64 / 4

HEX #9CF659

RGB 156 246 89

HSL 94.39, 0.9%, 0.66%

LAB 88.78, -52.18, 64.88

 

CMYK 63 / 4 / 0 / 4

HEX #5AEBF6

RGB 90 235 246

HSL 184.23, 0.9%, 0.66%

LAB 86.13, -35.08, -16.82

 

CMYK 28 / 63 / 0 / 4

HEX #B25AF6

RGB 178 90 246

HSL 273.85, 0.9%, 0.66%

LAB 55.51, 62.18, -64.17

 

CMYK 0 / 59 / 63 / 4

HEX #F6645A

RGB 246 100 90

HSL 3.85, 0.9%, 0.66%

LAB 61.17, 55.34, 34.53

 

Description

Color code: HEX #9CF659 | qconv.com Color code: HEX #9CF659 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 246 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 246 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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