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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CEF4C it is the complementary color #6310B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CEF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CEF4C shade: #A1EF47, #B2FF5A, #C3FF6D, #D4FF80 and #E5FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CEF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CEF4C shade: #9CEF4C, #8BDD39, #7ACB26, #69B913 and #58A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CEF4C shade: #9CEF4C, #C8EF4C, #EFEA4C, #EFBE4C and #EF924C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CEF4C shade: #9CEF4C, #70EF4C, #4CEF54, #4CEF80 and #4CEFAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CEF4C shade matches the following richer shades: #9CEF4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CEF4C shade: #9CEF4C, #9CDF5C, #9DD06C, #9DC07B and #9DB08B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CEF4C shade: #EFEA4C, #C9EF4C, #9EEF4C, #72EF4C and #4CEF52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CEF4C shade: #73D612, #87EC26, #9CEF4C, #B1F272 and #C6F698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CEF4C shade: #9CEF4C, #4CEFBE and #EF4CDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CEF4C shade: #9CEF4C, #4C9EEF and #EF4C9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CEF4C shade: #9CEF4C, #4CEFBE, #9E4CEF and #EF4C7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CEF4C shade: #9CEF4C, #4CEFEF, #9E4CEF and #EF4C4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

Complementary color

CMYK 45 / 91 / 0 / 30

HEX #6310B3

RGB 99 16 179

HSL 270.55, 0.84%, 0.38%

LAB 30.1, 61.95, -67.42

 

CMYK 33 / 0 / 70 / 6

HEX #A1EF47

RGB 161 239 71

HSL 87.86, 0.84%, 0.61%

LAB 86.88, -48.9, 69.76

 

CMYK 30 / 0 / 65 / 0

HEX #B2FF5A

RGB 178 255 90

HSL 88, 1%, 0.68%

LAB 92.45, -48.39, 68.75

 

CMYK 24 / 0 / 57 / 0

HEX #C3FF6D

RGB 195 255 109

HSL 84.66, 1%, 0.71%

LAB 93.55, -40.84, 62.44

 

CMYK 17 / 0 / 50 / 0

HEX #D4FF80

RGB 212 255 128

HSL 80.31, 1%, 0.75%

LAB 94.77, -32.9, 55.69

 

CMYK 10 / 0 / 42 / 0

HEX #E5FF93

RGB 229 255 147

HSL 74.44, 1%, 0.79%

LAB 96.11, -24.65, 48.68

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 37 / 0 / 74 / 13

HEX #8BDD39

RGB 139 221 57

HSL 90, 0.71%, 0.55%

LAB 80.46, -49.89, 67.81

 

CMYK 40 / 0 / 81 / 20

HEX #7ACB26

RGB 122 203 38

HSL 89.45, 0.68%, 0.47%

LAB 74.18, -49.3, 67.29

 

CMYK 43 / 0 / 90 / 27

HEX #69B913

RGB 105 185 19

HSL 88.92, 0.81%, 0.4%

LAB 67.83, -48.46, 65.68

 

CMYK 47 / 0 / 100 / 35

HEX #58A700

RGB 88 167 0

HSL 88.38, 1%, 0.33%

LAB 61.41, -47.35, 62.83

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 16 / 0 / 68 / 6

HEX #C8EF4C

RGB 200 239 76

HSL 74.36, 0.84%, 0.62%

LAB 89.17, -34.2, 71.02

 

CMYK 0 / 2 / 68 / 6

HEX #EFEA4C

RGB 239 234 76

HSL 58.16, 0.84%, 0.62%

LAB 90.65, -16.22, 73.42

 

CMYK 0 / 21 / 68 / 6

HEX #EFBE4C

RGB 239 190 76

HSL 41.96, 0.84%, 0.62%

LAB 79.44, 6.06, 62.02

 

CMYK 0 / 39 / 68 / 6

HEX #EF924C

RGB 239 146 76

HSL 25.77, 0.84%, 0.62%

LAB 69.06, 29.25, 50.87

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 53 / 0 / 68 / 6

HEX #70EF4C

RGB 112 239 76

HSL 106.75, 0.84%, 0.62%

LAB 84.84, -63.59, 65.19

 

CMYK 68 / 0 / 65 / 6

HEX #4CEF54

RGB 76 239 84

HSL 122.94, 0.84%, 0.62%

LAB 83.92, -70.78, 60.8

 

CMYK 68 / 0 / 46 / 6

HEX #4CEF80

RGB 76 239 128

HSL 139.14, 0.84%, 0.62%

LAB 84.4, -65.23, 41.6

 

CMYK 68 / 0 / 28 / 6

HEX #4CEFAC

RGB 76 239 172

HSL 155.34, 0.84%, 0.62%

LAB 85.12, -57.18, 20.42

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 30 / 0 / 59 / 13

HEX #9CDF5C

RGB 156 223 92

HSL 90.69, 0.67%, 0.62%

LAB 82.17, -42.23, 56.32

 

CMYK 25 / 0 / 48 / 18

HEX #9DD06C

RGB 157 208 108

HSL 90.6, 0.52%, 0.62%

LAB 78.09, -33.48, 44.11

 

CMYK 18 / 0 / 36 / 25

HEX #9DC07B

RGB 157 192 123

HSL 90.43, 0.35%, 0.62%

LAB 73.74, -23.94, 31.02

 

CMYK 11 / 0 / 21 / 31

HEX #9DB08B

RGB 157 176 139

HSL 90.81, 0.19%, 0.62%

LAB 69.53, -13.41, 16.79

 

CMYK 0 / 2 / 68 / 6

HEX #EFEA4C

RGB 239 234 76

HSL 58.16, 0.84%, 0.62%

LAB 90.65, -16.22, 73.42

 

CMYK 16 / 0 / 68 / 6

HEX #C9EF4C

RGB 201 239 76

HSL 73.99, 0.84%, 0.62%

LAB 89.24, -33.81, 71.1

 

CMYK 34 / 0 / 68 / 6

HEX #9EEF4C

RGB 158 239 76

HSL 89.82, 0.84%, 0.62%

LAB 86.76, -49.61, 67.78

 

CMYK 52 / 0 / 68 / 6

HEX #72EF4C

RGB 114 239 76

HSL 106.01, 0.84%, 0.62%

LAB 84.91, -63.06, 65.28

 

CMYK 68 / 0 / 66 / 6

HEX #4CEF52

RGB 76 239 82

HSL 122.21, 0.84%, 0.62%

LAB 83.9, -70.97, 61.58

 

CMYK 46 / 0 / 92 / 16

HEX #73D612

RGB 115 214 18

HSL 90.31, 0.84%, 0.45%

LAB 77.15, -56.5, 73.74

 

CMYK 43 / 0 / 84 / 7

HEX #87EC26

RGB 135 236 38

HSL 90.61, 0.84%, 0.54%

LAB 84.63, -58, 76.79

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 27 / 0 / 53 / 5

HEX #B1F272

RGB 177 242 114

HSL 90.47, 0.83%, 0.7%

LAB 88.95, -41.05, 54.65

 

CMYK 20 / 0 / 38 / 4

HEX #C6F698

RGB 198 246 152

HSL 90.64, 0.84%, 0.78%

LAB 91.77, -31.09, 40.31

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 68 / 0 / 21 / 6

HEX #4CEFBE

RGB 76 239 190

HSL 161.96, 0.84%, 0.62%

LAB 85.5, -53.23, 11.6

 

CMYK 0 / 68 / 7 / 6

HEX #EF4CDF

RGB 239 76 223

HSL 305.89, 0.84%, 0.62%

LAB 60.65, 77.25, -42.63

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 68 / 34 / 0 / 6

HEX #4C9EEF

RGB 76 158 239

HSL 209.82, 0.84%, 0.62%

LAB 63.53, 0.6, -47.94

 

CMYK 0 / 68 / 34 / 6

HEX #EF4C9E

RGB 239 76 158

HSL 329.82, 0.84%, 0.62%

LAB 58.03, 68.74, -9.41

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 68 / 0 / 21 / 6

HEX #4CEFBE

RGB 76 239 190

HSL 161.96, 0.84%, 0.62%

LAB 85.5, -53.23, 11.6

 

CMYK 34 / 68 / 0 / 6

HEX #9E4CEF

RGB 158 76 239

HSL 270.18, 0.84%, 0.62%

LAB 50.3, 63.02, -68.8

 

CMYK 0 / 68 / 48 / 6

HEX #EF4C7D

RGB 239 76 125

HSL 341.96, 0.84%, 0.62%

LAB 57.08, 65.5, 8.6

 

CMYK 35 / 0 / 68 / 6

HEX #9CEF4C

RGB 156 239 76

HSL 90.55, 0.84%, 0.62%

LAB 86.66, -50.29, 67.65

 

CMYK 68 / 0 / 0 / 6

HEX #4CEFEF

RGB 76 239 239

HSL 180, 0.84%, 0.62%

LAB 86.75, -40.82, -12.24

 

CMYK 34 / 68 / 0 / 6

HEX #9E4CEF

RGB 158 76 239

HSL 270.18, 0.84%, 0.62%

LAB 50.3, 63.02, -68.8

 

CMYK 0 / 68 / 68 / 6

HEX #EF4C4C

RGB 239 76 76

HSL 0, 0.84%, 0.62%

LAB 56.13, 62.18, 35.98

 

Description

Color code: HEX #9CEF4C | qconv.com Color code: HEX #9CEF4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 239 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 239 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 68 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 68% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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