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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CEC8D it is the complementary color #631372. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CEC8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CEC8D shade: #A1EC88, #B2FE9B, #C3FFAE, #D4FFC1 and #E5FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CEC8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CEC8D shade: #9CEC8D, #8BDA7A, #7AC867, #69B654 and #58A441

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CEC8D shade: #9CEB8D, #B5EB8D, #CFEB8D, #E8EB8D and #EBD58D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CEC8D shade: #9CEB8D, #8DEB98, #8DEBB1, #8DEBCA and #8DEBE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CEC8D shade matches the following richer shades: #9CEB8D and #95F682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CEC8D shade: #9CEB8D, #A3E198, #ABD6A3, #B2CBAD and #B9C0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CEC8D shade: #CFEB8D, #B6EB8D, #9DEB8D, #8DEB97 and #8DEBB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CEC8D shade: #5FDF47, #7DE56A, #9CEB8D, #BBF1B0 and #D9F7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CEC8D shade: #9CEC8D, #8DE8EB and #EB8DC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CEC8D shade: #9CEC8D, #8D9DEB and #EB8D9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CEC8D shade: #9CEC8D, #8DE8EB, #DC8DEB and #EB908D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CEC8D shade: #9CEC8D, #8DCCEB, #DC8DEB and #EBAD8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 40 / 7

HEX #9CEC8D

RGB 156 236 141

HSL 110.53, 0.71%, 0.74%

LAB 86.5, -42.2, 38.47

 

Complementary color

CMYK 13 / 83 / 0 / 55

HEX #631372

RGB 99 19 114

HSL 290.53, 0.71%, 0.26%

LAB 24.74, 47.23, -35.97

 

CMYK 32 / 0 / 42 / 7

HEX #A1EC88

RGB 161 236 136

HSL 105, 0.72%, 0.73%

LAB 86.67, -41.27, 41.22

 

CMYK 30 / 0 / 39 / 0

HEX #B2FE9B

RGB 178 254 155

HSL 106.06, 0.98%, 0.8%

LAB 92.89, -41.11, 40.07

 

CMYK 24 / 0 / 32 / 0

HEX #C3FFAE

RGB 195 255 174

HSL 104.44, 1%, 0.84%

LAB 94.39, -33.26, 32.8

 

CMYK 17 / 0 / 24 / 0

HEX #D4FFC1

RGB 212 255 193

HSL 101.61, 1%, 0.88%

LAB 95.73, -24.69, 25.22

 

CMYK 10 / 0 / 17 / 0

HEX #E5FFD4

RGB 229 255 212

HSL 96.28, 1%, 0.92%

LAB 97.2, -15.93, 17.75

 

CMYK 34 / 0 / 40 / 7

HEX #9CEC8D

RGB 156 236 141

HSL 110.53, 0.71%, 0.74%

LAB 86.5, -42.2, 38.47

 

CMYK 36 / 0 / 44 / 15

HEX #8BDA7A

RGB 139 218 122

HSL 109.38, 0.56%, 0.67%

LAB 80.2, -42.38, 39.67

 

CMYK 39 / 0 / 49 / 22

HEX #7AC867

RGB 122 200 103

HSL 108.25, 0.47%, 0.59%

LAB 73.82, -42.51, 40.89

 

CMYK 42 / 0 / 54 / 29

HEX #69B654

RGB 105 182 84

HSL 107.14, 0.4%, 0.52%

LAB 67.35, -42.57, 42.11

 

CMYK 46 / 0 / 60 / 36

HEX #58A441

RGB 88 164 65

HSL 106.06, 0.43%, 0.45%

LAB 60.79, -42.51, 43.26

 

CMYK 34 / 0 / 40 / 8

HEX #9CEB8D

RGB 156 235 141

HSL 110.43, 0.7%, 0.74%

LAB 86.21, -41.76, 38.11

 

CMYK 23 / 0 / 40 / 8

HEX #B5EB8D

RGB 181 235 141

HSL 94.47, 0.7%, 0.74%

LAB 87.56, -33.38, 40.12

 

CMYK 12 / 0 / 40 / 8

HEX #CFEB8D

RGB 207 235 141

HSL 77.87, 0.7%, 0.74%

LAB 89.21, -23.97, 42.56

 

CMYK 1 / 0 / 40 / 8

HEX #E8EB8D

RGB 232 235 141

HSL 61.91, 0.7%, 0.74%

LAB 91.01, -14.49, 45.21

 

CMYK 0 / 9 / 40 / 8

HEX #EBD58D

RGB 235 213 141

HSL 45.96, 0.7%, 0.74%

LAB 85.59, -2.26, 38.35

 

CMYK 34 / 0 / 40 / 8

HEX #9CEB8D

RGB 156 235 141

HSL 110.43, 0.7%, 0.74%

LAB 86.21, -41.76, 38.11

 

CMYK 40 / 0 / 35 / 8

HEX #8DEB98

RGB 141 235 152

HSL 127.02, 0.7%, 0.74%

LAB 85.68, -44.68, 31.76

 

CMYK 40 / 0 / 25 / 8

HEX #8DEBB1

RGB 141 235 177

HSL 142.98, 0.7%, 0.74%

LAB 86.13, -40.33, 19.55

 

CMYK 40 / 0 / 14 / 8

HEX #8DEBCA

RGB 141 235 202

HSL 158.94, 0.7%, 0.74%

LAB 86.67, -35.32, 7.29

 

CMYK 40 / 0 / 3 / 8

HEX #8DEBE4

RGB 141 235 228

HSL 175.53, 0.7%, 0.74%

LAB 87.33, -29.5, -5.39

 

CMYK 34 / 0 / 40 / 8

HEX #9CEB8D

RGB 156 235 141

HSL 110.43, 0.7%, 0.74%

LAB 86.21, -41.76, 38.11

 

CMYK 39 / 0 / 47 / 4

HEX #95F682

RGB 149 246 130

HSL 110.17, 0.87%, 0.74%

LAB 88.88, -50.12, 46.78

 

CMYK 34 / 0 / 40 / 8

HEX #9CEB8D

RGB 156 235 141

HSL 110.43, 0.7%, 0.74%

LAB 86.21, -41.76, 38.11

 

CMYK 28 / 0 / 32 / 12

HEX #A3E198

RGB 163 225 152

HSL 110.96, 0.55%, 0.74%

LAB 83.92, -33.34, 29.6

 

CMYK 20 / 0 / 24 / 16

HEX #ABD6A3

RGB 171 214 163

HSL 110.59, 0.38%, 0.74%

LAB 81.51, -23.64, 20.69

 

CMYK 12 / 0 / 15 / 20

HEX #B2CBAD

RGB 178 203 173

HSL 110, 0.22%, 0.74%

LAB 79.15, -14.03, 12.16

 

CMYK 4 / 0 / 4 / 25

HEX #B9C0B8

RGB 185 192 184

HSL 112.5, 0.06%, 0.74%

LAB 76.97, -3.9, 3.18

 

CMYK 12 / 0 / 40 / 8

HEX #CFEB8D

RGB 207 235 141

HSL 77.87, 0.7%, 0.74%

LAB 89.21, -23.97, 42.56

 

CMYK 23 / 0 / 40 / 8

HEX #B6EB8D

RGB 182 235 141

HSL 93.83, 0.7%, 0.74%

LAB 87.62, -33.03, 40.21

 

CMYK 33 / 0 / 40 / 8

HEX #9DEB8D

RGB 157 235 141

HSL 109.79, 0.7%, 0.74%

LAB 86.26, -41.44, 38.18

 

CMYK 40 / 0 / 36 / 8

HEX #8DEB97

RGB 141 235 151

HSL 126.38, 0.7%, 0.74%

LAB 85.66, -44.84, 32.24

 

CMYK 40 / 0 / 25 / 8

HEX #8DEBB0

RGB 141 235 176

HSL 142.34, 0.7%, 0.74%

LAB 86.11, -40.51, 20.04

 

CMYK 57 / 0 / 68 / 13

HEX #5FDF47

RGB 95 223 71

HSL 110.53, 0.7%, 0.58%

LAB 79.42, -62.58, 61.21

 

CMYK 45 / 0 / 54 / 10

HEX #7DE56A

RGB 125 229 106

HSL 110.73, 0.7%, 0.66%

LAB 82.61, -53.27, 50.17

 

CMYK 34 / 0 / 40 / 8

HEX #9CEB8D

RGB 156 235 141

HSL 110.43, 0.7%, 0.74%

LAB 86.21, -41.76, 38.11

 

CMYK 22 / 0 / 27 / 5

HEX #BBF1B0

RGB 187 241 176

HSL 109.85, 0.7%, 0.82%

LAB 90.14, -29.1, 25.96

 

CMYK 12 / 0 / 14 / 3

HEX #D9F7D4

RGB 217 247 212

HSL 111.43, 0.69%, 0.9%

LAB 94.32, -16.06, 13.58

 

CMYK 34 / 0 / 40 / 7

HEX #9CEC8D

RGB 156 236 141

HSL 110.53, 0.71%, 0.74%

LAB 86.5, -42.2, 38.47

 

CMYK 40 / 1 / 0 / 8

HEX #8DE8EB

RGB 141 232 235

HSL 181.91, 0.7%, 0.74%

LAB 86.69, -26.38, -10.02

 

CMYK 0 / 40 / 17 / 8

HEX #EB8DC2

RGB 235 141 194

HSL 326.17, 0.7%, 0.74%

LAB 69.9, 42.64, -12.19

 

CMYK 34 / 0 / 40 / 7

HEX #9CEC8D

RGB 156 236 141

HSL 110.53, 0.71%, 0.74%

LAB 86.5, -42.2, 38.47

 

CMYK 40 / 33 / 0 / 8

HEX #8D9DEB

RGB 141 157 235

HSL 229.79, 0.7%, 0.74%

LAB 66.35, 13.52, -41.08

 

CMYK 0 / 40 / 33 / 8

HEX #EB8D9D

RGB 235 141 157

HSL 349.79, 0.7%, 0.74%

LAB 68.86, 37.52, 6.96

 

CMYK 34 / 0 / 40 / 7

HEX #9CEC8D

RGB 156 236 141

HSL 110.53, 0.71%, 0.74%

LAB 86.5, -42.2, 38.47

 

CMYK 40 / 1 / 0 / 8

HEX #8DE8EB

RGB 141 232 235

HSL 181.91, 0.7%, 0.74%

LAB 86.69, -26.38, -10.02

 

CMYK 6 / 40 / 0 / 8

HEX #DC8DEB

RGB 220 141 235

HSL 290.43, 0.7%, 0.74%

LAB 69.66, 45, -35.4

 

CMYK 0 / 39 / 40 / 8

HEX #EB908D

RGB 235 144 141

HSL 1.91, 0.7%, 0.74%

LAB 69.13, 34.07, 16.29

 

CMYK 34 / 0 / 40 / 7

HEX #9CEC8D

RGB 156 236 141

HSL 110.53, 0.71%, 0.74%

LAB 86.5, -42.2, 38.47

 

CMYK 40 / 13 / 0 / 8

HEX #8DCCEB

RGB 141 204 235

HSL 199.79, 0.7%, 0.74%

LAB 78.95, -12.29, -21.65

 

CMYK 6 / 40 / 0 / 8

HEX #DC8DEB

RGB 220 141 235

HSL 290.43, 0.7%, 0.74%

LAB 69.66, 45, -35.4

 

CMYK 0 / 26 / 40 / 8

HEX #EBAD8D

RGB 235 173 141

HSL 20.43, 0.7%, 0.74%

LAB 75.74, 18.7, 25.34

 

Description

Color code: HEX #9CEC8D | qconv.com Color code: HEX #9CEC8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 236 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 236 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 40 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 40% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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