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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CE94E it is the complementary color #6316B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CE94E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CE94E shade: #A1E949, #B2FB5C, #C3FF6F, #D4FF82 and #E5FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CE94E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CE94E shade: #9CE94E, #8BD73B, #7AC528, #69B315 and #58A102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CE94E shade: #9CE94D, #C5E94D, #E9E24D, #E9B84D and #E98E4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CE94E shade: #9CE94D, #72E94D, #4DE953, #4DE97D and #4DE9A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CE94E shade matches the following richer shades: #9CE94D and #9CF93D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CE94E shade: #9CE94D, #9BD95E, #9BC86E, #9BB87E and #9BA88E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CE94E shade: #E9E14D, #C7E94D, #9EE94D, #74E94D and #4DE950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CE94E shade: #72CB19, #87E429, #9CE94D, #B0ED72 and #C5F297

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CE94E shade: #9CE94E, #4DE9B7 and #E94DDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CE94E shade: #9CE94E, #4D9EE9 and #E94D9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CE94E shade: #9CE94E, #4DE9B7, #984DE9 and #E94D7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CE94E shade: #9CE94E, #4DE9E6, #984DE9 and #E94D50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 67 / 9

HEX #9CE94E

RGB 156 233 78

HSL 89.81, 0.78%, 0.61%

LAB 84.94, -47.65, 65.1

 

Complementary color

CMYK 44 / 88 / 0 / 31

HEX #6316B1

RGB 99 22 177

HSL 269.81, 0.78%, 0.39%

LAB 30.4, 60.02, -65.73

 

CMYK 31 / 0 / 69 / 9

HEX #A1E949

RGB 161 233 73

HSL 87, 0.78%, 0.6%

LAB 85.17, -46.25, 67.3

 

CMYK 29 / 0 / 63 / 2

HEX #B2FB5C

RGB 178 251 92

HSL 87.55, 0.95%, 0.67%

LAB 91.34, -46.55, 66.77

 

CMYK 24 / 0 / 56 / 0

HEX #C3FF6F

RGB 195 255 111

HSL 85, 1%, 0.72%

LAB 93.57, -40.67, 61.6

 

CMYK 17 / 0 / 49 / 0

HEX #D4FF82

RGB 212 255 130

HSL 80.64, 1%, 0.75%

LAB 94.79, -32.7, 54.79

 

CMYK 10 / 0 / 42 / 0

HEX #E5FF95

RGB 229 255 149

HSL 74.72, 1%, 0.79%

LAB 96.14, -24.43, 47.76

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94E

RGB 156 233 78

HSL 89.81, 0.78%, 0.61%

LAB 84.94, -47.65, 65.1

 

CMYK 35 / 0 / 73 / 16

HEX #8BD73B

RGB 139 215 59

HSL 89.23, 0.66%, 0.54%

LAB 78.7, -47.3, 65.41

 

CMYK 38 / 0 / 80 / 23

HEX #7AC528

RGB 122 197 40

HSL 88.66, 0.66%, 0.46%

LAB 72.38, -46.76, 65.1

 

CMYK 41 / 0 / 88 / 30

HEX #69B315

RGB 105 179 21

HSL 88.1, 0.79%, 0.39%

LAB 65.98, -45.99, 63.75

 

CMYK 45 / 0 / 99 / 37

HEX #58A102

RGB 88 161 2

HSL 87.55, 0.98%, 0.32%

LAB 59.5, -44.92, 61.05

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94D

RGB 156 233 77

HSL 89.62, 0.78%, 0.61%

LAB 84.94, -47.73, 65.48

 

CMYK 15 / 0 / 67 / 9

HEX #C5E94D

RGB 197 233 77

HSL 73.85, 0.78%, 0.61%

LAB 87.33, -32.55, 68.71

 

CMYK 0 / 3 / 67 / 9

HEX #E9E24D

RGB 233 226 77

HSL 57.31, 0.78%, 0.61%

LAB 88.09, -14.7, 70.33

 

CMYK 0 / 21 / 67 / 9

HEX #E9B84D

RGB 233 184 77

HSL 41.15, 0.78%, 0.61%

LAB 77.36, 6.73, 59.22

 

CMYK 0 / 39 / 67 / 9

HEX #E98E4D

RGB 233 142 77

HSL 25, 0.78%, 0.61%

LAB 67.43, 28.97, 48.36

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94D

RGB 156 233 77

HSL 89.62, 0.78%, 0.61%

LAB 84.94, -47.73, 65.48

 

CMYK 51 / 0 / 67 / 9

HEX #72E94D

RGB 114 233 77

HSL 105.77, 0.78%, 0.61%

LAB 83.12, -60.79, 63.01

 

CMYK 67 / 0 / 64 / 9

HEX #4DE953

RGB 77 233 83

HSL 122.31, 0.78%, 0.61%

LAB 82.1, -68.74, 59.21

 

CMYK 67 / 0 / 46 / 9

HEX #4DE97D

RGB 77 233 125

HSL 138.46, 0.78%, 0.61%

LAB 82.56, -63.39, 40.74

 

CMYK 67 / 0 / 28 / 9

HEX #4DE9A7

RGB 77 233 167

HSL 154.62, 0.78%, 0.61%

LAB 83.26, -55.73, 20.42

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94D

RGB 156 233 77

HSL 89.62, 0.78%, 0.61%

LAB 84.94, -47.73, 65.48

 

CMYK 37 / 0 / 76 / 2

HEX #9CF93D

RGB 156 249 61

HSL 89.68, 0.94%, 0.61%

LAB 89.47, -55.24, 75.49

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94D

RGB 156 233 77

HSL 89.62, 0.78%, 0.61%

LAB 84.94, -47.73, 65.48

 

CMYK 29 / 0 / 57 / 15

HEX #9BD95E

RGB 155 217 94

HSL 90.24, 0.62%, 0.61%

LAB 80.41, -39.75, 53.4

 

CMYK 23 / 0 / 45 / 22

HEX #9BC86E

RGB 155 200 110

HSL 90, 0.45%, 0.61%

LAB 75.7, -30.23, 40.15

 

CMYK 16 / 0 / 32 / 28

HEX #9BB87E

RGB 155 184 126

HSL 90, 0.29%, 0.61%

LAB 71.39, -20.27, 26.31

 

CMYK 8 / 0 / 15 / 34

HEX #9BA88E

RGB 155 168 142

HSL 90, 0.13%, 0.61%

LAB 67.22, -9.43, 11.9

 

CMYK 0 / 3 / 67 / 9

HEX #E9E14D

RGB 233 225 77

HSL 56.92, 0.78%, 0.61%

LAB 87.83, -14.21, 70.06

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94D

RGB 199 233 77

HSL 73.08, 0.78%, 0.61%

LAB 87.46, -31.77, 68.89

 

CMYK 32 / 0 / 67 / 9

HEX #9EE94D

RGB 158 233 77

HSL 88.85, 0.78%, 0.61%

LAB 85.04, -47.03, 65.62

 

CMYK 50 / 0 / 67 / 9

HEX #74E94D

RGB 116 233 77

HSL 105, 0.78%, 0.61%

LAB 83.19, -60.25, 63.11

 

CMYK 67 / 0 / 66 / 9

HEX #4DE950

RGB 77 233 80

HSL 121.15, 0.78%, 0.61%

LAB 82.07, -69.03, 60.39

 

CMYK 44 / 0 / 88 / 20

HEX #72CB19

RGB 114 203 25

HSL 90, 0.78%, 0.45%

LAB 73.78, -52.43, 69.76

 

CMYK 41 / 0 / 82 / 11

HEX #87E429

RGB 135 228 41

HSL 89.84, 0.78%, 0.53%

LAB 82.27, -54.8, 74.02

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94D

RGB 156 233 77

HSL 89.62, 0.78%, 0.61%

LAB 84.94, -47.73, 65.48

 

CMYK 26 / 0 / 52 / 7

HEX #B0ED72

RGB 176 237 114

HSL 89.76, 0.77%, 0.69%

LAB 87.49, -39.18, 52.9

 

CMYK 19 / 0 / 38 / 5

HEX #C5F297

RGB 197 242 151

HSL 89.67, 0.78%, 0.77%

LAB 90.6, -29.7, 39.28

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94E

RGB 156 233 78

HSL 89.81, 0.78%, 0.61%

LAB 84.94, -47.65, 65.1

 

CMYK 67 / 0 / 21 / 9

HEX #4DE9B7

RGB 77 233 183

HSL 160.77, 0.78%, 0.61%

LAB 83.59, -52.24, 12.55

 

CMYK 0 / 67 / 6 / 9

HEX #E94DDC

RGB 233 77 220

HSL 305, 0.78%, 0.61%

LAB 59.71, 75.08, -42.48

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94E

RGB 156 233 78

HSL 89.81, 0.78%, 0.61%

LAB 84.94, -47.65, 65.1

 

CMYK 67 / 32 / 0 / 9

HEX #4D9EE9

RGB 77 158 233

HSL 208.85, 0.78%, 0.61%

LAB 63.27, -1.28, -45.04

 

CMYK 0 / 67 / 32 / 9

HEX #E94D9E

RGB 233 77 158

HSL 328.85, 0.78%, 0.61%

LAB 57.17, 66.73, -10.79

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94E

RGB 156 233 78

HSL 89.81, 0.78%, 0.61%

LAB 84.94, -47.65, 65.1

 

CMYK 67 / 0 / 21 / 9

HEX #4DE9B7

RGB 77 233 183

HSL 160.77, 0.78%, 0.61%

LAB 83.59, -52.24, 12.55

 

CMYK 35 / 67 / 0 / 9

HEX #984DE9

RGB 152 77 233

HSL 268.85, 0.78%, 0.61%

LAB 49.33, 59.99, -67.03

 

CMYK 0 / 67 / 45 / 9

HEX #E94D7F

RGB 233 77 127

HSL 340.77, 0.78%, 0.61%

LAB 56.25, 63.54, 6.1

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94E

RGB 156 233 78

HSL 89.81, 0.78%, 0.61%

LAB 84.94, -47.65, 65.1

 

CMYK 67 / 0 / 1 / 9

HEX #4DE9E6

RGB 77 233 230

HSL 178.85, 0.78%, 0.61%

LAB 84.78, -40.45, -10.45

 

CMYK 35 / 67 / 0 / 9

HEX #984DE9

RGB 152 77 233

HSL 268.85, 0.78%, 0.61%

LAB 49.33, 59.99, -67.03

 

CMYK 0 / 67 / 66 / 9

HEX #E94D50

RGB 233 77 80

HSL 358.85, 0.78%, 0.61%

LAB 55.29, 60.11, 32.43

 

Description

Color code: HEX #9CE94E | qconv.com Color code: HEX #9CE94E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 233 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 233 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 67% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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