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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99FB83 it is the complementary color #66047C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99FB83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99FB83 shade: #9EFB7E, #AFFF91, #C0FFA4, #D1FFB7 and #E2FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99FB83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99FB83 shade: #99FB83, #88E970, #77D75D, #66C54A and #55B337

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99FB83 shade: #99FB83, #B9FB83, #D9FB83, #FAFB83 and #FBDB83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99FB83 shade: #99FB83, #83FB8D, #83FBAD, #83FBCE and #83FBEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99FB83 shade matches the following richer shades: #99FB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99FB83 shade: #99FB83, #9FF08D, #A6E697, #ACDCA2 and #B3D1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99FB83 shade: #D9FB83, #B9FB83, #99FB83, #83FB8D and #83FBAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99FB83 shade: #57F833, #78F95B, #99FB83, #BAFCAB and #DBFDD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99FB83 shade: #99FB83, #83F9FB and #FB83C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99FB83 shade: #99FB83, #8399FB and #FB8399

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99FB83 shade: #99FB83, #83F9FB, #E583FB and #FB8583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99FB83 shade: #99FB83, #83D5FB, #E583FB and #FBA983

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

Complementary color

CMYK 18 / 97 / 0 / 51

HEX #66047C

RGB 102 4 124

HSL 289, 0.94%, 0.25%

LAB 24.85, 53.17, -42.17

 

CMYK 37 / 0 / 50 / 2

HEX #9EFB7E

RGB 158 251 126

HSL 104.64, 0.94%, 0.74%

LAB 90.67, -49.92, 50.96

 

CMYK 31 / 0 / 43 / 0

HEX #AFFF91

RGB 175 255 145

HSL 103.64, 1%, 0.78%

LAB 92.87, -43.85, 44.88

 

CMYK 25 / 0 / 36 / 0

HEX #C0FFA4

RGB 192 255 164

HSL 101.54, 1%, 0.82%

LAB 94.06, -35.69, 37.3

 

CMYK 18 / 0 / 28 / 0

HEX #D1FFB7

RGB 209 255 183

HSL 98.33, 1%, 0.86%

LAB 95.37, -27.21, 29.74

 

CMYK 11 / 0 / 21 / 0

HEX #E2FFCA

RGB 226 255 202

HSL 92.83, 1%, 0.9%

LAB 96.8, -18.52, 22.26

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 42 / 0 / 52 / 9

HEX #88E970

RGB 136 233 112

HSL 108.1, 0.73%, 0.68%

LAB 84.32, -50.92, 49.54

 

CMYK 45 / 0 / 57 / 16

HEX #77D75D

RGB 119 215 93

HSL 107.21, 0.6%, 0.6%

LAB 78.06, -50.9, 50.68

 

CMYK 48 / 0 / 62 / 23

HEX #66C54A

RGB 102 197 74

HSL 106.34, 0.51%, 0.53%

LAB 71.73, -50.74, 51.72

 

CMYK 53 / 0 / 69 / 30

HEX #55B337

RGB 85 179 55

HSL 105.48, 0.53%, 0.46%

LAB 65.32, -50.37, 52.5

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 26 / 0 / 48 / 2

HEX #B9FB83

RGB 185 251 131

HSL 93, 0.94%, 0.75%

LAB 92.11, -40.42, 50.7

 

CMYK 14 / 0 / 48 / 2

HEX #D9FB83

RGB 217 251 131

HSL 77, 0.94%, 0.75%

LAB 94.05, -28.9, 53.51

 

CMYK 0 / 0 / 48 / 2

HEX #FAFB83

RGB 250 251 131

HSL 60.5, 0.94%, 0.75%

LAB 96.39, -16.3, 56.88

 

CMYK 0 / 13 / 48 / 2

HEX #FBDB83

RGB 251 219 131

HSL 44, 0.94%, 0.75%

LAB 88.36, 0.02, 47.12

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 48 / 0 / 44 / 2

HEX #83FB8D

RGB 131 251 141

HSL 125, 0.94%, 0.75%

LAB 89.74, -55.77, 42.43

 

CMYK 48 / 0 / 31 / 2

HEX #83FBAD

RGB 131 251 173

HSL 141, 0.94%, 0.75%

LAB 90.25, -50.6, 27.2

 

CMYK 48 / 0 / 18 / 2

HEX #83FBCE

RGB 131 251 206

HSL 157.5, 0.94%, 0.75%

LAB 90.91, -44.15, 11.21

 

CMYK 48 / 0 / 5 / 2

HEX #83FBEE

RGB 131 251 238

HSL 173.5, 0.94%, 0.75%

LAB 91.68, -36.93, -4.24

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 34 / 0 / 41 / 6

HEX #9FF08D

RGB 159 240 141

HSL 109.09, 0.77%, 0.75%

LAB 87.78, -43, 40.16

 

CMYK 28 / 0 / 34 / 10

HEX #A6E697

RGB 166 230 151

HSL 108.61, 0.61%, 0.75%

LAB 85.47, -34.8, 32.21

 

CMYK 22 / 0 / 26 / 14

HEX #ACDCA2

RGB 172 220 162

HSL 109.66, 0.45%, 0.75%

LAB 83.21, -26.38, 23.57

 

CMYK 14 / 0 / 18 / 18

HEX #B3D1AC

RGB 179 209 172

HSL 108.65, 0.29%, 0.75%

LAB 80.83, -16.89, 15.07

 

CMYK 14 / 0 / 48 / 2

HEX #D9FB83

RGB 217 251 131

HSL 77, 0.94%, 0.75%

LAB 94.05, -28.9, 53.51

 

CMYK 26 / 0 / 48 / 2

HEX #B9FB83

RGB 185 251 131

HSL 93, 0.94%, 0.75%

LAB 92.11, -40.42, 50.7

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 48 / 0 / 44 / 2

HEX #83FB8D

RGB 131 251 141

HSL 125, 0.94%, 0.75%

LAB 89.74, -55.77, 42.43

 

CMYK 48 / 0 / 31 / 2

HEX #83FBAD

RGB 131 251 173

HSL 141, 0.94%, 0.75%

LAB 90.25, -50.6, 27.2

 

CMYK 65 / 0 / 79 / 3

HEX #57F833

RGB 87 248 51

HSL 109.04, 0.93%, 0.59%

LAB 86.7, -74.03, 74.89

 

CMYK 52 / 0 / 63 / 2

HEX #78F95B

RGB 120 249 91

HSL 108.99, 0.93%, 0.67%

LAB 88.21, -63.83, 63.03

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 26 / 0 / 32 / 1

HEX #BAFCAB

RGB 186 252 171

HSL 108.89, 0.93%, 0.83%

LAB 93.01, -35.3, 32.37

 

CMYK 13 / 0 / 17 / 1

HEX #DBFDD3

RGB 219 253 211

HSL 108.57, 0.91%, 0.91%

LAB 96, -18.49, 16.48

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 48 / 1 / 0 / 2

HEX #83F9FB

RGB 131 249 251

HSL 181, 0.94%, 0.75%

LAB 91.48, -32.81, -11.29

 

CMYK 0 / 48 / 20 / 2

HEX #FB83C9

RGB 251 131 201

HSL 325, 0.94%, 0.75%

LAB 70.15, 53.85, -15.52

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 48 / 39 / 0 / 2

HEX #8399FB

RGB 131 153 251

HSL 229, 0.94%, 0.75%

LAB 65.41, 17.95, -51.36

 

CMYK 0 / 48 / 39 / 2

HEX #FB8399

RGB 251 131 153

HSL 349, 0.94%, 0.75%

LAB 68.78, 47.78, 9.37

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 48 / 1 / 0 / 2

HEX #83F9FB

RGB 131 249 251

HSL 181, 0.94%, 0.75%

LAB 91.48, -32.81, -11.29

 

CMYK 9 / 48 / 0 / 2

HEX #E583FB

RGB 229 131 251

HSL 289, 0.94%, 0.75%

LAB 69.37, 55.75, -44.54

 

CMYK 0 / 47 / 48 / 2

HEX #FB8583

RGB 251 133 131

HSL 1, 0.94%, 0.75%

LAB 68.7, 44.57, 21.58

 

CMYK 39 / 0 / 48 / 2

HEX #99FB83

RGB 153 251 131

HSL 109, 0.94%, 0.75%

LAB 90.51, -50.85, 48.37

 

CMYK 48 / 15 / 0 / 2

HEX #83D5FB

RGB 131 213 251

HSL 199, 0.94%, 0.75%

LAB 81.5, -15.11, -26.34

 

CMYK 9 / 48 / 0 / 2

HEX #E583FB

RGB 229 131 251

HSL 289, 0.94%, 0.75%

LAB 69.37, 55.75, -44.54

 

CMYK 0 / 33 / 48 / 2

HEX #FBA983

RGB 251 169 131

HSL 19, 0.94%, 0.75%

LAB 76.39, 26.03, 31.86

 

Description

Color code: HEX #99FB83 | qconv.com Color code: HEX #99FB83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 251 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 251 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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