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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99EA70 it is the complementary color #66158F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99EA70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99EA70 shade: #9EEA6B, #AFFC7E, #C0FF91, #D1FFA4 and #E2FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99EA70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99EA70 shade: #99EA70, #88D85D, #77C64A, #66B437 and #55A224

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99EA70 shade: #99E971, #BAE971, #DAE971, #E9D871 and #E9B771

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99EA70 shade: #99E971, #79E971, #71E989, #71E9AA and #71E9CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99EA70 shade matches the following richer shades: #99E971 and #95F663

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99EA70 shade: #99E971, #9DDC7E, #A2CF8B, #A6C298 and #AAB4A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99EA70 shade: #DBE971, #BBE971, #9BE971, #7BE971 and #71E987

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99EA70 shade: #66DF29, #7FE44D, #99E971, #B3EF94 and #CCF4B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99EA70 shade: #99EA70, #71E9D7 and #E971CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99EA70 shade: #99EA70, #719BE9 and #E9719B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99EA70 shade: #99EA70, #71E9D7, #BF71E9 and #E97183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99EA70 shade: #99EA70, #71D7E9, #BF71E9 and #E98371

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 52 / 8

HEX #99EA70

RGB 153 234 112

HSL 99.84, 0.74%, 0.68%

LAB 85.4, -45.96, 51.02

 

Complementary color

CMYK 29 / 85 / 0 / 44

HEX #66158F

RGB 102 21 143

HSL 279.84, 0.74%, 0.32%

LAB 27.69, 53.13, -49.46

 

CMYK 32 / 0 / 54 / 8

HEX #9EEA6B

RGB 158 234 107

HSL 95.91, 0.75%, 0.67%

LAB 85.59, -44.83, 53.61

 

CMYK 31 / 0 / 50 / 1

HEX #AFFC7E

RGB 175 252 126

HSL 96.67, 0.95%, 0.74%

LAB 91.79, -44.82, 52.52

 

CMYK 25 / 0 / 43 / 0

HEX #C0FF91

RGB 192 255 145

HSL 94.36, 1%, 0.78%

LAB 93.78, -38.16, 46.22

 

CMYK 18 / 0 / 36 / 0

HEX #D1FFA4

RGB 209 255 164

HSL 90.33, 1%, 0.82%

LAB 95.06, -29.86, 38.8

 

CMYK 11 / 0 / 28 / 0

HEX #E2FFB7

RGB 226 255 183

HSL 84.17, 1%, 0.86%

LAB 96.45, -21.3, 31.39

 

CMYK 35 / 0 / 52 / 8

HEX #99EA70

RGB 153 234 112

HSL 99.84, 0.74%, 0.68%

LAB 85.4, -45.96, 51.02

 

CMYK 37 / 0 / 57 / 15

HEX #88D85D

RGB 136 216 93

HSL 99.02, 0.61%, 0.61%

LAB 79.12, -45.96, 52.11

 

CMYK 40 / 0 / 63 / 22

HEX #77C64A

RGB 119 198 74

HSL 98.23, 0.52%, 0.53%

LAB 72.76, -45.85, 53.07

 

CMYK 43 / 0 / 69 / 29

HEX #66B437

RGB 102 180 55

HSL 97.44, 0.53%, 0.46%

LAB 66.32, -45.58, 53.77

 

CMYK 48 / 0 / 78 / 36

HEX #55A224

RGB 85 162 36

HSL 96.67, 0.64%, 0.39%

LAB 59.8, -45.08, 53.91

 

CMYK 34 / 0 / 52 / 9

HEX #99E971

RGB 153 233 113

HSL 100, 0.73%, 0.68%

LAB 85.12, -45.42, 50.23

 

CMYK 20 / 0 / 52 / 9

HEX #BAE971

RGB 186 233 113

HSL 83.5, 0.73%, 0.68%

LAB 86.95, -33.86, 52.86

 

CMYK 6 / 0 / 52 / 9

HEX #DAE971

RGB 218 233 113

HSL 67.5, 0.73%, 0.68%

LAB 89.1, -21.65, 55.93

 

CMYK 0 / 7 / 52 / 9

HEX #E9D871

RGB 233 216 113

HSL 51.5, 0.73%, 0.68%

LAB 85.82, -7.26, 52.35

 

CMYK 0 / 21 / 52 / 9

HEX #E9B771

RGB 233 183 113

HSL 35, 0.73%, 0.68%

LAB 77.51, 9.82, 42.26

 

CMYK 34 / 0 / 52 / 9

HEX #99E971

RGB 153 233 113

HSL 100, 0.73%, 0.68%

LAB 85.12, -45.42, 50.23

 

CMYK 48 / 0 / 52 / 9

HEX #79E971

RGB 121 233 113

HSL 116, 0.73%, 0.68%

LAB 83.72, -55.13, 48.21

 

CMYK 52 / 0 / 41 / 9

HEX #71E989

RGB 113 233 137

HSL 132, 0.73%, 0.68%

LAB 83.75, -53.84, 36.56

 

CMYK 52 / 0 / 27 / 9

HEX #71E9AA

RGB 113 233 170

HSL 148.5, 0.73%, 0.68%

LAB 84.32, -47.99, 20.5

 

CMYK 52 / 0 / 13 / 9

HEX #71E9CA

RGB 113 233 202

HSL 164.5, 0.73%, 0.68%

LAB 85.02, -41.16, 4.77

 

CMYK 34 / 0 / 52 / 9

HEX #99E971

RGB 153 233 113

HSL 100, 0.73%, 0.68%

LAB 85.12, -45.42, 50.23

 

CMYK 39 / 0 / 60 / 4

HEX #95F663

RGB 149 246 99

HSL 99.59, 0.89%, 0.68%

LAB 88.54, -53.55, 60.41

 

CMYK 34 / 0 / 52 / 9

HEX #99E971

RGB 153 233 113

HSL 100, 0.73%, 0.68%

LAB 85.12, -45.42, 50.23

 

CMYK 29 / 0 / 43 / 14

HEX #9DDC7E

RGB 157 220 126

HSL 100.21, 0.57%, 0.68%

LAB 81.76, -36.77, 39.86

 

CMYK 22 / 0 / 33 / 19

HEX #A2CF8B

RGB 162 207 139

HSL 99.71, 0.41%, 0.68%

LAB 78.56, -27.14, 29.14

 

CMYK 14 / 0 / 22 / 24

HEX #A6C298

RGB 166 194 152

HSL 100, 0.26%, 0.68%

LAB 75.42, -17.25, 18.05

 

CMYK 6 / 0 / 8 / 29

HEX #AAB4A5

RGB 170 180 165

HSL 100, 0.09%, 0.68%

LAB 72.17, -6.3, 6.44

 

CMYK 6 / 0 / 52 / 9

HEX #DBE971

RGB 219 233 113

HSL 67, 0.73%, 0.68%

LAB 89.17, -21.26, 56.03

 

CMYK 20 / 0 / 52 / 9

HEX #BBE971

RGB 187 233 113

HSL 83, 0.73%, 0.68%

LAB 87.01, -33.49, 52.95

 

CMYK 33 / 0 / 52 / 9

HEX #9BE971

RGB 155 233 113

HSL 99, 0.73%, 0.68%

LAB 85.22, -44.76, 50.37

 

CMYK 47 / 0 / 52 / 9

HEX #7BE971

RGB 123 233 113

HSL 115, 0.73%, 0.68%

LAB 83.8, -54.58, 48.32

 

CMYK 52 / 0 / 42 / 9

HEX #71E987

RGB 113 233 135

HSL 131, 0.73%, 0.68%

LAB 83.72, -54.15, 37.51

 

CMYK 54 / 0 / 82 / 13

HEX #66DF29

RGB 102 223 41

HSL 99.89, 0.74%, 0.52%

LAB 79.48, -62.74, 71.02

 

CMYK 44 / 0 / 66 / 11

HEX #7FE44D

RGB 127 228 77

HSL 100.13, 0.74%, 0.6%

LAB 82.13, -55.16, 62.1

 

CMYK 34 / 0 / 52 / 9

HEX #99E971

RGB 153 233 113

HSL 100, 0.73%, 0.68%

LAB 85.12, -45.42, 50.23

 

CMYK 25 / 0 / 38 / 6

HEX #B3EF94

RGB 179 239 148

HSL 99.56, 0.74%, 0.76%

LAB 88.66, -34.98, 38.05

 

CMYK 16 / 0 / 25 / 4

HEX #CCF4B8

RGB 204 244 184

HSL 100, 0.73%, 0.84%

LAB 92.13, -23.53, 24.77

 

CMYK 35 / 0 / 52 / 8

HEX #99EA70

RGB 153 234 112

HSL 99.84, 0.74%, 0.68%

LAB 85.4, -45.96, 51.02

 

CMYK 52 / 0 / 8 / 9

HEX #71E9D7

RGB 113 233 215

HSL 171, 0.73%, 0.68%

LAB 85.35, -38.09, -1.59

 

CMYK 0 / 52 / 13 / 9

HEX #E971CB

RGB 233 113 203

HSL 315, 0.73%, 0.68%

LAB 64.52, 57.33, -25.42

 

CMYK 35 / 0 / 52 / 8

HEX #99EA70

RGB 153 234 112

HSL 99.84, 0.74%, 0.68%

LAB 85.4, -45.96, 51.02

 

CMYK 52 / 33 / 0 / 9

HEX #719BE9

RGB 113 155 233

HSL 219, 0.73%, 0.68%

LAB 64.03, 7.32, -43.74

 

CMYK 0 / 52 / 33 / 9

HEX #E9719B

RGB 233 113 155

HSL 339, 0.73%, 0.68%

LAB 62.93, 50.72, -0.52

 

CMYK 35 / 0 / 52 / 8

HEX #99EA70

RGB 153 234 112

HSL 99.84, 0.74%, 0.68%

LAB 85.4, -45.96, 51.02

 

CMYK 52 / 0 / 8 / 9

HEX #71E9D7

RGB 113 233 215

HSL 171, 0.73%, 0.68%

LAB 85.35, -38.09, -1.59

 

CMYK 18 / 52 / 0 / 9

HEX #BF71E9

RGB 191 113 233

HSL 279, 0.73%, 0.68%

LAB 60.58, 51.06, -48.76

 

CMYK 0 / 52 / 44 / 9

HEX #E97183

RGB 233 113 131

HSL 351, 0.73%, 0.68%

LAB 62.32, 48.07, 12.37

 

CMYK 35 / 0 / 52 / 8

HEX #99EA70

RGB 153 234 112

HSL 99.84, 0.74%, 0.68%

LAB 85.4, -45.96, 51.02

 

CMYK 52 / 8 / 0 / 9

HEX #71D7E9

RGB 113 215 233

HSL 189, 0.73%, 0.68%

LAB 80.74, -24.92, -17.99

 

CMYK 18 / 52 / 0 / 9

HEX #BF71E9

RGB 191 113 233

HSL 279, 0.73%, 0.68%

LAB 60.58, 51.06, -48.76

 

CMYK 0 / 44 / 52 / 9

HEX #E98371

RGB 233 131 113

HSL 9, 0.73%, 0.68%

LAB 65.55, 37.31, 26.97

 

Description

Color code: HEX #99EA70 | qconv.com Color code: HEX #99EA70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 234 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 234 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 52 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 52% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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