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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E382 it is the complementary color #661C7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E382. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E382 shade: #9EE37D, #AFF590, #C0FFA3, #D1FFB6 and #E2FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E382. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E382 shade: #99E382, #88D16F, #77BF5C, #66AD49 and #559B36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E382 shade: #99E282, #B3E282, #CDE282, #E2DE82 and #E2C482

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E382 shade: #99E282, #82E285, #82E29F, #82E2B9 and #82E2D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E382 shade matches the following richer shades: #99E282, #92EF75 and #8CFB69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E382 shade: #99E282, #9FD68E, #A6C99B, #ACBDA7 and #B3B1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E382 shade: #CDE282, #B4E282, #9AE282, #82E283 and #82E29D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E382 shade: #62D33F, #7DDB60, #99E282, #B4EAA3 and #D0F1C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E382 shade: #99E382, #82E2DD and #E282C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E382 shade: #99E382, #829AE2 and #E2829A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E382 shade: #99E382, #82E2DD, #CA82E2 and #E28287

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E382 shade: #99E382, #82CAE2, #CA82E2 and #E29A82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 43 / 11

HEX #99E382

RGB 153 227 130

HSL 105.77, 0.63%, 0.7%

LAB 83.61, -40.72, 40.19

 

Complementary color

CMYK 18 / 78 / 0 / 51

HEX #661C7D

RGB 102 28 125

HSL 285.77, 0.63%, 0.3%

LAB 27.12, 46.97, -39.13

 

CMYK 30 / 0 / 45 / 11

HEX #9EE37D

RGB 158 227 125

HSL 100.59, 0.65%, 0.69%

LAB 83.8, -39.71, 42.94

 

CMYK 29 / 0 / 41 / 4

HEX #AFF590

RGB 175 245 144

HSL 101.58, 0.83%, 0.76%

LAB 90.06, -39.58, 41.78

 

CMYK 25 / 0 / 36 / 0

HEX #C0FFA3

RGB 192 255 163

HSL 101.09, 1%, 0.82%

LAB 94.04, -35.83, 37.78

 

CMYK 18 / 0 / 29 / 0

HEX #D1FFB6

RGB 209 255 182

HSL 97.81, 1%, 0.86%

LAB 95.35, -27.36, 30.22

 

CMYK 11 / 0 / 21 / 0

HEX #E2FFC9

RGB 226 255 201

HSL 92.22, 1%, 0.89%

LAB 96.78, -18.68, 22.74

 

CMYK 33 / 0 / 43 / 11

HEX #99E382

RGB 153 227 130

HSL 105.77, 0.63%, 0.7%

LAB 83.61, -40.72, 40.19

 

CMYK 35 / 0 / 47 / 18

HEX #88D16F

RGB 136 209 111

HSL 104.69, 0.52%, 0.63%

LAB 77.27, -40.86, 41.38

 

CMYK 38 / 0 / 52 / 25

HEX #77BF5C

RGB 119 191 92

HSL 103.64, 0.44%, 0.55%

LAB 70.84, -40.95, 42.59

 

CMYK 41 / 0 / 58 / 32

HEX #66AD49

RGB 102 173 73

HSL 102.6, 0.41%, 0.48%

LAB 64.32, -40.95, 43.75

 

CMYK 45 / 0 / 65 / 39

HEX #559B36

RGB 85 155 54

HSL 101.58, 0.48%, 0.41%

LAB 57.69, -40.8, 44.75

 

CMYK 32 / 0 / 42 / 11

HEX #99E282

RGB 153 226 130

HSL 105.63, 0.62%, 0.7%

LAB 83.32, -40.28, 39.82

 

CMYK 21 / 0 / 42 / 11

HEX #B3E282

RGB 179 226 130

HSL 89.38, 0.62%, 0.7%

LAB 84.79, -31.29, 41.98

 

CMYK 9 / 0 / 42 / 11

HEX #CDE282

RGB 205 226 130

HSL 73.13, 0.62%, 0.7%

LAB 86.5, -21.62, 44.5

 

CMYK 0 / 2 / 42 / 11

HEX #E2DE82

RGB 226 222 130

HSL 57.5, 0.62%, 0.7%

LAB 87.01, -11.5, 45.47

 

CMYK 0 / 13 / 42 / 11

HEX #E2C482

RGB 226 196 130

HSL 41.25, 0.62%, 0.7%

LAB 80.33, 1.8, 37.01

 

CMYK 32 / 0 / 42 / 11

HEX #99E282

RGB 153 226 130

HSL 105.63, 0.62%, 0.7%

LAB 83.32, -40.28, 39.82

 

CMYK 42 / 0 / 41 / 11

HEX #82E285

RGB 130 226 133

HSL 121.88, 0.62%, 0.7%

LAB 82.29, -46.99, 36.78

 

CMYK 42 / 0 / 30 / 11

HEX #82E29F

RGB 130 226 159

HSL 138.13, 0.62%, 0.7%

LAB 82.72, -42.7, 24.1

 

CMYK 42 / 0 / 18 / 11

HEX #82E2B9

RGB 130 226 185

HSL 154.38, 0.62%, 0.7%

LAB 83.25, -37.66, 11.26

 

CMYK 42 / 0 / 7 / 11

HEX #82E2D3

RGB 130 226 211

HSL 170.63, 0.62%, 0.7%

LAB 83.88, -31.92, -1.55

 

CMYK 32 / 0 / 42 / 11

HEX #99E282

RGB 153 226 130

HSL 105.63, 0.62%, 0.7%

LAB 83.32, -40.28, 39.82

 

CMYK 39 / 0 / 51 / 6

HEX #92EF75

RGB 146 239 117

HSL 105.74, 0.79%, 0.7%

LAB 86.57, -49.73, 50.03

 

CMYK 44 / 0 / 58 / 2

HEX #8CFB69

RGB 140 251 105

HSL 105.62, 0.95%, 0.7%

LAB 89.67, -57.68, 59.02

 

CMYK 32 / 0 / 42 / 11

HEX #99E282

RGB 153 226 130

HSL 105.63, 0.62%, 0.7%

LAB 83.32, -40.28, 39.82

 

CMYK 26 / 0 / 34 / 16

HEX #9FD68E

RGB 159 214 142

HSL 105.83, 0.47%, 0.7%

LAB 80.41, -31.06, 30.02

 

CMYK 17 / 0 / 23 / 21

HEX #A6C99B

RGB 166 201 155

HSL 105.65, 0.3%, 0.7%

LAB 77.43, -20.28, 19.23

 

CMYK 9 / 0 / 12 / 26

HEX #ACBDA7

RGB 172 189 167

HSL 106.36, 0.14%, 0.7%

LAB 74.8, -9.97, 9.14

 

CMYK 0 / 1 / 0 / 30

HEX #B3B1B3

RGB 179 177 179

HSL 300, 0.01%, 0.7%

LAB 72.42, 1.08, -0.78

 

CMYK 9 / 0 / 42 / 11

HEX #CDE282

RGB 205 226 130

HSL 73.13, 0.62%, 0.7%

LAB 86.5, -21.62, 44.5

 

CMYK 20 / 0 / 42 / 11

HEX #B4E282

RGB 180 226 130

HSL 88.75, 0.62%, 0.7%

LAB 84.85, -30.93, 42.07

 

CMYK 32 / 0 / 42 / 11

HEX #9AE282

RGB 154 226 130

HSL 105, 0.62%, 0.7%

LAB 83.38, -39.95, 39.9

 

CMYK 42 / 0 / 42 / 11

HEX #82E283

RGB 130 226 131

HSL 120.63, 0.62%, 0.7%

LAB 82.26, -47.28, 37.74

 

CMYK 42 / 0 / 31 / 11

HEX #82E29D

RGB 130 226 157

HSL 136.88, 0.62%, 0.7%

LAB 82.69, -43.06, 25.09

 

CMYK 54 / 0 / 70 / 17

HEX #62D33F

RGB 98 211 63

HSL 105.81, 0.63%, 0.54%

LAB 75.79, -58.15, 60.47

 

CMYK 43 / 0 / 56 / 14

HEX #7DDB60

RGB 125 219 96

HSL 105.85, 0.63%, 0.62%

LAB 79.54, -50.37, 51.11

 

CMYK 32 / 0 / 42 / 11

HEX #99E282

RGB 153 226 130

HSL 105.63, 0.62%, 0.7%

LAB 83.32, -40.28, 39.82

 

CMYK 23 / 0 / 30 / 8

HEX #B4EAA3

RGB 180 234 163

HSL 105.63, 0.63%, 0.78%

LAB 87.58, -30.17, 29.06

 

CMYK 14 / 0 / 18 / 5

HEX #D0F1C5

RGB 208 241 197

HSL 105, 0.61%, 0.86%

LAB 91.84, -18.64, 17.73

 

CMYK 33 / 0 / 43 / 11

HEX #99E382

RGB 153 227 130

HSL 105.77, 0.63%, 0.7%

LAB 83.61, -40.72, 40.19

 

CMYK 42 / 0 / 2 / 11

HEX #82E2DD

RGB 130 226 221

HSL 176.88, 0.62%, 0.7%

LAB 84.15, -29.54, -6.45

 

CMYK 0 / 42 / 15 / 11

HEX #E282C0

RGB 226 130 192

HSL 321.25, 0.62%, 0.7%

LAB 66.47, 45.05, -16.34

 

CMYK 33 / 0 / 43 / 11

HEX #99E382

RGB 153 227 130

HSL 105.77, 0.63%, 0.7%

LAB 83.61, -40.72, 40.19

 

CMYK 42 / 32 / 0 / 11

HEX #829AE2

RGB 130 154 226

HSL 225, 0.62%, 0.7%

LAB 64.44, 9.9, -39.16

 

CMYK 0 / 42 / 32 / 11

HEX #E2829A

RGB 226 130 154

HSL 345, 0.62%, 0.7%

LAB 65.33, 39.65, 3.43

 

CMYK 33 / 0 / 43 / 11

HEX #99E382

RGB 153 227 130

HSL 105.77, 0.63%, 0.7%

LAB 83.61, -40.72, 40.19

 

CMYK 42 / 0 / 2 / 11

HEX #82E2DD

RGB 130 226 221

HSL 176.88, 0.62%, 0.7%

LAB 84.15, -29.54, -6.45

 

CMYK 11 / 42 / 0 / 11

HEX #CA82E2

RGB 202 130 226

HSL 285, 0.62%, 0.7%

LAB 64.97, 43.73, -37.87

 

CMYK 0 / 42 / 40 / 11

HEX #E28287

RGB 226 130 135

HSL 356.88, 0.62%, 0.7%

LAB 64.87, 37.39, 13.54

 

CMYK 33 / 0 / 43 / 11

HEX #99E382

RGB 153 227 130

HSL 105.77, 0.63%, 0.7%

LAB 83.61, -40.72, 40.19

 

CMYK 42 / 11 / 0 / 11

HEX #82CAE2

RGB 130 202 226

HSL 195, 0.62%, 0.7%

LAB 77.57, -16.35, -18.97

 

CMYK 11 / 42 / 0 / 11

HEX #CA82E2

RGB 202 130 226

HSL 285, 0.62%, 0.7%

LAB 64.97, 43.73, -37.87

 

CMYK 0 / 32 / 42 / 11

HEX #E29A82

RGB 226 154 130

HSL 15, 0.62%, 0.7%

LAB 70.1, 24.12, 23.52

 

Description

Color code: HEX #99E382 | qconv.com Color code: HEX #99E382 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 227 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 227 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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