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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E68B it is the complementary color #661974. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E68B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E68B shade: #9EE686, #AFF899, #C0FFAC, #D1FFBF and #E2FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E68B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E68B shade: #99E68B, #88D478, #77C265, #66B052 and #559E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E68B shade: #97E689, #B0E689, #C9E689, #E2E689 and #E6D089

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E68B shade: #97E689, #89E693, #89E6AC, #89E6C6 and #89E6DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E68B shade matches the following richer shades: #97E689, #8FF17D and #87FD72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E68B shade: #97E689, #9FDA94, #A7CEA0, #AFC3AB and #B7B7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E68B shade: #CAE689, #B1E689, #98E689, #89E692 and #89E6AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E68B shade: #5BD745, #79DE67, #97E689, #B5EDAB and #D3F4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E68B shade: #99E68B, #89E2E6 and #E689BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E68B shade: #99E68B, #8998E6 and #E68998

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E68B shade: #99E68B, #89E2E6, #D689E6 and #E68C89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E68B shade: #99E68B, #89C7E6, #D689E6 and #E6A889

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 40 / 10

HEX #99E68B

RGB 153 230 139

HSL 110.77, 0.65%, 0.72%

LAB 84.6, -40.8, 36.99

 

Complementary color

CMYK 12 / 78 / 0 / 55

HEX #661974

RGB 102 25 116

HSL 290.77, 0.65%, 0.28%

LAB 26.1, 46.25, -35.05

 

CMYK 31 / 0 / 42 / 10

HEX #9EE686

RGB 158 230 134

HSL 105, 0.66%, 0.71%

LAB 84.78, -39.87, 39.76

 

CMYK 29 / 0 / 38 / 3

HEX #AFF899

RGB 175 248 153

HSL 106.11, 0.87%, 0.79%

LAB 91.03, -39.7, 38.61

 

CMYK 25 / 0 / 33 / 0

HEX #C0FFAC

RGB 192 255 172

HSL 105.54, 1%, 0.84%

LAB 94.19, -34.55, 33.5

 

CMYK 18 / 0 / 25 / 0

HEX #D1FFBF

RGB 209 255 191

HSL 103.13, 1%, 0.87%

LAB 95.51, -26.01, 25.9

 

CMYK 11 / 0 / 18 / 0

HEX #E2FFD2

RGB 226 255 210

HSL 98.67, 1%, 0.91%

LAB 96.96, -17.27, 18.41

 

CMYK 33 / 0 / 40 / 10

HEX #99E68B

RGB 153 230 139

HSL 110.77, 0.65%, 0.72%

LAB 84.6, -40.8, 36.99

 

CMYK 36 / 0 / 43 / 17

HEX #88D478

RGB 136 212 120

HSL 109.57, 0.52%, 0.65%

LAB 78.27, -40.98, 38.18

 

CMYK 39 / 0 / 48 / 24

HEX #77C265

RGB 119 194 101

HSL 108.39, 0.43%, 0.58%

LAB 71.86, -41.12, 39.41

 

CMYK 42 / 0 / 53 / 31

HEX #66B052

RGB 102 176 82

HSL 107.23, 0.37%, 0.51%

LAB 65.35, -41.2, 40.64

 

CMYK 46 / 0 / 60 / 38

HEX #559E3F

RGB 85 158 63

HSL 106.11, 0.43%, 0.43%

LAB 58.74, -41.15, 41.81

 

CMYK 34 / 0 / 40 / 10

HEX #97E689

RGB 151 230 137

HSL 110.97, 0.65%, 0.72%

LAB 84.47, -41.72, 37.8

 

CMYK 23 / 0 / 40 / 10

HEX #B0E689

RGB 176 230 137

HSL 94.84, 0.65%, 0.72%

LAB 85.82, -33.34, 39.8

 

CMYK 13 / 0 / 40 / 10

HEX #C9E689

RGB 201 230 137

HSL 78.71, 0.65%, 0.72%

LAB 87.4, -24.27, 42.14

 

CMYK 2 / 0 / 40 / 10

HEX #E2E689

RGB 226 230 137

HSL 62.58, 0.65%, 0.72%

LAB 89.19, -14.76, 44.78

 

CMYK 0 / 10 / 40 / 10

HEX #E6D089

RGB 230 208 137

HSL 45.81, 0.65%, 0.72%

LAB 83.83, -2.09, 38.02

 

CMYK 34 / 0 / 40 / 10

HEX #97E689

RGB 151 230 137

HSL 110.97, 0.65%, 0.72%

LAB 84.47, -41.72, 37.8

 

CMYK 40 / 0 / 36 / 10

HEX #89E693

RGB 137 230 147

HSL 126.45, 0.65%, 0.72%

LAB 83.98, -44.49, 32

 

CMYK 40 / 0 / 25 / 10

HEX #89E6AC

RGB 137 230 172

HSL 142.58, 0.65%, 0.72%

LAB 84.43, -40.14, 19.75

 

CMYK 40 / 0 / 14 / 10

HEX #89E6C6

RGB 137 230 198

HSL 159.35, 0.65%, 0.72%

LAB 84.99, -34.92, 6.95

 

CMYK 40 / 0 / 3 / 10

HEX #89E6DF

RGB 137 230 223

HSL 175.48, 0.65%, 0.72%

LAB 85.62, -29.28, -5.3

 

CMYK 34 / 0 / 40 / 10

HEX #97E689

RGB 151 230 137

HSL 110.97, 0.65%, 0.72%

LAB 84.47, -41.72, 37.8

 

CMYK 41 / 0 / 48 / 5

HEX #8FF17D

RGB 143 241 125

HSL 110.69, 0.81%, 0.72%

LAB 87.11, -50.5, 46.9

 

CMYK 47 / 0 / 55 / 1

HEX #87FD72

RGB 135 253 114

HSL 110.94, 0.97%, 0.72%

LAB 90.14, -58.92, 55.57

 

CMYK 34 / 0 / 40 / 10

HEX #97E689

RGB 151 230 137

HSL 110.97, 0.65%, 0.72%

LAB 84.47, -41.72, 37.8

 

CMYK 27 / 0 / 32 / 15

HEX #9FDA94

RGB 159 218 148

HSL 110.57, 0.49%, 0.72%

LAB 81.65, -32.03, 28.58

 

CMYK 19 / 0 / 22 / 19

HEX #A7CEA0

RGB 167 206 160

HSL 110.87, 0.32%, 0.72%

LAB 78.98, -21.58, 18.73

 

CMYK 10 / 0 / 12 / 24

HEX #AFC3AB

RGB 175 195 171

HSL 110, 0.17%, 0.72%

LAB 76.73, -11.32, 9.76

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 12 / 0 / 40 / 10

HEX #CAE689

RGB 202 230 137

HSL 78.06, 0.65%, 0.72%

LAB 87.46, -23.9, 42.24

 

CMYK 23 / 0 / 40 / 10

HEX #B1E689

RGB 177 230 137

HSL 94.19, 0.65%, 0.72%

LAB 85.88, -32.99, 39.89

 

CMYK 34 / 0 / 40 / 10

HEX #98E689

RGB 152 230 137

HSL 110.32, 0.65%, 0.72%

LAB 84.52, -41.4, 37.87

 

CMYK 40 / 0 / 37 / 10

HEX #89E692

RGB 137 230 146

HSL 125.81, 0.65%, 0.72%

LAB 83.96, -44.65, 32.48

 

CMYK 40 / 0 / 26 / 10

HEX #89E6AB

RGB 137 230 171

HSL 141.94, 0.65%, 0.72%

LAB 84.41, -40.33, 20.25

 

CMYK 58 / 0 / 68 / 16

HEX #5BD745

RGB 91 215 69

HSL 110.96, 0.65%, 0.56%

LAB 76.83, -60.89, 59.21

 

CMYK 45 / 0 / 54 / 13

HEX #79DE67

RGB 121 222 103

HSL 110.92, 0.64%, 0.64%

LAB 80.34, -51.98, 48.8

 

CMYK 34 / 0 / 40 / 10

HEX #97E689

RGB 151 230 137

HSL 110.97, 0.65%, 0.72%

LAB 84.47, -41.72, 37.8

 

CMYK 24 / 0 / 28 / 7

HEX #B5EDAB

RGB 181 237 171

HSL 110.91, 0.65%, 0.8%

LAB 88.61, -30, 26.37

 

CMYK 14 / 0 / 16 / 4

HEX #D3F4CD

RGB 211 244 205

HSL 110.77, 0.64%, 0.88%

LAB 93, -17.77, 15.25

 

CMYK 33 / 0 / 40 / 10

HEX #99E68B

RGB 153 230 139

HSL 110.77, 0.65%, 0.72%

LAB 84.6, -40.8, 36.99

 

CMYK 40 / 2 / 0 / 10

HEX #89E2E6

RGB 137 226 230

HSL 182.58, 0.65%, 0.72%

LAB 84.7, -25.66, -10.36

 

CMYK 0 / 40 / 18 / 10

HEX #E689BD

RGB 230 137 189

HSL 326.45, 0.65%, 0.72%

LAB 68.31, 42.29, -11.85

 

CMYK 33 / 0 / 40 / 10

HEX #99E68B

RGB 153 230 139

HSL 110.77, 0.65%, 0.72%

LAB 84.6, -40.8, 36.99

 

CMYK 40 / 34 / 0 / 10

HEX #8998E6

RGB 137 152 230

HSL 230.32, 0.65%, 0.72%

LAB 64.55, 13.97, -41.16

 

CMYK 0 / 40 / 34 / 10

HEX #E68998

RGB 230 137 152

HSL 350.32, 0.65%, 0.72%

LAB 67.26, 37.18, 7.4

 

CMYK 33 / 0 / 40 / 10

HEX #99E68B

RGB 153 230 139

HSL 110.77, 0.65%, 0.72%

LAB 84.6, -40.8, 36.99

 

CMYK 40 / 2 / 0 / 10

HEX #89E2E6

RGB 137 226 230

HSL 182.58, 0.65%, 0.72%

LAB 84.7, -25.66, -10.36

 

CMYK 7 / 40 / 0 / 10

HEX #D689E6

RGB 214 137 230

HSL 289.68, 0.65%, 0.72%

LAB 67.95, 44.35, -35.35

 

CMYK 0 / 39 / 40 / 10

HEX #E68C89

RGB 230 140 137

HSL 1.94, 0.65%, 0.72%

LAB 67.57, 33.86, 16.25

 

CMYK 33 / 0 / 40 / 10

HEX #99E68B

RGB 153 230 139

HSL 110.77, 0.65%, 0.72%

LAB 84.6, -40.8, 36.99

 

CMYK 40 / 13 / 0 / 10

HEX #89C7E6

RGB 137 199 230

HSL 200, 0.65%, 0.72%

LAB 77.21, -11.99, -21.63

 

CMYK 7 / 40 / 0 / 10

HEX #D689E6

RGB 214 137 230

HSL 289.68, 0.65%, 0.72%

LAB 67.95, 44.35, -35.35

 

CMYK 0 / 27 / 40 / 10

HEX #E6A889

RGB 230 168 137

HSL 20, 0.65%, 0.72%

LAB 73.96, 18.96, 24.99

 

Description

Color code: HEX #99E68B | qconv.com Color code: HEX #99E68B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 230 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 230 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 40 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 40% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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