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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E67E it is the complementary color #661981. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E67E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E67E shade: #9EE679, #AFF88C, #C0FF9F, #D1FFB2 and #E2FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E67E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E67E shade: #99E67E, #88D46B, #77C258, #66B045 and #559E32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E67E shade: #99E67E, #B5E67E, #D1E67E, #E6DF7E and #E6C37E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E67E shade: #99E67E, #7EE67F, #7EE69B, #7EE6B7 and #7EE6D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E67E shade matches the following richer shades: #99E67E and #93F272

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E67E shade: #99E67E, #9FDA8A, #A5CD97, #ABC1A3 and #B1B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E67E shade: #D1E67E, #B5E67E, #9AE67E, #7EE67E and #7EE69A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E67E shade: #62D939, #7EDF5B, #99E67E, #B4EDA1 and #D0F3C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E67E shade: #99E67E, #7EE6DF and #E67EC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E67E shade: #99E67E, #7E9AE6 and #E67E9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E67E shade: #99E67E, #7EE6DF, #CA7EE6 and #E67E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E67E shade: #99E67E, #7ECEE6, #CA7EE6 and #E6967E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

Complementary color

CMYK 21 / 81 / 0 / 49

HEX #661981

RGB 102 25 129

HSL 284.42, 0.68%, 0.3%

LAB 27.03, 48.89, -41.8

 

CMYK 31 / 0 / 47 / 10

HEX #9EE679

RGB 158 230 121

HSL 99.63, 0.69%, 0.69%

LAB 84.61, -41.53, 45.88

 

CMYK 29 / 0 / 44 / 3

HEX #AFF88C

RGB 175 248 140

HSL 100.56, 0.89%, 0.76%

LAB 90.84, -41.42, 44.72

 

CMYK 25 / 0 / 38 / 0

HEX #C0FF9F

RGB 192 255 159

HSL 99.38, 1%, 0.81%

LAB 93.98, -36.37, 39.67

 

CMYK 18 / 0 / 30 / 0

HEX #D1FFB2

RGB 209 255 178

HSL 95.84, 1%, 0.85%

LAB 95.28, -27.94, 32.14

 

CMYK 11 / 0 / 23 / 0

HEX #E2FFC5

RGB 226 255 197

HSL 90, 1%, 0.89%

LAB 96.71, -19.28, 24.67

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 36 / 0 / 50 / 17

HEX #88D46B

RGB 136 212 107

HSL 103.43, 0.55%, 0.63%

LAB 78.1, -42.67, 44.36

 

CMYK 39 / 0 / 55 / 24

HEX #77C258

RGB 119 194 88

HSL 102.45, 0.46%, 0.55%

LAB 71.7, -42.72, 45.53

 

CMYK 42 / 0 / 61 / 31

HEX #66B045

RGB 102 176 69

HSL 101.5, 0.44%, 0.48%

LAB 65.2, -42.66, 46.61

 

CMYK 46 / 0 / 68 / 38

HEX #559E32

RGB 85 158 50

HSL 100.56, 0.52%, 0.41%

LAB 58.62, -42.42, 47.46

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 21 / 0 / 45 / 10

HEX #B5E67E

RGB 181 230 126

HSL 88.27, 0.68%, 0.7%

LAB 85.97, -32.9, 45.44

 

CMYK 9 / 0 / 45 / 10

HEX #D1E67E

RGB 209 230 126

HSL 72.12, 0.68%, 0.7%

LAB 87.8, -22.46, 48.12

 

CMYK 0 / 3 / 45 / 10

HEX #E6DF7E

RGB 230 223 126

HSL 55.96, 0.68%, 0.7%

LAB 87.54, -10.82, 48.15

 

CMYK 0 / 15 / 45 / 10

HEX #E6C37E

RGB 230 195 126

HSL 39.81, 0.68%, 0.7%

LAB 80.38, 3.52, 39.2

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 45 / 0 / 45 / 10

HEX #7EE67F

RGB 126 230 127

HSL 120.58, 0.68%, 0.7%

LAB 83.21, -50.67, 40.9

 

CMYK 45 / 0 / 33 / 10

HEX #7EE69B

RGB 126 230 155

HSL 136.73, 0.68%, 0.7%

LAB 83.65, -46.23, 27.4

 

CMYK 45 / 0 / 20 / 10

HEX #7EE6B7

RGB 126 230 183

HSL 152.88, 0.68%, 0.7%

LAB 84.2, -40.9, 13.63

 

CMYK 45 / 0 / 8 / 10

HEX #7EE6D3

RGB 126 230 211

HSL 169.04, 0.68%, 0.7%

LAB 84.86, -34.75, -0.15

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 39 / 0 / 53 / 5

HEX #93F272

RGB 147 242 114

HSL 104.53, 0.83%, 0.7%

LAB 87.45, -51.01, 52.49

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 27 / 0 / 37 / 15

HEX #9FDA8A

RGB 159 218 138

HSL 104.25, 0.52%, 0.7%

LAB 81.48, -33.52, 33.48

 

CMYK 20 / 0 / 26 / 20

HEX #A5CD97

RGB 165 205 151

HSL 104.44, 0.35%, 0.7%

LAB 78.4, -23.26, 22.67

 

CMYK 11 / 0 / 16 / 24

HEX #ABC1A3

RGB 171 193 163

HSL 104, 0.19%, 0.7%

LAB 75.73, -13.1, 12.61

 

CMYK 2 / 0 / 3 / 29

HEX #B1B5AF

RGB 177 181 175

HSL 100, 0.04%, 0.7%

LAB 73.21, -2.52, 2.55

 

CMYK 9 / 0 / 45 / 10

HEX #D1E67E

RGB 209 230 126

HSL 72.12, 0.68%, 0.7%

LAB 87.8, -22.46, 48.12

 

CMYK 21 / 0 / 45 / 10

HEX #B5E67E

RGB 181 230 126

HSL 88.27, 0.68%, 0.7%

LAB 85.97, -32.9, 45.44

 

CMYK 33 / 0 / 45 / 10

HEX #9AE67E

RGB 154 230 126

HSL 103.85, 0.68%, 0.7%

LAB 84.47, -42.23, 43.24

 

CMYK 45 / 0 / 45 / 10

HEX #7EE67E

RGB 126 230 126

HSL 120, 0.68%, 0.7%

LAB 83.2, -50.81, 41.37

 

CMYK 45 / 0 / 33 / 10

HEX #7EE69A

RGB 126 230 154

HSL 136.15, 0.68%, 0.7%

LAB 83.63, -46.41, 27.89

 

CMYK 55 / 0 / 74 / 15

HEX #62D939

RGB 98 217 57

HSL 104.63, 0.68%, 0.54%

LAB 77.59, -60.76, 64.43

 

CMYK 43 / 0 / 59 / 13

HEX #7EDF5B

RGB 126 223 91

HSL 104.09, 0.67%, 0.62%

LAB 80.72, -52.21, 54.72

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 24 / 0 / 32 / 7

HEX #B4EDA1

RGB 180 237 161

HSL 105, 0.68%, 0.78%

LAB 88.37, -31.87, 31.14

 

CMYK 14 / 0 / 20 / 5

HEX #D0F3C3

RGB 208 243 195

HSL 103.75, 0.67%, 0.86%

LAB 92.33, -19.95, 19.44

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 45 / 0 / 3 / 10

HEX #7EE6DF

RGB 126 230 223

HSL 175.96, 0.68%, 0.7%

LAB 85.18, -31.89, -6.01

 

CMYK 0 / 45 / 15 / 10

HEX #E67EC3

RGB 230 126 195

HSL 320.19, 0.68%, 0.7%

LAB 66.28, 48.83, -18.27

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 45 / 33 / 0 / 10

HEX #7E9AE6

RGB 126 154 230

HSL 223.85, 0.68%, 0.7%

LAB 64.37, 10.04, -41.5

 

CMYK 0 / 45 / 33 / 10

HEX #E67E9A

RGB 230 126 154

HSL 343.85, 0.68%, 0.7%

LAB 65.02, 43.11, 3.05

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 45 / 0 / 3 / 10

HEX #7EE6DF

RGB 126 230 223

HSL 175.96, 0.68%, 0.7%

LAB 85.18, -31.89, -6.01

 

CMYK 12 / 45 / 0 / 10

HEX #CA7EE6

RGB 202 126 230

HSL 283.85, 0.68%, 0.7%

LAB 64.32, 46.66, -41.12

 

CMYK 0 / 45 / 42 / 10

HEX #E67E85

RGB 230 126 133

HSL 355.96, 0.68%, 0.7%

LAB 64.51, 40.7, 14.25

 

CMYK 33 / 0 / 45 / 10

HEX #99E67E

RGB 153 230 126

HSL 104.42, 0.68%, 0.7%

LAB 84.42, -42.56, 43.17

 

CMYK 45 / 10 / 0 / 10

HEX #7ECEE6

RGB 126 206 230

HSL 193.85, 0.68%, 0.7%

LAB 78.63, -18.32, -19.52

 

CMYK 12 / 45 / 0 / 10

HEX #CA7EE6

RGB 202 126 230

HSL 283.85, 0.68%, 0.7%

LAB 64.32, 46.66, -41.12

 

CMYK 0 / 35 / 45 / 10

HEX #E6967E

RGB 230 150 126

HSL 13.85, 0.68%, 0.7%

LAB 69.57, 27.4, 25.08

 

Description

Color code: HEX #99E67E | qconv.com Color code: HEX #99E67E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 230 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 230 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 45 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 45% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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