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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99DB89 it is the complementary color #662476. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99DB89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99DB89 shade: #9EDB84, #AFED97, #C0FFAA, #D1FFBD and #E2FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99DB89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99DB89 shade: #99DB89, #88C976, #77B763, #66A550 and #55933D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99DB89 shade: #99DB89, #AFDB89, #C5DB89, #DBDA89 and #DBC489

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99DB89 shade: #99DB89, #89DB8F, #89DBA5, #89DBBB and #89DBD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99DB89 shade matches the following richer shades: #99DB89, #92E77D and #8AF371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99DB89 shade: #99DB89, #A1CE96, #A8C2A2, #B0B5AF and #B7A9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99DB89 shade: #C5DB89, #AFDB89, #9ADB89, #89DB8F and #89DBA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99DB89 shade: #63C74A, #7ED16A, #99DB89, #B5E4A9 and #D0EEC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99DB89 shade: #99DB89, #89DBDB and #DB89BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99DB89 shade: #99DB89, #899ADB and #DB899A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99DB89 shade: #99DB89, #89DBDB, #CA89DB and #DB8989

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99DB89 shade: #99DB89, #89C2DB, #CA89DB and #DBA289

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

Complementary color

CMYK 14 / 69 / 0 / 54

HEX #662476

RGB 102 36 118

HSL 288.29, 0.53%, 0.3%

LAB 27.83, 42.14, -33.55

 

CMYK 28 / 0 / 40 / 14

HEX #9EDB84

RGB 158 219 132

HSL 102.07, 0.55%, 0.69%

LAB 81.62, -35.17, 36.69

 

CMYK 26 / 0 / 36 / 7

HEX #AFED97

RGB 175 237 151

HSL 103.26, 0.7%, 0.76%

LAB 87.93, -35.01, 35.55

 

CMYK 25 / 0 / 33 / 0

HEX #C0FFAA

RGB 192 255 170

HSL 104.47, 1%, 0.83%

LAB 94.15, -34.84, 34.45

 

CMYK 18 / 0 / 26 / 0

HEX #D1FFBD

RGB 209 255 189

HSL 101.82, 1%, 0.87%

LAB 95.48, -26.31, 26.86

 

CMYK 11 / 0 / 18 / 0

HEX #E2FFD0

RGB 226 255 208

HSL 97.02, 1%, 0.91%

LAB 96.92, -17.59, 19.37

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 32 / 0 / 41 / 21

HEX #88C976

RGB 136 201 118

HSL 106.99, 0.43%, 0.63%

LAB 75.02, -36.33, 35.03

 

CMYK 35 / 0 / 46 / 28

HEX #77B763

RGB 119 183 99

HSL 105.71, 0.37%, 0.55%

LAB 68.53, -36.49, 36.25

 

CMYK 38 / 0 / 52 / 35

HEX #66A550

RGB 102 165 80

HSL 104.47, 0.35%, 0.48%

LAB 61.92, -36.6, 37.5

 

CMYK 42 / 0 / 59 / 42

HEX #55933D

RGB 85 147 61

HSL 103.26, 0.41%, 0.41%

LAB 55.21, -36.61, 38.7

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 20 / 0 / 37 / 14

HEX #AFDB89

RGB 175 219 137

HSL 92.2, 0.53%, 0.7%

LAB 82.69, -28.54, 35.75

 

CMYK 10 / 0 / 37 / 14

HEX #C5DB89

RGB 197 219 137

HSL 76.1, 0.53%, 0.7%

LAB 84.14, -20.43, 37.91

 

CMYK 0 / 0 / 37 / 14

HEX #DBDA89

RGB 219 218 137

HSL 59.27, 0.53%, 0.7%

LAB 85.51, -11.5, 39.99

 

CMYK 0 / 11 / 37 / 14

HEX #DBC489

RGB 219 196 137

HSL 43.17, 0.53%, 0.7%

LAB 79.81, -0.22, 32.6

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 37 / 0 / 35 / 14

HEX #89DB8F

RGB 137 219 143

HSL 124.39, 0.53%, 0.7%

LAB 80.72, -40.32, 29.71

 

CMYK 37 / 0 / 25 / 14

HEX #89DBA5

RGB 137 219 165

HSL 140.49, 0.53%, 0.7%

LAB 81.13, -36.48, 18.82

 

CMYK 37 / 0 / 15 / 14

HEX #89DBBB

RGB 137 219 187

HSL 156.59, 0.53%, 0.7%

LAB 81.6, -32.11, 7.89

 

CMYK 37 / 0 / 5 / 14

HEX #89DBD1

RGB 137 219 209

HSL 172.68, 0.53%, 0.7%

LAB 82.16, -27.26, -2.99

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 37 / 0 / 46 / 9

HEX #92E77D

RGB 146 231 125

HSL 108.11, 0.69%, 0.7%

LAB 84.35, -45.37, 43.5

 

CMYK 43 / 0 / 53 / 5

HEX #8AF371

RGB 138 243 113

HSL 108.46, 0.84%, 0.7%

LAB 87.34, -54.25, 52.72

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 22 / 0 / 27 / 19

HEX #A1CE96

RGB 161 206 150

HSL 108.21, 0.36%, 0.7%

LAB 78.42, -25.3, 23.18

 

CMYK 13 / 0 / 16 / 24

HEX #A8C2A2

RGB 168 194 162

HSL 108.75, 0.21%, 0.7%

LAB 75.77, -14.85, 13.19

 

CMYK 3 / 0 / 3 / 29

HEX #B0B5AF

RGB 176 181 175

HSL 110, 0.04%, 0.7%

LAB 73.14, -2.87, 2.43

 

CMYK 2 / 10 / 0 / 27

HEX #B7A9BB

RGB 183 169 187

HSL 286.67, 0.12%, 0.7%

LAB 70.89, 8.36, -7.39

 

CMYK 10 / 0 / 37 / 14

HEX #C5DB89

RGB 197 219 137

HSL 76.1, 0.53%, 0.7%

LAB 84.14, -20.43, 37.91

 

CMYK 20 / 0 / 37 / 14

HEX #AFDB89

RGB 175 219 137

HSL 92.2, 0.53%, 0.7%

LAB 82.69, -28.54, 35.75

 

CMYK 30 / 0 / 37 / 14

HEX #9ADB89

RGB 154 219 137

HSL 107.56, 0.53%, 0.7%

LAB 81.48, -35.81, 33.93

 

CMYK 37 / 0 / 35 / 14

HEX #89DB8F

RGB 137 219 143

HSL 124.39, 0.53%, 0.7%

LAB 80.72, -40.32, 29.71

 

CMYK 37 / 0 / 25 / 14

HEX #89DBA4

RGB 137 219 164

HSL 139.76, 0.53%, 0.7%

LAB 81.11, -36.67, 19.32

 

CMYK 50 / 0 / 63 / 22

HEX #63C74A

RGB 99 199 74

HSL 108, 0.53%, 0.54%

LAB 72.22, -52.39, 52.24

 

CMYK 40 / 0 / 49 / 18

HEX #7ED16A

RGB 126 209 106

HSL 108.35, 0.53%, 0.62%

LAB 76.73, -44.72, 43.04

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 21 / 0 / 26 / 11

HEX #B5E4A9

RGB 181 228 169

HSL 107.8, 0.52%, 0.78%

LAB 86.09, -26.04, 23.97

 

CMYK 13 / 0 / 16 / 7

HEX #D0EEC9

RGB 208 238 201

HSL 108.65, 0.52%, 0.86%

LAB 91.13, -16.5, 14.66

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 37 / 0 / 0 / 14

HEX #89DBDB

RGB 137 219 219

HSL 180, 0.53%, 0.7%

LAB 82.43, -24.9, -7.9

 

CMYK 0 / 37 / 15 / 14

HEX #DB89BA

RGB 219 137 186

HSL 324.15, 0.53%, 0.7%

LAB 66.9, 38.13, -12.42

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 37 / 30 / 0 / 14

HEX #899ADB

RGB 137 154 219

HSL 227.56, 0.53%, 0.7%

LAB 64.6, 9.8, -35.01

 

CMYK 0 / 37 / 30 / 14

HEX #DB899A

RGB 219 137 154

HSL 347.56, 0.53%, 0.7%

LAB 65.97, 33.45, 4.24

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 37 / 0 / 0 / 14

HEX #89DBDB

RGB 137 219 219

HSL 180, 0.53%, 0.7%

LAB 82.43, -24.9, -7.9

 

CMYK 8 / 37 / 0 / 14

HEX #CA89DB

RGB 202 137 219

HSL 287.56, 0.53%, 0.7%

LAB 66.18, 38.57, -32.1

 

CMYK 0 / 37 / 37 / 14

HEX #DB8989

RGB 219 137 137

HSL 0, 0.53%, 0.7%

LAB 65.56, 31.32, 13.25

 

CMYK 30 / 0 / 37 / 14

HEX #99DB89

RGB 153 219 137

HSL 108.29, 0.53%, 0.7%

LAB 81.42, -36.14, 33.85

 

CMYK 37 / 11 / 0 / 14

HEX #89C2DB

RGB 137 194 219

HSL 198.29, 0.53%, 0.7%

LAB 75.46, -12.2, -18.34

 

CMYK 8 / 37 / 0 / 14

HEX #CA89DB

RGB 202 137 219

HSL 287.56, 0.53%, 0.7%

LAB 66.18, 38.57, -32.1

 

CMYK 0 / 26 / 37 / 14

HEX #DBA289

RGB 219 162 137

HSL 18.29, 0.53%, 0.7%

LAB 71.36, 17.87, 21.27

 

Description

Color code: HEX #99DB89 | qconv.com Color code: HEX #99DB89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 219 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 219 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 37% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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