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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99CF67 it is the complementary color #663098. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99CF67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99CF67 shade: #9ECF62, #AFE175, #C0F388, #D1FF9B and #E2FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99CF67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99CF67 shade: #99CF67, #88BD54, #77AB41, #66992E and #55871B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99CF67 shade: #99CF67, #B5CF67, #CFCD67, #CFB167 and #CF9567

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99CF67 shade: #99CF67, #7DCF67, #67CF6D, #67CF89 and #67CFA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99CF67 shade matches the following richer shades: #99CF67, #98DF57 and #98EF47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99CF67 shade: #99CF67, #9ABF77, #9AAF88, #9B9E98 and #9C8EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99CF67 shade: #CFCD67, #B5CF67, #99CF67, #7ECF67 and #67CF6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99CF67 shade: #70AD36, #84C548, #99CF67, #AED987 and #C3E3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99CF67 shade: #99CF67, #67CFB1 and #CF67C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99CF67 shade: #99CF67, #6799CF and #CF6799

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99CF67 shade: #99CF67, #67CFB1, #9D67CF and #CF6785

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99CF67 shade: #99CF67, #67CDCF, #9D67CF and #CF6967

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

Complementary color

CMYK 33 / 68 / 0 / 40

HEX #663098

RGB 102 48 152

HSL 271.15, 0.52%, 0.39%

LAB 32.27, 44.18, -47.57

 

CMYK 24 / 0 / 53 / 19

HEX #9ECF62

RGB 158 207 98

HSL 86.97, 0.53%, 0.6%

LAB 77.74, -33.74, 48.49

 

CMYK 22 / 0 / 48 / 12

HEX #AFE175

RGB 175 225 117

HSL 87.78, 0.64%, 0.67%

LAB 84.1, -33.78, 47.38

 

CMYK 21 / 0 / 44 / 5

HEX #C0F388

RGB 192 243 136

HSL 88.6, 0.82%, 0.74%

LAB 90.36, -33.79, 46.24

 

CMYK 18 / 0 / 39 / 0

HEX #D1FF9B

RGB 209 255 155

HSL 87.6, 1%, 0.8%

LAB 94.93, -31, 43.05

 

CMYK 11 / 0 / 32 / 0

HEX #E2FFAE

RGB 226 255 174

HSL 81.48, 1%, 0.84%

LAB 96.3, -22.52, 35.69

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 28 / 0 / 56 / 26

HEX #88BD54

RGB 136 189 84

HSL 90.29, 0.44%, 0.54%

LAB 71.06, -35, 46.88

 

CMYK 30 / 0 / 62 / 33

HEX #77AB41

RGB 119 171 65

HSL 89.43, 0.45%, 0.46%

LAB 64.51, -34.87, 47.87

 

CMYK 33 / 0 / 70 / 40

HEX #66992E

RGB 102 153 46

HSL 88.6, 0.54%, 0.39%

LAB 57.85, -34.61, 48.57

 

CMYK 37 / 0 / 80 / 47

HEX #55871B

RGB 85 135 27

HSL 87.78, 0.67%, 0.32%

LAB 51.08, -34.14, 48.59

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 13 / 0 / 50 / 19

HEX #B5CF67

RGB 181 207 103

HSL 75, 0.52%, 0.61%

LAB 79.29, -24.47, 48.33

 

CMYK 0 / 1 / 50 / 19

HEX #CFCD67

RGB 207 205 103

HSL 58.85, 0.52%, 0.61%

LAB 80.69, -13.1, 50.47

 

CMYK 0 / 14 / 50 / 19

HEX #CFB167

RGB 207 177 103

HSL 42.69, 0.52%, 0.61%

LAB 73.34, 1.4, 41.62

 

CMYK 0 / 28 / 50 / 19

HEX #CF9567

RGB 207 149 103

HSL 26.54, 0.52%, 0.61%

LAB 66.32, 16.49, 32.82

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 40 / 0 / 50 / 19

HEX #7DCF67

RGB 125 207 103

HSL 107.31, 0.52%, 0.61%

LAB 76.05, -44.56, 43.66

 

CMYK 50 / 0 / 47 / 19

HEX #67CF6D

RGB 103 207 109

HSL 123.46, 0.52%, 0.61%

LAB 75.21, -50.21, 39.48

 

CMYK 50 / 0 / 34 / 19

HEX #67CF89

RGB 103 207 137

HSL 139.62, 0.52%, 0.61%

LAB 75.65, -45.67, 25.77

 

CMYK 50 / 0 / 20 / 19

HEX #67CFA5

RGB 103 207 165

HSL 155.77, 0.52%, 0.61%

LAB 76.21, -40.1, 11.72

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 32 / 0 / 61 / 13

HEX #98DF57

RGB 152 223 87

HSL 91.32, 0.68%, 0.61%

LAB 81.91, -44.08, 58.12

 

CMYK 36 / 0 / 70 / 6

HEX #98EF47

RGB 152 239 71

HSL 91.07, 0.84%, 0.61%

LAB 86.44, -51.97, 69.17

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 19 / 0 / 38 / 25

HEX #9ABF77

RGB 154 191 119

HSL 90.83, 0.36%, 0.61%

LAB 73.2, -25.11, 32.36

 

CMYK 12 / 0 / 22 / 31

HEX #9AAF88

RGB 154 175 136

HSL 92.31, 0.2%, 0.61%

LAB 68.97, -14.49, 17.63

 

CMYK 2 / 0 / 4 / 38

HEX #9B9E98

RGB 155 158 152

HSL 90, 0.03%, 0.61%

LAB 64.72, -2.22, 2.75

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 0 / 1 / 50 / 19

HEX #CFCD67

RGB 207 205 103

HSL 58.85, 0.52%, 0.61%

LAB 80.69, -13.1, 50.47

 

CMYK 13 / 0 / 50 / 19

HEX #B5CF67

RGB 181 207 103

HSL 75, 0.52%, 0.61%

LAB 79.29, -24.47, 48.33

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 39 / 0 / 50 / 19

HEX #7ECF67

RGB 126 207 103

HSL 106.73, 0.52%, 0.61%

LAB 76.09, -44.24, 43.72

 

CMYK 50 / 0 / 47 / 19

HEX #67CF6D

RGB 103 207 109

HSL 123.46, 0.52%, 0.61%

LAB 75.21, -50.21, 39.48

 

CMYK 35 / 0 / 69 / 32

HEX #70AD36

RGB 112 173 54

HSL 90.76, 0.52%, 0.45%

LAB 64.64, -39.25, 52.57

 

CMYK 33 / 0 / 63 / 23

HEX #84C548

RGB 132 197 72

HSL 91.2, 0.52%, 0.53%

LAB 73.09, -41.14, 54.47

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 20 / 0 / 38 / 15

HEX #AED987

RGB 174 217 135

HSL 91.46, 0.52%, 0.69%

LAB 82.04, -28.21, 35.9

 

CMYK 14 / 0 / 27 / 11

HEX #C3E3A6

RGB 195 227 166

HSL 91.48, 0.52%, 0.77%

LAB 86.65, -21.16, 26.42

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 50 / 0 / 14 / 19

HEX #67CFB1

RGB 103 207 177

HSL 162.69, 0.52%, 0.61%

LAB 76.49, -37.42, 5.69

 

CMYK 0 / 50 / 6 / 19

HEX #CF67C3

RGB 207 103 195

HSL 306.92, 0.52%, 0.61%

LAB 58.89, 53.25, -29.87

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 50 / 26 / 0 / 19

HEX #6799CF

RGB 103 153 207

HSL 211.15, 0.52%, 0.61%

LAB 61.8, -1.68, -32.84

 

CMYK 0 / 50 / 26 / 19

HEX #CF6799

RGB 207 103 153

HSL 331.15, 0.52%, 0.61%

LAB 57.33, 46.78, -8.04

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 50 / 0 / 14 / 19

HEX #67CFB1

RGB 103 207 177

HSL 162.69, 0.52%, 0.61%

LAB 76.49, -37.42, 5.69

 

CMYK 24 / 50 / 0 / 19

HEX #9D67CF

RGB 157 103 207

HSL 271.15, 0.52%, 0.61%

LAB 53.36, 41.55, -45.81

 

CMYK 0 / 50 / 36 / 19

HEX #CF6785

RGB 207 103 133

HSL 342.69, 0.52%, 0.61%

LAB 56.74, 44.21, 2.76

 

CMYK 26 / 0 / 50 / 19

HEX #99CF67

RGB 153 207 103

HSL 91.15, 0.52%, 0.61%

LAB 77.51, -35.03, 45.77

 

CMYK 50 / 1 / 0 / 19

HEX #67CDCF

RGB 103 205 207

HSL 181.15, 0.52%, 0.61%

LAB 76.71, -29.06, -10.14

 

CMYK 24 / 50 / 0 / 19

HEX #9D67CF

RGB 157 103 207

HSL 271.15, 0.52%, 0.61%

LAB 53.36, 41.55, -45.81

 

CMYK 0 / 49 / 50 / 19

HEX #CF6967

RGB 207 105 103

HSL 1.15, 0.52%, 0.61%

LAB 56.43, 40.03, 19.83

 

Description

Color code: HEX #99CF67 | qconv.com Color code: HEX #99CF67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 207 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 207 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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