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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99BB1E it is the complementary color #6644E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99BB1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99BB1E shade: #9EBB19, #AFCD2C, #C0DF3F, #D1F152 and #E2FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99BB1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99BB1E shade: #99BB1E, #88A90B, #779700, #668500 and #557300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99BB1E shade: #9ABC1E, #BCB41E, #BC891E, #BC5F1E and #BC341E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99BB1E shade: #9ABC1E, #6FBC1E, #45BC1E, #1EBC22 and #1EBC4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99BB1E shade matches the following richer shades: #9ABC1E and #A4CE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99BB1E shade: #9ABC1E, #90AA30, #869942, #7C8753 and #727565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99BB1E shade: #BC871E, #BCB21E, #9DBC1E, #72BC1E and #48BC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99BB1E shade: #607513, #7D9918, #9ABC1E, #B5DC28 and #C1E14B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99BB1E shade: #99BB1E, #1EBC5D and #9D1EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99BB1E shade: #99BB1E, #1E9DBC and #BC1E9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99BB1E shade: #99BB1E, #1EBC5D, #3E1EBC and #BC1E7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99BB1E shade: #99BB1E, #1EBC8D, #3E1EBC and #BC1E4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 84 / 27

HEX #99BB1E

RGB 153 187 30

HSL 72.99, 0.72%, 0.43%

LAB 71.15, -30.95, 67.29

 

Complementary color

CMYK 55 / 70 / 0 / 12

HEX #6644E1

RGB 102 68 225

HSL 252.99, 0.72%, 0.57%

LAB 41.84, 53.63, -74.94

 

CMYK 16 / 0 / 87 / 27

HEX #9EBB19

RGB 158 187 25

HSL 70.74, 0.76%, 0.42%

LAB 71.47, -29.04, 68.81

 

CMYK 15 / 0 / 79 / 20

HEX #AFCD2C

RGB 175 205 44

HSL 71.18, 0.65%, 0.49%

LAB 77.85, -29.94, 70.1

 

CMYK 14 / 0 / 72 / 13

HEX #C0DF3F

RGB 192 223 63

HSL 71.63, 0.71%, 0.56%

LAB 84.14, -30.67, 70.44

 

CMYK 13 / 0 / 66 / 5

HEX #D1F152

RGB 209 241 82

HSL 72.08, 0.85%, 0.63%

LAB 90.36, -31.25, 70.19

 

CMYK 11 / 0 / 60 / 0

HEX #E2FF65

RGB 226 255 101

HSL 71.3, 1%, 0.7%

LAB 95.42, -29.88, 68.42

 

CMYK 18 / 0 / 84 / 27

HEX #99BB1E

RGB 153 187 30

HSL 72.99, 0.72%, 0.43%

LAB 71.15, -30.95, 67.29

 

CMYK 20 / 0 / 93 / 34

HEX #88A90B

RGB 136 169 11

HSL 72.53, 0.88%, 0.35%

LAB 64.67, -29.94, 65.06

 

CMYK 21 / 0 / 100 / 41

HEX #779700

RGB 119 151 0

HSL 72.72, 1%, 0.3%

LAB 58.09, -28.68, 61.01

 

CMYK 23 / 0 / 100 / 48

HEX #668500

RGB 102 133 0

HSL 73.98, 1%, 0.26%

LAB 51.38, -27.22, 55.42

 

CMYK 26 / 0 / 100 / 55

HEX #557300

RGB 85 115 0

HSL 75.65, 1%, 0.23%

LAB 44.51, -25.74, 49.7

 

CMYK 18 / 0 / 84 / 26

HEX #9ABC1E

RGB 154 188 30

HSL 72.91, 0.72%, 0.43%

LAB 71.51, -31.01, 67.63

 

CMYK 0 / 4 / 84 / 26

HEX #BCB41E

RGB 188 180 30

HSL 56.96, 0.72%, 0.43%

LAB 71.84, -12.59, 68.95

 

CMYK 0 / 27 / 84 / 26

HEX #BC891E

RGB 188 137 30

HSL 40.63, 0.72%, 0.43%

LAB 60.49, 10.41, 59.39

 

CMYK 0 / 49 / 84 / 26

HEX #BC5F1E

RGB 188 95 30

HSL 24.68, 0.72%, 0.43%

LAB 50.65, 33.35, 50.91

 

CMYK 0 / 72 / 84 / 26

HEX #BC341E

RGB 188 52 30

HSL 8.35, 0.72%, 0.43%

LAB 43.12, 53.08, 44.24

 

CMYK 18 / 0 / 84 / 26

HEX #9ABC1E

RGB 154 188 30

HSL 72.91, 0.72%, 0.43%

LAB 71.51, -31.01, 67.63

 

CMYK 41 / 0 / 84 / 26

HEX #6FBC1E

RGB 111 188 30

HSL 89.24, 0.72%, 0.43%

LAB 69.07, -47.29, 64.56

 

CMYK 63 / 0 / 84 / 26

HEX #45BC1E

RGB 69 188 30

HSL 105.19, 0.72%, 0.43%

LAB 67.52, -59.31, 62.59

 

CMYK 84 / 0 / 82 / 26

HEX #1EBC22

RGB 30 188 34

HSL 121.52, 0.72%, 0.43%

LAB 66.79, -65.5, 60.62

 

CMYK 84 / 0 / 59 / 26

HEX #1EBC4D

RGB 30 188 77

HSL 137.85, 0.72%, 0.43%

LAB 67.11, -61.54, 44.63

 

CMYK 18 / 0 / 84 / 26

HEX #9ABC1E

RGB 154 188 30

HSL 72.91, 0.72%, 0.43%

LAB 71.51, -31.01, 67.63

 

CMYK 20 / 0 / 94 / 19

HEX #A4CE0C

RGB 164 206 12

HSL 72.99, 0.89%, 0.43%

LAB 77.32, -35.68, 75.67

 

CMYK 18 / 0 / 84 / 26

HEX #9ABC1E

RGB 154 188 30

HSL 72.91, 0.72%, 0.43%

LAB 71.51, -31.01, 67.63

 

CMYK 15 / 0 / 72 / 33

HEX #90AA30

RGB 144 170 48

HSL 72.79, 0.56%, 0.43%

LAB 65.66, -25.73, 56.55

 

CMYK 12 / 0 / 57 / 40

HEX #869942

RGB 134 153 66

HSL 73.1, 0.4%, 0.43%

LAB 60.11, -20.1, 42.72

 

CMYK 8 / 0 / 39 / 47

HEX #7C8753

RGB 124 135 83

HSL 72.69, 0.24%, 0.43%

LAB 54.28, -12.96, 26.63

 

CMYK 3 / 0 / 14 / 54

HEX #727565

RGB 114 117 101

HSL 71.25, 0.07%, 0.43%

LAB 48.56, -4.23, 8.44

 

CMYK 0 / 28 / 84 / 26

HEX #BC871E

RGB 188 135 30

HSL 39.87, 0.72%, 0.43%

LAB 59.99, 11.51, 58.96

 

CMYK 0 / 5 / 84 / 26

HEX #BCB21E

RGB 188 178 30

HSL 56.2, 0.72%, 0.43%

LAB 71.3, -11.56, 68.49

 

CMYK 16 / 0 / 84 / 26

HEX #9DBC1E

RGB 157 188 30

HSL 71.77, 0.72%, 0.43%

LAB 71.71, -29.78, 67.88

 

CMYK 39 / 0 / 84 / 26

HEX #72BC1E

RGB 114 188 30

HSL 88.1, 0.72%, 0.43%

LAB 69.21, -46.26, 64.74

 

CMYK 62 / 0 / 84 / 26

HEX #48BC1E

RGB 72 188 30

HSL 104.05, 0.72%, 0.43%

LAB 67.6, -58.62, 62.7

 

CMYK 18 / 0 / 84 / 54

HEX #607513

RGB 96 117 19

HSL 72.86, 0.72%, 0.27%

LAB 45.98, -21.29, 46.7

 

CMYK 18 / 0 / 84 / 40

HEX #7D9918

RGB 125 153 24

HSL 73.02, 0.73%, 0.35%

LAB 59.17, -26.53, 57.69

 

CMYK 18 / 0 / 84 / 26

HEX #9ABC1E

RGB 154 188 30

HSL 72.91, 0.72%, 0.43%

LAB 71.51, -31.01, 67.63

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 14 / 0 / 67 / 12

HEX #C1E14B

RGB 193 225 75

HSL 72.8, 0.71%, 0.59%

LAB 84.84, -30.53, 66.82

 

CMYK 18 / 0 / 84 / 27

HEX #99BB1E

RGB 153 187 30

HSL 72.99, 0.72%, 0.43%

LAB 71.15, -30.95, 67.29

 

CMYK 84 / 0 / 51 / 26

HEX #1EBC5D

RGB 30 188 93

HSL 143.92, 0.72%, 0.43%

LAB 67.3, -59.23, 37.16

 

CMYK 16 / 84 / 0 / 26

HEX #9D1EBC

RGB 157 30 188

HSL 288.23, 0.72%, 0.43%

LAB 40.78, 68.84, -54.96

 

CMYK 18 / 0 / 84 / 27

HEX #99BB1E

RGB 153 187 30

HSL 72.99, 0.72%, 0.43%

LAB 71.15, -30.95, 67.29

 

CMYK 84 / 16 / 0 / 26

HEX #1E9DBC

RGB 30 157 188

HSL 191.77, 0.72%, 0.43%

LAB 59.91, -21.74, -25.3

 

CMYK 0 / 84 / 16 / 26

HEX #BC1E9D

RGB 188 30 157

HSL 311.77, 0.72%, 0.43%

LAB 44.31, 69.89, -30.59

 

CMYK 18 / 0 / 84 / 27

HEX #99BB1E

RGB 153 187 30

HSL 72.99, 0.72%, 0.43%

LAB 71.15, -30.95, 67.29

 

CMYK 84 / 0 / 51 / 26

HEX #1EBC5D

RGB 30 188 93

HSL 143.92, 0.72%, 0.43%

LAB 67.3, -59.23, 37.16

 

CMYK 67 / 84 / 0 / 26

HEX #3E1EBC

RGB 62 30 188

HSL 252.15, 0.72%, 0.43%

LAB 28.34, 56.39, -75.82

 

CMYK 0 / 84 / 34 / 26

HEX #BC1E7D

RGB 188 30 125

HSL 323.92, 0.72%, 0.43%

LAB 42.91, 66.01, -13.27

 

CMYK 18 / 0 / 84 / 27

HEX #99BB1E

RGB 153 187 30

HSL 72.99, 0.72%, 0.43%

LAB 71.15, -30.95, 67.29

 

CMYK 84 / 0 / 25 / 26

HEX #1EBC8D

RGB 30 188 141

HSL 162.15, 0.72%, 0.43%

LAB 68.14, -49.64, 13.03

 

CMYK 67 / 84 / 0 / 26

HEX #3E1EBC

RGB 62 30 188

HSL 252.15, 0.72%, 0.43%

LAB 28.34, 56.39, -75.82

 

CMYK 0 / 84 / 59 / 26

HEX #BC1E4E

RGB 188 30 78

HSL 341.77, 0.72%, 0.43%

LAB 41.48, 61.88, 14.08

 

Description

Color code: HEX #99BB1E | qconv.com Color code: HEX #99BB1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 187 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 187 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 84 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 84% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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