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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99B3EF it is the complementary color #664C10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99B3EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99B3EF shade: #9EB3EA, #AFC5FD, #C0D7FF, #D1E9FF and #E2FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99B3EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99B3EF shade: #99B3EF, #88A1DC, #778FC9, #667DB6 and #556BA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99B3EF shade: #99B3EF, #999CEF, #AD99EF, #C499EF and #DC99EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99B3EF shade: #99B3EF, #999CEF and #9999EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99B3EF shade matches the following richer shades: #99B3EF and #90AFF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99B3EF shade: #99B3EF, #A3B7E5, #ACBADC, #B6BED2 and #BFC2C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99B3EF shade: #99E2EF, #99CBEF, #99B4EF, #999DEF and #AC99EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99B3EF shade: #527EE4, #7598E9, #99B3EF, #BDCEF4 and #E0E8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99B3EF shade: #99B3EF, #E599EF and #D6EF99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99B3EF shade: #99B3EF, #EF99B4 and #B4EF99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99B3EF shade: #99B3EF, #E599EF, #EFD499 and #A3EF99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99B3EF shade: #99B3EF, #EF99DF, #EFD499 and #99EFA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

Complementary color

CMYK 0 / 25 / 84 / 60

HEX #664C10

RGB 102 76 16

HSL 41.86, 0.73%, 0.23%

LAB 34.05, 4.83, 37.2

 

CMYK 32 / 24 / 0 / 8

HEX #9EB3EA

RGB 158 179 234

HSL 223.42, 0.64%, 0.77%

LAB 73.19, 5.48, -29.83

 

CMYK 31 / 22 / 0 / 1

HEX #AFC5FD

RGB 175 197 253

HSL 223.08, 0.95%, 0.84%

LAB 79.69, 5.13, -29.97

 

CMYK 25 / 16 / 0 / 0

HEX #C0D7FF

RGB 192 215 255

HSL 218.1, 1%, 0.88%

LAB 85.52, 0.87, -22.04

 

CMYK 18 / 9 / 0 / 0

HEX #D1E9FF

RGB 209 233 255

HSL 208.7, 1%, 0.91%

LAB 91.26, -3.42, -13.29

 

CMYK 11 / 2 / 0 / 0

HEX #E2FBFF

RGB 226 251 255

HSL 188.28, 1%, 0.94%

LAB 96.98, -7.31, -4.68

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 38 / 27 / 0 / 14

HEX #88A1DC

RGB 136 161 220

HSL 222.14, 0.55%, 0.7%

LAB 66.44, 5.82, -32.71

 

CMYK 41 / 29 / 0 / 21

HEX #778FC9

RGB 119 143 201

HSL 222.44, 0.43%, 0.63%

LAB 59.69, 6.32, -32.68

 

CMYK 44 / 31 / 0 / 29

HEX #667DB6

RGB 102 125 182

HSL 222.75, 0.35%, 0.56%

LAB 52.81, 6.92, -32.69

 

CMYK 48 / 34 / 0 / 36

HEX #556BA3

RGB 85 107 163

HSL 223.08, 0.31%, 0.49%

LAB 45.76, 7.64, -32.76

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 36 / 35 / 0 / 6

HEX #999CEF

RGB 153 156 239

HSL 237.91, 0.73%, 0.77%

LAB 67.11, 18.33, -42.02

 

CMYK 28 / 36 / 0 / 6

HEX #AD99EF

RGB 173 153 239

HSL 253.95, 0.73%, 0.77%

LAB 67.95, 25.55, -40.6

 

CMYK 18 / 36 / 0 / 6

HEX #C499EF

RGB 196 153 239

HSL 270, 0.73%, 0.77%

LAB 70, 32.22, -37.24

 

CMYK 8 / 36 / 0 / 6

HEX #DC99EF

RGB 220 153 239

HSL 286.74, 0.73%, 0.77%

LAB 72.38, 39.42, -33.36

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 36 / 35 / 0 / 6

HEX #999CEF

RGB 153 156 239

HSL 237.91, 0.73%, 0.77%

LAB 67.11, 18.33, -42.02

 

CMYK 36 / 36 / 0 / 6

HEX #9999EF

RGB 153 153 239

HSL 240, 0.73%, 0.77%

LAB 66.36, 20.05, -43.21

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 42 / 29 / 0 / 3

HEX #90AFF8

RGB 144 175 248

HSL 222.12, 0.88%, 0.77%

LAB 71.8, 7.67, -39.64

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 29 / 20 / 0 / 10

HEX #A3B7E5

RGB 163 183 229

HSL 221.82, 0.56%, 0.77%

LAB 74.39, 3.47, -25.25

 

CMYK 22 / 15 / 0 / 14

HEX #ACBADC

RGB 172 186 220

HSL 222.5, 0.41%, 0.77%

LAB 75.49, 2.42, -18.64

 

CMYK 13 / 10 / 0 / 18

HEX #B6BED2

RGB 182 190 210

HSL 222.86, 0.24%, 0.77%

LAB 76.94, 1.25, -10.97

 

CMYK 5 / 3 / 0 / 21

HEX #BFC2C9

RGB 191 194 201

HSL 222, 0.08%, 0.77%

LAB 78.39, 0.3, -3.87

 

CMYK 36 / 5 / 0 / 6

HEX #99E2EF

RGB 153 226 239

HSL 189.07, 0.73%, 0.77%

LAB 85.7, -19.43, -13.54

 

CMYK 36 / 15 / 0 / 6

HEX #99CBEF

RGB 153 203 239

HSL 205.12, 0.73%, 0.77%

LAB 79.45, -7.61, -22.97

 

CMYK 36 / 25 / 0 / 6

HEX #99B4EF

RGB 153 180 239

HSL 221.16, 0.73%, 0.77%

LAB 73.32, 4.83, -32.37

 

CMYK 36 / 34 / 0 / 6

HEX #999DEF

RGB 153 157 239

HSL 237.21, 0.73%, 0.77%

LAB 67.37, 17.76, -41.62

 

CMYK 28 / 36 / 0 / 6

HEX #AC99EF

RGB 172 153 239

HSL 253.26, 0.73%, 0.77%

LAB 67.86, 25.27, -40.74

 

CMYK 64 / 45 / 0 / 11

HEX #527EE4

RGB 82 126 228

HSL 221.92, 0.73%, 0.61%

LAB 54.36, 16.84, -56.4

 

CMYK 50 / 35 / 0 / 9

HEX #7598E9

RGB 117 152 233

HSL 221.9, 0.73%, 0.69%

LAB 63.44, 9.96, -44.65

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 23 / 16 / 0 / 4

HEX #BDCEF4

RGB 189 206 244

HSL 221.45, 0.71%, 0.85%

LAB 82.64, 2.27, -20.58

 

CMYK 10 / 7 / 0 / 2

HEX #E0E8FA

RGB 224 232 250

HSL 221.54, 0.72%, 0.93%

LAB 91.89, 0.76, -9.62

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 4 / 36 / 0 / 6

HEX #E599EF

RGB 229 153 239

HSL 293.02, 0.73%, 0.77%

LAB 73.33, 42.15, -31.82

 

CMYK 10 / 0 / 36 / 6

HEX #D6EF99

RGB 214 239 153

HSL 77.44, 0.73%, 0.77%

LAB 90.93, -21.87, 38.93

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 0 / 36 / 25 / 6

HEX #EF99B4

RGB 239 153 180

HSL 341.16, 0.73%, 0.77%

LAB 72.51, 35.7, -0.49

 

CMYK 25 / 0 / 36 / 6

HEX #B4EF99

RGB 180 239 153

HSL 101.16, 0.73%, 0.77%

LAB 88.8, -33.95, 35.74

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 4 / 36 / 0 / 6

HEX #E599EF

RGB 229 153 239

HSL 293.02, 0.73%, 0.77%

LAB 73.33, 42.15, -31.82

 

CMYK 0 / 11 / 36 / 6

HEX #EFD499

RGB 239 212 153

HSL 41.16, 0.73%, 0.77%

LAB 85.88, 1.15, 32.66

 

CMYK 32 / 0 / 36 / 6

HEX #A3EF99

RGB 163 239 153

HSL 113.02, 0.73%, 0.77%

LAB 87.88, -39.56, 34.36

 

CMYK 36 / 25 / 0 / 6

HEX #99B3EF

RGB 153 179 239

HSL 221.86, 0.73%, 0.77%

LAB 73.05, 5.38, -32.78

 

CMYK 0 / 36 / 7 / 6

HEX #EF99DF

RGB 239 153 223

HSL 311.16, 0.73%, 0.77%

LAB 73.84, 42.39, -22.2

 

CMYK 0 / 11 / 36 / 6

HEX #EFD499

RGB 239 212 153

HSL 41.16, 0.73%, 0.77%

LAB 85.88, 1.15, 32.66

 

CMYK 36 / 0 / 29 / 6

HEX #99EFA9

RGB 153 239 169

HSL 131.16, 0.73%, 0.77%

LAB 87.66, -40.09, 25.87

 

Description

Color code: HEX #99B3EF | qconv.com Color code: HEX #99B3EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 179 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 179 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 25 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 25% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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