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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99B350 it is the complementary color #664CAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99B350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99B350 shade: #9EB34B, #AFC55E, #C0D771, #D1E984 and #E2FB97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99B350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99B350 shade: #99B350, #88A13D, #778F2A, #667D17 and #556B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99B350 shade: #99B251, #B2B251, #B29751, #B27D51 and #B26351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99B350 shade: #99B251, #7EB251, #64B251, #51B258 and #51B272

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99B350 shade matches the following richer shades: #99B251, #A2C63D, #ACDB28 and #B5EF14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99B350 shade: #99B251, #8F9E65, #858A79, #7C768D and #7261A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99B350 shade: #B29751, #B2B151, #9AB251, #80B251 and #66B251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99B350 shade: #697B36, #819842, #99B251, #A9BF6D and #BACB8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99B350 shade: #99B350, #51B27D and #A451B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99B350 shade: #99B350, #519AB2 and #B2519A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99B350 shade: #99B350, #51B27D, #6951B2 and #B25186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99B350 shade: #99B350, #51B29A, #6951B2 and #B25169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 55 / 30

HEX #99B350

RGB 153 179 80

HSL 75.76, 0.39%, 0.51%

LAB 69.18, -24.07, 46.85

 

Complementary color

CMYK 42 / 57 / 0 / 31

HEX #664CAF

RGB 102 76 175

HSL 255.76, 0.39%, 0.49%

LAB 39.73, 34.72, -49.35

 

CMYK 12 / 0 / 58 / 30

HEX #9EB34B

RGB 158 179 75

HSL 72.12, 0.41%, 0.5%

LAB 69.48, -22.48, 49.61

 

CMYK 11 / 0 / 52 / 23

HEX #AFC55E

RGB 175 197 94

HSL 72.82, 0.47%, 0.57%

LAB 75.98, -22.82, 48.57

 

CMYK 11 / 0 / 47 / 16

HEX #C0D771

RGB 192 215 113

HSL 73.53, 0.56%, 0.64%

LAB 82.38, -23.07, 47.46

 

CMYK 10 / 0 / 43 / 9

HEX #D1E984

RGB 209 233 132

HSL 74.26, 0.7%, 0.72%

LAB 88.69, -23.27, 46.32

 

CMYK 10 / 0 / 40 / 2

HEX #E2FB97

RGB 226 251 151

HSL 75, 0.93%, 0.79%

LAB 94.91, -23.42, 45.19

 

CMYK 15 / 0 / 55 / 30

HEX #99B350

RGB 153 179 80

HSL 75.76, 0.39%, 0.51%

LAB 69.18, -24.07, 46.85

 

CMYK 16 / 0 / 62 / 37

HEX #88A13D

RGB 136 161 61

HSL 75, 0.45%, 0.44%

LAB 62.56, -23.73, 47.82

 

CMYK 17 / 0 / 71 / 44

HEX #778F2A

RGB 119 143 42

HSL 74.26, 0.55%, 0.36%

LAB 55.82, -23.25, 48.44

 

CMYK 18 / 0 / 82 / 51

HEX #667D17

RGB 102 125 23

HSL 73.53, 0.69%, 0.29%

LAB 48.95, -22.56, 48.3

 

CMYK 21 / 0 / 96 / 58

HEX #556B04

RGB 85 107 4

HSL 72.82, 0.93%, 0.22%

LAB 41.93, -21.59, 46.73

 

CMYK 14 / 0 / 54 / 30

HEX #99B251

RGB 153 178 81

HSL 75.46, 0.39%, 0.51%

LAB 68.9, -23.48, 46.06

 

CMYK 0 / 0 / 54 / 30

HEX #B2B251

RGB 178 178 81

HSL 60, 0.39%, 0.51%

LAB 70.8, -13.17, 48.74

 

CMYK 0 / 15 / 54 / 30

HEX #B29751

RGB 178 151 81

HSL 43.3, 0.39%, 0.51%

LAB 63.5, 1.17, 40.21

 

CMYK 0 / 30 / 54 / 30

HEX #B27D51

RGB 178 125 81

HSL 27.22, 0.39%, 0.51%

LAB 56.81, 15.58, 32.03

 

CMYK 0 / 44 / 54 / 30

HEX #B26351

RGB 178 99 81

HSL 11.13, 0.39%, 0.51%

LAB 50.67, 30.01, 24.21

 

CMYK 14 / 0 / 54 / 30

HEX #99B251

RGB 153 178 81

HSL 75.46, 0.39%, 0.51%

LAB 68.9, -23.48, 46.06

 

CMYK 29 / 0 / 54 / 30

HEX #7EB251

RGB 126 178 81

HSL 92.16, 0.39%, 0.51%

LAB 67.18, -33.92, 43.61

 

CMYK 44 / 0 / 54 / 30

HEX #64B251

RGB 100 178 81

HSL 108.25, 0.39%, 0.51%

LAB 65.86, -42.81, 41.72

 

CMYK 54 / 0 / 51 / 30

HEX #51B258

RGB 81 178 88

HSL 124.33, 0.39%, 0.51%

LAB 65.2, -47.35, 37.3

 

CMYK 54 / 0 / 36 / 30

HEX #51B272

RGB 81 178 114

HSL 140.41, 0.39%, 0.51%

LAB 65.6, -43.09, 24.29

 

CMYK 14 / 0 / 54 / 30

HEX #99B251

RGB 153 178 81

HSL 75.46, 0.39%, 0.51%

LAB 68.9, -23.48, 46.06

 

CMYK 18 / 0 / 69 / 22

HEX #A2C63D

RGB 162 198 61

HSL 75.77, 0.55%, 0.51%

LAB 75.08, -31.04, 61.51

 

CMYK 21 / 0 / 82 / 14

HEX #ACDB28

RGB 172 219 40

HSL 75.75, 0.71%, 0.51%

LAB 81.61, -37.72, 74.43

 

CMYK 24 / 0 / 92 / 6

HEX #B5EF14

RGB 181 239 20

HSL 75.89, 0.87%, 0.51%

LAB 87.78, -43.57, 83.45

 

CMYK 14 / 0 / 54 / 30

HEX #99B251

RGB 153 178 81

HSL 75.46, 0.39%, 0.51%

LAB 68.9, -23.48, 46.06

 

CMYK 9 / 0 / 36 / 38

HEX #8F9E65

RGB 143 158 101

HSL 75.79, 0.23%, 0.51%

LAB 62.7, -15.07, 28.05

 

CMYK 4 / 0 / 12 / 46

HEX #858A79

RGB 133 138 121

HSL 77.65, 0.07%, 0.51%

LAB 56.63, -5.07, 8.48

 

CMYK 12 / 16 / 0 / 45

HEX #7C768D

RGB 124 118 141

HSL 255.65, 0.09%, 0.51%

LAB 50.88, 7.12, -11.67

 

CMYK 30 / 40 / 0 / 36

HEX #7261A2

RGB 114 97 162

HSL 255.69, 0.26%, 0.51%

LAB 45.27, 21.63, -32.78

 

CMYK 0 / 15 / 54 / 30

HEX #B29751

RGB 178 151 81

HSL 43.3, 0.39%, 0.51%

LAB 63.5, 1.17, 40.21

 

CMYK 0 / 1 / 54 / 30

HEX #B2B151

RGB 178 177 81

HSL 59.38, 0.39%, 0.51%

LAB 70.53, -12.65, 48.43

 

CMYK 13 / 0 / 54 / 30

HEX #9AB251

RGB 154 178 81

HSL 74.85, 0.39%, 0.51%

LAB 68.97, -23.08, 46.16

 

CMYK 28 / 0 / 54 / 30

HEX #80B251

RGB 128 178 81

HSL 90.93, 0.39%, 0.51%

LAB 67.3, -33.18, 43.77

 

CMYK 43 / 0 / 54 / 30

HEX #66B251

RGB 102 178 81

HSL 107.01, 0.39%, 0.51%

LAB 65.95, -42.18, 41.85

 

CMYK 15 / 0 / 56 / 52

HEX #697B36

RGB 105 123 54

HSL 75.65, 0.39%, 0.35%

LAB 48.8, -17.97, 35.04

 

CMYK 15 / 0 / 57 / 40

HEX #819842

RGB 129 152 66

HSL 76.05, 0.39%, 0.43%

LAB 59.45, -21.68, 41.87

 

CMYK 14 / 0 / 54 / 30

HEX #99B251

RGB 153 178 81

HSL 75.46, 0.39%, 0.51%

LAB 68.9, -23.48, 46.06

 

CMYK 12 / 0 / 43 / 25

HEX #A9BF6D

RGB 169 191 109

HSL 76.1, 0.39%, 0.59%

LAB 74.06, -20.66, 38.8

 

CMYK 8 / 0 / 32 / 20

HEX #BACB8A

RGB 186 203 138

HSL 75.69, 0.38%, 0.67%

LAB 79.03, -16.51, 30.57

 

CMYK 15 / 0 / 55 / 30

HEX #99B350

RGB 153 179 80

HSL 75.76, 0.39%, 0.51%

LAB 69.18, -24.07, 46.85

 

CMYK 54 / 0 / 30 / 30

HEX #51B27D

RGB 81 178 125

HSL 147.22, 0.39%, 0.51%

LAB 65.8, -40.96, 18.64

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 15 / 0 / 55 / 30

HEX #99B350

RGB 153 179 80

HSL 75.76, 0.39%, 0.51%

LAB 69.18, -24.07, 46.85

 

CMYK 54 / 13 / 0 / 30

HEX #519AB2

RGB 81 154 178

HSL 194.85, 0.39%, 0.51%

LAB 59.96, -15.89, -19.47

 

CMYK 0 / 54 / 13 / 30

HEX #B2519A

RGB 178 81 154

HSL 314.85, 0.39%, 0.51%

LAB 49.11, 48.59, -21.48

 

CMYK 15 / 0 / 55 / 30

HEX #99B350

RGB 153 179 80

HSL 75.76, 0.39%, 0.51%

LAB 69.18, -24.07, 46.85

 

CMYK 54 / 0 / 30 / 30

HEX #51B27D

RGB 81 178 125

HSL 147.22, 0.39%, 0.51%

LAB 65.8, -40.96, 18.64

 

CMYK 41 / 54 / 0 / 30

HEX #6951B2

RGB 105 81 178

HSL 254.85, 0.39%, 0.51%

LAB 41.38, 33.3, -48.45

 

CMYK 0 / 54 / 25 / 30

HEX #B25186

RGB 178 81 134

HSL 327.22, 0.39%, 0.51%

LAB 48.35, 45.56, -10.7

 

CMYK 15 / 0 / 55 / 30

HEX #99B350

RGB 153 179 80

HSL 75.76, 0.39%, 0.51%

LAB 69.18, -24.07, 46.85

 

CMYK 54 / 0 / 13 / 30

HEX #51B29A

RGB 81 178 154

HSL 165.15, 0.39%, 0.51%

LAB 66.46, -34.45, 3.65

 

CMYK 41 / 54 / 0 / 30

HEX #6951B2

RGB 105 81 178

HSL 254.85, 0.39%, 0.51%

LAB 41.38, 33.3, -48.45

 

CMYK 0 / 54 / 41 / 30

HEX #B25169

RGB 178 81 105

HSL 345.15, 0.39%, 0.51%

LAB 47.46, 41.86, 5.5

 

Description

Color code: HEX #99B350 | qconv.com Color code: HEX #99B350 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 179 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 179 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 55 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 55% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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