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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99AAD3 it is the complementary color #66552C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99AAD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99AAD3 shade: #9EAACE, #AFBCE1, #C0CEF4, #D1E0FF and #E2F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99AAD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99AAD3 shade: #99AAD3, #8898C0, #7786AD, #66749A and #556287

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99AAD3 shade: #97A8D2, #9798D2, #A697D2, #B597D2 and #C597D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99AAD3 shade: #97A8D2, #9798D2 and #9797D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99AAD3 shade matches the following richer shades: #97A8D2, #8BA3DE, #7F9EEA and #7399F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99AAD3 shade: #97A8D2, #A3ADC6, #AFB2BA, #BBB7AE and #C7BCA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99AAD3 shade: #97C8D2, #97B8D2, #97A9D2, #9799D2 and #A597D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99AAD3 shade: #5D78B9, #7A90C6, #97A8D2, #B4C0DF and #D1D8EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99AAD3 shade: #99AAD3, #CC97D2 and #C0D297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99AAD3 shade: #99AAD3, #D297A9 and #A9D297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99AAD3 shade: #99AAD3, #CC97D2, #D2C097 and #9DD297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99AAD3 shade: #99AAD3, #D297C6, #D2C097 and #97D2A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 19 / 0 / 17

HEX #99AAD3

RGB 153 170 211

HSL 222.41, 0.4%, 0.71%

LAB 69.63, 3.31, -22.75

 

Complementary color

CMYK 0 / 17 / 57 / 60

HEX #66552C

RGB 102 85 44

HSL 42.41, 0.4%, 0.29%

LAB 36.94, 1.25, 26.3

 

CMYK 23 / 17 / 0 / 19

HEX #9EAACE

RGB 158 170 206

HSL 225, 0.33%, 0.71%

LAB 69.81, 3.64, -19.69

 

CMYK 22 / 16 / 0 / 12

HEX #AFBCE1

RGB 175 188 225

HSL 224.4, 0.45%, 0.78%

LAB 76.39, 3.39, -19.97

 

CMYK 21 / 16 / 0 / 4

HEX #C0CEF4

RGB 192 206 244

HSL 223.85, 0.7%, 0.85%

LAB 82.85, 3.17, -20.25

 

CMYK 18 / 12 / 0 / 0

HEX #D1E0FF

RGB 209 224 255

HSL 220.43, 1%, 0.91%

LAB 88.96, 1.25, -16.73

 

CMYK 11 / 5 / 0 / 0

HEX #E2F2FF

RGB 226 242 255

HSL 206.9, 1%, 0.94%

LAB 94.69, -2.76, -8.05

 

CMYK 27 / 19 / 0 / 17

HEX #99AAD3

RGB 153 170 211

HSL 222.41, 0.4%, 0.71%

LAB 69.63, 3.31, -22.75

 

CMYK 29 / 21 / 0 / 25

HEX #8898C0

RGB 136 152 192

HSL 222.86, 0.31%, 0.64%

LAB 62.92, 3.6, -22.55

 

CMYK 31 / 23 / 0 / 32

HEX #7786AD

RGB 119 134 173

HSL 223.33, 0.25%, 0.57%

LAB 56.08, 3.92, -22.37

 

CMYK 34 / 25 / 0 / 40

HEX #66749A

RGB 102 116 154

HSL 223.85, 0.2%, 0.5%

LAB 49.07, 4.3, -22.23

 

CMYK 37 / 27 / 0 / 47

HEX #556287

RGB 85 98 135

HSL 224.4, 0.23%, 0.43%

LAB 41.87, 4.74, -22.14

 

CMYK 28 / 20 / 0 / 18

HEX #97A8D2

RGB 151 168 210

HSL 222.71, 0.4%, 0.71%

LAB 68.92, 3.58, -23.29

 

CMYK 28 / 28 / 0 / 18

HEX #9798D2

RGB 151 152 210

HSL 238.98, 0.4%, 0.71%

LAB 64.71, 12.59, -29.75

 

CMYK 21 / 28 / 0 / 18

HEX #A697D2

RGB 166 151 210

HSL 255.25, 0.4%, 0.71%

LAB 65.67, 17.7, -28.19

 

CMYK 14 / 28 / 0 / 18

HEX #B597D2

RGB 181 151 210

HSL 270.51, 0.4%, 0.71%

LAB 66.98, 22.41, -26.05

 

CMYK 6 / 28 / 0 / 18

HEX #C597D2

RGB 197 151 210

HSL 286.78, 0.4%, 0.71%

LAB 68.5, 27.55, -23.59

 

CMYK 28 / 20 / 0 / 18

HEX #97A8D2

RGB 151 168 210

HSL 222.71, 0.4%, 0.71%

LAB 68.92, 3.58, -23.29

 

CMYK 28 / 28 / 0 / 18

HEX #9798D2

RGB 151 152 210

HSL 238.98, 0.4%, 0.71%

LAB 64.71, 12.59, -29.75

 

CMYK 28 / 28 / 0 / 18

HEX #9797D2

RGB 151 151 210

HSL 240, 0.4%, 0.71%

LAB 64.46, 13.16, -30.15

 

CMYK 28 / 20 / 0 / 18

HEX #97A8D2

RGB 151 168 210

HSL 222.71, 0.4%, 0.71%

LAB 68.92, 3.58, -23.29

 

CMYK 37 / 27 / 0 / 13

HEX #8BA3DE

RGB 139 163 222

HSL 222.65, 0.56%, 0.71%

LAB 67.24, 6.04, -32.55

 

CMYK 46 / 32 / 0 / 8

HEX #7F9EEA

RGB 127 158 234

HSL 222.62, 0.72%, 0.71%

LAB 65.68, 9.14, -41.65

 

CMYK 53 / 38 / 0 / 4

HEX #7399F6

RGB 115 153 246

HSL 222.6, 0.88%, 0.71%

LAB 64.23, 12.91, -50.57

 

CMYK 28 / 20 / 0 / 18

HEX #97A8D2

RGB 151 168 210

HSL 222.71, 0.4%, 0.71%

LAB 68.92, 3.58, -23.29

 

CMYK 18 / 13 / 0 / 22

HEX #A3ADC6

RGB 163 173 198

HSL 222.86, 0.23%, 0.71%

LAB 70.7, 1.74, -13.91

 

CMYK 6 / 4 / 0 / 27

HEX #AFB2BA

RGB 175 178 186

HSL 223.64, 0.07%, 0.71%

LAB 72.56, 0.5, -4.44

 

CMYK 0 / 2 / 7 / 27

HEX #BBB7AE

RGB 187 183 174

HSL 41.54, 0.09%, 0.71%

LAB 74.5, -0.2, 5.06

 

CMYK 0 / 6 / 19 / 22

HEX #C7BCA2

RGB 199 188 162

HSL 42.16, 0.25%, 0.71%

LAB 76.51, -0.41, 14.56

 

CMYK 28 / 5 / 0 / 18

HEX #97C8D2

RGB 151 200 210

HSL 190.17, 0.4%, 0.71%

LAB 77.6, -13.62, -10.19

 

CMYK 28 / 12 / 0 / 18

HEX #97B8D2

RGB 151 184 210

HSL 206.44, 0.4%, 0.71%

LAB 73.23, -5.18, -16.75

 

CMYK 28 / 20 / 0 / 18

HEX #97A9D2

RGB 151 169 210

HSL 221.69, 0.4%, 0.71%

LAB 69.19, 3.02, -22.88

 

CMYK 28 / 27 / 0 / 18

HEX #9799D2

RGB 151 153 210

HSL 237.97, 0.4%, 0.71%

LAB 64.97, 12.02, -29.35

 

CMYK 21 / 28 / 0 / 18

HEX #A597D2

RGB 165 151 210

HSL 254.24, 0.4%, 0.71%

LAB 65.58, 17.4, -28.32

 

CMYK 50 / 35 / 0 / 27

HEX #5D78B9

RGB 93 120 185

HSL 222.39, 0.4%, 0.55%

LAB 50.99, 8.57, -37.3

 

CMYK 38 / 27 / 0 / 22

HEX #7A90C6

RGB 122 144 198

HSL 222.63, 0.4%, 0.63%

LAB 60.03, 5.72, -30.45

 

CMYK 28 / 20 / 0 / 18

HEX #97A8D2

RGB 151 168 210

HSL 222.71, 0.4%, 0.71%

LAB 68.92, 3.58, -23.29

 

CMYK 19 / 14 / 0 / 13

HEX #B4C0DF

RGB 180 192 223

HSL 223.26, 0.4%, 0.79%

LAB 77.72, 2.33, -16.84

 

CMYK 11 / 8 / 0 / 8

HEX #D1D8EB

RGB 209 216 235

HSL 223.85, 0.39%, 0.87%

LAB 86.34, 1.31, -10.12

 

CMYK 27 / 19 / 0 / 17

HEX #99AAD3

RGB 153 170 211

HSL 222.41, 0.4%, 0.71%

LAB 69.63, 3.31, -22.75

 

CMYK 3 / 28 / 0 / 18

HEX #CC97D2

RGB 204 151 210

HSL 293.9, 0.4%, 0.71%

LAB 69.2, 29.82, -22.46

 

CMYK 9 / 0 / 28 / 18

HEX #C0D297

RGB 192 210 151

HSL 78.31, 0.4%, 0.71%

LAB 81.58, -16, 27.3

 

CMYK 27 / 19 / 0 / 17

HEX #99AAD3

RGB 153 170 211

HSL 222.41, 0.4%, 0.71%

LAB 69.63, 3.31, -22.75

 

CMYK 0 / 28 / 20 / 18

HEX #D297A9

RGB 210 151 169

HSL 341.69, 0.4%, 0.71%

LAB 68.53, 24.77, -0.58

 

CMYK 20 / 0 / 28 / 18

HEX #A9D297

RGB 169 210 151

HSL 101.69, 0.4%, 0.71%

LAB 80.05, -24.31, 24.95

 

CMYK 27 / 19 / 0 / 17

HEX #99AAD3

RGB 153 170 211

HSL 222.41, 0.4%, 0.71%

LAB 69.63, 3.31, -22.75

 

CMYK 3 / 28 / 0 / 18

HEX #CC97D2

RGB 204 151 210

HSL 293.9, 0.4%, 0.71%

LAB 69.2, 29.82, -22.46

 

CMYK 0 / 9 / 28 / 18

HEX #D2C097

RGB 210 192 151

HSL 41.69, 0.4%, 0.71%

LAB 78.25, 0.09, 23.01

 

CMYK 25 / 0 / 28 / 18

HEX #9DD297

RGB 157 210 151

HSL 113.9, 0.4%, 0.71%

LAB 79.33, -28.43, 23.86

 

CMYK 27 / 19 / 0 / 17

HEX #99AAD3

RGB 153 170 211

HSL 222.41, 0.4%, 0.71%

LAB 69.63, 3.31, -22.75

 

CMYK 0 / 28 / 6 / 18

HEX #D297C6

RGB 210 151 198

HSL 312.2, 0.4%, 0.71%

LAB 69.41, 29.59, -15.44

 

CMYK 0 / 9 / 28 / 18

HEX #D2C097

RGB 210 192 151

HSL 41.69, 0.4%, 0.71%

LAB 78.25, 0.09, 23.01

 

CMYK 28 / 0 / 22 / 18

HEX #97D2A3

RGB 151 210 163

HSL 132.2, 0.4%, 0.71%

LAB 79.22, -28.34, 17.34

 

Description

Color code: HEX #99AAD3 | qconv.com Color code: HEX #99AAD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 170 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 170 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 19 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 19% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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