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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99A728 it is the complementary color #6658D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99A728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99A728 shade: #9EA723, #AFB936, #C0CB49, #D1DD5C and #E2EF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99A728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99A728 shade: #99A728, #889515, #778302, #667100 and #555F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99A728 shade: #9AA828, #A89328, #A87128, #A84F28 and #A82C28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99A728 shade: #9AA828, #77A828, #55A828, #33A828 and #28A840

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99A728 shade matches the following richer shades: #9AA828, #A7B917 and #B4CA06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99A728 shade: #9AA828, #8D9739, #7F864A, #72755B and #65646C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99A728 shade: #A87128, #A89328, #9BA828, #79A828 and #57A828

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99A728 shade: #5D6518, #7B8720, #9AA828, #B8C930 and #C5D44F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99A728 shade: #99A728, #28A84F and #8228A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99A728 shade: #99A728, #289BA8 and #A8289B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99A728 shade: #99A728, #28A84F, #3528A8 and #A82882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99A728 shade: #99A728, #28A875, #3528A8 and #A8285B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 76 / 35

HEX #99A728

RGB 153 167 40

HSL 66.61, 0.61%, 0.41%

LAB 65.41, -20.84, 59.34

 

Complementary color

CMYK 53 / 59 / 0 / 16

HEX #6658D7

RGB 102 88 215

HSL 246.61, 0.61%, 0.59%

LAB 45.24, 39.45, -63.69

 

CMYK 5 / 0 / 79 / 35

HEX #9EA723

RGB 158 167 35

HSL 64.09, 0.65%, 0.4%

LAB 65.77, -18.89, 61.39

 

CMYK 5 / 0 / 71 / 27

HEX #AFB936

RGB 175 185 54

HSL 64.58, 0.55%, 0.47%

LAB 72.28, -19.78, 61.62

 

CMYK 5 / 0 / 64 / 20

HEX #C0CB49

RGB 192 203 73

HSL 65.08, 0.56%, 0.54%

LAB 78.69, -20.51, 61.21

 

CMYK 5 / 0 / 58 / 13

HEX #D1DD5C

RGB 209 221 92

HSL 65.58, 0.65%, 0.61%

LAB 85.02, -21.09, 60.44

 

CMYK 5 / 0 / 54 / 6

HEX #E2EF6F

RGB 226 239 111

HSL 66.09, 0.8%, 0.69%

LAB 91.26, -21.57, 59.48

 

CMYK 8 / 0 / 76 / 35

HEX #99A728

RGB 153 167 40

HSL 66.61, 0.61%, 0.41%

LAB 65.41, -20.84, 59.34

 

CMYK 9 / 0 / 86 / 42

HEX #889515

RGB 136 149 21

HSL 66.09, 0.75%, 0.33%

LAB 58.77, -19.85, 58.41

 

CMYK 9 / 0 / 98 / 49

HEX #778302

RGB 119 131 2

HSL 65.58, 0.97%, 0.26%

LAB 52.02, -18.63, 56.07

 

CMYK 10 / 0 / 100 / 56

HEX #667100

RGB 102 113 0

HSL 65.84, 1%, 0.22%

LAB 45.13, -17.02, 50.72

 

CMYK 11 / 0 / 100 / 63

HEX #555F00

RGB 85 95 0

HSL 66.32, 1%, 0.19%

LAB 38.05, -15.33, 44.83

 

CMYK 8 / 0 / 76 / 34

HEX #9AA828

RGB 154 168 40

HSL 66.56, 0.62%, 0.41%

LAB 65.77, -20.91, 59.71

 

CMYK 0 / 13 / 76 / 34

HEX #A89328

RGB 168 147 40

HSL 50.16, 0.62%, 0.41%

LAB 61.09, -3.72, 55.75

 

CMYK 0 / 33 / 76 / 34

HEX #A87128

RGB 168 113 40

HSL 34.22, 0.62%, 0.41%

LAB 52.16, 15.21, 47.16

 

CMYK 0 / 53 / 76 / 34

HEX #A84F28

RGB 168 79 40

HSL 18.28, 0.62%, 0.41%

LAB 44.33, 33.97, 39.22

 

CMYK 0 / 74 / 76 / 34

HEX #A82C28

RGB 168 44 40

HSL 1.88, 0.62%, 0.41%

LAB 38.34, 49.86, 32.8

 

CMYK 8 / 0 / 76 / 34

HEX #9AA828

RGB 154 168 40

HSL 66.56, 0.62%, 0.41%

LAB 65.77, -20.91, 59.71

 

CMYK 29 / 0 / 76 / 34

HEX #77A828

RGB 119 168 40

HSL 82.97, 0.62%, 0.41%

LAB 63.41, -35.32, 56.64

 

CMYK 49 / 0 / 76 / 34

HEX #55A828

RGB 85 168 40

HSL 98.91, 0.62%, 0.41%

LAB 61.73, -47.22, 54.44

 

CMYK 70 / 0 / 76 / 34

HEX #33A828

RGB 51 168 40

HSL 114.84, 0.62%, 0.41%

LAB 60.66, -55.79, 53.02

 

CMYK 76 / 0 / 62 / 34

HEX #28A840

RGB 40 168 64

HSL 131.25, 0.62%, 0.41%

LAB 60.63, -55.35, 43.16

 

CMYK 8 / 0 / 76 / 34

HEX #9AA828

RGB 154 168 40

HSL 66.56, 0.62%, 0.41%

LAB 65.77, -20.91, 59.71

 

CMYK 10 / 0 / 88 / 27

HEX #A7B917

RGB 167 185 23

HSL 66.67, 0.78%, 0.41%

LAB 71.54, -24.34, 69.52

 

CMYK 11 / 0 / 97 / 21

HEX #B4CA06

RGB 180 202 6

HSL 66.73, 0.94%, 0.41%

LAB 77.26, -27.34, 76.69

 

CMYK 8 / 0 / 76 / 34

HEX #9AA828

RGB 154 168 40

HSL 66.56, 0.62%, 0.41%

LAB 65.77, -20.91, 59.71

 

CMYK 7 / 0 / 62 / 41

HEX #8D9739

RGB 141 151 57

HSL 66.38, 0.45%, 0.41%

LAB 59.97, -16.84, 46.9

 

CMYK 5 / 0 / 45 / 47

HEX #7F864A

RGB 127 134 74

HSL 67, 0.29%, 0.41%

LAB 54.09, -12.26, 31.33

 

CMYK 3 / 0 / 22 / 54

HEX #72755B

RGB 114 117 91

HSL 66.92, 0.13%, 0.41%

LAB 48.33, -5.95, 14

 

CMYK 6 / 7 / 0 / 58

HEX #65646C

RGB 101 100 108

HSL 247.5, 0.04%, 0.41%

LAB 42.71, 2.1, -4.37

 

CMYK 0 / 33 / 76 / 34

HEX #A87128

RGB 168 113 40

HSL 34.22, 0.62%, 0.41%

LAB 52.16, 15.21, 47.16

 

CMYK 0 / 13 / 76 / 34

HEX #A89328

RGB 168 147 40

HSL 50.16, 0.62%, 0.41%

LAB 61.09, -3.72, 55.75

 

CMYK 8 / 0 / 76 / 34

HEX #9BA828

RGB 155 168 40

HSL 66.09, 0.62%, 0.41%

LAB 65.85, -20.48, 59.8

 

CMYK 28 / 0 / 76 / 34

HEX #79A828

RGB 121 168 40

HSL 82.03, 0.62%, 0.41%

LAB 63.53, -34.54, 56.79

 

CMYK 48 / 0 / 76 / 34

HEX #57A828

RGB 87 168 40

HSL 97.97, 0.62%, 0.41%

LAB 61.81, -46.6, 54.55

 

CMYK 8 / 0 / 76 / 60

HEX #5D6518

RGB 93 101 24

HSL 66.23, 0.62%, 0.25%

LAB 40.74, -13.88, 40

 

CMYK 9 / 0 / 76 / 47

HEX #7B8720

RGB 123 135 32

HSL 66.99, 0.62%, 0.33%

LAB 53.65, -17.97, 50.21

 

CMYK 8 / 0 / 76 / 34

HEX #9AA828

RGB 154 168 40

HSL 66.56, 0.62%, 0.41%

LAB 65.77, -20.91, 59.71

 

CMYK 8 / 0 / 76 / 21

HEX #B8C930

RGB 184 201 48

HSL 66.67, 0.61%, 0.49%

LAB 77.39, -24.16, 68.73

 

CMYK 7 / 0 / 63 / 17

HEX #C5D44F

RGB 197 212 79

HSL 66.77, 0.61%, 0.57%

LAB 81.58, -22.47, 61.92

 

CMYK 8 / 0 / 76 / 35

HEX #99A728

RGB 153 167 40

HSL 66.61, 0.61%, 0.41%

LAB 65.41, -20.84, 59.34

 

CMYK 76 / 0 / 53 / 34

HEX #28A84F

RGB 40 168 79

HSL 138.28, 0.62%, 0.41%

LAB 60.8, -53.31, 36.15

 

CMYK 23 / 76 / 0 / 34

HEX #8228A8

RGB 130 40 168

HSL 282.19, 0.62%, 0.41%

LAB 36.16, 57.07, -50.76

 

CMYK 8 / 0 / 76 / 35

HEX #99A728

RGB 153 167 40

HSL 66.61, 0.61%, 0.41%

LAB 65.41, -20.84, 59.34

 

CMYK 76 / 8 / 0 / 34

HEX #289BA8

RGB 40 155 168

HSL 186.09, 0.62%, 0.41%

LAB 58.72, -26.33, -15.8

 

CMYK 0 / 76 / 8 / 34

HEX #A8289B

RGB 168 40 155

HSL 306.09, 0.62%, 0.41%

LAB 41.55, 62.73, -33.98

 

CMYK 8 / 0 / 76 / 35

HEX #99A728

RGB 153 167 40

HSL 66.61, 0.61%, 0.41%

LAB 65.41, -20.84, 59.34

 

CMYK 76 / 0 / 53 / 34

HEX #28A84F

RGB 40 168 79

HSL 138.28, 0.62%, 0.41%

LAB 60.8, -53.31, 36.15

 

CMYK 68 / 76 / 0 / 34

HEX #3528A8

RGB 53 40 168

HSL 246.09, 0.62%, 0.41%

LAB 27.02, 44.92, -66.07

 

CMYK 0 / 76 / 23 / 34

HEX #A82882

RGB 168 40 130

HSL 317.81, 0.62%, 0.41%

LAB 40.34, 59.14, -20.63

 

CMYK 8 / 0 / 76 / 35

HEX #99A728

RGB 153 167 40

HSL 66.61, 0.61%, 0.41%

LAB 65.41, -20.84, 59.34

 

CMYK 76 / 0 / 30 / 34

HEX #28A875

RGB 40 168 117

HSL 156.09, 0.62%, 0.41%

LAB 61.43, -46.15, 16.83

 

CMYK 68 / 76 / 0 / 34

HEX #3528A8

RGB 53 40 168

HSL 246.09, 0.62%, 0.41%

LAB 27.02, 44.92, -66.07

 

CMYK 0 / 76 / 46 / 34

HEX #A8285B

RGB 168 40 91

HSL 336.09, 0.62%, 0.41%

LAB 38.89, 54.69, 1.63

 

Description

Color code: HEX #99A728 | qconv.com Color code: HEX #99A728 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 167 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 167 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 76 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 76% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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