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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9991A2 it is the complementary color #666E5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9991A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9991A2 shade: #9E919D, #AFA3B0, #C0B5C3, #D1C7D6 and #E2D9E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9991A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9991A2 shade: #9991A2, #887F8F, #776D7C, #665B69 and #554956

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9991A2 shade: #9890A1, #9C90A1, #A190A0, #A1909C and #A19098

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9991A2 shade: #9890A1, #9490A1 and #9090A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9991A2 shade matches the following richer shades: #9890A1, #9780B1, #966FC2, #955FD2 and #944EE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9991A2 shade: #9890A1, #99A190, #9AB180, #9BC26F and #9CD25F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9991A2 shade: #9091A1, #9490A1, #9890A1, #9C90A1 and #A190A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9991A2 shade: #6F6678, #837A8E, #9890A1, #ADA7B4 and #C1BDC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9991A2 shade: #9991A2, #A19096 and #90A191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9991A2 shade: #9991A2, #A19890 and #90A198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9991A2 shade: #9991A2, #A19096, #99A190 and #90A19B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9991A2 shade: #9991A2, #A19091, #99A190 and #90A1A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 10 / 0 / 36

HEX #9991A2

RGB 153 145 162

HSL 268.24, 0.08%, 0.6%

LAB 61.34, 6.27, -7.88

 

Complementary color

CMYK 7 / 0 / 15 / 57

HEX #666E5D

RGB 102 110 93

HSL 88.24, 0.08%, 0.4%

LAB 45.31, -6.46, 8.46

 

CMYK 0 / 8 / 1 / 38

HEX #9E919D

RGB 158 145 157

HSL 304.62, 0.06%, 0.59%

LAB 61.61, 7.06, -4.58

 

CMYK 1 / 7 / 0 / 31

HEX #AFA3B0

RGB 175 163 176

HSL 295.38, 0.08%, 0.66%

LAB 68.35, 6.75, -5.14

 

CMYK 2 / 7 / 0 / 24

HEX #C0B5C3

RGB 192 181 195

HSL 287.14, 0.1%, 0.74%

LAB 74.95, 6.47, -5.69

 

CMYK 2 / 7 / 0 / 16

HEX #D1C7D6

RGB 209 199 214

HSL 280, 0.15%, 0.81%

LAB 81.43, 6.2, -6.22

 

CMYK 3 / 7 / 0 / 9

HEX #E2D9E9

RGB 226 217 233

HSL 273.75, 0.27%, 0.88%

LAB 87.81, 5.96, -6.73

 

CMYK 6 / 10 / 0 / 36

HEX #9991A2

RGB 153 145 162

HSL 268.24, 0.08%, 0.6%

LAB 61.34, 6.27, -7.88

 

CMYK 5 / 11 / 0 / 44

HEX #887F8F

RGB 136 127 143

HSL 273.75, 0.07%, 0.53%

LAB 54.44, 6.58, -7.39

 

CMYK 4 / 12 / 0 / 51

HEX #776D7C

RGB 119 109 124

HSL 280, 0.06%, 0.46%

LAB 47.38, 6.92, -6.88

 

CMYK 3 / 13 / 0 / 59

HEX #665B69

RGB 102 91 105

HSL 287.14, 0.07%, 0.38%

LAB 40.13, 7.3, -6.37

 

CMYK 1 / 15 / 0 / 66

HEX #554956

RGB 85 73 86

HSL 295.38, 0.08%, 0.31%

LAB 32.63, 7.74, -5.83

 

CMYK 6 / 11 / 0 / 37

HEX #9890A1

RGB 152 144 161

HSL 268.24, 0.08%, 0.6%

LAB 60.95, 6.28, -7.89

 

CMYK 3 / 11 / 0 / 37

HEX #9C90A1

RGB 156 144 161

HSL 282.35, 0.08%, 0.6%

LAB 61.3, 7.7, -7.35

 

CMYK 0 / 11 / 1 / 37

HEX #A190A0

RGB 161 144 160

HSL 303.53, 0.08%, 0.6%

LAB 61.71, 9.29, -6.12

 

CMYK 0 / 11 / 3 / 37

HEX #A1909C

RGB 161 144 156

HSL 317.65, 0.08%, 0.6%

LAB 61.59, 8.52, -4.02

 

CMYK 0 / 11 / 6 / 37

HEX #A19098

RGB 161 144 152

HSL 331.76, 0.08%, 0.6%

LAB 61.47, 7.77, -1.92

 

CMYK 6 / 11 / 0 / 37

HEX #9890A1

RGB 152 144 161

HSL 268.24, 0.08%, 0.6%

LAB 60.95, 6.28, -7.89

 

CMYK 8 / 11 / 0 / 37

HEX #9490A1

RGB 148 144 161

HSL 254.12, 0.08%, 0.6%

LAB 60.62, 4.87, -8.43

 

CMYK 11 / 11 / 0 / 37

HEX #9090A1

RGB 144 144 161

HSL 240, 0.08%, 0.6%

LAB 60.29, 3.48, -8.95

 

CMYK 6 / 11 / 0 / 37

HEX #9890A1

RGB 152 144 161

HSL 268.24, 0.08%, 0.6%

LAB 60.95, 6.28, -7.89

 

CMYK 15 / 28 / 0 / 31

HEX #9780B1

RGB 151 128 177

HSL 268.16, 0.24%, 0.6%

LAB 57.26, 18.55, -22.62

 

CMYK 23 / 43 / 0 / 24

HEX #966FC2

RGB 150 111 194

HSL 268.19, 0.4%, 0.6%

LAB 53.76, 32.01, -37.8

 

CMYK 29 / 55 / 0 / 18

HEX #955FD2

RGB 149 95 210

HSL 268.17, 0.56%, 0.6%

LAB 50.95, 44.58, -51.4

 

CMYK 35 / 66 / 0 / 11

HEX #944EE3

RGB 148 78 227

HSL 268.19, 0.73%, 0.6%

LAB 48.62, 57.29, -64.81

 

CMYK 6 / 11 / 0 / 37

HEX #9890A1

RGB 152 144 161

HSL 268.24, 0.08%, 0.6%

LAB 60.95, 6.28, -7.89

 

CMYK 5 / 0 / 11 / 37

HEX #99A190

RGB 153 161 144

HSL 88.24, 0.08%, 0.6%

LAB 65.18, -6.06, 7.87

 

CMYK 13 / 0 / 28 / 31

HEX #9AB180

RGB 154 177 128

HSL 88.16, 0.24%, 0.6%

LAB 69.38, -16.79, 22.52

 

CMYK 20 / 0 / 43 / 24

HEX #9BC26F

RGB 155 194 111

HSL 88.19, 0.4%, 0.6%

LAB 74, -27.24, 37.5

 

CMYK 26 / 0 / 55 / 18

HEX #9CD25F

RGB 156 210 95

HSL 88.17, 0.56%, 0.6%

LAB 78.45, -36.15, 50.7

 

CMYK 11 / 10 / 0 / 37

HEX #9091A1

RGB 144 145 161

HSL 236.47, 0.08%, 0.6%

LAB 60.56, 2.92, -8.54

 

CMYK 8 / 11 / 0 / 37

HEX #9490A1

RGB 148 144 161

HSL 254.12, 0.08%, 0.6%

LAB 60.62, 4.87, -8.43

 

CMYK 6 / 11 / 0 / 37

HEX #9890A1

RGB 152 144 161

HSL 268.24, 0.08%, 0.6%

LAB 60.95, 6.28, -7.89

 

CMYK 3 / 11 / 0 / 37

HEX #9C90A1

RGB 156 144 161

HSL 282.35, 0.08%, 0.6%

LAB 61.3, 7.7, -7.35

 

CMYK 0 / 11 / 0 / 37

HEX #A190A1

RGB 161 144 161

HSL 300, 0.08%, 0.6%

LAB 61.74, 9.48, -6.64

 

CMYK 8 / 15 / 0 / 53

HEX #6F6678

RGB 111 102 120

HSL 270, 0.08%, 0.44%

LAB 44.57, 7.28, -8.76

 

CMYK 8 / 14 / 0 / 44

HEX #837A8E

RGB 131 122 142

HSL 267, 0.08%, 0.52%

LAB 52.62, 7.48, -9.58

 

CMYK 6 / 11 / 0 / 37

HEX #9890A1

RGB 152 144 161

HSL 268.24, 0.08%, 0.6%

LAB 60.95, 6.28, -7.89

 

CMYK 4 / 7 / 0 / 29

HEX #ADA7B4

RGB 173 167 180

HSL 267.69, 0.08%, 0.68%

LAB 69.34, 4.63, -5.91

 

CMYK 3 / 5 / 0 / 22

HEX #C1BDC7

RGB 193 189 199

HSL 264, 0.08%, 0.76%

LAB 77.19, 3.26, -4.54

 

CMYK 6 / 10 / 0 / 36

HEX #9991A2

RGB 153 145 162

HSL 268.24, 0.08%, 0.6%

LAB 61.34, 6.27, -7.88

 

CMYK 0 / 11 / 7 / 37

HEX #A19096

RGB 161 144 150

HSL 338.82, 0.08%, 0.6%

LAB 61.42, 7.4, -0.87

 

CMYK 11 / 0 / 10 / 37

HEX #90A191

RGB 144 161 145

HSL 123.53, 0.08%, 0.6%

LAB 64.53, -9.15, 6.3

 

CMYK 6 / 10 / 0 / 36

HEX #9991A2

RGB 153 145 162

HSL 268.24, 0.08%, 0.6%

LAB 61.34, 6.27, -7.88

 

CMYK 0 / 6 / 11 / 37

HEX #A19890

RGB 161 152 144

HSL 28.24, 0.08%, 0.6%

LAB 63.38, 1.86, 5.38

 

CMYK 11 / 0 / 6 / 37

HEX #90A198

RGB 144 161 152

HSL 148.24, 0.08%, 0.6%

LAB 64.71, -7.79, 2.64

 

CMYK 6 / 10 / 0 / 36

HEX #9991A2

RGB 153 145 162

HSL 268.24, 0.08%, 0.6%

LAB 61.34, 6.27, -7.88

 

CMYK 0 / 11 / 7 / 37

HEX #A19096

RGB 161 144 150

HSL 338.82, 0.08%, 0.6%

LAB 61.42, 7.4, -0.87

 

CMYK 5 / 0 / 11 / 37

HEX #99A190

RGB 153 161 144

HSL 88.24, 0.08%, 0.6%

LAB 65.18, -6.06, 7.87

 

CMYK 11 / 0 / 4 / 37

HEX #90A19B

RGB 144 161 155

HSL 158.82, 0.08%, 0.6%

LAB 64.79, -7.19, 1.07

 

CMYK 6 / 10 / 0 / 36

HEX #9991A2

RGB 153 145 162

HSL 268.24, 0.08%, 0.6%

LAB 61.34, 6.27, -7.88

 

CMYK 0 / 11 / 10 / 37

HEX #A19091

RGB 161 144 145

HSL 356.47, 0.08%, 0.6%

LAB 61.28, 6.5, 1.77

 

CMYK 5 / 0 / 11 / 37

HEX #99A190

RGB 153 161 144

HSL 88.24, 0.08%, 0.6%

LAB 65.18, -6.06, 7.87

 

CMYK 11 / 0 / 1 / 37

HEX #90A1A0

RGB 144 161 160

HSL 176.47, 0.08%, 0.6%

LAB 64.93, -6.17, -1.53

 

Description

Color code: HEX #9991A2 | qconv.com Color code: HEX #9991A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 145 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 145 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 10 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 10% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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