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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9995DA it is the complementary color #666A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9995DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9995DA shade: #9E95D5, #AFA7E8, #C0B9FB, #D1CBFF and #E2DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9995DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9995DA shade: #9995DA, #8883C7, #7771B4, #665FA1 and #554D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9995DA shade: #9995D9, #AB95D9, #BE95D9, #D095D9 and #D995D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9995DA shade: #9995D9 and #9595D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9995DA shade matches the following richer shades: #9995D9, #8F89E5, #847EF0 and #7A72FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9995DA shade: #9995D9, #A3A0CE, #ADACC2, #B7B7B7 and #C2C3AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9995DA shade: #95B6D9, #95A4D9, #9895D9, #AB95D9 and #BD95D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9995DA shade: #5E58C4, #7B76CF, #9995D9, #B6B3E4 and #D4D2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9995DA shade: #9995DA, #D995C8 and #ADD995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9995DA shade: #9995DA, #D99895 and #95D998

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9995DA shade: #9995DA, #D995C8, #D6D995 and #95D9A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9995DA shade: #9995DA, #D995B4, #D6D995 and #95D9BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 32 / 0 / 15

HEX #9995DA

RGB 153 149 218

HSL 243.48, 0.48%, 0.72%

LAB 64.43, 16.89, -34.63

 

Complementary color

CMYK 4 / 0 / 65 / 58

HEX #666A25

RGB 102 106 37

HSL 63.48, 0.48%, 0.28%

LAB 43.16, -11.59, 37.03

 

CMYK 26 / 30 / 0 / 16

HEX #9E95D5

RGB 158 149 213

HSL 248.44, 0.43%, 0.71%

LAB 64.62, 17.12, -31.53

 

CMYK 25 / 28 / 0 / 9

HEX #AFA7E8

RGB 175 167 232

HSL 247.38, 0.59%, 0.78%

LAB 71.27, 16.59, -31.6

 

CMYK 24 / 26 / 0 / 2

HEX #C0B9FB

RGB 192 185 251

HSL 246.36, 0.89%, 0.85%

LAB 77.8, 16.11, -31.7

 

CMYK 18 / 20 / 0 / 0

HEX #D1CBFF

RGB 209 203 255

HSL 246.92, 1%, 0.9%

LAB 83.7, 12.36, -24.69

 

CMYK 11 / 13 / 0 / 0

HEX #E2DDFF

RGB 226 221 255

HSL 248.82, 1%, 0.93%

LAB 89.44, 8.11, -15.89

 

CMYK 30 / 32 / 0 / 15

HEX #9995DA

RGB 153 149 218

HSL 243.48, 0.48%, 0.72%

LAB 64.43, 16.89, -34.63

 

CMYK 32 / 34 / 0 / 22

HEX #8883C7

RGB 136 131 199

HSL 244.41, 0.38%, 0.65%

LAB 57.65, 17.53, -34.65

 

CMYK 34 / 37 / 0 / 29

HEX #7771B4

RGB 119 113 180

HSL 245.37, 0.31%, 0.57%

LAB 50.72, 18.25, -34.72

 

CMYK 37 / 41 / 0 / 37

HEX #665FA1

RGB 102 95 161

HSL 246.36, 0.26%, 0.5%

LAB 43.63, 19.09, -34.84

 

CMYK 40 / 46 / 0 / 44

HEX #554D8E

RGB 85 77 142

HSL 247.38, 0.3%, 0.43%

LAB 36.35, 20.08, -35.03

 

CMYK 29 / 31 / 0 / 15

HEX #9995D9

RGB 153 149 217

HSL 243.53, 0.47%, 0.72%

LAB 64.38, 16.64, -34.14

 

CMYK 21 / 31 / 0 / 15

HEX #AB95D9

RGB 171 149 217

HSL 259.41, 0.47%, 0.72%

LAB 65.88, 21.99, -31.71

 

CMYK 12 / 31 / 0 / 15

HEX #BE95D9

RGB 190 149 217

HSL 276.18, 0.47%, 0.72%

LAB 67.61, 27.86, -28.88

 

CMYK 4 / 31 / 0 / 15

HEX #D095D9

RGB 208 149 217

HSL 292.06, 0.47%, 0.72%

LAB 69.41, 33.55, -25.97

 

CMYK 0 / 31 / 4 / 15

HEX #D995D0

RGB 217 149 208

HSL 307.94, 0.47%, 0.72%

LAB 70.04, 34.78, -19.96

 

CMYK 29 / 31 / 0 / 15

HEX #9995D9

RGB 153 149 217

HSL 243.53, 0.47%, 0.72%

LAB 64.38, 16.64, -34.14

 

CMYK 31 / 31 / 0 / 15

HEX #9595D9

RGB 149 149 217

HSL 240, 0.47%, 0.72%

LAB 64.08, 15.49, -34.65

 

CMYK 29 / 31 / 0 / 15

HEX #9995D9

RGB 153 149 217

HSL 243.53, 0.47%, 0.72%

LAB 64.38, 16.64, -34.14

 

CMYK 38 / 40 / 0 / 10

HEX #8F89E5

RGB 143 137 229

HSL 243.91, 0.64%, 0.72%

LAB 61.12, 23.95, -45.97

 

CMYK 45 / 48 / 0 / 6

HEX #847EF0

RGB 132 126 240

HSL 243.16, 0.79%, 0.72%

LAB 58.15, 30.76, -56.86

 

CMYK 52 / 55 / 0 / 1

HEX #7A72FC

RGB 122 114 252

HSL 243.48, 0.96%, 0.72%

LAB 55.28, 39.2, -68.15

 

CMYK 29 / 31 / 0 / 15

HEX #9995D9

RGB 153 149 217

HSL 243.53, 0.47%, 0.72%

LAB 64.38, 16.64, -34.14

 

CMYK 21 / 22 / 0 / 19

HEX #A3A0CE

RGB 163 160 206

HSL 243.91, 0.32%, 0.72%

LAB 67.56, 10.77, -23.08

 

CMYK 11 / 11 / 0 / 24

HEX #ADACC2

RGB 173 172 194

HSL 242.73, 0.15%, 0.72%

LAB 71.07, 4.71, -11.08

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 1 / 0 / 12 / 24

HEX #C2C3AB

RGB 194 195 171

HSL 62.5, 0.17%, 0.72%

LAB 78.13, -4.52, 11.95

 

CMYK 31 / 16 / 0 / 15

HEX #95B6D9

RGB 149 182 217

HSL 210.88, 0.47%, 0.72%

LAB 72.8, -2.98, -21.23

 

CMYK 31 / 24 / 0 / 15

HEX #95A4D9

RGB 149 164 217

HSL 226.76, 0.47%, 0.72%

LAB 67.98, 6.97, -28.6

 

CMYK 30 / 31 / 0 / 15

HEX #9895D9

RGB 152 149 217

HSL 242.65, 0.47%, 0.72%

LAB 64.31, 16.35, -34.27

 

CMYK 21 / 31 / 0 / 15

HEX #AB95D9

RGB 171 149 217

HSL 259.41, 0.47%, 0.72%

LAB 65.88, 21.99, -31.71

 

CMYK 13 / 31 / 0 / 15

HEX #BD95D9

RGB 189 149 217

HSL 275.29, 0.47%, 0.72%

LAB 67.52, 27.55, -29.04

 

CMYK 52 / 55 / 0 / 23

HEX #5E58C4

RGB 94 88 196

HSL 243.33, 0.48%, 0.56%

LAB 43.28, 31.99, -55.96

 

CMYK 41 / 43 / 0 / 19

HEX #7B76CF

RGB 123 118 207

HSL 243.37, 0.48%, 0.64%

LAB 53.68, 23.86, -45.5

 

CMYK 29 / 31 / 0 / 15

HEX #9995D9

RGB 153 149 217

HSL 243.53, 0.47%, 0.72%

LAB 64.38, 16.64, -34.14

 

CMYK 20 / 21 / 0 / 11

HEX #B6B3E4

RGB 182 179 228

HSL 243.67, 0.48%, 0.8%

LAB 74.69, 11.14, -24.12

 

CMYK 11 / 12 / 0 / 6

HEX #D4D2EF

RGB 212 210 239

HSL 244.14, 0.48%, 0.88%

LAB 85.16, 6.23, -13.97

 

CMYK 30 / 32 / 0 / 15

HEX #9995DA

RGB 153 149 218

HSL 243.48, 0.48%, 0.72%

LAB 64.43, 16.89, -34.63

 

CMYK 0 / 31 / 8 / 15

HEX #D995C8

RGB 217 149 200

HSL 315, 0.47%, 0.72%

LAB 69.77, 33.38, -15.93

 

CMYK 20 / 0 / 31 / 15

HEX #ADD995

RGB 173 217 149

HSL 98.82, 0.47%, 0.72%

LAB 82.21, -26.6, 28.95

 

CMYK 30 / 32 / 0 / 15

HEX #9995DA

RGB 153 149 218

HSL 243.48, 0.48%, 0.72%

LAB 64.43, 16.89, -34.63

 

CMYK 0 / 30 / 31 / 15

HEX #D99895

RGB 217 152 149

HSL 2.65, 0.47%, 0.72%

LAB 69.02, 23.99, 11.38

 

CMYK 31 / 0 / 30 / 15

HEX #95D998

RGB 149 217 152

HSL 122.65, 0.47%, 0.72%

LAB 80.9, -34.19, 25.4

 

CMYK 30 / 32 / 0 / 15

HEX #9995DA

RGB 153 149 218

HSL 243.48, 0.48%, 0.72%

LAB 64.43, 16.89, -34.63

 

CMYK 0 / 31 / 8 / 15

HEX #D995C8

RGB 217 149 200

HSL 315, 0.47%, 0.72%

LAB 69.77, 33.38, -15.93

 

CMYK 1 / 0 / 31 / 15

HEX #D6D995

RGB 214 217 149

HSL 62.65, 0.47%, 0.72%

LAB 85.04, -11.51, 33.23

 

CMYK 31 / 0 / 24 / 15

HEX #95D9A6

RGB 149 217 166

HSL 135, 0.47%, 0.72%

LAB 81.16, -31.76, 18.44

 

CMYK 30 / 32 / 0 / 15

HEX #9995DA

RGB 153 149 218

HSL 243.48, 0.48%, 0.72%

LAB 64.43, 16.89, -34.63

 

CMYK 0 / 31 / 17 / 15

HEX #D995B4

RGB 217 149 180

HSL 332.65, 0.47%, 0.72%

LAB 69.14, 30.07, -5.74

 

CMYK 1 / 0 / 31 / 15

HEX #D6D995

RGB 214 217 149

HSL 62.65, 0.47%, 0.72%

LAB 85.04, -11.51, 33.23

 

CMYK 31 / 0 / 14 / 15

HEX #95D9BB

RGB 149 217 187

HSL 153.53, 0.47%, 0.72%

LAB 81.62, -27.72, 7.99

 

Description

Color code: HEX #9995DA | qconv.com Color code: HEX #9995DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 149 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 149 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 32 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 32% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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