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Color name
HEX #998C32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998C32 it is the complementary color #6673CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998C32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998C32 shade: #9E8C2D, #AF9E40, #C0B053, #D1C266 and #E2D479

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998C32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998C32 shade: #998C32, #887A1F, #77680C, #665600 and #554400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998C32 shade: #9A8C31, #9A7031, #9A5431, #9A3831 and #9A3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998C32 shade: #9A8C31, #8B9A31, #6F9A31, #529A31 and #369A31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998C32 shade matches the following richer shades: #9A8C31, #AA9921, #BBA510 and #CBB100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998C32 shade: #9A8C31, #898042, #797452, #686763 and #585B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998C32 shade: #9A5431, #9A7031, #9A8C31, #8C9A31 and #709A31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998C32 shade: #5B531D, #7A7027, #9A8C31, #B9A93C and #C8B956

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998C32 shade: #998C32, #319A38 and #62319A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998C32 shade: #998C32, #319A8C and #8C319A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998C32 shade: #998C32, #319A38, #313F9A and #9A3193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998C32 shade: #998C32, #319A58, #313F9A and #9A3173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 67 / 40

HEX #998C32

RGB 153 140 50

HSL 52.43, 0.51%, 0.4%

LAB 57.81, -6.15, 48.01

 

Complementary color

CMYK 50 / 44 / 0 / 20

HEX #6673CD

RGB 102 115 205

HSL 232.43, 0.51%, 0.6%

LAB 51.26, 19.98, -48.3

 

CMYK 0 / 11 / 72 / 38

HEX #9E8C2D

RGB 158 140 45

HSL 50.44, 0.56%, 0.4%

LAB 58.24, -4.18, 50.73

 

CMYK 0 / 10 / 63 / 31

HEX #AF9E40

RGB 175 158 64

HSL 50.81, 0.46%, 0.47%

LAB 64.91, -5.21, 49.95

 

CMYK 0 / 8 / 57 / 25

HEX #C0B053

RGB 192 176 83

HSL 51.19, 0.46%, 0.54%

LAB 71.47, -6.06, 48.89

 

CMYK 0 / 7 / 51 / 18

HEX #D1C266

RGB 209 194 102

HSL 51.59, 0.54%, 0.61%

LAB 77.93, -6.75, 47.72

 

CMYK 0 / 6 / 46 / 11

HEX #E2D479

RGB 226 212 121

HSL 52, 0.64%, 0.68%

LAB 84.3, -7.34, 46.52

 

CMYK 0 / 8 / 67 / 40

HEX #998C32

RGB 153 140 50

HSL 52.43, 0.51%, 0.4%

LAB 57.81, -6.15, 48.01

 

CMYK 0 / 10 / 77 / 47

HEX #887A1F

RGB 136 122 31

HSL 52, 0.63%, 0.33%

LAB 50.98, -5.02, 48.46

 

CMYK 0 / 13 / 90 / 53

HEX #77680C

RGB 119 104 12

HSL 51.59, 0.82%, 0.26%

LAB 44.02, -3.58, 47.75

 

CMYK 0 / 16 / 100 / 60

HEX #665600

RGB 102 86 0

HSL 50.59, 1%, 0.2%

LAB 36.89, -1.73, 44.73

 

CMYK 0 / 20 / 100 / 67

HEX #554400

RGB 85 68 0

HSL 48, 1%, 0.17%

LAB 29.58, 0.55, 38.63

 

CMYK 0 / 9 / 68 / 40

HEX #9A8C31

RGB 154 140 49

HSL 52, 0.52%, 0.4%

LAB 57.89, -5.76, 48.56

 

CMYK 0 / 27 / 68 / 40

HEX #9A7031

RGB 154 112 49

HSL 36, 0.52%, 0.4%

LAB 50.31, 9.95, 40.51

 

CMYK 0 / 45 / 68 / 40

HEX #9A5431

RGB 154 84 49

HSL 20, 0.52%, 0.4%

LAB 43.41, 25.93, 32.77

 

CMYK 0 / 64 / 68 / 40

HEX #9A3831

RGB 154 56 49

HSL 4, 0.52%, 0.4%

LAB 37.7, 40.5, 26.02

 

CMYK 0 / 68 / 68 / 40

HEX #9A3131

RGB 154 49 49

HSL 0, 0.52%, 0.4%

LAB 36.53, 43.64, 24.6

 

CMYK 0 / 9 / 68 / 40

HEX #9A8C31

RGB 154 140 49

HSL 52, 0.52%, 0.4%

LAB 57.89, -5.76, 48.56

 

CMYK 10 / 0 / 68 / 40

HEX #8B9A31

RGB 139 154 49

HSL 68.57, 0.52%, 0.4%

LAB 60.62, -19.8, 50.98

 

CMYK 28 / 0 / 68 / 40

HEX #6F9A31

RGB 111 154 49

HSL 84.57, 0.52%, 0.4%

LAB 58.71, -31.39, 48.39

 

CMYK 47 / 0 / 68 / 40

HEX #529A31

RGB 82 154 49

HSL 101.14, 0.52%, 0.4%

LAB 57.2, -41.82, 46.34

 

CMYK 65 / 0 / 68 / 40

HEX #369A31

RGB 54 154 49

HSL 117.14, 0.52%, 0.4%

LAB 56.2, -49.51, 44.98

 

CMYK 0 / 9 / 68 / 40

HEX #9A8C31

RGB 154 140 49

HSL 52, 0.52%, 0.4%

LAB 57.89, -5.76, 48.56

 

CMYK 0 / 10 / 81 / 33

HEX #AA9921

RGB 170 153 33

HSL 52.55, 0.67%, 0.4%

LAB 62.88, -6.33, 59.81

 

CMYK 0 / 12 / 91 / 27

HEX #BBA510

RGB 187 165 16

HSL 52.28, 0.84%, 0.4%

LAB 67.66, -5.52, 68.4

 

CMYK 0 / 13 / 100 / 20

HEX #CBB100

RGB 203 177 0

HSL 52.32, 1%, 0.4%

LAB 72.32, -4.91, 74.54

 

CMYK 0 / 9 / 68 / 40

HEX #9A8C31

RGB 154 140 49

HSL 52, 0.52%, 0.4%

LAB 57.89, -5.76, 48.56

 

CMYK 0 / 7 / 52 / 46

HEX #898042

RGB 137 128 66

HSL 52.39, 0.35%, 0.4%

LAB 53.11, -5.45, 34.58

 

CMYK 0 / 4 / 32 / 53

HEX #797452

RGB 121 116 82

HSL 52.31, 0.19%, 0.4%

LAB 48.47, -3.81, 19.52

 

CMYK 0 / 1 / 5 / 59

HEX #686763

RGB 104 103 99

HSL 48, 0.02%, 0.4%

LAB 43.57, -0.41, 2.39

 

CMYK 23 / 21 / 0 / 55

HEX #585B73

RGB 88 91 115

HSL 233.33, 0.13%, 0.4%

LAB 39.23, 4.55, -13.99

 

CMYK 0 / 45 / 68 / 40

HEX #9A5431

RGB 154 84 49

HSL 20, 0.52%, 0.4%

LAB 43.41, 25.93, 32.77

 

CMYK 0 / 27 / 68 / 40

HEX #9A7031

RGB 154 112 49

HSL 36, 0.52%, 0.4%

LAB 50.31, 9.95, 40.51

 

CMYK 0 / 9 / 68 / 40

HEX #9A8C31

RGB 154 140 49

HSL 52, 0.52%, 0.4%

LAB 57.89, -5.76, 48.56

 

CMYK 9 / 0 / 68 / 40

HEX #8C9A31

RGB 140 154 49

HSL 68, 0.52%, 0.4%

LAB 60.7, -19.37, 51.08

 

CMYK 27 / 0 / 68 / 40

HEX #709A31

RGB 112 154 49

HSL 84, 0.52%, 0.4%

LAB 58.77, -30.99, 48.47

 

CMYK 0 / 9 / 68 / 64

HEX #5B531D

RGB 91 83 29

HSL 52.26, 0.52%, 0.24%

LAB 35, -4.15, 31.85

 

CMYK 0 / 8 / 68 / 52

HEX #7A7027

RGB 122 112 39

HSL 52.77, 0.52%, 0.32%

LAB 46.81, -5.49, 40.52

 

CMYK 0 / 9 / 68 / 40

HEX #9A8C31

RGB 154 140 49

HSL 52, 0.52%, 0.4%

LAB 57.89, -5.76, 48.56

 

CMYK 0 / 9 / 68 / 27

HEX #B9A93C

RGB 185 169 60

HSL 52.32, 0.51%, 0.48%

LAB 68.76, -6.94, 56.03

 

CMYK 0 / 8 / 57 / 22

HEX #C8B956

RGB 200 185 86

HSL 52.11, 0.51%, 0.56%

LAB 74.6, -7.15, 51.24

 

CMYK 0 / 8 / 67 / 40

HEX #998C32

RGB 153 140 50

HSL 52.43, 0.51%, 0.4%

LAB 57.81, -6.15, 48.01

 

CMYK 68 / 0 / 64 / 40

HEX #319A38

RGB 49 154 56

HSL 124, 0.52%, 0.4%

LAB 56.14, -49.83, 41.78

 

CMYK 36 / 68 / 0 / 40

HEX #62319A

RGB 98 49 154

HSL 268, 0.52%, 0.4%

LAB 32.09, 43.31, -49.1

 

CMYK 0 / 8 / 67 / 40

HEX #998C32

RGB 153 140 50

HSL 52.43, 0.51%, 0.4%

LAB 57.81, -6.15, 48.01

 

CMYK 68 / 0 / 9 / 40

HEX #319A8C

RGB 49 154 140

HSL 172, 0.52%, 0.4%

LAB 57.71, -32.97, -1.35

 

CMYK 9 / 68 / 0 / 40

HEX #8C319A

RGB 140 49 154

HSL 292, 0.52%, 0.4%

LAB 38.03, 52.89, -39.24

 

CMYK 0 / 8 / 67 / 40

HEX #998C32

RGB 153 140 50

HSL 52.43, 0.51%, 0.4%

LAB 57.81, -6.15, 48.01

 

CMYK 68 / 0 / 64 / 40

HEX #319A38

RGB 49 154 56

HSL 124, 0.52%, 0.4%

LAB 56.14, -49.83, 41.78

 

CMYK 68 / 59 / 0 / 40

HEX #313F9A

RGB 49 63 154

HSL 232, 0.52%, 0.4%

LAB 30.74, 25.39, -51.51

 

CMYK 0 / 68 / 5 / 40

HEX #9A3193

RGB 154 49 147

HSL 304, 0.52%, 0.4%

LAB 39.87, 55.03, -31.94

 

CMYK 0 / 8 / 67 / 40

HEX #998C32

RGB 153 140 50

HSL 52.43, 0.51%, 0.4%

LAB 57.81, -6.15, 48.01

 

CMYK 68 / 0 / 43 / 40

HEX #319A58

RGB 49 154 88

HSL 142.29, 0.52%, 0.4%

LAB 56.55, -45.06, 26.14

 

CMYK 68 / 59 / 0 / 40

HEX #313F9A

RGB 49 63 154

HSL 232, 0.52%, 0.4%

LAB 30.74, 25.39, -51.51

 

CMYK 0 / 68 / 25 / 40

HEX #9A3173

RGB 154 49 115

HSL 322.29, 0.52%, 0.4%

LAB 38.38, 50.14, -14.53

 

Description

Color code: HEX #998C32 | qconv.com Color code: HEX #998C32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 140 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 140 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 67 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 67% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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