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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998B23 it is the complementary color #6674DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998B23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998B23 shade: #9E8B1E, #AF9D31, #C0AF44, #D1C157 and #E2D36A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998B23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998B23 shade: #998B23, #887910, #776700, #665500 and #554300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998B23 shade: #998B22, #996B22, #994B22, #992B22 and #992222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998B23 shade: #998B22, #879922, #679922, #479922 and #279922

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998B23 shade matches the following richer shades: #998B22, #A99713 and #B8A204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998B23 shade: #998B22, #8A8032, #7B7441, #6B6850 and #5C5D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998B23 shade: #994A22, #996A22, #998922, #899922 and #6A9922

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998B23 shade: #564E13, #786D1B, #998B22, #BBAA2A and #D2C03C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998B23 shade: #998B23, #22992A and #5A2299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998B23 shade: #998B23, #229989 and #892299

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998B23 shade: #998B23, #22992A, #223299 and #992291

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998B23 shade: #998B23, #22994E, #223299 and #99226E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 77 / 40

HEX #998B23

RGB 153 139 35

HSL 52.88, 0.63%, 0.37%

LAB 57.42, -6.39, 53.61

 

Complementary color

CMYK 54 / 47 / 0 / 14

HEX #6674DC

RGB 102 116 220

HSL 232.88, 0.63%, 0.63%

LAB 52.38, 24.09, -55.02

 

CMYK 0 / 12 / 81 / 38

HEX #9E8B1E

RGB 158 139 30

HSL 51.09, 0.68%, 0.37%

LAB 57.87, -4.3, 55.88

 

CMYK 0 / 10 / 72 / 31

HEX #AF9D31

RGB 175 157 49

HSL 51.43, 0.56%, 0.44%

LAB 64.52, -5.56, 55.89

 

CMYK 0 / 9 / 65 / 25

HEX #C0AF44

RGB 192 175 68

HSL 51.77, 0.5%, 0.51%

LAB 71.07, -6.58, 55.24

 

CMYK 0 / 8 / 58 / 18

HEX #D1C157

RGB 209 193 87

HSL 52.13, 0.57%, 0.58%

LAB 77.51, -7.43, 54.28

 

CMYK 0 / 7 / 53 / 11

HEX #E2D36A

RGB 226 211 106

HSL 52.5, 0.67%, 0.65%

LAB 83.86, -8.15, 53.18

 

CMYK 0 / 9 / 77 / 40

HEX #998B23

RGB 153 139 35

HSL 52.88, 0.63%, 0.37%

LAB 57.42, -6.39, 53.61

 

CMYK 0 / 11 / 88 / 47

HEX #887910

RGB 136 121 16

HSL 52.5, 0.79%, 0.3%

LAB 50.62, -5, 52.85

 

CMYK 0 / 13 / 100 / 53

HEX #776700

RGB 119 103 0

HSL 51.93, 1%, 0.23%

LAB 43.69, -3.29, 50.38

 

CMYK 0 / 17 / 100 / 60

HEX #665500

RGB 102 85 0

HSL 50, 1%, 0.2%

LAB 36.6, -1.13, 44.52

 

CMYK 0 / 21 / 100 / 67

HEX #554300

RGB 85 67 0

HSL 47.29, 1%, 0.17%

LAB 29.27, 1.17, 38.4

 

CMYK 0 / 9 / 78 / 40

HEX #998B22

RGB 153 139 34

HSL 52.94, 0.64%, 0.37%

LAB 57.42, -6.43, 53.96

 

CMYK 0 / 30 / 78 / 40

HEX #996B22

RGB 153 107 34

HSL 36.81, 0.64%, 0.37%

LAB 48.76, 11.56, 45.8

 

CMYK 0 / 51 / 78 / 40

HEX #994B22

RGB 153 75 34

HSL 20.67, 0.64%, 0.37%

LAB 41.09, 29.67, 38.2

 

CMYK 0 / 72 / 78 / 40

HEX #992B22

RGB 153 43 34

HSL 4.54, 0.64%, 0.37%

LAB 35.23, 45.03, 32.08

 

CMYK 0 / 78 / 78 / 40

HEX #992222

RGB 153 34 34

HSL 0, 0.64%, 0.37%

LAB 34.05, 48.31, 30.8

 

CMYK 0 / 9 / 78 / 40

HEX #998B22

RGB 153 139 34

HSL 52.94, 0.64%, 0.37%

LAB 57.42, -6.43, 53.96

 

CMYK 12 / 0 / 78 / 40

HEX #879922

RGB 135 153 34

HSL 69.08, 0.64%, 0.37%

LAB 59.93, -21.84, 55.73

 

CMYK 33 / 0 / 78 / 40

HEX #679922

RGB 103 153 34

HSL 85.21, 0.64%, 0.37%

LAB 57.83, -35.01, 53.01

 

CMYK 54 / 0 / 78 / 40

HEX #479922

RGB 71 153 34

HSL 101.34, 0.64%, 0.37%

LAB 56.32, -45.95, 51.04

 

CMYK 75 / 0 / 78 / 40

HEX #279922

RGB 39 153 34

HSL 117.48, 0.64%, 0.37%

LAB 55.41, -53.42, 49.84

 

CMYK 0 / 9 / 78 / 40

HEX #998B22

RGB 153 139 34

HSL 52.94, 0.64%, 0.37%

LAB 57.42, -6.43, 53.96

 

CMYK 0 / 11 / 89 / 34

HEX #A99713

RGB 169 151 19

HSL 52.8, 0.8%, 0.37%

LAB 62.18, -6.1, 62.83

 

CMYK 0 / 12 / 98 / 28

HEX #B8A204

RGB 184 162 4

HSL 52.67, 0.96%, 0.37%

LAB 66.55, -5.43, 69.09

 

CMYK 0 / 9 / 78 / 40

HEX #998B22

RGB 153 139 34

HSL 52.94, 0.64%, 0.37%

LAB 57.42, -6.43, 53.96

 

CMYK 0 / 7 / 64 / 46

HEX #8A8032

RGB 138 128 50

HSL 53.18, 0.47%, 0.37%

LAB 53.03, -6.33, 42.51

 

CMYK 0 / 6 / 47 / 52

HEX #7B7441

RGB 123 116 65

HSL 52.76, 0.31%, 0.37%

LAB 48.36, -5.04, 29.03

 

CMYK 0 / 3 / 25 / 58

HEX #6B6850

RGB 107 104 80

HSL 53.33, 0.14%, 0.37%

LAB 43.66, -3.15, 13.98

 

CMYK 3 / 2 / 0 / 63

HEX #5C5D5F

RGB 92 93 95

HSL 220, 0.02%, 0.37%

LAB 39.46, 0.04, -1.29

 

CMYK 0 / 52 / 78 / 40

HEX #994A22

RGB 153 74 34

HSL 20.17, 0.64%, 0.37%

LAB 40.87, 30.21, 37.98

 

CMYK 0 / 31 / 78 / 40

HEX #996A22

RGB 153 106 34

HSL 36.3, 0.64%, 0.37%

LAB 48.51, 12.14, 45.55

 

CMYK 0 / 10 / 78 / 40

HEX #998922

RGB 153 137 34

HSL 51.93, 0.64%, 0.37%

LAB 56.86, -5.34, 53.45

 

CMYK 10 / 0 / 78 / 40

HEX #899922

RGB 137 153 34

HSL 68.07, 0.64%, 0.37%

LAB 60.08, -20.97, 55.93

 

CMYK 31 / 0 / 78 / 40

HEX #6A9922

RGB 106 153 34

HSL 83.7, 0.64%, 0.37%

LAB 58, -33.85, 53.23

 

CMYK 0 / 9 / 78 / 66

HEX #564E13

RGB 86 78 19

HSL 52.84, 0.64%, 0.21%

LAB 32.86, -4.28, 34.19

 

CMYK 0 / 9 / 78 / 53

HEX #786D1B

RGB 120 109 27

HSL 52.9, 0.63%, 0.29%

LAB 45.65, -5.41, 44.39

 

CMYK 0 / 9 / 78 / 40

HEX #998B22

RGB 153 139 34

HSL 52.94, 0.64%, 0.37%

LAB 57.42, -6.43, 53.96

 

CMYK 0 / 9 / 78 / 27

HEX #BBAA2A

RGB 187 170 42

HSL 52.97, 0.63%, 0.45%

LAB 69.1, -7.45, 63.12

 

CMYK 0 / 9 / 71 / 18

HEX #D2C03C

RGB 210 192 60

HSL 52.8, 0.63%, 0.53%

LAB 77.12, -8.11, 65.13

 

CMYK 0 / 9 / 77 / 40

HEX #998B23

RGB 153 139 35

HSL 52.88, 0.63%, 0.37%

LAB 57.42, -6.39, 53.61

 

CMYK 78 / 0 / 73 / 40

HEX #22992A

RGB 34 153 42

HSL 124.03, 0.64%, 0.37%

LAB 55.37, -53.57, 46.82

 

CMYK 41 / 78 / 0 / 40

HEX #5A2299

RGB 90 34 153

HSL 268.24, 0.64%, 0.37%

LAB 28.43, 48.71, -54.5

 

CMYK 0 / 9 / 77 / 40

HEX #998B23

RGB 153 139 35

HSL 52.88, 0.63%, 0.37%

LAB 57.42, -6.39, 53.61

 

CMYK 78 / 0 / 10 / 40

HEX #229989

RGB 34 153 137

HSL 171.93, 0.64%, 0.37%

LAB 57.01, -35.38, -0.71

 

CMYK 10 / 78 / 0 / 40

HEX #892299

RGB 137 34 153

HSL 291.93, 0.64%, 0.37%

LAB 35.52, 57.62, -42.67

 

CMYK 0 / 9 / 77 / 40

HEX #998B23

RGB 153 139 35

HSL 52.88, 0.63%, 0.37%

LAB 57.42, -6.39, 53.61

 

CMYK 78 / 0 / 73 / 40

HEX #22992A

RGB 34 153 42

HSL 124.03, 0.64%, 0.37%

LAB 55.37, -53.57, 46.82

 

CMYK 78 / 67 / 0 / 40

HEX #223299

RGB 34 50 153

HSL 231.93, 0.64%, 0.37%

LAB 26.51, 31.71, -57.84

 

CMYK 0 / 78 / 5 / 40

HEX #992291

RGB 153 34 145

HSL 304.03, 0.64%, 0.37%

LAB 37.77, 59.65, -34.05

 

CMYK 0 / 9 / 77 / 40

HEX #998B23

RGB 153 139 35

HSL 52.88, 0.63%, 0.37%

LAB 57.42, -6.39, 53.61

 

CMYK 78 / 0 / 49 / 40

HEX #22994E

RGB 34 153 78

HSL 142.18, 0.64%, 0.37%

LAB 55.76, -48.9, 30.38

 

CMYK 78 / 67 / 0 / 40

HEX #223299

RGB 34 50 153

HSL 231.93, 0.64%, 0.37%

LAB 26.51, 31.71, -57.84

 

CMYK 0 / 78 / 28 / 40

HEX #99226E

RGB 153 34 110

HSL 321.68, 0.64%, 0.37%

LAB 36.07, 54.64, -14.94

 

Description

Color code: HEX #998B23 | qconv.com Color code: HEX #998B23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 139 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 139 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 77 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 77% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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