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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #996750 it is the complementary color #6698AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #996750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #996750 shade: #9E674B, #AF795E, #C08B71, #D19D84 and #E2AF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #996750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #996750 shade: #996750, #88553D, #77432A, #663117 and #551F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #996750 shade: #996750, #995450 and #995050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #996750 shade: #996750, #997B50, #998F50, #909950 and #7D9950

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #996750 shade matches the following richer shades: #996750, #AC603D, #BF592A, #D25217 and #E54B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #996750 shade: #996750, #866E63, #737576, #607C89 and #4D839C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #996750 shade: #995061, #995350, #996650, #997A50 and #998D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #996750 shade: #634334, #7E5542, #996750, #AE7C65 and #BC9380

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #996750 shade: #996750, #759950 and #505899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #996750 shade: #996750, #509966 and #665099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #996750 shade: #996750, #759950, #508399 and #755099

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #996750 shade: #996750, #5F9950, #508399 and #8B5099

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

Complementary color

CMYK 42 / 13 / 0 / 31

HEX #6698AF

RGB 102 152 175

HSL 198.9, 0.31%, 0.54%

LAB 60.23, -10.59, -17.27

 

CMYK 0 / 35 / 53 / 38

HEX #9E674B

RGB 158 103 75

HSL 20.24, 0.36%, 0.46%

LAB 48.86, 18.93, 24.81

 

CMYK 0 / 31 / 46 / 31

HEX #AF795E

RGB 175 121 94

HSL 20, 0.34%, 0.53%

LAB 55.68, 17.82, 23.26

 

CMYK 0 / 28 / 41 / 25

HEX #C08B71

RGB 192 139 113

HSL 19.75, 0.39%, 0.6%

LAB 62.39, 16.87, 21.87

 

CMYK 0 / 25 / 37 / 18

HEX #D19D84

RGB 209 157 132

HSL 19.48, 0.46%, 0.67%

LAB 68.99, 16.04, 20.61

 

CMYK 0 / 23 / 33 / 11

HEX #E2AF97

RGB 226 175 151

HSL 19.2, 0.56%, 0.74%

LAB 75.49, 15.32, 19.46

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 0 / 38 / 55 / 47

HEX #88553D

RGB 136 85 61

HSL 19.2, 0.38%, 0.39%

LAB 41.32, 18.5, 22.75

 

CMYK 0 / 44 / 65 / 53

HEX #77432A

RGB 119 67 42

HSL 19.48, 0.48%, 0.32%

LAB 34.2, 19.93, 24.66

 

CMYK 0 / 52 / 77 / 60

HEX #663117

RGB 102 49 23

HSL 19.75, 0.63%, 0.25%

LAB 26.97, 21.66, 26.82

 

CMYK 0 / 64 / 95 / 67

HEX #551F04

RGB 85 31 4

HSL 20, 0.91%, 0.17%

LAB 19.72, 23.61, 27.51

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 0 / 45 / 48 / 40

HEX #995450

RGB 153 84 80

HSL 3.29, 0.31%, 0.46%

LAB 43.79, 28.12, 15.02

 

CMYK 0 / 48 / 48 / 40

HEX #995050

RGB 153 80 80

HSL 0, 0.31%, 0.46%

LAB 42.9, 30.33, 13.8

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 0 / 20 / 48 / 40

HEX #997B50

RGB 153 123 80

HSL 35.34, 0.31%, 0.46%

LAB 53.51, 5.82, 27.84

 

CMYK 0 / 7 / 48 / 40

HEX #998F50

RGB 153 143 80

HSL 51.78, 0.31%, 0.46%

LAB 58.97, -5.34, 34.68

 

CMYK 6 / 0 / 48 / 40

HEX #909950

RGB 144 153 80

HSL 67.4, 0.31%, 0.46%

LAB 61.04, -14.54, 37.04

 

CMYK 18 / 0 / 48 / 40

HEX #7D9950

RGB 125 153 80

HSL 83.01, 0.31%, 0.46%

LAB 59.64, -22.33, 35.01

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 0 / 44 / 65 / 33

HEX #AC603D

RGB 172 96 61

HSL 18.92, 0.48%, 0.46%

LAB 48.85, 27.64, 33.14

 

CMYK 0 / 53 / 78 / 25

HEX #BF592A

RGB 191 89 42

HSL 18.93, 0.64%, 0.46%

LAB 49.96, 38.05, 45.11

 

CMYK 0 / 61 / 89 / 18

HEX #D25217

RGB 210 82 23

HSL 18.93, 0.8%, 0.46%

LAB 51.61, 48.07, 55.73

 

CMYK 0 / 67 / 98 / 10

HEX #E54B05

RGB 229 75 5

HSL 18.75, 0.96%, 0.46%

LAB 53.71, 57.42, 63.38

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 0 / 18 / 26 / 47

HEX #866E63

RGB 134 110 99

HSL 18.86, 0.15%, 0.46%

LAB 48.41, 7.67, 9.68

 

CMYK 3 / 1 / 0 / 54

HEX #737576

RGB 115 117 118

HSL 200, 0.01%, 0.46%

LAB 49.1, -0.55, -0.82

 

CMYK 30 / 9 / 0 / 46

HEX #607C89

RGB 96 124 137

HSL 199.02, 0.18%, 0.46%

LAB 50.34, -6.78, -10.34

 

CMYK 51 / 16 / 0 / 39

HEX #4D839C

RGB 77 131 156

HSL 198.99, 0.34%, 0.46%

LAB 52.07, -10.73, -18.91

 

CMYK 0 / 48 / 37 / 40

HEX #995061

RGB 153 80 97

HSL 346.03, 0.31%, 0.46%

LAB 43.32, 32.31, 3.96

 

CMYK 0 / 46 / 48 / 40

HEX #995350

RGB 153 83 80

HSL 2.47, 0.31%, 0.46%

LAB 43.56, 28.67, 14.71

 

CMYK 0 / 33 / 48 / 40

HEX #996650

RGB 153 102 80

HSL 18.08, 0.31%, 0.46%

LAB 48.08, 17.88, 20.77

 

CMYK 0 / 20 / 48 / 40

HEX #997A50

RGB 153 122 80

HSL 34.52, 0.31%, 0.46%

LAB 53.24, 6.39, 27.5

 

CMYK 0 / 8 / 48 / 40

HEX #998D50

RGB 153 141 80

HSL 50.14, 0.31%, 0.46%

LAB 58.42, -4.25, 34

 

CMYK 0 / 32 / 47 / 61

HEX #634334

RGB 99 67 52

HSL 19.15, 0.31%, 0.3%

LAB 31.61, 11.8, 14.65

 

CMYK 0 / 33 / 48 / 51

HEX #7E5542

RGB 126 85 66

HSL 19, 0.31%, 0.38%

LAB 40.12, 14.61, 17.95

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 0 / 29 / 42 / 32

HEX #AE7C65

RGB 174 124 101

HSL 18.9, 0.31%, 0.54%

LAB 56.44, 16.49, 20.27

 

CMYK 0 / 22 / 32 / 26

HEX #BC9380

RGB 188 147 128

HSL 19, 0.31%, 0.62%

LAB 64.26, 12.69, 15.96

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 24 / 0 / 48 / 40

HEX #759950

RGB 117 153 80

HSL 89.59, 0.31%, 0.46%

LAB 59.11, -25.48, 34.23

 

CMYK 48 / 42 / 0 / 40

HEX #505899

RGB 80 88 153

HSL 233.42, 0.31%, 0.46%

LAB 39.55, 15.13, -36.63

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 48 / 0 / 33 / 40

HEX #509966

RGB 80 153 102

HSL 138.08, 0.31%, 0.46%

LAB 57.51, -34.6, 19.94

 

CMYK 33 / 48 / 0 / 40

HEX #665099

RGB 102 80 153

HSL 258.08, 0.31%, 0.46%

LAB 39.35, 26.11, -36.84

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 24 / 0 / 48 / 40

HEX #759950

RGB 117 153 80

HSL 89.59, 0.31%, 0.46%

LAB 59.11, -25.48, 34.23

 

CMYK 48 / 14 / 0 / 40

HEX #508399

RGB 80 131 153

HSL 198.08, 0.31%, 0.46%

LAB 52.11, -10.88, -17.11

 

CMYK 24 / 48 / 0 / 40

HEX #755099

RGB 117 80 153

HSL 270.41, 0.31%, 0.46%

LAB 40.93, 30.44, -34.23

 

CMYK 0 / 33 / 48 / 40

HEX #996750

RGB 153 103 80

HSL 18.9, 0.31%, 0.46%

LAB 48.33, 17.3, 21.1

 

CMYK 38 / 0 / 48 / 40

HEX #5F9950

RGB 95 153 80

HSL 107.67, 0.31%, 0.46%

LAB 57.84, -33.52, 32.38

 

CMYK 48 / 14 / 0 / 40

HEX #508399

RGB 80 131 153

HSL 198.08, 0.31%, 0.46%

LAB 52.11, -10.88, -17.11

 

CMYK 9 / 48 / 0 / 40

HEX #8B5099

RGB 139 80 153

HSL 288.49, 0.31%, 0.46%

LAB 43.55, 37.05, -29.94

 

Description

Color code: HEX #996750 | qconv.com Color code: HEX #996750 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 103 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 103 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 48 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 48% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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