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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99489D it is the complementary color #66B762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99489D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99489D shade: #9E4898, #AF5AAB, #C06CBE, #D17ED1 and #E290E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99489D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99489D shade: #99489D, #88368A, #772477, #661264 and #550051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99489D shade: #99489D, #9D488A, #9D4873, #9D485C and #9D4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99489D shade: #99489D, #82489D, #6B489D, #54489D and #48489D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99489D shade matches the following richer shades: #99489D, #AA35AF, #BA23C2 and #CB10D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99489D shade: #99489D, #885A8A, #776D78, #667F65 and #559252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99489D shade: #6B489D, #82489D, #98489D, #9D488A and #9D4874

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99489D shade: #622E64, #7D3B80, #99489D, #AF5BB3 and #BD77C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99489D shade: #99489D, #9D5548 and #489D76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99489D shade: #99489D, #9D9848 and #489D98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99489D shade: #99489D, #9D5548, #4C9D48 and #48909D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99489D shade: #99489D, #9D6E48, #4C9D48 and #48769D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

Complementary color

CMYK 44 / 0 / 46 / 28

HEX #66B762

RGB 102 183 98

HSL 117.18, 0.37%, 0.55%

LAB 67.71, -42.08, 35.56

 

CMYK 0 / 54 / 4 / 38

HEX #9E4898

RGB 158 72 152

HSL 304.19, 0.37%, 0.45%

LAB 44.48, 46.72, -27.69

 

CMYK 0 / 49 / 2 / 31

HEX #AF5AAB

RGB 175 90 171

HSL 302.82, 0.35%, 0.52%

LAB 51.11, 46.11, -28.42

 

CMYK 0 / 44 / 1 / 25

HEX #C06CBE

RGB 192 108 190

HSL 301.43, 0.4%, 0.59%

LAB 57.7, 45.4, -29

 

CMYK 0 / 40 / 0 / 18

HEX #D17ED1

RGB 209 126 209

HSL 300, 0.47%, 0.66%

LAB 64.23, 44.66, -29.49

 

CMYK 1 / 37 / 0 / 11

HEX #E290E4

RGB 226 144 228

HSL 298.57, 0.61%, 0.73%

LAB 70.68, 43.92, -29.92

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 1 / 61 / 0 / 46

HEX #88368A

RGB 136 54 138

HSL 298.57, 0.44%, 0.38%

LAB 37.31, 46.63, -30.67

 

CMYK 0 / 70 / 0 / 53

HEX #772477

RGB 119 36 119

HSL 300, 0.54%, 0.3%

LAB 30.68, 46.59, -29.49

 

CMYK 0 / 82 / 2 / 60

HEX #661264

RGB 102 18 100

HSL 301.43, 0.7%, 0.24%

LAB 24.25, 45.6, -27.66

 

CMYK 0 / 100 / 5 / 67

HEX #550051

RGB 85 0 81

HSL 302.82, 1%, 0.17%

LAB 18.03, 43.5, -25.08

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 0 / 54 / 12 / 38

HEX #9D488A

RGB 157 72 138

HSL 313.41, 0.37%, 0.45%

LAB 43.71, 43.99, -20.46

 

CMYK 0 / 54 / 27 / 38

HEX #9D4873

RGB 157 72 115

HSL 329.65, 0.37%, 0.45%

LAB 42.82, 40.41, -7.77

 

CMYK 0 / 54 / 41 / 38

HEX #9D485C

RGB 157 72 92

HSL 345.88, 0.37%, 0.45%

LAB 42.12, 37.44, 5.4

 

CMYK 0 / 54 / 54 / 38

HEX #9D4848

RGB 157 72 72

HSL 0, 0.37%, 0.45%

LAB 41.64, 35.4, 17.1

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 17 / 54 / 0 / 38

HEX #82489D

RGB 130 72 157

HSL 280.94, 0.37%, 0.45%

LAB 40.92, 39.69, -36.54

 

CMYK 32 / 54 / 0 / 38

HEX #6B489D

RGB 107 72 157

HSL 264.71, 0.37%, 0.45%

LAB 38.19, 33.38, -41.05

 

CMYK 46 / 54 / 0 / 38

HEX #54489D

RGB 84 72 157

HSL 248.47, 0.37%, 0.45%

LAB 35.9, 27.56, -44.86

 

CMYK 54 / 54 / 0 / 38

HEX #48489D

RGB 72 72 157

HSL 240, 0.37%, 0.45%

LAB 34.9, 24.84, -46.52

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 3 / 70 / 0 / 31

HEX #AA35AF

RGB 170 53 175

HSL 297.54, 0.54%, 0.45%

LAB 44.5, 62.08, -41.22

 

CMYK 4 / 82 / 0 / 24

HEX #BA23C2

RGB 186 35 194

HSL 296.98, 0.69%, 0.45%

LAB 46.36, 73.85, -49.24

 

CMYK 4 / 92 / 0 / 17

HEX #CB10D4

RGB 203 16 212

HSL 297.24, 0.86%, 0.45%

LAB 49.28, 82.72, -54.81

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 1 / 35 / 0 / 46

HEX #885A8A

RGB 136 90 138

HSL 297.5, 0.21%, 0.45%

LAB 44.78, 27.27, -19.06

 

CMYK 1 / 9 / 0 / 53

HEX #776D78

RGB 119 109 120

HSL 294.55, 0.05%, 0.45%

LAB 47.26, 6.08, -4.69

 

CMYK 20 / 0 / 20 / 50

HEX #667F65

RGB 102 127 101

HSL 117.69, 0.11%, 0.45%

LAB 50.62, -14.47, 11.21

 

CMYK 42 / 0 / 44 / 43

HEX #559252

RGB 85 146 82

HSL 117.19, 0.28%, 0.45%

LAB 55.17, -33.33, 27.84

 

CMYK 32 / 54 / 0 / 38

HEX #6B489D

RGB 107 72 157

HSL 264.71, 0.37%, 0.45%

LAB 38.19, 33.38, -41.05

 

CMYK 17 / 54 / 0 / 38

HEX #82489D

RGB 130 72 157

HSL 280.94, 0.37%, 0.45%

LAB 40.92, 39.69, -36.54

 

CMYK 3 / 54 / 0 / 38

HEX #98489D

RGB 152 72 157

HSL 296.47, 0.37%, 0.45%

LAB 43.86, 45.92, -31.7

 

CMYK 0 / 54 / 12 / 38

HEX #9D488A

RGB 157 72 138

HSL 313.41, 0.37%, 0.45%

LAB 43.71, 43.99, -20.46

 

CMYK 0 / 54 / 26 / 38

HEX #9D4874

RGB 157 72 116

HSL 328.94, 0.37%, 0.45%

LAB 42.86, 40.56, -8.33

 

CMYK 2 / 54 / 0 / 61

HEX #622E64

RGB 98 46 100

HSL 297.78, 0.37%, 0.29%

LAB 28.04, 32.14, -21.73

 

CMYK 2 / 54 / 0 / 50

HEX #7D3B80

RGB 125 59 128

HSL 297.39, 0.37%, 0.37%

LAB 36.07, 39.09, -26.56

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 2 / 49 / 0 / 30

HEX #AF5BB3

RGB 175 91 179

HSL 297.27, 0.37%, 0.53%

LAB 51.67, 47.08, -32.22

 

CMYK 2 / 38 / 0 / 25

HEX #BD77C0

RGB 189 119 192

HSL 297.53, 0.37%, 0.61%

LAB 59.72, 39.01, -27.05

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 0 / 46 / 54 / 38

HEX #9D5548

RGB 157 85 72

HSL 9.18, 0.37%, 0.45%

LAB 44.42, 28.39, 20.79

 

CMYK 54 / 0 / 25 / 38

HEX #489D76

RGB 72 157 118

HSL 152.47, 0.37%, 0.45%

LAB 58.79, -35.23, 12.73

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 0 / 3 / 54 / 38

HEX #9D9848

RGB 157 152 72

HSL 56.47, 0.37%, 0.45%

LAB 61.73, -9.23, 42.15

 

CMYK 54 / 0 / 3 / 38

HEX #489D98

RGB 72 157 152

HSL 176.47, 0.37%, 0.45%

LAB 59.67, -26.81, -5.21

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 0 / 46 / 54 / 38

HEX #9D5548

RGB 157 85 72

HSL 9.18, 0.37%, 0.45%

LAB 44.42, 28.39, 20.79

 

CMYK 52 / 0 / 54 / 38

HEX #4C9D48

RGB 76 157 72

HSL 117.18, 0.37%, 0.45%

LAB 58.15, -42.34, 36.66

 

CMYK 54 / 8 / 0 / 38

HEX #48909D

RGB 72 144 157

HSL 189.18, 0.37%, 0.45%

LAB 55.85, -18.71, -13.78

 

CMYK 3 / 54 / 0 / 38

HEX #99489D

RGB 153 72 157

HSL 297.18, 0.37%, 0.45%

LAB 44, 46.2, -31.47

 

CMYK 0 / 30 / 54 / 38

HEX #9D6E48

RGB 157 110 72

HSL 26.82, 0.37%, 0.45%

LAB 50.44, 14.21, 28.51

 

CMYK 52 / 0 / 54 / 38

HEX #4C9D48

RGB 76 157 72

HSL 117.18, 0.37%, 0.45%

LAB 58.15, -42.34, 36.66

 

CMYK 54 / 25 / 0 / 38

HEX #48769D

RGB 72 118 157

HSL 207.53, 0.37%, 0.45%

LAB 47.97, -4.11, -25.84

 

Description

Color code: HEX #99489D | qconv.com Color code: HEX #99489D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 72 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 72 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 54 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 54% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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