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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #993D40 it is the complementary color #66C2BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #993D40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #993D40 shade: #9E3D3B, #AF4F4E, #C06161, #D17374 and #E28587

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #993D40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #993D40 shade: #993D40, #882B2D, #77191A, #660707 and #550000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #993D40 shade: #993D40 and #993D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #993D40 shade: #993D40, #993D58, #993D71, #993D8A and #8E3D99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #993D40 shade matches the following richer shades: #993D40, #AA2B2F, #BB1A1F and #CD090F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #993D40 shade: #993D40, #874E50, #765F60, #657170 and #538280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #993D40 shade: #993D71, #993D58, #993D40, #99523D and #996B3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #993D40 shade: #5E2527, #7B3133, #993D40, #B6494C and #C26669

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #993D40 shade: #993D40, #89993D and #3D6499

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #993D40 shade: #993D40, #40993D and #3D4099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #993D40 shade: #993D40, #89993D, #3D9996 and #4C3D99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #993D40 shade: #993D40, #6E993D, #3D9996 and #683D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

Complementary color

CMYK 47 / 0 / 2 / 24

HEX #66C2BF

RGB 102 194 191

HSL 178.04, 0.43%, 0.58%

LAB 73, -28.09, -6.98

 

CMYK 0 / 61 / 63 / 38

HEX #9E3D3B

RGB 158 61 59

HSL 1.21, 0.46%, 0.43%

LAB 39.45, 40.25, 22.24

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4E

RGB 175 79 78

HSL 0.62, 0.38%, 0.5%

LAB 45.98, 39.13, 19.74

 

CMYK 0 / 49 / 49 / 25

HEX #C06161

RGB 192 97 97

HSL 0, 0.43%, 0.57%

LAB 52.53, 37.98, 17.68

 

CMYK 0 / 45 / 44 / 18

HEX #D17374

RGB 209 115 116

HSL 359.36, 0.51%, 0.64%

LAB 59.05, 36.87, 15.94

 

CMYK 0 / 41 / 40 / 11

HEX #E28587

RGB 226 133 135

HSL 358.71, 0.62%, 0.7%

LAB 65.51, 35.82, 14.43

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 0 / 68 / 67 / 47

HEX #882B2D

RGB 136 43 45

HSL 358.71, 0.52%, 0.35%

LAB 32.15, 39.69, 20.93

 

CMYK 0 / 79 / 78 / 53

HEX #77191A

RGB 119 25 26

HSL 359.36, 0.65%, 0.28%

LAB 25.84, 40.07, 24.69

 

CMYK 0 / 93 / 93 / 60

HEX #660707

RGB 102 7 7

HSL 0, 0.87%, 0.21%

LAB 20.01, 39.26, 27.58

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 0 / 60 / 60 / 40

HEX #993D3D

RGB 153 61 61

HSL 0, 0.43%, 0.42%

LAB 38.63, 38.55, 19.79

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 0 / 60 / 42 / 40

HEX #993D58

RGB 153 61 88

HSL 342.39, 0.43%, 0.42%

LAB 39.27, 41.09, 3.73

 

CMYK 0 / 60 / 26 / 40

HEX #993D71

RGB 153 61 113

HSL 326.09, 0.43%, 0.42%

LAB 40.08, 44.25, -10.71

 

CMYK 0 / 60 / 10 / 40

HEX #993D8A

RGB 153 61 138

HSL 309.78, 0.43%, 0.42%

LAB 41.13, 48.11, -24.5

 

CMYK 7 / 60 / 0 / 40

HEX #8E3D99

RGB 142 61 153

HSL 292.83, 0.43%, 0.42%

LAB 40.23, 47.79, -35.13

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 0 / 75 / 72 / 33

HEX #AA2B2F

RGB 170 43 47

HSL 358.11, 0.6%, 0.42%

LAB 38.69, 51.16, 29.13

 

CMYK 0 / 86 / 83 / 27

HEX #BB1A1F

RGB 187 26 31

HSL 358.14, 0.76%, 0.42%

LAB 40.25, 60.34, 41.03

 

CMYK 0 / 96 / 93 / 20

HEX #CD090F

RGB 205 9 15

HSL 358.16, 0.92%, 0.42%

LAB 43.08, 67.25, 52.22

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 0 / 42 / 41 / 47

HEX #874E50

RGB 135 78 80

HSL 357.89, 0.27%, 0.42%

LAB 39.88, 24.22, 9.22

 

CMYK 0 / 19 / 19 / 54

HEX #765F60

RGB 118 95 96

HSL 357.39, 0.11%, 0.42%

LAB 42.58, 9.49, 2.95

 

CMYK 11 / 0 / 1 / 56

HEX #657170

RGB 101 113 112

HSL 175, 0.06%, 0.42%

LAB 46.64, -4.71, -0.99

 

CMYK 36 / 0 / 2 / 49

HEX #538280

RGB 83 130 128

HSL 177.45, 0.22%, 0.42%

LAB 51.11, -16.41, -4

 

CMYK 0 / 60 / 26 / 40

HEX #993D71

RGB 153 61 113

HSL 326.09, 0.43%, 0.42%

LAB 40.08, 44.25, -10.71

 

CMYK 0 / 60 / 42 / 40

HEX #993D58

RGB 153 61 88

HSL 342.39, 0.43%, 0.42%

LAB 39.27, 41.09, 3.73

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 0 / 46 / 60 / 40

HEX #99523D

RGB 153 82 61

HSL 13.7, 0.43%, 0.42%

LAB 42.98, 27.47, 25.34

 

CMYK 0 / 30 / 60 / 40

HEX #996B3D

RGB 153 107 61

HSL 30, 0.43%, 0.42%

LAB 49.04, 13.23, 32.77

 

CMYK 0 / 61 / 59 / 63

HEX #5E2527

RGB 94 37 39

HSL 357.89, 0.44%, 0.26%

LAB 23.17, 26.24, 11.73

 

CMYK 0 / 60 / 59 / 52

HEX #7B3133

RGB 123 49 51

HSL 358.38, 0.43%, 0.34%

LAB 30.99, 32.43, 15.12

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 0 / 60 / 58 / 29

HEX #B6494C

RGB 182 73 76

HSL 358.35, 0.43%, 0.5%

LAB 45.95, 44.45, 21.11

 

CMYK 0 / 47 / 46 / 24

HEX #C26669

RGB 194 102 105

HSL 358.04, 0.43%, 0.58%

LAB 54.02, 36.92, 15.07

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 10 / 0 / 60 / 40

HEX #89993D

RGB 137 153 61

HSL 70.43, 0.43%, 0.42%

LAB 60.28, -19.27, 45.33

 

CMYK 60 / 35 / 0 / 40

HEX #3D6499

RGB 61 100 153

HSL 214.57, 0.43%, 0.42%

LAB 41.85, 3.06, -33.07

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 58 / 0 / 60 / 40

HEX #40993D

RGB 64 153 61

HSL 118.04, 0.43%, 0.42%

LAB 56.3, -45.4, 39.74

 

CMYK 60 / 58 / 0 / 40

HEX #3D4099

RGB 61 64 153

HSL 238.04, 0.43%, 0.42%

LAB 31.71, 26.44, -49.28

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 10 / 0 / 60 / 40

HEX #89993D

RGB 137 153 61

HSL 70.43, 0.43%, 0.42%

LAB 60.28, -19.27, 45.33

 

CMYK 60 / 0 / 2 / 40

HEX #3D9996

RGB 61 153 150

HSL 178.04, 0.43%, 0.42%

LAB 58.01, -27.6, -6.56

 

CMYK 50 / 60 / 0 / 40

HEX #4C3D99

RGB 76 61 153

HSL 249.78, 0.43%, 0.42%

LAB 32.2, 31.38, -48.43

 

CMYK 0 / 60 / 58 / 40

HEX #993D40

RGB 153 61 64

HSL 358.04, 0.43%, 0.42%

LAB 38.69, 38.79, 18

 

CMYK 28 / 0 / 60 / 40

HEX #6E993D

RGB 110 153 61

HSL 88.04, 0.43%, 0.42%

LAB 58.45, -30.27, 42.77

 

CMYK 60 / 0 / 2 / 40

HEX #3D9996

RGB 61 153 150

HSL 178.04, 0.43%, 0.42%

LAB 58.01, -27.6, -6.56

 

CMYK 32 / 60 / 0 / 40

HEX #683D99

RGB 104 61 153

HSL 268.04, 0.43%, 0.42%

LAB 35.16, 37.92, -43.5

 

Description

Color code: HEX #993D40 | qconv.com Color code: HEX #993D40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 61 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 61 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 58 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 58% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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