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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #993A1E it is the complementary color #66C5E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #993A1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #993A1E shade: #9E3A19, #AF4C2C, #C05E3F, #D17052 and #E28265

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #993A1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #993A1E shade: #993A1E, #88280B, #771600, #660400 and #550000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #993A1E shade: #993A1E and #991E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #993A1E shade: #993A1E, #995B1E, #997C1E, #94991E and #73991E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #993A1E shade matches the following richer shades: #993A1E, #A8320F and #B72A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #993A1E shade: #993A1E, #8A422D, #7B4A3C, #6C524A and #5D5A59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #993A1E shade: #991E45, #991E24, #99381E, #99591E and #997A1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #993A1E shade: #542010, #762D17, #993A1E, #BB4725 and #D65833

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #993A1E shade: #993A1E, #66991E and #1E3499

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #993A1E shade: #993A1E, #1E9938 and #381E99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #993A1E shade: #993A1E, #66991E, #1E7E99 and #511E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #993A1E shade: #993A1E, #41991E, #1E7E99 and #761E99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

Complementary color

CMYK 55 / 12 / 0 / 12

HEX #66C5E1

RGB 102 197 225

HSL 193.66, 0.67%, 0.64%

LAB 74.95, -20.35, -22.51

 

CMYK 0 / 63 / 84 / 38

HEX #9E3A19

RGB 158 58 25

HSL 14.89, 0.73%, 0.36%

LAB 38.49, 39.99, 40.41

 

CMYK 0 / 57 / 75 / 31

HEX #AF4C2C

RGB 175 76 44

HSL 14.66, 0.6%, 0.43%

LAB 44.89, 38.45, 38.04

 

CMYK 0 / 51 / 67 / 25

HEX #C05E3F

RGB 192 94 63

HSL 14.42, 0.51%, 0.5%

LAB 51.35, 36.91, 35.71

 

CMYK 0 / 46 / 61 / 18

HEX #D17052

RGB 209 112 82

HSL 14.17, 0.58%, 0.57%

LAB 57.8, 35.47, 33.59

 

CMYK 0 / 42 / 55 / 11

HEX #E28265

RGB 226 130 101

HSL 13.92, 0.68%, 0.64%

LAB 64.22, 34.14, 31.69

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 0 / 71 / 92 / 47

HEX #88280B

RGB 136 40 11

HSL 13.92, 0.85%, 0.29%

LAB 31.29, 39.62, 39.02

 

CMYK 0 / 82 / 100 / 53

HEX #771600

RGB 119 22 0

HSL 11.09, 1%, 0.23%

LAB 25.25, 40.37, 37.07

 

CMYK 0 / 96 / 100 / 60

HEX #660400

RGB 102 4 0

HSL 2.35, 1%, 0.2%

LAB 19.69, 39.84, 30.07

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 0 / 80 / 80 / 40

HEX #991E1E

RGB 153 30 30

HSL 0, 0.67%, 0.36%

LAB 33.55, 49.44, 32.63

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 0 / 41 / 80 / 40

HEX #995B1E

RGB 153 91 30

HSL 29.76, 0.67%, 0.36%

LAB 44.73, 20.57, 43.66

 

CMYK 0 / 19 / 80 / 40

HEX #997C1E

RGB 153 124 30

HSL 45.85, 0.67%, 0.36%

LAB 53.26, 1.72, 51.56

 

CMYK 3 / 0 / 80 / 40

HEX #94991E

RGB 148 153 30

HSL 62.44, 0.67%, 0.36%

LAB 60.93, -16.29, 58.25

 

CMYK 25 / 0 / 80 / 40

HEX #73991E

RGB 115 153 30

HSL 78.54, 0.67%, 0.36%

LAB 58.53, -30.46, 55.19

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 0 / 70 / 91 / 34

HEX #A8320F

RGB 168 50 15

HSL 13.73, 0.84%, 0.36%

LAB 38.97, 46.84, 45.89

 

CMYK 0 / 77 / 100 / 28

HEX #B72A00

RGB 183 42 0

HSL 13.77, 1%, 0.36%

LAB 40.77, 54.44, 53.5

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 0 / 52 / 67 / 46

HEX #8A422D

RGB 138 66 45

HSL 13.55, 0.51%, 0.36%

LAB 36.91, 28.92, 26.83

 

CMYK 0 / 40 / 51 / 52

HEX #7B4A3C

RGB 123 74 60

HSL 13.33, 0.34%, 0.36%

LAB 36.81, 19.19, 17.15

 

CMYK 0 / 24 / 31 / 58

HEX #6C524A

RGB 108 82 74

HSL 14.12, 0.19%, 0.36%

LAB 37.33, 9.57, 8.87

 

CMYK 0 / 3 / 4 / 64

HEX #5D5A59

RGB 93 90 89

HSL 15, 0.02%, 0.36%

LAB 38.48, 1, 1

 

CMYK 0 / 80 / 55 / 40

HEX #991E45

RGB 153 30 69

HSL 340.98, 0.67%, 0.36%

LAB 34.25, 51.63, 8.78

 

CMYK 0 / 80 / 76 / 40

HEX #991E24

RGB 153 30 36

HSL 357.07, 0.67%, 0.36%

LAB 33.62, 49.66, 29.12

 

CMYK 0 / 63 / 80 / 40

HEX #99381E

RGB 153 56 30

HSL 12.68, 0.67%, 0.36%

LAB 37.29, 39.22, 36.43

 

CMYK 0 / 42 / 80 / 40

HEX #99591E

RGB 153 89 30

HSL 28.78, 0.67%, 0.36%

LAB 44.25, 21.71, 43.21

 

CMYK 0 / 20 / 80 / 40

HEX #997A1E

RGB 153 122 30

HSL 44.88, 0.67%, 0.36%

LAB 52.71, 2.85, 51.06

 

CMYK 0 / 62 / 81 / 67

HEX #542010

RGB 84 32 16

HSL 14.12, 0.68%, 0.2%

LAB 19.86, 23.11, 22.29

 

CMYK 0 / 62 / 81 / 54

HEX #762D17

RGB 118 45 23

HSL 13.89, 0.67%, 0.28%

LAB 28.88, 30.72, 29.68

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 0 / 62 / 80 / 27

HEX #BB4725

RGB 187 71 37

HSL 13.6, 0.67%, 0.44%

LAB 45.91, 45.07, 43.35

 

CMYK 0 / 59 / 76 / 16

HEX #D65833

RGB 214 88 51

HSL 13.62, 0.67%, 0.52%

LAB 53.51, 47.57, 45.43

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 33 / 0 / 80 / 40

HEX #66991E

RGB 102 153 30

HSL 84.88, 0.67%, 0.36%

LAB 57.75, -35.6, 54.19

 

CMYK 80 / 66 / 0 / 40

HEX #1E3499

RGB 30 52 153

HSL 229.27, 0.67%, 0.36%

LAB 26.83, 29.99, -57.33

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 80 / 0 / 63 / 40

HEX #1E9938

RGB 30 153 56

HSL 132.68, 0.67%, 0.36%

LAB 55.42, -52.65, 40.87

 

CMYK 63 / 80 / 0 / 40

HEX #381E99

RGB 56 30 153

HSL 252.68, 0.67%, 0.36%

LAB 23.9, 45.72, -62.08

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 33 / 0 / 80 / 40

HEX #66991E

RGB 102 153 30

HSL 84.88, 0.67%, 0.36%

LAB 57.75, -35.6, 54.19

 

CMYK 80 / 18 / 0 / 40

HEX #1E7E99

RGB 30 126 153

HSL 193.17, 0.67%, 0.36%

LAB 48.88, -17.21, -22.19

 

CMYK 47 / 80 / 0 / 40

HEX #511E99

RGB 81 30 153

HSL 264.88, 0.67%, 0.36%

LAB 26.67, 48.98, -57.42

 

CMYK 0 / 62 / 80 / 40

HEX #993A1E

RGB 153 58 30

HSL 13.66, 0.67%, 0.36%

LAB 37.65, 38.26, 36.79

 

CMYK 58 / 0 / 80 / 40

HEX #41991E

RGB 65 153 30

HSL 102.93, 0.67%, 0.36%

LAB 56.09, -47.89, 52.04

 

CMYK 80 / 18 / 0 / 40

HEX #1E7E99

RGB 30 126 153

HSL 193.17, 0.67%, 0.36%

LAB 48.88, -17.21, -22.19

 

CMYK 23 / 80 / 0 / 40

HEX #761E99

RGB 118 30 153

HSL 282.93, 0.67%, 0.36%

LAB 31.99, 55.22, -48.52

 

Description

Color code: HEX #993A1E | qconv.com Color code: HEX #993A1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 58 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 58 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 80 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 80% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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