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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992288 it is the complementary color #66DD77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992288. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992288 shade: #9E2283, #AF3496, #C046A9, #D158BC and #E26ACF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992288. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992288 shade: #992288, #881075, #770062, #66004F and #55003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992288 shade: #9A2189, #9A2168, #9A2148, #9A2127 and #9A2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992288 shade: #9A2189, #8B219A, #6A219A, #4A219A and #29219A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992288 shade matches the following richer shades: #9A2189, #A91294 and #B9039F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992288 shade: #9A2189, #8B317E, #7C4073, #6C4F68 and #5D5F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992288 shade: #6A219A, #8A219A, #9A218A, #9A216A and #9A214A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992288 shade: #57134D, #781A6B, #9A2189, #BC29A7 and #D43BBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992288 shade: #992288, #9A4A21 and #219A7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992288 shade: #992288, #8A9A21 and #218A9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992288 shade: #992288, #9A4A21, #219A32 and #21729A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992288 shade: #992288, #9A6E21, #219A32 and #214E9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 11 / 40

HEX #992288

RGB 153 34 136

HSL 308.57, 0.64%, 0.37%

LAB 37.29, 58.26, -29.28

 

Complementary color

CMYK 54 / 0 / 46 / 13

HEX #66DD77

RGB 102 221 119

HSL 128.57, 0.64%, 0.63%

LAB 79.54, -54.57, 40

 

CMYK 0 / 78 / 17 / 38

HEX #9E2283

RGB 158 34 131

HSL 313.06, 0.65%, 0.38%

LAB 37.94, 58.69, -25.12

 

CMYK 0 / 70 / 14 / 31

HEX #AF3496

RGB 175 52 150

HSL 312.2, 0.54%, 0.45%

LAB 43.9, 59.62, -27.18

 

CMYK 0 / 64 / 12 / 25

HEX #C046A9

RGB 192 70 169

HSL 311.31, 0.49%, 0.51%

LAB 50.04, 59.85, -28.73

 

CMYK 0 / 58 / 10 / 18

HEX #D158BC

RGB 209 88 188

HSL 310.41, 0.57%, 0.58%

LAB 56.25, 59.67, -29.92

 

CMYK 0 / 53 / 8 / 11

HEX #E26ACF

RGB 226 106 207

HSL 309.5, 0.67%, 0.65%

LAB 62.49, 59.24, -30.88

 

CMYK 0 / 78 / 11 / 40

HEX #992288

RGB 153 34 136

HSL 308.57, 0.64%, 0.37%

LAB 37.29, 58.26, -29.28

 

CMYK 0 / 88 / 14 / 47

HEX #881075

RGB 136 16 117

HSL 309.5, 0.79%, 0.3%

LAB 31.55, 56.22, -26.64

 

CMYK 0 / 100 / 18 / 53

HEX #770062

RGB 119 0 98

HSL 310.59, 1%, 0.23%

LAB 26.17, 52.8, -23.09

 

CMYK 0 / 100 / 23 / 60

HEX #66004F

RGB 102 0 79

HSL 313.53, 1%, 0.2%

LAB 21.54, 46.68, -17.94

 

CMYK 0 / 100 / 29 / 67

HEX #55003C

RGB 85 0 60

HSL 317.65, 1%, 0.17%

LAB 16.78, 40.39, -12.47

 

CMYK 0 / 79 / 11 / 40

HEX #9A2189

RGB 154 33 137

HSL 308.43, 0.65%, 0.37%

LAB 37.42, 58.93, -29.69

 

CMYK 0 / 79 / 32 / 40

HEX #9A2168

RGB 154 33 104

HSL 324.79, 0.65%, 0.37%

LAB 35.9, 54.47, -11.37

 

CMYK 0 / 79 / 53 / 40

HEX #9A2148

RGB 154 33 72

HSL 340.66, 0.65%, 0.37%

LAB 34.85, 51.24, 7.69

 

CMYK 0 / 79 / 75 / 40

HEX #9A2127

RGB 154 33 39

HSL 357.02, 0.65%, 0.37%

LAB 34.2, 49.16, 27.99

 

CMYK 0 / 79 / 79 / 40

HEX #9A2121

RGB 154 33 33

HSL 0, 0.65%, 0.37%

LAB 34.12, 48.92, 31.53

 

CMYK 0 / 79 / 11 / 40

HEX #9A2189

RGB 154 33 137

HSL 308.43, 0.65%, 0.37%

LAB 37.42, 58.93, -29.69

 

CMYK 10 / 79 / 0 / 40

HEX #8B219A

RGB 139 33 154

HSL 292.56, 0.65%, 0.37%

LAB 35.81, 58.53, -42.8

 

CMYK 31 / 79 / 0 / 40

HEX #6A219A

RGB 106 33 154

HSL 276.2, 0.65%, 0.37%

LAB 30.6, 52.16, -51.47

 

CMYK 52 / 79 / 0 / 40

HEX #4A219A

RGB 74 33 154

HSL 260.33, 0.65%, 0.37%

LAB 26.38, 46.9, -58.54

 

CMYK 73 / 79 / 0 / 40

HEX #29219A

RGB 41 33 154

HSL 243.97, 0.65%, 0.37%

LAB 23.31, 43, -63.71

 

CMYK 0 / 79 / 11 / 40

HEX #9A2189

RGB 154 33 137

HSL 308.43, 0.65%, 0.37%

LAB 37.42, 58.93, -29.69

 

CMYK 0 / 89 / 12 / 34

HEX #A91294

RGB 169 18 148

HSL 308.34, 0.81%, 0.37%

LAB 39.59, 67.03, -32.81

 

CMYK 0 / 98 / 14 / 27

HEX #B9039F

RGB 185 3 159

HSL 308.57, 0.97%, 0.37%

LAB 42.59, 73.29, -34.55

 

CMYK 0 / 79 / 11 / 40

HEX #9A2189

RGB 154 33 137

HSL 308.43, 0.65%, 0.37%

LAB 37.42, 58.93, -29.69

 

CMYK 0 / 65 / 9 / 45

HEX #8B317E

RGB 139 49 126

HSL 308.67, 0.48%, 0.37%

LAB 36.35, 47.59, -24.73

 

CMYK 0 / 48 / 7 / 51

HEX #7C4073

RGB 124 64 115

HSL 309, 0.32%, 0.37%

LAB 36.35, 33.56, -18.06

 

CMYK 0 / 27 / 4 / 58

HEX #6C4F68

RGB 108 79 104

HSL 308.28, 0.16%, 0.37%

LAB 37.44, 16.79, -9.7

 

CMYK 2 / 0 / 2 / 63

HEX #5D5F5D

RGB 93 95 93

HSL 120, 0.01%, 0.37%

LAB 40.08, -1.21, 0.86

 

CMYK 31 / 79 / 0 / 40

HEX #6A219A

RGB 106 33 154

HSL 276.2, 0.65%, 0.37%

LAB 30.6, 52.16, -51.47

 

CMYK 10 / 79 / 0 / 40

HEX #8A219A

RGB 138 33 154

HSL 292.07, 0.65%, 0.37%

LAB 35.64, 58.32, -43.08

 

CMYK 0 / 79 / 10 / 40

HEX #9A218A

RGB 154 33 138

HSL 307.93, 0.65%, 0.37%

LAB 37.47, 59.08, -30.22

 

CMYK 0 / 79 / 31 / 40

HEX #9A216A

RGB 154 33 106

HSL 323.8, 0.65%, 0.37%

LAB 35.98, 54.71, -12.52

 

CMYK 0 / 79 / 52 / 40

HEX #9A214A

RGB 154 33 74

HSL 339.67, 0.65%, 0.37%

LAB 34.91, 51.41, 6.47

 

CMYK 0 / 78 / 11 / 66

HEX #57134D

RGB 87 19 77

HSL 308.82, 0.64%, 0.21%

LAB 20.15, 37.59, -18.97

 

CMYK 0 / 78 / 11 / 53

HEX #781A6B

RGB 120 26 107

HSL 308.3, 0.64%, 0.29%

LAB 28.89, 48.47, -24.65

 

CMYK 0 / 79 / 11 / 40

HEX #9A2189

RGB 154 33 137

HSL 308.43, 0.65%, 0.37%

LAB 37.42, 58.93, -29.69

 

CMYK 0 / 78 / 11 / 26

HEX #BC29A7

RGB 188 41 167

HSL 308.57, 0.64%, 0.45%

LAB 45.73, 68.63, -34.34

 

CMYK 0 / 72 / 10 / 17

HEX #D43BBE

RGB 212 59 190

HSL 308.63, 0.64%, 0.53%

LAB 52.78, 71.92, -36.47

 

CMYK 0 / 78 / 11 / 40

HEX #992288

RGB 153 34 136

HSL 308.57, 0.64%, 0.37%

LAB 37.29, 58.26, -29.28

 

CMYK 0 / 52 / 79 / 40

HEX #9A4A21

RGB 154 74 33

HSL 20.33, 0.65%, 0.37%

LAB 41.02, 30.58, 38.68

 

CMYK 79 / 0 / 21 / 40

HEX #219A7A

RGB 33 154 122

HSL 164.13, 0.65%, 0.37%

LAB 56.92, -39.99, 7.69

 

CMYK 0 / 78 / 11 / 40

HEX #992288

RGB 153 34 136

HSL 308.57, 0.64%, 0.37%

LAB 37.29, 58.26, -29.28

 

CMYK 10 / 0 / 79 / 40

HEX #8A9A21

RGB 138 154 33

HSL 67.93, 0.65%, 0.37%

LAB 60.45, -21.08, 56.61

 

CMYK 79 / 10 / 0 / 40

HEX #218A9A

RGB 33 138 154

HSL 187.93, 0.65%, 0.37%

LAB 52.77, -22.95, -16.82

 

CMYK 0 / 78 / 11 / 40

HEX #992288

RGB 153 34 136

HSL 308.57, 0.64%, 0.37%

LAB 37.29, 58.26, -29.28

 

CMYK 0 / 52 / 79 / 40

HEX #9A4A21

RGB 154 74 33

HSL 20.33, 0.65%, 0.37%

LAB 41.02, 30.58, 38.68

 

CMYK 79 / 0 / 68 / 40

HEX #219A32

RGB 33 154 50

HSL 128.43, 0.65%, 0.37%

LAB 55.75, -53.26, 43.92

 

CMYK 79 / 26 / 0 / 40

HEX #21729A

RGB 33 114 154

HSL 199.83, 0.65%, 0.37%

LAB 45.21, -9.71, -28.47

 

CMYK 0 / 78 / 11 / 40

HEX #992288

RGB 153 34 136

HSL 308.57, 0.64%, 0.37%

LAB 37.29, 58.26, -29.28

 

CMYK 0 / 29 / 79 / 40

HEX #9A6E21

RGB 154 110 33

HSL 38.18, 0.65%, 0.37%

LAB 49.66, 10.26, 47.12

 

CMYK 79 / 0 / 68 / 40

HEX #219A32

RGB 33 154 50

HSL 128.43, 0.65%, 0.37%

LAB 55.75, -53.26, 43.92

 

CMYK 79 / 49 / 0 / 40

HEX #214E9A

RGB 33 78 154

HSL 217.69, 0.65%, 0.37%

LAB 34.2, 13.06, -45.93

 

Description

Color code: HEX #992288 | qconv.com Color code: HEX #992288 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 34 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 34 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 11 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 11% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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