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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9924B7 it is the complementary color #66DB48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9924B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9924B7 shade: #9E24B2, #AF36C5, #C048D8, #D15AEB and #E26CFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9924B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9924B7 shade: #9924B7, #8812A4, #770091, #66007E and #55006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9924B7 shade: #9924B7, #B724AD, #B72485, #B7245E and #B72436

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9924B7 shade: #9924B7, #7124B7, #4924B7 and #2424B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9924B7 shade matches the following richer shades: #9924B7, #A312C8 and #AE00DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9924B7 shade: #9924B7, #8E35A5, #844793, #795981 and #6F6B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9924B7 shade: #4824B7, #7024B7, #9724B7, #B724AF and #B72488

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9924B7 shade: #5F1672, #7C1D94, #9924B7, #B32ED5 and #C051DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9924B7 shade: #9924B7, #B72426 and #24B75C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9924B7 shade: #9924B7, #B79724 and #24B797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9924B7 shade: #9924B7, #B72426, #44B724 and #24B7B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9924B7 shade: #9924B7, #B74D24, #44B724 and #248DB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

Complementary color

CMYK 53 / 0 / 67 / 14

HEX #66DB48

RGB 102 219 72

HSL 107.76, 0.67%, 0.57%

LAB 78.44, -59.29, 59.85

 

CMYK 11 / 80 / 0 / 30

HEX #9E24B2

RGB 158 36 178

HSL 291.55, 0.66%, 0.42%

LAB 40.81, 65.66, -49

 

CMYK 11 / 73 / 0 / 23

HEX #AF36C5

RGB 175 54 197

HSL 290.77, 0.57%, 0.49%

LAB 46.69, 66.69, -50.55

 

CMYK 11 / 67 / 0 / 15

HEX #C048D8

RGB 192 72 216

HSL 290, 0.65%, 0.56%

LAB 52.73, 67.02, -51.66

 

CMYK 11 / 62 / 0 / 8

HEX #D15AEB

RGB 209 90 235

HSL 289.24, 0.78%, 0.64%

LAB 58.85, 66.91, -52.48

 

CMYK 11 / 57 / 0 / 0

HEX #E26CFE

RGB 226 108 254

HSL 288.49, 0.99%, 0.71%

LAB 65, 66.54, -53.09

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 17 / 89 / 0 / 36

HEX #8812A4

RGB 136 18 164

HSL 288.49, 0.8%, 0.36%

LAB 34.7, 63.59, -50.68

 

CMYK 18 / 100 / 0 / 43

HEX #770091

RGB 119 0 145

HSL 289.24, 1%, 0.28%

LAB 29.33, 60.37, -47.92

 

CMYK 19 / 100 / 0 / 51

HEX #66007E

RGB 102 0 126

HSL 288.57, 1%, 0.25%

LAB 24.74, 54.36, -43.62

 

CMYK 21 / 100 / 0 / 58

HEX #55006B

RGB 85 0 107

HSL 287.66, 1%, 0.21%

LAB 20.02, 48.18, -39.21

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 0 / 80 / 5 / 28

HEX #B724AD

RGB 183 36 173

HSL 304.08, 0.67%, 0.43%

LAB 44.73, 69.76, -39.54

 

CMYK 0 / 80 / 27 / 28

HEX #B72485

RGB 183 36 133

HSL 320.41, 0.67%, 0.43%

LAB 42.8, 64.31, -18.45

 

CMYK 0 / 80 / 49 / 28

HEX #B7245E

RGB 183 36 94

HSL 336.33, 0.67%, 0.43%

LAB 41.43, 60.27, 3.77

 

CMYK 0 / 80 / 70 / 28

HEX #B72436

RGB 183 36 54

HSL 352.65, 0.67%, 0.43%

LAB 40.57, 57.61, 27.72

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 38 / 80 / 0 / 28

HEX #7124B7

RGB 113 36 183

HSL 271.43, 0.67%, 0.43%

LAB 34.38, 58.86, -62.71

 

CMYK 60 / 80 / 0 / 28

HEX #4924B7

RGB 73 36 183

HSL 255.1, 0.67%, 0.43%

LAB 29.66, 53.52, -70.64

 

CMYK 80 / 80 / 0 / 28

HEX #2424B7

RGB 36 36 183

HSL 240, 0.67%, 0.43%

LAB 26.89, 50.41, -75.3

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 19 / 91 / 0 / 22

HEX #A312C8

RGB 163 18 200

HSL 287.8, 0.83%, 0.43%

LAB 41.83, 74.25, -60.23

 

CMYK 20 / 100 / 0 / 15

HEX #AE00DA

RGB 174 0 218

HSL 287.89, 1%, 0.43%

LAB 44.32, 80.85, -66.5

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 14 / 68 / 0 / 35

HEX #8E35A5

RGB 142 53 165

HSL 287.68, 0.51%, 0.43%

LAB 39.6, 53.81, -43.33

 

CMYK 10 / 52 / 0 / 42

HEX #844793

RGB 132 71 147

HSL 288.16, 0.35%, 0.43%

LAB 40.44, 38.63, -31.26

 

CMYK 6 / 31 / 0 / 49

HEX #795981

RGB 121 89 129

HSL 288, 0.18%, 0.43%

LAB 42.45, 20.75, -17.33

 

CMYK 1 / 4 / 0 / 56

HEX #6F6B70

RGB 111 107 112

HSL 288, 0.02%, 0.43%

LAB 45.72, 2.57, -2.24

 

CMYK 61 / 80 / 0 / 28

HEX #4824B7

RGB 72 36 183

HSL 254.69, 0.67%, 0.43%

LAB 29.56, 53.41, -70.8

 

CMYK 39 / 80 / 0 / 28

HEX #7024B7

RGB 112 36 183

HSL 271.02, 0.67%, 0.43%

LAB 34.24, 58.71, -62.93

 

CMYK 17 / 80 / 0 / 28

HEX #9724B7

RGB 151 36 183

HSL 286.94, 0.67%, 0.43%

LAB 40.01, 65.28, -53.29

 

CMYK 0 / 80 / 4 / 28

HEX #B724AF

RGB 183 36 175

HSL 303.27, 0.67%, 0.43%

LAB 44.84, 70.06, -40.55

 

CMYK 0 / 80 / 26 / 28

HEX #B72488

RGB 183 36 136

HSL 319.18, 0.67%, 0.43%

LAB 42.92, 64.68, -20.1

 

CMYK 17 / 81 / 0 / 55

HEX #5F1672

RGB 95 22 114

HSL 287.61, 0.68%, 0.27%

LAB 24.39, 45.42, -36.58

 

CMYK 16 / 80 / 0 / 42

HEX #7C1D94

RGB 124 29 148

HSL 287.9, 0.67%, 0.35%

LAB 32.48, 55.68, -44.62

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 16 / 78 / 0 / 16

HEX #B32ED5

RGB 179 46 213

HSL 287.78, 0.67%, 0.51%

LAB 47.42, 72.94, -58.57

 

CMYK 13 / 63 / 0 / 14

HEX #C051DC

RGB 192 81 220

HSL 287.91, 0.67%, 0.59%

LAB 54.3, 64.02, -51.43

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 0 / 80 / 79 / 28

HEX #B72426

RGB 183 36 38

HSL 359.18, 0.67%, 0.43%

LAB 40.36, 56.97, 36.99

 

CMYK 80 / 0 / 50 / 28

HEX #24B75C

RGB 36 183 92

HSL 142.86, 0.67%, 0.43%

LAB 65.76, -57.05, 35.75

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 0 / 17 / 80 / 28

HEX #B79724

RGB 183 151 36

HSL 46.94, 0.67%, 0.43%

LAB 63.61, 0.69, 59.99

 

CMYK 80 / 0 / 17 / 28

HEX #24B797

RGB 36 183 151

HSL 166.94, 0.67%, 0.43%

LAB 66.88, -44.56, 5.77

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 0 / 80 / 79 / 28

HEX #B72426

RGB 183 36 38

HSL 359.18, 0.67%, 0.43%

LAB 40.36, 56.97, 36.99

 

CMYK 63 / 0 / 80 / 28

HEX #44B724

RGB 68 183 36

HSL 106.94, 0.67%, 0.43%

LAB 65.92, -57.53, 59.51

 

CMYK 80 / 0 / 2 / 28

HEX #24B7B4

RGB 36 183 180

HSL 178.78, 0.67%, 0.43%

LAB 67.68, -36.53, -9.05

 

CMYK 16 / 80 / 0 / 28

HEX #9924B7

RGB 153 36 183

HSL 287.76, 0.67%, 0.43%

LAB 40.33, 65.64, -52.76

 

CMYK 0 / 58 / 80 / 28

HEX #B74D24

RGB 183 77 36

HSL 16.73, 0.67%, 0.43%

LAB 46.31, 40.71, 44

 

CMYK 63 / 0 / 80 / 28

HEX #44B724

RGB 68 183 36

HSL 106.94, 0.67%, 0.43%

LAB 65.92, -57.53, 59.51

 

CMYK 80 / 23 / 0 / 28

HEX #248DB7

RGB 36 141 183

HSL 197.14, 0.67%, 0.43%

LAB 54.91, -14.33, -30.18

 

Description

Color code: HEX #9924B7 | qconv.com Color code: HEX #9924B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 36 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 36 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 80 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 80% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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