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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #991AE2 it is the complementary color #66E51D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #991AE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #991AE2 shade: #9E1ADD, #AF2CF0, #C03EFF, #D150FF and #E262FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #991AE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #991AE2 shade: #991AE2, #8808CF, #7700BC, #6600A9 and #550096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #991AE2 shade: #971ADF, #CC1ADF, #DF1ABD, #DF1A88 and #DF1A52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #991AE2 shade: #971ADF, #621ADF, #2D1ADF and #1A1ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #991AE2 shade matches the following richer shades: #971ADF and #9D06F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #991AE2 shade: #971ADF, #922ECB, #8C42B7, #8756A3 and #816B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #991AE2 shade: #2D1ADF, #621ADF, #971ADF, #CB1ADF and #DF1ABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #991AE2 shade: #651195, #7E15BA, #971ADF, #A83BE8 and #B960EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #991AE2 shade: #991AE2, #DF1A3B and #1ADF48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #991AE2 shade: #991AE2, #DF971A and #1ADF97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #991AE2 shade: #991AE2, #DF1A3B, #62DF1A and #1ADFBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #991AE2 shade: #991AE2, #DF341A, #62DF1A and #1AC5DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 88 / 0 / 11

HEX #991AE2

RGB 153 26 226

HSL 278.1, 0.79%, 0.49%

LAB 42.77, 76.33, -73.74

 

Complementary color

CMYK 55 / 0 / 87 / 10

HEX #66E51D

RGB 102 229 29

HSL 98.1, 0.79%, 0.51%

LAB 81.27, -65.29, 75.22

 

CMYK 29 / 88 / 0 / 13

HEX #9E1ADD

RGB 158 26 221

HSL 280.62, 0.79%, 0.48%

LAB 43.11, 76.02, -70.3

 

CMYK 27 / 82 / 0 / 6

HEX #AF2CF0

RGB 175 44 240

HSL 280.1, 0.87%, 0.56%

LAB 48.52, 77.9, -72.15

 

CMYK 25 / 76 / 0 / 0

HEX #C03EFF

RGB 192 62 255

HSL 280.41, 1%, 0.62%

LAB 53.89, 78.1, -71.7

 

CMYK 18 / 69 / 0 / 0

HEX #D150FF

RGB 209 80 255

HSL 284.23, 1%, 0.66%

LAB 58.52, 74.78, -64.12

 

CMYK 11 / 62 / 0 / 0

HEX #E262FF

RGB 226 98 255

HSL 288.92, 1%, 0.69%

LAB 63.45, 71.12, -56.11

 

CMYK 32 / 88 / 0 / 11

HEX #991AE2

RGB 153 26 226

HSL 278.1, 0.79%, 0.49%

LAB 42.77, 76.33, -73.74

 

CMYK 34 / 96 / 0 / 19

HEX #8808CF

RGB 136 8 207

HSL 278.59, 0.93%, 0.42%

LAB 37.69, 73.26, -71.24

 

CMYK 37 / 100 / 0 / 26

HEX #7700BC

RGB 119 0 188

HSL 277.98, 1%, 0.37%

LAB 33.03, 68.61, -67.84

 

CMYK 40 / 100 / 0 / 34

HEX #6600A9

RGB 102 0 169

HSL 276.21, 1%, 0.33%

LAB 28.61, 62.92, -63.85

 

CMYK 43 / 100 / 0 / 41

HEX #550096

RGB 85 0 150

HSL 274, 1%, 0.29%

LAB 24.11, 57.12, -59.77

 

CMYK 32 / 88 / 0 / 13

HEX #971ADF

RGB 151 26 223

HSL 278.07, 0.79%, 0.49%

LAB 42.22, 75.47, -72.93

 

CMYK 9 / 88 / 0 / 13

HEX #CC1ADF

RGB 204 26 223

HSL 294.21, 0.79%, 0.49%

LAB 50.57, 83.28, -59

 

CMYK 0 / 88 / 15 / 13

HEX #DF1ABD

RGB 223 26 189

HSL 310.36, 0.79%, 0.49%

LAB 51.95, 81.76, -37.06

 

CMYK 0 / 88 / 39 / 13

HEX #DF1A88

RGB 223 26 136

HSL 326.5, 0.79%, 0.49%

LAB 49.74, 75.84, -9.03

 

CMYK 0 / 88 / 63 / 13

HEX #DF1A52

RGB 223 26 82

HSL 342.94, 0.79%, 0.49%

LAB 48.31, 71.83, 21.96

 

CMYK 32 / 88 / 0 / 13

HEX #971ADF

RGB 151 26 223

HSL 278.07, 0.79%, 0.49%

LAB 42.22, 75.47, -72.93

 

CMYK 56 / 88 / 0 / 13

HEX #621ADF

RGB 98 26 223

HSL 261.93, 0.79%, 0.49%

LAB 35.33, 69.7, -84.53

 

CMYK 80 / 88 / 0 / 13

HEX #2D1ADF

RGB 45 26 223

HSL 245.79, 0.79%, 0.49%

LAB 30.94, 66.51, -91.95

 

CMYK 88 / 88 / 0 / 13

HEX #1A1ADF

RGB 26 26 223

HSL 240, 0.79%, 0.49%

LAB 30.12, 65.97, -93.32

 

CMYK 32 / 88 / 0 / 13

HEX #971ADF

RGB 151 26 223

HSL 278.07, 0.79%, 0.49%

LAB 42.22, 75.47, -72.93

 

CMYK 35 / 98 / 0 / 5

HEX #9D06F3

RGB 157 6 243

HSL 278.23, 0.95%, 0.49%

LAB 43.9, 82.8, -81.5

 

CMYK 32 / 88 / 0 / 13

HEX #971ADF

RGB 151 26 223

HSL 278.07, 0.79%, 0.49%

LAB 42.22, 75.47, -72.93

 

CMYK 28 / 77 / 0 / 20

HEX #922ECB

RGB 146 46 203

HSL 278.22, 0.63%, 0.49%

LAB 41.81, 65.13, -62.12

 

CMYK 23 / 64 / 0 / 28

HEX #8C42B7

RGB 140 66 183

HSL 277.95, 0.47%, 0.49%

LAB 42.6, 51.18, -49.22

 

CMYK 17 / 47 / 0 / 36

HEX #8756A3

RGB 135 86 163

HSL 278.18, 0.31%, 0.49%

LAB 44.87, 34.67, -33.84

 

CMYK 9 / 25 / 0 / 44

HEX #816B8E

RGB 129 107 142

HSL 277.71, 0.14%, 0.49%

LAB 48.43, 15.63, -15.93

 

CMYK 80 / 88 / 0 / 13

HEX #2D1ADF

RGB 45 26 223

HSL 245.79, 0.79%, 0.49%

LAB 30.94, 66.51, -91.95

 

CMYK 56 / 88 / 0 / 13

HEX #621ADF

RGB 98 26 223

HSL 261.93, 0.79%, 0.49%

LAB 35.33, 69.7, -84.53

 

CMYK 32 / 88 / 0 / 13

HEX #971ADF

RGB 151 26 223

HSL 278.07, 0.79%, 0.49%

LAB 42.22, 75.47, -72.93

 

CMYK 9 / 88 / 0 / 13

HEX #CB1ADF

RGB 203 26 223

HSL 293.91, 0.79%, 0.49%

LAB 50.41, 83.12, -59.27

 

CMYK 0 / 88 / 15 / 13

HEX #DF1ABE

RGB 223 26 190

HSL 310.05, 0.79%, 0.49%

LAB 52, 81.89, -37.56

 

CMYK 32 / 89 / 0 / 42

HEX #651195

RGB 101 17 149

HSL 278.18, 0.8%, 0.33%

LAB 27.68, 55.35, -53.21

 

CMYK 32 / 89 / 0 / 27

HEX #7E15BA

RGB 126 21 186

HSL 278.18, 0.8%, 0.41%

LAB 35.04, 65.73, -63.33

 

CMYK 32 / 88 / 0 / 13

HEX #971ADF

RGB 151 26 223

HSL 278.07, 0.79%, 0.49%

LAB 42.22, 75.47, -72.93

 

CMYK 28 / 75 / 0 / 9

HEX #A83BE8

RGB 168 59 232

HSL 277.8, 0.79%, 0.57%

LAB 48.61, 70.35, -67.54

 

CMYK 22 / 59 / 0 / 7

HEX #B960EC

RGB 185 96 236

HSL 278.14, 0.79%, 0.65%

LAB 56.82, 58.72, -56.46

 

CMYK 32 / 88 / 0 / 11

HEX #991AE2

RGB 153 26 226

HSL 278.1, 0.79%, 0.49%

LAB 42.77, 76.33, -73.74

 

CMYK 0 / 88 / 74 / 13

HEX #DF1A3B

RGB 223 26 59

HSL 349.95, 0.79%, 0.49%

LAB 47.93, 70.77, 35.39

 

CMYK 88 / 0 / 68 / 13

HEX #1ADF48

RGB 26 223 72

HSL 134.01, 0.79%, 0.49%

LAB 78.15, -73.18, 59.09

 

CMYK 32 / 88 / 0 / 11

HEX #991AE2

RGB 153 26 226

HSL 278.1, 0.79%, 0.49%

LAB 42.77, 76.33, -73.74

 

CMYK 0 / 32 / 88 / 13

HEX #DF971A

RGB 223 151 26

HSL 38.07, 0.79%, 0.49%

LAB 67.94, 18.06, 68.22

 

CMYK 88 / 0 / 32 / 13

HEX #1ADF97

RGB 26 223 151

HSL 158.07, 0.79%, 0.49%

LAB 79.17, -60.95, 23

 

CMYK 32 / 88 / 0 / 11

HEX #991AE2

RGB 153 26 226

HSL 278.1, 0.79%, 0.49%

LAB 42.77, 76.33, -73.74

 

CMYK 0 / 88 / 74 / 13

HEX #DF1A3B

RGB 223 26 59

HSL 349.95, 0.79%, 0.49%

LAB 47.93, 70.77, 35.39

 

CMYK 56 / 0 / 88 / 13

HEX #62DF1A

RGB 98 223 26

HSL 98.07, 0.79%, 0.49%

LAB 79.3, -64.35, 74.03

 

CMYK 88 / 0 / 15 / 13

HEX #1ADFBE

RGB 26 223 190

HSL 169.95, 0.79%, 0.49%

LAB 80.02, -51.74, 3.65

 

CMYK 32 / 88 / 0 / 11

HEX #991AE2

RGB 153 26 226

HSL 278.1, 0.79%, 0.49%

LAB 42.77, 76.33, -73.74

 

CMYK 0 / 77 / 88 / 13

HEX #DF341A

RGB 223 52 26

HSL 7.92, 0.79%, 0.49%

LAB 49.76, 63.83, 54.24

 

CMYK 56 / 0 / 88 / 13

HEX #62DF1A

RGB 98 223 26

HSL 98.07, 0.79%, 0.49%

LAB 79.3, -64.35, 74.03

 

CMYK 88 / 12 / 0 / 13

HEX #1AC5DF

RGB 26 197 223

HSL 187.92, 0.79%, 0.49%

LAB 73.21, -30.58, -24.24

 

Description

Color code: HEX #991AE2 | qconv.com Color code: HEX #991AE2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 26 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 26 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 88 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 88% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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