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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #990FCF it is the complementary color #66F030. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #990FCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #990FCF shade: #9E0FCA, #AF21DD, #C033F0, #D145FF and #E257FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #990FCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #990FCF shade: #990FCF, #8800BC, #7700A9, #660096 and #550083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #990FCF shade: #9A0FD0, #CE0FD0, #D00F9E, #D00F6A and #D00F36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #990FCF shade: #9A0FD0, #660FD0, #320FD0 and #0F0FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #990FCF shade matches the following richer shades: #9A0FD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #990FCF shade: #9A0FD0, #9221BE, #8A34AC, #82469A and #7A5888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #990FCF shade: #330FD0, #660FD0, #9A0FD0, #CD0FD0 and #D00FA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #990FCF shade: #610983, #7E0CAA, #9A0FD0, #B21BED and #BF42F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #990FCF shade: #990FCF, #D00F1F and #0FD04C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #990FCF shade: #990FCF, #D09A0F and #0FD09A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #990FCF shade: #990FCF, #D00F1F, #46D00F and #0FD0C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #990FCF shade: #990FCF, #D0390F, #46D00F and #0FA6D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 93 / 0 / 19

HEX #990FCF

RGB 153 15 207

HSL 283.13, 0.86%, 0.44%

LAB 40.6, 74.53, -66.36

 

Complementary color

CMYK 58 / 0 / 80 / 6

HEX #66F030

RGB 102 240 48

HSL 103.13, 0.86%, 0.56%

LAB 84.67, -68.26, 73.95

 

CMYK 22 / 93 / 0 / 21

HEX #9E0FCA

RGB 158 15 202

HSL 285.88, 0.86%, 0.43%

LAB 41.02, 74.31, -62.75

 

CMYK 21 / 85 / 0 / 13

HEX #AF21DD

RGB 175 33 221

HSL 285.32, 0.74%, 0.5%

LAB 46.21, 77.05, -65.14

 

CMYK 20 / 79 / 0 / 6

HEX #C033F0

RGB 192 51 240

HSL 284.76, 0.86%, 0.57%

LAB 51.68, 78.69, -66.9

 

CMYK 18 / 73 / 0 / 0

HEX #D145FF

RGB 209 69 255

HSL 285.16, 1%, 0.64%

LAB 57.11, 78.79, -66.39

 

CMYK 11 / 66 / 0 / 0

HEX #E257FF

RGB 226 87 255

HSL 289.64, 1%, 0.67%

LAB 61.83, 75.61, -58.68

 

CMYK 26 / 93 / 0 / 19

HEX #990FCF

RGB 153 15 207

HSL 283.13, 0.86%, 0.44%

LAB 40.6, 74.53, -66.36

 

CMYK 28 / 100 / 0 / 26

HEX #8800BC

RGB 136 0 188

HSL 283.4, 1%, 0.37%

LAB 35.72, 70.59, -63.33

 

CMYK 30 / 100 / 0 / 34

HEX #7700A9

RGB 119 0 169

HSL 282.25, 1%, 0.33%

LAB 31.32, 64.86, -59.32

 

CMYK 32 / 100 / 0 / 41

HEX #660096

RGB 102 0 150

HSL 280.8, 1%, 0.29%

LAB 26.81, 59.02, -55.23

 

CMYK 35 / 100 / 0 / 49

HEX #550083

RGB 85 0 131

HSL 278.93, 1%, 0.26%

LAB 22.2, 53.04, -51.06

 

CMYK 26 / 93 / 0 / 18

HEX #9A0FD0

RGB 154 15 208

HSL 283.21, 0.87%, 0.44%

LAB 40.84, 74.85, -66.54

 

CMYK 1 / 93 / 0 / 18

HEX #CE0FD0

RGB 206 15 208

HSL 299.38, 0.87%, 0.44%

LAB 49.52, 82.71, -52.09

 

CMYK 0 / 93 / 24 / 18

HEX #D00F9E

RGB 208 15 158

HSL 315.54, 0.87%, 0.44%

LAB 47.26, 76.44, -26.31

 

CMYK 0 / 93 / 49 / 18

HEX #D00F6A

RGB 208 15 106

HSL 331.71, 0.87%, 0.44%

LAB 45.35, 71.34, 2.54

 

CMYK 0 / 93 / 74 / 18

HEX #D00F36

RGB 208 15 54

HSL 347.88, 0.87%, 0.44%

LAB 44.26, 68.34, 33.34

 

CMYK 26 / 93 / 0 / 18

HEX #9A0FD0

RGB 154 15 208

HSL 283.21, 0.87%, 0.44%

LAB 40.84, 74.85, -66.54

 

CMYK 51 / 93 / 0 / 18

HEX #660FD0

RGB 102 15 208

HSL 267.05, 0.87%, 0.44%

LAB 33.39, 69, -79.05

 

CMYK 76 / 93 / 0 / 18

HEX #320FD0

RGB 50 15 208

HSL 250.88, 0.87%, 0.44%

LAB 28.31, 65.77, -87.64

 

CMYK 93 / 93 / 0 / 18

HEX #0F0FD0

RGB 15 15 208

HSL 240, 0.87%, 0.44%

LAB 26.73, 64.93, -90.32

 

CMYK 26 / 93 / 0 / 18

HEX #9A0FD0

RGB 154 15 208

HSL 283.21, 0.87%, 0.44%

LAB 40.84, 74.85, -66.54

 

CMYK 26 / 93 / 0 / 18

HEX #9A0FD0

RGB 154 15 208

HSL 283.21, 0.87%, 0.44%

LAB 40.84, 74.85, -66.54

 

CMYK 23 / 83 / 0 / 25

HEX #9221BE

RGB 146 33 190

HSL 283.18, 0.7%, 0.44%

LAB 39.44, 66.59, -58.38

 

CMYK 20 / 70 / 0 / 33

HEX #8A34AC

RGB 138 52 172

HSL 283, 0.54%, 0.44%

LAB 39.31, 54.76, -48.02

 

CMYK 16 / 55 / 0 / 40

HEX #82469A

RGB 130 70 154

HSL 282.86, 0.38%, 0.44%

LAB 40.34, 40.11, -35.66

 

CMYK 10 / 35 / 0 / 47

HEX #7A5888

RGB 122 88 136

HSL 282.5, 0.21%, 0.44%

LAB 42.6, 23.24, -21.33

 

CMYK 75 / 93 / 0 / 18

HEX #330FD0

RGB 51 15 208

HSL 251.19, 0.87%, 0.44%

LAB 28.38, 65.81, -87.52

 

CMYK 51 / 93 / 0 / 18

HEX #660FD0

RGB 102 15 208

HSL 267.05, 0.87%, 0.44%

LAB 33.39, 69, -79.05

 

CMYK 26 / 93 / 0 / 18

HEX #9A0FD0

RGB 154 15 208

HSL 283.21, 0.87%, 0.44%

LAB 40.84, 74.85, -66.54

 

CMYK 1 / 93 / 0 / 18

HEX #CD0FD0

RGB 205 15 208

HSL 299.07, 0.87%, 0.44%

LAB 49.34, 82.55, -52.38

 

CMYK 0 / 93 / 23 / 18

HEX #D00FA0

RGB 208 15 160

HSL 314.92, 0.87%, 0.44%

LAB 47.35, 76.67, -27.37

 

CMYK 26 / 93 / 0 / 49

HEX #610983

RGB 97 9 131

HSL 283.28, 0.87%, 0.27%

LAB 24.88, 52.75, -46.59

 

CMYK 26 / 93 / 0 / 33

HEX #7E0CAA

RGB 126 12 170

HSL 283.29, 0.87%, 0.36%

LAB 33.14, 64.23, -56.9

 

CMYK 26 / 93 / 0 / 18

HEX #9A0FD0

RGB 154 15 208

HSL 283.21, 0.87%, 0.44%

LAB 40.84, 74.85, -66.54

 

CMYK 25 / 89 / 0 / 7

HEX #B21BED

RGB 178 27 237

HSL 283.14, 0.85%, 0.52%

LAB 47.45, 81.59, -72.19

 

CMYK 20 / 73 / 0 / 6

HEX #BF42F0

RGB 191 66 240

HSL 283.1, 0.85%, 0.6%

LAB 53.24, 73.62, -64.4

 

CMYK 26 / 93 / 0 / 19

HEX #990FCF

RGB 153 15 207

HSL 283.13, 0.86%, 0.44%

LAB 40.6, 74.53, -66.36

 

CMYK 0 / 93 / 85 / 18

HEX #D00F1F

RGB 208 15 31

HSL 355.03, 0.87%, 0.44%

LAB 44.02, 67.66, 46.06

 

CMYK 93 / 0 / 63 / 18

HEX #0FD04C

RGB 15 208 76

HSL 138.96, 0.87%, 0.44%

LAB 73.37, -68.95, 52.2

 

CMYK 26 / 93 / 0 / 19

HEX #990FCF

RGB 153 15 207

HSL 283.13, 0.86%, 0.44%

LAB 40.6, 74.53, -66.36

 

CMYK 0 / 26 / 93 / 18

HEX #D09A0F

RGB 208 154 15

HSL 43.21, 0.87%, 0.44%

LAB 66.94, 9.71, 68.97

 

CMYK 93 / 0 / 26 / 18

HEX #0FD09A

RGB 15 208 154

HSL 163.21, 0.87%, 0.44%

LAB 74.54, -55.25, 14.99

 

CMYK 26 / 93 / 0 / 19

HEX #990FCF

RGB 153 15 207

HSL 283.13, 0.86%, 0.44%

LAB 40.6, 74.53, -66.36

 

CMYK 0 / 93 / 85 / 18

HEX #D00F1F

RGB 208 15 31

HSL 355.03, 0.87%, 0.44%

LAB 44.02, 67.66, 46.06

 

CMYK 66 / 0 / 93 / 18

HEX #46D00F

RGB 70 208 15

HSL 102.9, 0.87%, 0.44%

LAB 73.84, -66.15, 70.81

 

CMYK 93 / 0 / 8 / 18

HEX #0FD0C0

RGB 15 208 192

HSL 175.03, 0.87%, 0.44%

LAB 75.46, -45.44, -4.09

 

CMYK 26 / 93 / 0 / 19

HEX #990FCF

RGB 153 15 207

HSL 283.13, 0.86%, 0.44%

LAB 40.6, 74.53, -66.36

 

CMYK 0 / 73 / 93 / 18

HEX #D0390F

RGB 208 57 15

HSL 13.06, 0.87%, 0.44%

LAB 47.46, 57.43, 55.27

 

CMYK 66 / 0 / 93 / 18

HEX #46D00F

RGB 70 208 15

HSL 102.9, 0.87%, 0.44%

LAB 73.84, -66.15, 70.81

 

CMYK 93 / 20 / 0 / 18

HEX #0FA6D0

RGB 15 166 208

HSL 193.06, 0.87%, 0.44%

LAB 63.28, -20.45, -31.28

 

Description

Color code: HEX #990FCF | qconv.com Color code: HEX #990FCF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 15 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 15 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 93 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 93% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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