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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98E2F4 it is the complementary color #671D0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98E2F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98E2F4 shade: #9DE2EF, #AEF4FF, #BFFFFF, #D0FFFF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98E2F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98E2F4 shade: #98E2F4, #87D0E1, #76BECE, #65ACBB and #549AA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98E2F4 shade: #99E2F4, #99CAF4, #99B1F4, #9999F4 and #B299F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98E2F4 shade: #99E2F4, #99CAF4, #99B1F4 and #9999F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98E2F4 shade matches the following richer shades: #99E2F4 and #90E8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98E2F4 shade: #99E2F4, #A2DDEB, #ABD7E2, #B4D1D9 and #BDCCD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98E2F4 shade: #99F4D4, #99F4EC, #99E3F4, #99CBF4 and #99B3F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98E2F4 shade: #4ECDEC, #74D8F0, #99E2F4, #BEEDF8 and #E4F7FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98E2F4 shade: #98E2F4, #BC99F4 and #F4E099

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98E2F4 shade: #98E2F4, #F499E3 and #E3F499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98E2F4 shade: #98E2F4, #BC99F4, #F4AA99 and #D1F499

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98E2F4 shade: #98E2F4, #D799F4, #F4AA99 and #B6F499

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 7 / 0 / 4

HEX #98E2F4

RGB 152 226 244

HSL 191.74, 0.81%, 0.78%

LAB 85.81, -18.47, -16.02

 

Complementary color

CMYK 0 / 72 / 89 / 60

HEX #671D0B

RGB 103 29 11

HSL 11.74, 0.81%, 0.22%

LAB 22.95, 32.21, 29.18

 

CMYK 34 / 5 / 0 / 6

HEX #9DE2EF

RGB 157 226 239

HSL 189.51, 0.72%, 0.78%

LAB 85.9, -18.38, -13.22

 

CMYK 32 / 4 / 0 / 0

HEX #AEF4FF

RGB 174 244 255

HSL 188.15, 1%, 0.84%

LAB 92.1, -19.06, -12.25

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 38 / 7 / 0 / 4

HEX #98E2F4

RGB 152 226 244

HSL 191.74, 0.81%, 0.78%

LAB 85.81, -18.47, -16.02

 

CMYK 40 / 8 / 0 / 12

HEX #87D0E1

RGB 135 208 225

HSL 191.33, 0.6%, 0.71%

LAB 79.44, -18.43, -15.58

 

CMYK 43 / 8 / 0 / 19

HEX #76BECE

RGB 118 190 206

HSL 190.91, 0.47%, 0.64%

LAB 72.98, -18.37, -15.12

 

CMYK 46 / 8 / 0 / 27

HEX #65ACBB

RGB 101 172 187

HSL 190.47, 0.39%, 0.56%

LAB 66.41, -18.28, -14.64

 

CMYK 50 / 8 / 0 / 34

HEX #549AA8

RGB 84 154 168

HSL 190, 0.33%, 0.49%

LAB 59.73, -18.13, -14.14

 

CMYK 37 / 7 / 0 / 4

HEX #99E2F4

RGB 153 226 244

HSL 191.87, 0.81%, 0.78%

LAB 85.85, -18.22, -15.95

 

CMYK 37 / 17 / 0 / 4

HEX #99CAF4

RGB 153 202 244

HSL 207.69, 0.81%, 0.78%

LAB 79.35, -5.81, -25.79

 

CMYK 37 / 27 / 0 / 4

HEX #99B1F4

RGB 153 177 244

HSL 224.18, 0.81%, 0.78%

LAB 72.73, 7.8, -35.99

 

CMYK 37 / 37 / 0 / 4

HEX #9999F4

RGB 153 153 244

HSL 240, 0.81%, 0.78%

LAB 66.59, 21.38, -45.59

 

CMYK 27 / 37 / 0 / 4

HEX #B299F4

RGB 178 153 244

HSL 256.48, 0.81%, 0.78%

LAB 68.59, 28.18, -42.3

 

CMYK 37 / 7 / 0 / 4

HEX #99E2F4

RGB 153 226 244

HSL 191.87, 0.81%, 0.78%

LAB 85.85, -18.22, -15.95

 

CMYK 37 / 17 / 0 / 4

HEX #99CAF4

RGB 153 202 244

HSL 207.69, 0.81%, 0.78%

LAB 79.35, -5.81, -25.79

 

CMYK 37 / 27 / 0 / 4

HEX #99B1F4

RGB 153 177 244

HSL 224.18, 0.81%, 0.78%

LAB 72.73, 7.8, -35.99

 

CMYK 37 / 37 / 0 / 4

HEX #9999F4

RGB 153 153 244

HSL 240, 0.81%, 0.78%

LAB 66.59, 21.38, -45.59

 

CMYK 37 / 7 / 0 / 4

HEX #99E2F4

RGB 153 226 244

HSL 191.87, 0.81%, 0.78%

LAB 85.85, -18.22, -15.95

 

CMYK 43 / 8 / 0 / 1

HEX #90E8FD

RGB 144 232 253

HSL 191.56, 0.96%, 0.78%

LAB 87.36, -21.19, -18.46

 

CMYK 37 / 7 / 0 / 4

HEX #99E2F4

RGB 153 226 244

HSL 191.87, 0.81%, 0.78%

LAB 85.85, -18.22, -15.95

 

CMYK 31 / 6 / 0 / 8

HEX #A2DDEB

RGB 162 221 235

HSL 191.51, 0.65%, 0.78%

LAB 84.69, -15.44, -12.9

 

CMYK 24 / 5 / 0 / 11

HEX #ABD7E2

RGB 171 215 226

HSL 192, 0.49%, 0.78%

LAB 83.31, -11.86, -10.12

 

CMYK 17 / 4 / 0 / 15

HEX #B4D1D9

RGB 180 209 217

HSL 192.97, 0.33%, 0.78%

LAB 82.01, -7.96, -7.2

 

CMYK 9 / 2 / 0 / 18

HEX #BDCCD0

RGB 189 204 208

HSL 192.63, 0.17%, 0.78%

LAB 81.05, -4.29, -3.74

 

CMYK 37 / 0 / 13 / 4

HEX #99F4D4

RGB 153 244 212

HSL 158.9, 0.81%, 0.78%

LAB 89.96, -34.18, 6.87

 

CMYK 37 / 0 / 3 / 4

HEX #99F4EC

RGB 153 244 236

HSL 174.73, 0.81%, 0.78%

LAB 90.56, -28.92, -4.74

 

CMYK 37 / 7 / 0 / 4

HEX #99E3F4

RGB 153 227 244

HSL 191.21, 0.81%, 0.78%

LAB 86.13, -18.72, -15.54

 

CMYK 37 / 17 / 0 / 4

HEX #99CBF4

RGB 153 203 244

HSL 207.03, 0.81%, 0.78%

LAB 79.62, -6.34, -25.38

 

CMYK 37 / 27 / 0 / 4

HEX #99B3F4

RGB 153 179 244

HSL 222.86, 0.81%, 0.78%

LAB 73.25, 6.69, -35.18

 

CMYK 67 / 13 / 0 / 7

HEX #4ECDEC

RGB 78 205 236

HSL 191.77, 0.81%, 0.62%

LAB 76.88, -25.31, -25.55

 

CMYK 52 / 10 / 0 / 6

HEX #74D8F0

RGB 116 216 240

HSL 191.61, 0.81%, 0.7%

LAB 81.36, -22.89, -20.77

 

CMYK 37 / 7 / 0 / 4

HEX #99E2F4

RGB 153 226 244

HSL 191.87, 0.81%, 0.78%

LAB 85.85, -18.22, -15.95

 

CMYK 23 / 4 / 0 / 3

HEX #BEEDF8

RGB 190 237 248

HSL 191.38, 0.81%, 0.86%

LAB 90.91, -12.63, -10.27

 

CMYK 10 / 2 / 0 / 1

HEX #E4F7FC

RGB 228 247 252

HSL 192.5, 0.8%, 0.94%

LAB 96.01, -5.24, -4.53

 

CMYK 38 / 7 / 0 / 4

HEX #98E2F4

RGB 152 226 244

HSL 191.74, 0.81%, 0.78%

LAB 85.81, -18.47, -16.02

 

CMYK 23 / 37 / 0 / 4

HEX #BC99F4

RGB 188 153 244

HSL 263.08, 0.81%, 0.78%

LAB 69.47, 31.02, -40.85

 

CMYK 0 / 8 / 37 / 4

HEX #F4E099

RGB 244 224 153

HSL 46.81, 0.81%, 0.78%

LAB 89.32, -3.05, 37.27

 

CMYK 38 / 7 / 0 / 4

HEX #98E2F4

RGB 152 226 244

HSL 191.74, 0.81%, 0.78%

LAB 85.81, -18.47, -16.02

 

CMYK 0 / 37 / 7 / 4

HEX #F499E3

RGB 244 153 227

HSL 311.21, 0.81%, 0.78%

LAB 74.55, 44.65, -23.26

 

CMYK 7 / 0 / 37 / 4

HEX #E3F499

RGB 227 244 153

HSL 71.21, 0.81%, 0.78%

LAB 93.16, -19.46, 41.99

 

CMYK 38 / 7 / 0 / 4

HEX #98E2F4

RGB 152 226 244

HSL 191.74, 0.81%, 0.78%

LAB 85.81, -18.47, -16.02

 

CMYK 23 / 37 / 0 / 4

HEX #BC99F4

RGB 188 153 244

HSL 263.08, 0.81%, 0.78%

LAB 69.47, 31.02, -40.85

 

CMYK 0 / 30 / 37 / 4

HEX #F4AA99

RGB 244 170 153

HSL 11.21, 0.81%, 0.78%

LAB 76.24, 25.11, 19.71

 

CMYK 14 / 0 / 37 / 4

HEX #D1F499

RGB 209 244 153

HSL 83.08, 0.81%, 0.78%

LAB 91.93, -26.09, 40.17

 

CMYK 38 / 7 / 0 / 4

HEX #98E2F4

RGB 152 226 244

HSL 191.74, 0.81%, 0.78%

LAB 85.81, -18.47, -16.02

 

CMYK 12 / 37 / 0 / 4

HEX #D799F4

RGB 215 153 244

HSL 280.88, 0.81%, 0.78%

LAB 72.07, 38.92, -36.61

 

CMYK 0 / 30 / 37 / 4

HEX #F4AA99

RGB 244 170 153

HSL 11.21, 0.81%, 0.78%

LAB 76.24, 25.11, 19.71

 

CMYK 25 / 0 / 37 / 4

HEX #B6F499

RGB 182 244 153

HSL 100.88, 0.81%, 0.78%

LAB 90.3, -35.57, 37.72

 

Description

Color code: HEX #98E2F4 | qconv.com Color code: HEX #98E2F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 226 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 226 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 7 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 7% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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