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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98C253 it is the complementary color #673DAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98C253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98C253 shade: #9DC24E, #AED461, #BFE674, #D0F887 and #E1FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98C253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98C253 shade: #98C253, #87B040, #769E2D, #658C1A and #547A07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98C253 shade: #97C251, #B5C251, #C2AF51, #C29151 and #C27351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98C253 shade: #97C251, #79C251, #5AC251, #51C266 and #51C284

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98C253 shade matches the following richer shades: #97C251, #9CD43E, #A0E72B and #A5FA18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98C253 shade: #97C251, #92AF64, #8E9C77, #89898A and #84769D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98C253 shade: #C2AF51, #B6C251, #98C251, #7AC251 and #5CC251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98C253 shade: #6B8E32, #82AD3C, #97C251, #A9CC6F and #BBD78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98C253 shade: #98C253, #51C291 and #BE51C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98C253 shade: #98C253, #5198C2 and #C25198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98C253 shade: #98C253, #51C291, #7A51C2 and #C25182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98C253 shade: #98C253, #51C2B2, #7A51C2 and #C25160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 57 / 24

HEX #98C253

RGB 152 194 83

HSL 82.7, 0.48%, 0.54%

LAB 73.47, -31.4, 50.37

 

Complementary color

CMYK 40 / 65 / 0 / 33

HEX #673DAC

RGB 103 61 172

HSL 262.7, 0.48%, 0.46%

LAB 36.37, 42.73, -52.99

 

CMYK 19 / 0 / 60 / 24

HEX #9DC24E

RGB 157 194 78

HSL 79.14, 0.49%, 0.53%

LAB 73.74, -29.9, 53.01

 

CMYK 18 / 0 / 54 / 17

HEX #AED461

RGB 174 212 97

HSL 79.83, 0.57%, 0.61%

LAB 80.15, -30.14, 52.04

 

CMYK 17 / 0 / 50 / 10

HEX #BFE674

RGB 191 230 116

HSL 80.53, 0.7%, 0.68%

LAB 86.47, -30.3, 50.96

 

CMYK 16 / 0 / 46 / 3

HEX #D0F887

RGB 208 248 135

HSL 81.24, 0.89%, 0.75%

LAB 92.7, -30.42, 49.85

 

CMYK 12 / 0 / 40 / 0

HEX #E1FF9A

RGB 225 255 154

HSL 77.82, 1%, 0.8%

LAB 95.94, -25.35, 45.04

 

CMYK 22 / 0 / 57 / 24

HEX #98C253

RGB 152 194 83

HSL 82.7, 0.48%, 0.54%

LAB 73.47, -31.4, 50.37

 

CMYK 23 / 0 / 64 / 31

HEX #87B040

RGB 135 176 64

HSL 81.96, 0.47%, 0.47%

LAB 66.95, -31.16, 51.26

 

CMYK 25 / 0 / 72 / 38

HEX #769E2D

RGB 118 158 45

HSL 81.24, 0.56%, 0.4%

LAB 60.33, -30.78, 51.8

 

CMYK 28 / 0 / 81 / 45

HEX #658C1A

RGB 101 140 26

HSL 80.53, 0.69%, 0.33%

LAB 53.6, -30.2, 51.58

 

CMYK 31 / 0 / 94 / 52

HEX #547A07

RGB 84 122 7

HSL 79.83, 0.89%, 0.25%

LAB 46.74, -29.34, 49.9

 

CMYK 22 / 0 / 58 / 24

HEX #97C251

RGB 151 194 81

HSL 82.83, 0.48%, 0.54%

LAB 73.39, -31.96, 51.17

 

CMYK 7 / 0 / 58 / 24

HEX #B5C251

RGB 181 194 81

HSL 66.9, 0.48%, 0.54%

LAB 75.45, -20.02, 54.05

 

CMYK 0 / 10 / 58 / 24

HEX #C2AF51

RGB 194 175 81

HSL 49.91, 0.48%, 0.54%

LAB 71.37, -4.83, 49.75

 

CMYK 0 / 25 / 58 / 24

HEX #C29151

RGB 194 145 81

HSL 33.98, 0.48%, 0.54%

LAB 63.6, 11.33, 40.73

 

CMYK 0 / 41 / 58 / 24

HEX #C27351

RGB 194 115 81

HSL 18.05, 0.48%, 0.54%

LAB 56.41, 27.8, 31.97

 

CMYK 22 / 0 / 58 / 24

HEX #97C251

RGB 151 194 81

HSL 82.83, 0.48%, 0.54%

LAB 73.39, -31.96, 51.17

 

CMYK 38 / 0 / 58 / 24

HEX #79C251

RGB 121 194 81

HSL 98.76, 0.48%, 0.54%

LAB 71.72, -42.81, 48.82

 

CMYK 54 / 0 / 58 / 24

HEX #5AC251

RGB 90 194 81

HSL 115.22, 0.48%, 0.54%

LAB 70.42, -52.17, 46.99

 

CMYK 58 / 0 / 47 / 24

HEX #51C266

RGB 81 194 102

HSL 131.15, 0.48%, 0.54%

LAB 70.38, -51.61, 36.74

 

CMYK 58 / 0 / 32 / 24

HEX #51C284

RGB 81 194 132

HSL 147.08, 0.48%, 0.54%

LAB 70.87, -46.37, 21.81

 

CMYK 22 / 0 / 58 / 24

HEX #97C251

RGB 151 194 81

HSL 82.83, 0.48%, 0.54%

LAB 73.39, -31.96, 51.17

 

CMYK 26 / 0 / 71 / 17

HEX #9CD43E

RGB 156 212 62

HSL 82.4, 0.64%, 0.54%

LAB 78.75, -39.68, 64.71

 

CMYK 31 / 0 / 81 / 9

HEX #A0E72B

RGB 160 231 43

HSL 82.66, 0.8%, 0.54%

LAB 84.38, -47.33, 75.87

 

CMYK 34 / 0 / 90 / 2

HEX #A5FA18

RGB 165 250 24

HSL 82.57, 0.96%, 0.54%

LAB 90.06, -53.89, 84.41

 

CMYK 22 / 0 / 58 / 24

HEX #97C251

RGB 151 194 81

HSL 82.83, 0.48%, 0.54%

LAB 73.39, -31.96, 51.17

 

CMYK 17 / 0 / 43 / 31

HEX #92AF64

RGB 146 175 100

HSL 83.2, 0.32%, 0.54%

LAB 67.79, -22.7, 35.16

 

CMYK 9 / 0 / 24 / 39

HEX #8E9C77

RGB 142 156 119

HSL 82.7, 0.16%, 0.54%

LAB 62.39, -11.76, 17.76

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 16 / 25 / 0 / 38

HEX #84769D

RGB 132 118 157

HSL 261.54, 0.17%, 0.54%

LAB 52.17, 13.53, -19.01

 

CMYK 0 / 10 / 58 / 24

HEX #C2AF51

RGB 194 175 81

HSL 49.91, 0.48%, 0.54%

LAB 71.37, -4.83, 49.75

 

CMYK 6 / 0 / 58 / 24

HEX #B6C251

RGB 182 194 81

HSL 66.37, 0.48%, 0.54%

LAB 75.53, -19.61, 54.16

 

CMYK 22 / 0 / 58 / 24

HEX #98C251

RGB 152 194 81

HSL 82.3, 0.48%, 0.54%

LAB 73.45, -31.58, 51.26

 

CMYK 37 / 0 / 58 / 24

HEX #7AC251

RGB 122 194 81

HSL 98.23, 0.48%, 0.54%

LAB 71.77, -42.47, 48.89

 

CMYK 53 / 0 / 58 / 24

HEX #5CC251

RGB 92 194 81

HSL 114.16, 0.48%, 0.54%

LAB 70.49, -51.64, 47.09

 

CMYK 25 / 0 / 65 / 44

HEX #6B8E32

RGB 107 142 50

HSL 82.83, 0.48%, 0.38%

LAB 54.76, -27.16, 43.68

 

CMYK 25 / 0 / 65 / 32

HEX #82AD3C

RGB 130 173 60

HSL 82.83, 0.48%, 0.46%

LAB 65.72, -32.02, 51.55

 

CMYK 22 / 0 / 58 / 24

HEX #97C251

RGB 151 194 81

HSL 82.83, 0.48%, 0.54%

LAB 73.39, -31.96, 51.17

 

CMYK 17 / 0 / 46 / 20

HEX #A9CC6F

RGB 169 204 111

HSL 82.58, 0.48%, 0.62%

LAB 77.74, -26.79, 42.38

 

CMYK 13 / 0 / 34 / 16

HEX #BBD78E

RGB 187 215 142

HSL 83.01, 0.48%, 0.7%

LAB 82.44, -21.57, 33.03

 

CMYK 22 / 0 / 57 / 24

HEX #98C253

RGB 152 194 83

HSL 82.7, 0.48%, 0.54%

LAB 73.47, -31.4, 50.37

 

CMYK 58 / 0 / 25 / 24

HEX #51C291

RGB 81 194 145

HSL 153.98, 0.48%, 0.54%

LAB 71.13, -43.68, 15.2

 

CMYK 2 / 58 / 0 / 24

HEX #BE51C2

RGB 190 81 194

HSL 297.88, 0.48%, 0.54%

LAB 52.65, 58.74, -39.21

 

CMYK 22 / 0 / 57 / 24

HEX #98C253

RGB 152 194 83

HSL 82.7, 0.48%, 0.54%

LAB 73.47, -31.4, 50.37

 

CMYK 58 / 22 / 0 / 24

HEX #5198C2

RGB 81 152 194

HSL 202.3, 0.48%, 0.54%

LAB 59.98, -9.9, -28.45

 

CMYK 0 / 58 / 22 / 24

HEX #C25198

RGB 194 81 152

HSL 322.3, 0.48%, 0.54%

LAB 51.41, 53.1, -16.57

 

CMYK 22 / 0 / 57 / 24

HEX #98C253

RGB 152 194 83

HSL 82.7, 0.48%, 0.54%

LAB 73.47, -31.4, 50.37

 

CMYK 58 / 0 / 25 / 24

HEX #51C291

RGB 81 194 145

HSL 153.98, 0.48%, 0.54%

LAB 71.13, -43.68, 15.2

 

CMYK 37 / 58 / 0 / 24

HEX #7A51C2

RGB 122 81 194

HSL 261.77, 0.48%, 0.54%

LAB 44.11, 41.74, -53.32

 

CMYK 0 / 58 / 33 / 24

HEX #C25182

RGB 194 81 130

HSL 333.98, 0.48%, 0.54%

LAB 50.65, 50.18, -4.61

 

CMYK 22 / 0 / 57 / 24

HEX #98C253

RGB 152 194 83

HSL 82.7, 0.48%, 0.54%

LAB 73.47, -31.4, 50.37

 

CMYK 58 / 0 / 8 / 24

HEX #51C2B2

RGB 81 194 178

HSL 171.5, 0.48%, 0.54%

LAB 71.92, -35.85, -1.57

 

CMYK 37 / 58 / 0 / 24

HEX #7A51C2

RGB 122 81 194

HSL 261.77, 0.48%, 0.54%

LAB 44.11, 41.74, -53.32

 

CMYK 0 / 58 / 51 / 24

HEX #C25160

RGB 194 81 96

HSL 352.04, 0.48%, 0.54%

LAB 49.74, 46.56, 14.5

 

Description

Color code: HEX #98C253 | qconv.com Color code: HEX #98C253 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 194 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 194 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 57 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 57% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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