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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98B332 it is the complementary color #674CCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98B332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98B332 shade: #9DB32D, #AEC540, #BFD753, #D0E966 and #E1FB79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98B332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98B332 shade: #98B332, #87A11F, #768F0C, #657D00 and #546B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98B332 shade: #98B332, #B3AB32, #B38832, #B36532 and #B34332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98B332 shade: #98B332, #75B332, #52B332, #32B334 and #32B357

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98B332 shade matches the following richer shades: #98B332, #A2C51F and #ADD80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98B332 shade: #98B332, #8DA045, #828D57, #777B6A and #6C687C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98B332 shade: #B38832, #B3AA32, #99B332, #77B332 and #54B332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98B332 shade: #617220, #7C9229, #98B332, #AECA44 and #BCD364

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98B332 shade: #98B332, #32B365 and #9932B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98B332 shade: #98B332, #3299B3 and #B33299

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98B332 shade: #98B332, #32B365, #4C32B3 and #B3327F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98B332 shade: #98B332, #32B38C, #4C32B3 and #B33259

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

Complementary color

CMYK 50 / 63 / 0 / 20

HEX #674CCD

RGB 103 76 205

HSL 252.56, 0.56%, 0.55%

LAB 41.94, 43.63, -63.3

 

CMYK 12 / 0 / 75 / 30

HEX #9DB32D

RGB 157 179 45

HSL 69.85, 0.6%, 0.44%

LAB 69.18, -24.86, 61.33

 

CMYK 12 / 0 / 68 / 23

HEX #AEC540

RGB 174 197 64

HSL 70.38, 0.53%, 0.51%

LAB 75.64, -25.53, 61.2

 

CMYK 11 / 0 / 61 / 16

HEX #BFD753

RGB 191 215 83

HSL 70.91, 0.62%, 0.58%

LAB 82, -26.06, 60.59

 

CMYK 11 / 0 / 56 / 9

HEX #D0E966

RGB 208 233 102

HSL 71.45, 0.75%, 0.66%

LAB 88.28, -26.48, 59.72

 

CMYK 10 / 0 / 52 / 2

HEX #E1FB79

RGB 225 251 121

HSL 72, 0.94%, 0.73%

LAB 94.48, -26.82, 58.73

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 16 / 0 / 81 / 37

HEX #87A11F

RGB 135 161 31

HSL 72, 0.68%, 0.38%

LAB 62.29, -25.94, 58.79

 

CMYK 17 / 0 / 92 / 44

HEX #768F0C

RGB 118 143 12

HSL 71.45, 0.85%, 0.3%

LAB 55.61, -24.96, 57.12

 

CMYK 19 / 0 / 100 / 51

HEX #657D00

RGB 101 125 0

HSL 71.52, 1%, 0.25%

LAB 48.8, -23.7, 53.44

 

CMYK 21 / 0 / 100 / 58

HEX #546B00

RGB 84 107 0

HSL 72.9, 1%, 0.21%

LAB 41.85, -22.17, 47.64

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 0 / 4 / 72 / 30

HEX #B3AB32

RGB 179 171 50

HSL 56.28, 0.56%, 0.45%

LAB 68.71, -11.13, 59.72

 

CMYK 0 / 24 / 72 / 30

HEX #B38832

RGB 179 136 50

HSL 40, 0.56%, 0.45%

LAB 59.36, 7.73, 50.45

 

CMYK 0 / 44 / 72 / 30

HEX #B36532

RGB 179 101 50

HSL 23.72, 0.56%, 0.45%

LAB 50.83, 27.18, 41.5

 

CMYK 0 / 63 / 72 / 30

HEX #B34332

RGB 179 67 50

HSL 7.91, 0.56%, 0.45%

LAB 43.99, 44.54, 33.91

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 35 / 0 / 72 / 30

HEX #75B332

RGB 117 179 50

HSL 88.84, 0.56%, 0.45%

LAB 66.71, -40.35, 56.31

 

CMYK 54 / 0 / 72 / 30

HEX #52B332

RGB 82 179 50

HSL 105.12, 0.56%, 0.45%

LAB 65.17, -51.62, 54.25

 

CMYK 72 / 0 / 71 / 30

HEX #32B334

RGB 50 179 52

HSL 120.93, 0.56%, 0.45%

LAB 64.3, -58.67, 52.3

 

CMYK 72 / 0 / 51 / 30

HEX #32B357

RGB 50 179 87

HSL 137.21, 0.56%, 0.45%

LAB 64.65, -54.47, 36.93

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 18 / 0 / 84 / 23

HEX #A2C51F

RGB 162 197 31

HSL 72.65, 0.73%, 0.45%

LAB 74.64, -31.93, 70.29

 

CMYK 20 / 0 / 94 / 15

HEX #ADD80D

RGB 173 216 13

HSL 72.71, 0.89%, 0.45%

LAB 80.75, -36.62, 78.5

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 12 / 0 / 57 / 37

HEX #8DA045

RGB 141 160 69

HSL 72.53, 0.4%, 0.45%

LAB 62.7, -20.48, 44.39

 

CMYK 8 / 0 / 38 / 45

HEX #828D57

RGB 130 141 87

HSL 72.22, 0.24%, 0.45%

LAB 56.57, -13.18, 27.49

 

CMYK 3 / 0 / 14 / 52

HEX #777B6A

RGB 119 123 106

HSL 74.12, 0.07%, 0.45%

LAB 50.84, -4.77, 8.79

 

CMYK 13 / 16 / 0 / 51

HEX #6C687C

RGB 108 104 124

HSL 252, 0.09%, 0.45%

LAB 45, 5.89, -10.55

 

CMYK 0 / 24 / 72 / 30

HEX #B38832

RGB 179 136 50

HSL 40, 0.56%, 0.45%

LAB 59.36, 7.73, 50.45

 

CMYK 0 / 5 / 72 / 30

HEX #B3AA32

RGB 179 170 50

HSL 55.81, 0.56%, 0.45%

LAB 68.43, -10.61, 59.46

 

CMYK 15 / 0 / 72 / 30

HEX #99B332

RGB 153 179 50

HSL 72.09, 0.56%, 0.45%

LAB 68.93, -26.27, 59.24

 

CMYK 34 / 0 / 72 / 30

HEX #77B332

RGB 119 179 50

HSL 87.91, 0.56%, 0.45%

LAB 66.82, -39.62, 56.45

 

CMYK 53 / 0 / 72 / 30

HEX #54B332

RGB 84 179 50

HSL 104.19, 0.56%, 0.45%

LAB 65.24, -51.06, 54.34

 

CMYK 15 / 0 / 72 / 55

HEX #617220

RGB 97 114 32

HSL 72.44, 0.56%, 0.29%

LAB 45.19, -18.58, 41.26

 

CMYK 15 / 0 / 72 / 43

HEX #7C9229

RGB 124 146 41

HSL 72.57, 0.56%, 0.37%

LAB 57.08, -22.68, 50.22

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 14 / 0 / 66 / 21

HEX #AECA44

RGB 174 202 68

HSL 72.54, 0.56%, 0.53%

LAB 77.08, -27.68, 61.11

 

CMYK 11 / 0 / 53 / 17

HEX #BCD364

RGB 188 211 100

HSL 72.43, 0.56%, 0.61%

LAB 80.85, -23.95, 51.71

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 72 / 0 / 44 / 30

HEX #32B365

RGB 50 179 101

HSL 143.72, 0.56%, 0.45%

LAB 64.85, -52.17, 30.03

 

CMYK 15 / 72 / 0 / 30

HEX #9932B3

RGB 153 50 179

HSL 287.91, 0.56%, 0.45%

LAB 41.7, 60.19, -48.2

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 72 / 15 / 0 / 30

HEX #3299B3

RGB 50 153 179

HSL 192.09, 0.56%, 0.45%

LAB 58.71, -20.51, -22.02

 

CMYK 0 / 72 / 15 / 30

HEX #B33299

RGB 179 50 153

HSL 312.09, 0.56%, 0.45%

LAB 44.47, 61.76, -28.06

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 72 / 0 / 44 / 30

HEX #32B365

RGB 50 179 101

HSL 143.72, 0.56%, 0.45%

LAB 64.85, -52.17, 30.03

 

CMYK 58 / 72 / 0 / 30

HEX #4C32B3

RGB 76 50 179

HSL 252.09, 0.56%, 0.45%

LAB 31.97, 45.84, -64.44

 

CMYK 0 / 72 / 29 / 30

HEX #B3327F

RGB 179 50 127

HSL 324.19, 0.56%, 0.45%

LAB 43.36, 58.25, -13.99

 

CMYK 15 / 0 / 72 / 30

HEX #98B332

RGB 152 179 50

HSL 72.56, 0.56%, 0.45%

LAB 68.86, -26.68, 59.15

 

CMYK 72 / 0 / 22 / 30

HEX #32B38C

RGB 50 179 140

HSL 161.86, 0.56%, 0.45%

LAB 65.6, -43.95, 10.03

 

CMYK 58 / 72 / 0 / 30

HEX #4C32B3

RGB 76 50 179

HSL 252.09, 0.56%, 0.45%

LAB 31.97, 45.84, -64.44

 

CMYK 0 / 72 / 50 / 30

HEX #B33259

RGB 179 50 89

HSL 341.86, 0.56%, 0.45%

LAB 42.13, 54.24, 7.8

 

Description

Color code: HEX #98B332 | qconv.com Color code: HEX #98B332 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 179 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 179 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 72 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 72% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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