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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98A1D6 it is the complementary color #675E29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98A1D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98A1D6 shade: #9DA1D1, #AEB3E4, #BFC5F7, #D0D7FF and #E1E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98A1D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98A1D6 shade: #98A1D6, #878FC3, #767DB0, #656B9D and #54598A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98A1D6 shade: #98A1D6, #A098D6, #B198D6, #C198D6 and #D298D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98A1D6 shade: #98A1D6 and #9898D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98A1D6 shade matches the following richer shades: #98A1D6, #8D99E1, #8191ED and #7689F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98A1D6 shade: #98A1D6, #A4AACA, #B0B2BF, #BBBAB3 and #C7C2A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98A1D6 shade: #98C2D6, #98B2D6, #98A2D6, #A098D6 and #B098D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98A1D6 shade: #5D6BBE, #7B86CA, #98A1D6, #B6BCE2 and #D3D7ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98A1D6 shade: #98A1D6, #D698D3 and #BAD698

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98A1D6 shade: #98A1D6, #D698A2 and #A2D698

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98A1D6 shade: #98A1D6, #D698D3, #D6CD98 and #98D69B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98A1D6 shade: #98A1D6, #D698C0, #D6CD98 and #98D6AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

Complementary color

CMYK 0 / 9 / 60 / 60

HEX #675E29

RGB 103 94 41

HSL 51.29, 0.43%, 0.28%

LAB 39.66, -3.91, 31.17

 

CMYK 25 / 23 / 0 / 18

HEX #9DA1D1

RGB 157 161 209

HSL 235.38, 0.36%, 0.72%

LAB 67.47, 9.06, -24.92

 

CMYK 24 / 21 / 0 / 11

HEX #AEB3E4

RGB 174 179 228

HSL 234.44, 0.5%, 0.79%

LAB 74.09, 8.7, -25.1

 

CMYK 23 / 20 / 0 / 3

HEX #BFC5F7

RGB 191 197 247

HSL 233.57, 0.78%, 0.86%

LAB 80.59, 8.37, -25.3

 

CMYK 18 / 16 / 0 / 0

HEX #D0D7FF

RGB 208 215 255

HSL 231.06, 1%, 0.91%

LAB 86.62, 5.67, -20.27

 

CMYK 12 / 9 / 0 / 0

HEX #E1E9FF

RGB 225 233 255

HSL 224, 1%, 0.94%

LAB 92.36, 1.55, -11.53

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 31 / 27 / 0 / 24

HEX #878FC3

RGB 135 143 195

HSL 232, 0.33%, 0.65%

LAB 60.55, 9.21, -27.89

 

CMYK 33 / 29 / 0 / 31

HEX #767DB0

RGB 118 125 176

HSL 232.76, 0.27%, 0.58%

LAB 53.66, 9.7, -27.83

 

CMYK 36 / 32 / 0 / 38

HEX #656B9D

RGB 101 107 157

HSL 233.57, 0.22%, 0.51%

LAB 46.6, 10.28, -27.82

 

CMYK 39 / 36 / 0 / 46

HEX #54598A

RGB 84 89 138

HSL 234.44, 0.24%, 0.44%

LAB 39.35, 10.96, -27.88

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 25 / 29 / 0 / 16

HEX #A098D6

RGB 160 152 214

HSL 247.74, 0.43%, 0.72%

LAB 65.58, 16.26, -30.58

 

CMYK 17 / 29 / 0 / 16

HEX #B198D6

RGB 177 152 214

HSL 264.19, 0.43%, 0.72%

LAB 67.02, 21.47, -28.24

 

CMYK 10 / 29 / 0 / 16

HEX #C198D6

RGB 193 152 214

HSL 279.68, 0.43%, 0.72%

LAB 68.5, 26.52, -25.85

 

CMYK 2 / 29 / 0 / 16

HEX #D298D6

RGB 210 152 214

HSL 296.13, 0.43%, 0.72%

LAB 70.19, 31.99, -23.11

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 29 / 29 / 0 / 16

HEX #9898D6

RGB 152 152 214

HSL 240, 0.43%, 0.72%

LAB 64.95, 13.88, -31.6

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 37 / 32 / 0 / 12

HEX #8D99E1

RGB 141 153 225

HSL 231.43, 0.58%, 0.72%

LAB 64.87, 13.08, -37.89

 

CMYK 46 / 39 / 0 / 7

HEX #8191ED

RGB 129 145 237

HSL 231.11, 0.75%, 0.72%

LAB 62.53, 18.03, -48.24

 

CMYK 52 / 45 / 0 / 3

HEX #7689F8

RGB 118 137 248

HSL 231.23, 0.9%, 0.72%

LAB 60.36, 23.58, -57.81

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 19 / 16 / 0 / 21

HEX #A4AACA

RGB 164 170 202

HSL 230.53, 0.26%, 0.72%

LAB 70.11, 4.6, -16.99

 

CMYK 8 / 7 / 0 / 25

HEX #B0B2BF

RGB 176 178 191

HSL 232, 0.1%, 0.72%

LAB 72.78, 1.84, -6.85

 

CMYK 0 / 1 / 4 / 27

HEX #BBBAB3

RGB 187 186 179

HSL 52.5, 0.06%, 0.72%

LAB 75.41, -0.92, 3.66

 

CMYK 0 / 3 / 16 / 22

HEX #C7C2A8

RGB 199 194 168

HSL 50.32, 0.22%, 0.72%

LAB 78.2, -2.64, 13.71

 

CMYK 29 / 9 / 0 / 16

HEX #98C2D6

RGB 152 194 214

HSL 199.35, 0.43%, 0.72%

LAB 76.14, -9.26, -14.53

 

CMYK 29 / 17 / 0 / 16

HEX #98B2D6

RGB 152 178 214

HSL 214.84, 0.43%, 0.72%

LAB 71.81, -0.66, -21.08

 

CMYK 29 / 24 / 0 / 16

HEX #98A2D6

RGB 152 162 214

HSL 230.32, 0.43%, 0.72%

LAB 67.55, 8.22, -27.59

 

CMYK 25 / 29 / 0 / 16

HEX #A098D6

RGB 160 152 214

HSL 247.74, 0.43%, 0.72%

LAB 65.58, 16.26, -30.58

 

CMYK 18 / 29 / 0 / 16

HEX #B098D6

RGB 176 152 214

HSL 263.23, 0.43%, 0.72%

LAB 66.93, 21.16, -28.38

 

CMYK 51 / 44 / 0 / 25

HEX #5D6BBE

RGB 93 107 190

HSL 231.34, 0.43%, 0.55%

LAB 47.7, 18.12, -45.4

 

CMYK 39 / 34 / 0 / 21

HEX #7B86CA

RGB 123 134 202

HSL 231.65, 0.43%, 0.64%

LAB 57.58, 12.94, -36.52

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 19 / 17 / 0 / 11

HEX #B6BCE2

RGB 182 188 226

HSL 231.82, 0.43%, 0.8%

LAB 76.92, 5.78, -19.65

 

CMYK 11 / 9 / 0 / 7

HEX #D3D7ED

RGB 211 215 237

HSL 230.77, 0.42%, 0.88%

LAB 86.29, 2.87, -11.24

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 0 / 29 / 1 / 16

HEX #D698D3

RGB 214 152 211

HSL 302.9, 0.43%, 0.72%

LAB 70.49, 32.73, -20.95

 

CMYK 13 / 0 / 29 / 16

HEX #BAD698

RGB 186 214 152

HSL 87.1, 0.43%, 0.72%

LAB 82.27, -20.05, 27.63

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 0 / 29 / 24 / 16

HEX #D698A2

RGB 214 152 162

HSL 350.32, 0.43%, 0.72%

LAB 69.01, 24.65, 4.07

 

CMYK 24 / 0 / 29 / 16

HEX #A2D698

RGB 162 214 152

HSL 110.32, 0.43%, 0.72%

LAB 80.76, -28.5, 25.33

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 0 / 29 / 1 / 16

HEX #D698D3

RGB 214 152 211

HSL 302.9, 0.43%, 0.72%

LAB 70.49, 32.73, -20.95

 

CMYK 0 / 4 / 29 / 16

HEX #D6CD98

RGB 214 205 152

HSL 51.29, 0.43%, 0.72%

LAB 81.96, -5.01, 27.57

 

CMYK 29 / 0 / 28 / 16

HEX #98D69B

RGB 152 214 155

HSL 122.9, 0.43%, 0.72%

LAB 80.26, -31.32, 22.99

 

CMYK 29 / 25 / 0 / 16

HEX #98A1D6

RGB 152 161 214

HSL 231.29, 0.43%, 0.72%

LAB 67.29, 8.78, -27.99

 

CMYK 0 / 29 / 10 / 16

HEX #D698C0

RGB 214 152 192

HSL 321.29, 0.43%, 0.72%

LAB 69.87, 29.37, -11.38

 

CMYK 0 / 4 / 29 / 16

HEX #D6CD98

RGB 214 205 152

HSL 51.29, 0.43%, 0.72%

LAB 81.96, -5.01, 27.57

 

CMYK 29 / 0 / 19 / 16

HEX #98D6AE

RGB 152 214 174

HSL 141.29, 0.43%, 0.72%

LAB 80.64, -27.91, 13.51

 

Description

Color code: HEX #98A1D6 | qconv.com Color code: HEX #98A1D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 161 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 161 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 25 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 25% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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