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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #988C05 it is the complementary color #6773FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #988C05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #988C05 shade: #9D8C00, #AE9E13, #BFB026, #D0C239 and #E1D44C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #988C05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #988C05 shade: #988C05, #877A00, #766800, #655600 and #544400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #988C05 shade: #998D04, #996504, #993D04, #991404 and #990404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #988C05 shade: #998D04, #7D9904, #559904, #2D9904 and #059904

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #988C05 shade matches the following richer shades: #998D04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #988C05 shade: #998D04, #8C8211, #7F771E, #726D2B and #666237

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #988C05 shade: #993D04, #996504, #998C04, #7E9904 and #569904

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #988C05 shade: #494302, #716803, #998D04, #C1B205 and #E9D607

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #988C05 shade: #988C05, #049916 and #510499

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #988C05 shade: #988C05, #04998C and #8C0499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #988C05 shade: #988C05, #049916, #041199 and #990488

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #988C05 shade: #988C05, #049942, #041199 and #99045B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 97 / 40

HEX #988C05

RGB 152 140 5

HSL 55.1, 0.94%, 0.31%

LAB 57.5, -8.19, 60.94

 

Complementary color

CMYK 59 / 54 / 0 / 2

HEX #6773FA

RGB 103 115 250

HSL 235.1, 0.94%, 0.69%

LAB 54.08, 34.47, -69.05

 

CMYK 0 / 11 / 100 / 38

HEX #9D8C00

RGB 157 140 0

HSL 53.5, 1%, 0.31%

LAB 57.97, -5.97, 62.3

 

CMYK 0 / 9 / 89 / 32

HEX #AE9E13

RGB 174 158 19

HSL 53.81, 0.8%, 0.38%

LAB 64.56, -7.58, 64.92

 

CMYK 0 / 8 / 80 / 25

HEX #BFB026

RGB 191 176 38

HSL 54.12, 0.67%, 0.45%

LAB 71.05, -8.97, 66.25

 

CMYK 0 / 7 / 73 / 18

HEX #D0C239

RGB 208 194 57

HSL 54.44, 0.62%, 0.52%

LAB 77.45, -10.13, 66.49

 

CMYK 0 / 6 / 66 / 12

HEX #E1D44C

RGB 225 212 76

HSL 54.77, 0.71%, 0.59%

LAB 83.77, -11.11, 66.1

 

CMYK 0 / 8 / 97 / 40

HEX #988C05

RGB 152 140 5

HSL 55.1, 0.94%, 0.31%

LAB 57.5, -8.19, 60.94

 

CMYK 0 / 10 / 100 / 47

HEX #877A00

RGB 135 122 0

HSL 54.22, 1%, 0.26%

LAB 50.77, -6.35, 56.17

 

CMYK 0 / 12 / 100 / 54

HEX #766800

RGB 118 104 0

HSL 52.88, 1%, 0.23%

LAB 43.88, -4.35, 50.47

 

CMYK 0 / 15 / 100 / 60

HEX #655600

RGB 101 86 0

HSL 51.09, 1%, 0.2%

LAB 36.78, -2.23, 44.6

 

CMYK 0 / 19 / 100 / 67

HEX #544400

RGB 84 68 0

HSL 48.57, 1%, 0.16%

LAB 29.46, 0.03, 38.49

 

CMYK 0 / 8 / 97 / 40

HEX #998D04

RGB 153 141 4

HSL 55.17, 0.95%, 0.31%

LAB 57.88, -8.29, 61.42

 

CMYK 0 / 34 / 97 / 40

HEX #996504

RGB 153 101 4

HSL 39.06, 0.95%, 0.31%

LAB 47.09, 14.19, 53.64

 

CMYK 0 / 60 / 97 / 40

HEX #993D04

RGB 153 61 4

HSL 22.95, 0.95%, 0.31%

LAB 38.05, 36.17, 47.65

 

CMYK 0 / 87 / 97 / 40

HEX #991404

RGB 153 20 4

HSL 6.44, 0.95%, 0.31%

LAB 32.44, 51.5, 44.29

 

CMYK 0 / 97 / 97 / 40

HEX #990404

RGB 153 4 4

HSL 0, 0.95%, 0.31%

LAB 31.5, 54.18, 43.67

 

CMYK 0 / 8 / 97 / 40

HEX #998D04

RGB 153 141 4

HSL 55.17, 0.95%, 0.31%

LAB 57.88, -8.29, 61.42

 

CMYK 18 / 0 / 97 / 40

HEX #7D9904

RGB 125 153 4

HSL 71.28, 0.95%, 0.31%

LAB 59.11, -27.02, 61.36

 

CMYK 44 / 0 / 97 / 40

HEX #559904

RGB 85 153 4

HSL 87.38, 0.95%, 0.31%

LAB 56.8, -42.66, 58.56

 

CMYK 71 / 0 / 97 / 40

HEX #2D9904

RGB 45 153 4

HSL 103.49, 0.95%, 0.31%

LAB 55.43, -53.65, 56.87

 

CMYK 97 / 0 / 97 / 40

HEX #059904

RGB 5 153 4

HSL 119.6, 0.95%, 0.31%

LAB 54.89, -58.44, 56.21

 

CMYK 0 / 8 / 97 / 40

HEX #998D04

RGB 153 141 4

HSL 55.17, 0.95%, 0.31%

LAB 57.88, -8.29, 61.42

 

CMYK 0 / 8 / 97 / 40

HEX #998D04

RGB 153 141 4

HSL 55.17, 0.95%, 0.31%

LAB 57.88, -8.29, 61.42

 

CMYK 0 / 7 / 88 / 45

HEX #8C8211

RGB 140 130 17

HSL 55.12, 0.78%, 0.31%

LAB 53.58, -8.08, 55.19

 

CMYK 0 / 6 / 76 / 50

HEX #7F771E

RGB 127 119 30

HSL 55.05, 0.62%, 0.31%

LAB 49.25, -7.6, 46.9

 

CMYK 0 / 4 / 62 / 55

HEX #726D2B

RGB 114 109 43

HSL 55.77, 0.45%, 0.31%

LAB 45.21, -7.23, 36.67

 

CMYK 0 / 4 / 46 / 60

HEX #666237

RGB 102 98 55

HSL 54.89, 0.3%, 0.31%

LAB 40.95, -5.3, 24.97

 

CMYK 0 / 60 / 97 / 40

HEX #993D04

RGB 153 61 4

HSL 22.95, 0.95%, 0.31%

LAB 38.05, 36.17, 47.65

 

CMYK 0 / 34 / 97 / 40

HEX #996504

RGB 153 101 4

HSL 39.06, 0.95%, 0.31%

LAB 47.09, 14.19, 53.64

 

CMYK 0 / 8 / 97 / 40

HEX #998C04

RGB 153 140 4

HSL 54.77, 0.95%, 0.31%

LAB 57.6, -7.75, 61.21

 

CMYK 18 / 0 / 97 / 40

HEX #7E9904

RGB 126 153 4

HSL 70.87, 0.95%, 0.31%

LAB 59.18, -26.59, 61.44

 

CMYK 44 / 0 / 97 / 40

HEX #569904

RGB 86 153 4

HSL 86.98, 0.95%, 0.31%

LAB 56.85, -42.31, 58.61

 

CMYK 0 / 8 / 97 / 71

HEX #494302

RGB 73 67 2

HSL 54.93, 0.95%, 0.15%

LAB 27.94, -5.02, 35.94

 

CMYK 0 / 8 / 97 / 56

HEX #716803

RGB 113 104 3

HSL 55.09, 0.95%, 0.23%

LAB 43.39, -6.71, 49.14

 

CMYK 0 / 8 / 97 / 40

HEX #998D04

RGB 153 141 4

HSL 55.17, 0.95%, 0.31%

LAB 57.88, -8.29, 61.42

 

CMYK 0 / 8 / 97 / 24

HEX #C1B205

RGB 193 178 5

HSL 55.21, 0.95%, 0.39%

LAB 71.68, -9.8, 73.09

 

CMYK 0 / 8 / 97 / 9

HEX #E9D607

RGB 233 214 7

HSL 54.96, 0.94%, 0.47%

LAB 84.71, -10.74, 84.03

 

CMYK 0 / 8 / 97 / 40

HEX #988C05

RGB 152 140 5

HSL 55.1, 0.94%, 0.31%

LAB 57.5, -8.19, 60.94

 

CMYK 97 / 0 / 86 / 40

HEX #049916

RGB 4 153 22

HSL 127.25, 0.95%, 0.31%

LAB 54.93, -57.84, 52.84

 

CMYK 47 / 97 / 0 / 40

HEX #510499

RGB 81 4 153

HSL 271.01, 0.95%, 0.31%

LAB 24.12, 56.55, -61.63

 

CMYK 0 / 8 / 97 / 40

HEX #988C05

RGB 152 140 5

HSL 55.1, 0.94%, 0.31%

LAB 57.5, -8.19, 60.94

 

CMYK 97 / 0 / 8 / 40

HEX #04998C

RGB 4 153 140

HSL 174.77, 0.95%, 0.31%

LAB 56.78, -36.64, -2.78

 

CMYK 8 / 97 / 0 / 40

HEX #8C0499

RGB 140 4 153

HSL 294.77, 0.95%, 0.31%

LAB 33.9, 64.43, -45.25

 

CMYK 0 / 8 / 97 / 40

HEX #988C05

RGB 152 140 5

HSL 55.1, 0.94%, 0.31%

LAB 57.5, -8.19, 60.94

 

CMYK 97 / 0 / 86 / 40

HEX #049916

RGB 4 153 22

HSL 127.25, 0.95%, 0.31%

LAB 54.93, -57.84, 52.84

 

CMYK 97 / 89 / 0 / 40

HEX #041199

RGB 4 17 153

HSL 234.77, 0.95%, 0.31%

LAB 18.91, 48.6, -70.45

 

CMYK 0 / 97 / 11 / 40

HEX #990488

RGB 153 4 136

HSL 306.85, 0.95%, 0.31%

LAB 35.28, 64.11, -32.46

 

CMYK 0 / 8 / 97 / 40

HEX #988C05

RGB 152 140 5

HSL 55.1, 0.94%, 0.31%

LAB 57.5, -8.19, 60.94

 

CMYK 97 / 0 / 57 / 40

HEX #049942

RGB 4 153 66

HSL 144.97, 0.95%, 0.31%

LAB 55.28, -53.48, 35.85

 

CMYK 97 / 89 / 0 / 40

HEX #041199

RGB 4 17 153

HSL 234.77, 0.95%, 0.31%

LAB 18.91, 48.6, -70.45

 

CMYK 0 / 97 / 41 / 40

HEX #99045B

RGB 153 4 91

HSL 324.97, 0.95%, 0.31%

LAB 33.17, 58.69, -7.16

 

Description

Color code: HEX #988C05 | qconv.com Color code: HEX #988C05 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 140 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 140 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 97 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 97% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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