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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #988B2C it is the complementary color #6774D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #988B2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #988B2C shade: #9D8B27, #AE9D3A, #BFAF4D, #D0C160 and #E1D373

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #988B2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #988B2C shade: #988B2C, #877919, #766706, #655500 and #544300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #988B2C shade: #96892B, #966C2B, #964F2B, #96332B and #962B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #988B2C shade: #96892B, #86962B, #69962B, #4C962B and #30962B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #988B2C shade matches the following richer shades: #96892B, #A5951B and #B5A10C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #988B2C shade: #96892B, #867D3B, #76714A, #67655A and #57596A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #988B2C shade: #964F2B, #966B2B, #96872B, #87962B and #6B962B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #988B2C shade: #564E19, #766C22, #96892B, #B6A634 and #CABA49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #988B2C shade: #988B2C, #2B9632 and #5D2B96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #988B2C shade: #988B2C, #2B9687 and #872B96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #988B2C shade: #988B2C, #2B9632, #2B3996 and #962B8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #988B2C shade: #988B2C, #2B9652, #2B3996 and #962B6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 71 / 40

HEX #988B2C

RGB 152 139 44

HSL 52.78, 0.55%, 0.38%

LAB 57.39, -6.4, 50.1

 

Complementary color

CMYK 51 / 45 / 0 / 17

HEX #6774D3

RGB 103 116 211

HSL 232.78, 0.55%, 0.62%

LAB 51.92, 21.47, -50.65

 

CMYK 0 / 11 / 75 / 38

HEX #9D8B27

RGB 157 139 39

HSL 50.85, 0.6%, 0.38%

LAB 57.83, -4.39, 52.66

 

CMYK 0 / 10 / 67 / 32

HEX #AE9D3A

RGB 174 157 58

HSL 51.21, 0.5%, 0.45%

LAB 64.5, -5.5, 52.13

 

CMYK 0 / 8 / 60 / 25

HEX #BFAF4D

RGB 191 175 77

HSL 51.58, 0.47%, 0.53%

LAB 71.06, -6.41, 51.19

 

CMYK 0 / 7 / 54 / 18

HEX #D0C160

RGB 208 193 96

HSL 51.96, 0.54%, 0.6%

LAB 77.52, -7.16, 50.08

 

CMYK 0 / 6 / 49 / 12

HEX #E1D373

RGB 225 211 115

HSL 52.36, 0.65%, 0.67%

LAB 83.88, -7.78, 48.9

 

CMYK 0 / 9 / 71 / 40

HEX #988B2C

RGB 152 139 44

HSL 52.78, 0.55%, 0.38%

LAB 57.39, -6.4, 50.1

 

CMYK 0 / 10 / 81 / 47

HEX #877919

RGB 135 121 25

HSL 52.36, 0.69%, 0.31%

LAB 50.57, -5.18, 50.16

 

CMYK 0 / 13 / 95 / 54

HEX #766706

RGB 118 103 6

HSL 51.96, 0.9%, 0.24%

LAB 43.6, -3.63, 48.79

 

CMYK 0 / 16 / 100 / 60

HEX #655500

RGB 101 85 0

HSL 50.5, 1%, 0.2%

LAB 36.49, -1.64, 44.39

 

CMYK 0 / 20 / 100 / 67

HEX #544300

RGB 84 67 0

HSL 47.86, 1%, 0.16%

LAB 29.16, 0.65, 38.25

 

CMYK 0 / 9 / 71 / 41

HEX #96892B

RGB 150 137 43

HSL 52.71, 0.55%, 0.38%

LAB 56.63, -6.27, 49.69

 

CMYK 0 / 28 / 71 / 41

HEX #966C2B

RGB 150 108 43

HSL 36.45, 0.55%, 0.38%

LAB 48.74, 10.07, 41.6

 

CMYK 0 / 47 / 71 / 41

HEX #964F2B

RGB 150 79 43

HSL 20.19, 0.55%, 0.38%

LAB 41.61, 26.65, 33.87

 

CMYK 0 / 66 / 71 / 41

HEX #96332B

RGB 150 51 43

HSL 4.49, 0.55%, 0.38%

LAB 36.03, 41.01, 27.49

 

CMYK 0 / 71 / 71 / 41

HEX #962B2B

RGB 150 43 43

HSL 0, 0.55%, 0.38%

LAB 34.77, 44.43, 26

 

CMYK 0 / 9 / 71 / 41

HEX #96892B

RGB 150 137 43

HSL 52.71, 0.55%, 0.38%

LAB 56.63, -6.27, 49.69

 

CMYK 11 / 0 / 71 / 41

HEX #86962B

RGB 134 150 43

HSL 68.97, 0.55%, 0.38%

LAB 59.03, -20.28, 51.63

 

CMYK 30 / 0 / 71 / 41

HEX #69962B

RGB 105 150 43

HSL 85.23, 0.55%, 0.38%

LAB 57.07, -32.3, 49.01

 

CMYK 49 / 0 / 71 / 41

HEX #4C962B

RGB 76 150 43

HSL 101.5, 0.55%, 0.38%

LAB 55.61, -42.58, 47.05

 

CMYK 68 / 0 / 71 / 41

HEX #30962B

RGB 48 150 43

HSL 117.2, 0.55%, 0.38%

LAB 54.67, -49.95, 45.79

 

CMYK 0 / 9 / 71 / 41

HEX #96892B

RGB 150 137 43

HSL 52.71, 0.55%, 0.38%

LAB 56.63, -6.27, 49.69

 

CMYK 0 / 10 / 84 / 35

HEX #A5951B

RGB 165 149 27

HSL 53.04, 0.72%, 0.38%

LAB 61.28, -6.63, 59.99

 

CMYK 0 / 11 / 93 / 29

HEX #B5A10C

RGB 181 161 12

HSL 52.9, 0.88%, 0.38%

LAB 66.01, -6.15, 67.52

 

CMYK 0 / 9 / 71 / 41

HEX #96892B

RGB 150 137 43

HSL 52.71, 0.55%, 0.38%

LAB 56.63, -6.27, 49.69

 

CMYK 0 / 7 / 56 / 47

HEX #867D3B

RGB 134 125 59

HSL 52.8, 0.39%, 0.38%

LAB 51.9, -5.76, 36.71

 

CMYK 0 / 4 / 37 / 54

HEX #76714A

RGB 118 113 74

HSL 53.18, 0.23%, 0.38%

LAB 47.18, -4.47, 22.37

 

CMYK 0 / 2 / 13 / 60

HEX #67655A

RGB 103 101 90

HSL 50.77, 0.07%, 0.38%

LAB 42.66, -1.35, 6.51

 

CMYK 18 / 16 / 0 / 58

HEX #57596A

RGB 87 89 106

HSL 233.68, 0.1%, 0.38%

LAB 38.22, 3.16, -9.98

 

CMYK 0 / 47 / 71 / 41

HEX #964F2B

RGB 150 79 43

HSL 20.19, 0.55%, 0.38%

LAB 41.61, 26.65, 33.87

 

CMYK 0 / 29 / 71 / 41

HEX #966B2B

RGB 150 107 43

HSL 35.89, 0.55%, 0.38%

LAB 48.48, 10.64, 41.32

 

CMYK 0 / 10 / 71 / 41

HEX #96872B

RGB 150 135 43

HSL 51.59, 0.55%, 0.38%

LAB 56.07, -5.18, 49.13

 

CMYK 10 / 0 / 71 / 41

HEX #87962B

RGB 135 150 43

HSL 68.41, 0.55%, 0.38%

LAB 59.1, -19.85, 51.73

 

CMYK 29 / 0 / 71 / 41

HEX #6B962B

RGB 107 150 43

HSL 84.11, 0.55%, 0.38%

LAB 57.19, -31.52, 49.17

 

CMYK 0 / 9 / 71 / 66

HEX #564E19

RGB 86 78 25

HSL 52.13, 0.55%, 0.22%

LAB 32.91, -3.9, 31.46

 

CMYK 0 / 8 / 71 / 54

HEX #766C22

RGB 118 108 34

HSL 52.86, 0.55%, 0.3%

LAB 45.21, -5.41, 41

 

CMYK 0 / 9 / 71 / 41

HEX #96892B

RGB 150 137 43

HSL 52.71, 0.55%, 0.38%

LAB 56.63, -6.27, 49.69

 

CMYK 0 / 9 / 71 / 29

HEX #B6A634

RGB 182 166 52

HSL 52.62, 0.56%, 0.46%

LAB 67.62, -7.1, 58

 

CMYK 0 / 8 / 64 / 21

HEX #CABA49

RGB 202 186 73

HSL 52.56, 0.55%, 0.54%

LAB 74.92, -7.72, 57.47

 

CMYK 0 / 9 / 71 / 40

HEX #988B2C

RGB 152 139 44

HSL 52.78, 0.55%, 0.38%

LAB 57.39, -6.4, 50.1

 

CMYK 71 / 0 / 67 / 41

HEX #2B9632

RGB 43 150 50

HSL 123.93, 0.55%, 0.38%

LAB 54.61, -50.24, 42.73

 

CMYK 38 / 71 / 0 / 41

HEX #5D2B96

RGB 93 43 150

HSL 268.04, 0.55%, 0.38%

LAB 30.05, 44.3, -50

 

CMYK 0 / 9 / 71 / 40

HEX #988B2C

RGB 152 139 44

HSL 52.78, 0.55%, 0.38%

LAB 57.39, -6.4, 50.1

 

CMYK 71 / 0 / 10 / 41

HEX #2B9687

RGB 43 150 135

HSL 171.59, 0.55%, 0.38%

LAB 56.16, -33.39, -0.78

 

CMYK 10 / 71 / 0 / 41

HEX #872B96

RGB 135 43 150

HSL 291.59, 0.55%, 0.38%

LAB 36.14, 53.4, -39.88

 

CMYK 0 / 9 / 71 / 40

HEX #988B2C

RGB 152 139 44

HSL 52.78, 0.55%, 0.38%

LAB 57.39, -6.4, 50.1

 

CMYK 71 / 0 / 67 / 41

HEX #2B9632

RGB 43 150 50

HSL 123.93, 0.55%, 0.38%

LAB 54.61, -50.24, 42.73

 

CMYK 71 / 62 / 0 / 41

HEX #2B3996

RGB 43 57 150

HSL 232.15, 0.55%, 0.38%

LAB 28.49, 27.03, -52.74

 

CMYK 0 / 71 / 5 / 41

HEX #962B8F

RGB 150 43 143

HSL 303.93, 0.55%, 0.38%

LAB 38.19, 55.66, -32.2

 

CMYK 0 / 9 / 71 / 40

HEX #988B2C

RGB 152 139 44

HSL 52.78, 0.55%, 0.38%

LAB 57.39, -6.4, 50.1

 

CMYK 71 / 0 / 45 / 41

HEX #2B9652

RGB 43 150 82

HSL 141.87, 0.55%, 0.38%

LAB 55.01, -45.66, 27.33

 

CMYK 71 / 62 / 0 / 41

HEX #2B3996

RGB 43 57 150

HSL 232.15, 0.55%, 0.38%

LAB 28.49, 27.03, -52.74

 

CMYK 0 / 71 / 26 / 41

HEX #962B6F

RGB 150 43 111

HSL 321.87, 0.55%, 0.38%

LAB 36.67, 50.84, -14.7

 

Description

Color code: HEX #988B2C | qconv.com Color code: HEX #988B2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 139 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 139 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 71% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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