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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #987847 it is the complementary color #6787B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #987847. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #987847 shade: #9D7842, #AE8A55, #BF9C68, #D0AE7B and #E1C08E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #987847. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #987847 shade: #987847, #876634, #765421, #65420E and #543000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #987847 shade: #987847, #986247, #984D47 and #984747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #987847 shade: #987847, #988E47, #8C9847, #779847 and #619847

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #987847 shade matches the following richer shades: #987847, #AA7C35, #BC8023 and #CF8411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #987847 shade: #987847, #867459, #74716C, #626D7E and #4F6990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #987847 shade: #984D47, #986247, #987847, #988D47 and #8D9847

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #987847 shade: #604C2D, #7C623A, #987847, #B08E58 and #BEA174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #987847 shade: #987847, #579847 and #574798

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #987847 shade: #987847, #479878 and #784798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #987847 shade: #987847, #579847, #476898 and #884798

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #987847 shade: #987847, #47984F, #476898 and #984790

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

Complementary color

CMYK 44 / 27 / 0 / 28

HEX #6787B8

RGB 103 135 184

HSL 216.3, 0.36%, 0.56%

LAB 55.76, 1.87, -29.24

 

CMYK 0 / 24 / 58 / 38

HEX #9D7842

RGB 157 120 66

HSL 35.6, 0.41%, 0.44%

LAB 52.94, 7.97, 34.86

 

CMYK 0 / 21 / 51 / 32

HEX #AE8A55

RGB 174 138 85

HSL 35.73, 0.35%, 0.51%

LAB 59.74, 6.97, 33.43

 

CMYK 0 / 18 / 46 / 25

HEX #BF9C68

RGB 191 156 104

HSL 35.86, 0.4%, 0.58%

LAB 66.41, 6.13, 32.06

 

CMYK 0 / 16 / 41 / 18

HEX #D0AE7B

RGB 208 174 123

HSL 36, 0.47%, 0.65%

LAB 72.97, 5.43, 30.78

 

CMYK 0 / 15 / 37 / 12

HEX #E1C08E

RGB 225 192 142

HSL 36.14, 0.58%, 0.72%

LAB 79.42, 4.82, 29.57

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 0 / 24 / 61 / 47

HEX #876634

RGB 135 102 52

HSL 36.14, 0.44%, 0.37%

LAB 45.5, 7.28, 32.94

 

CMYK 0 / 29 / 72 / 54

HEX #765421

RGB 118 84 33

HSL 36, 0.56%, 0.3%

LAB 38.38, 8.65, 34.36

 

CMYK 0 / 35 / 86 / 60

HEX #65420E

RGB 101 66 14

HSL 35.86, 0.76%, 0.23%

LAB 31.1, 10.42, 35.29

 

CMYK 0 / 43 / 100 / 67

HEX #543000

RGB 84 48 0

HSL 34.29, 1%, 0.16%

LAB 23.67, 12.71, 33.32

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 0 / 36 / 53 / 40

HEX #986247

RGB 152 98 71

HSL 20, 0.36%, 0.44%

LAB 46.8, 18.85, 24.33

 

CMYK 0 / 49 / 53 / 40

HEX #984D47

RGB 152 77 71

HSL 4.44, 0.36%, 0.44%

LAB 41.9, 30.68, 17.92

 

CMYK 0 / 53 / 53 / 40

HEX #984747

RGB 152 71 71

HSL 0, 0.36%, 0.44%

LAB 40.63, 33.91, 16.22

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 0 / 7 / 53 / 40

HEX #988E47

RGB 152 142 71

HSL 52.59, 0.36%, 0.44%

LAB 58.49, -6.09, 38.74

 

CMYK 8 / 0 / 53 / 40

HEX #8C9847

RGB 140 152 71

HSL 68.89, 0.36%, 0.44%

LAB 60.33, -16.6, 40.65

 

CMYK 22 / 0 / 53 / 40

HEX #779847

RGB 119 152 71

HSL 84.44, 0.36%, 0.44%

LAB 58.82, -25.24, 38.5

 

CMYK 36 / 0 / 53 / 40

HEX #619847

RGB 97 152 71

HSL 100.74, 0.36%, 0.44%

LAB 57.51, -33.54, 36.63

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 0 / 27 / 69 / 33

HEX #AA7C35

RGB 170 124 53

HSL 36.41, 0.52%, 0.44%

LAB 55.3, 10.58, 44.51

 

CMYK 0 / 32 / 81 / 26

HEX #BC8023

RGB 188 128 35

HSL 36.47, 0.69%, 0.44%

LAB 58.27, 15.53, 55.77

 

CMYK 0 / 36 / 92 / 19

HEX #CF8411

RGB 207 132 17

HSL 36.32, 0.85%, 0.44%

LAB 61.49, 21.23, 64.52

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 0 / 13 / 34 / 47

HEX #867459

RGB 134 116 89

HSL 36, 0.2%, 0.44%

LAB 49.83, 2.72, 17.52

 

CMYK 0 / 3 / 7 / 55

HEX #74716C

RGB 116 113 108

HSL 37.5, 0.04%, 0.44%

LAB 47.76, 0.18, 3.18

 

CMYK 22 / 13 / 0 / 51

HEX #626D7E

RGB 98 109 126

HSL 216.43, 0.13%, 0.44%

LAB 45.69, -0.15, -10.8

 

CMYK 45 / 27 / 0 / 44

HEX #4F6990

RGB 79 105 144

HSL 216, 0.29%, 0.44%

LAB 43.91, 1.4, -24.4

 

CMYK 0 / 49 / 53 / 40

HEX #984D47

RGB 152 77 71

HSL 4.44, 0.36%, 0.44%

LAB 41.9, 30.68, 17.92

 

CMYK 0 / 36 / 53 / 40

HEX #986247

RGB 152 98 71

HSL 20, 0.36%, 0.44%

LAB 46.8, 18.85, 24.33

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 0 / 7 / 53 / 40

HEX #988D47

RGB 152 141 71

HSL 51.85, 0.36%, 0.44%

LAB 58.21, -5.55, 38.41

 

CMYK 7 / 0 / 53 / 40

HEX #8D9847

RGB 141 152 71

HSL 68.15, 0.36%, 0.44%

LAB 60.4, -16.18, 40.76

 

CMYK 0 / 21 / 53 / 62

HEX #604C2D

RGB 96 76 45

HSL 36.47, 0.36%, 0.28%

LAB 33.66, 4, 21.54

 

CMYK 0 / 21 / 53 / 51

HEX #7C623A

RGB 124 98 58

HSL 36.36, 0.36%, 0.36%

LAB 43.25, 5.12, 26.62

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 0 / 19 / 50 / 31

HEX #B08E58

RGB 176 142 88

HSL 36.82, 0.36%, 0.52%

LAB 61.03, 5.89, 33.48

 

CMYK 0 / 15 / 39 / 25

HEX #BEA174

RGB 190 161 116

HSL 36.49, 0.36%, 0.6%

LAB 67.8, 4.32, 27.4

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 43 / 0 / 53 / 40

HEX #579847

RGB 87 152 71

HSL 108.15, 0.36%, 0.44%

LAB 57.01, -36.95, 35.91

 

CMYK 43 / 53 / 0 / 40

HEX #574798

RGB 87 71 152

HSL 251.85, 0.36%, 0.44%

LAB 35.6, 27.4, -42.3

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 53 / 0 / 21 / 40

HEX #479878

RGB 71 152 120

HSL 156.3, 0.36%, 0.44%

LAB 57.22, -32.71, 9.39

 

CMYK 21 / 53 / 0 / 40

HEX #784798

RGB 120 71 152

HSL 276.3, 0.36%, 0.44%

LAB 39.18, 36.28, -36.37

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 43 / 0 / 53 / 40

HEX #579847

RGB 87 152 71

HSL 108.15, 0.36%, 0.44%

LAB 57.01, -36.95, 35.91

 

CMYK 53 / 32 / 0 / 40

HEX #476898

RGB 71 104 152

HSL 215.56, 0.36%, 0.44%

LAB 43.52, 2.49, -29.82

 

CMYK 11 / 53 / 0 / 40

HEX #884798

RGB 136 71 152

HSL 288.15, 0.36%, 0.44%

LAB 41.23, 40.85, -33

 

CMYK 0 / 21 / 53 / 40

HEX #987847

RGB 152 120 71

HSL 36.3, 0.36%, 0.44%

LAB 52.47, 6.2, 31.47

 

CMYK 53 / 0 / 48 / 40

HEX #47984F

RGB 71 152 79

HSL 125.93, 0.36%, 0.44%

LAB 56.45, -40.65, 30.93

 

CMYK 53 / 32 / 0 / 40

HEX #476898

RGB 71 104 152

HSL 215.56, 0.36%, 0.44%

LAB 43.52, 2.49, -29.82

 

CMYK 0 / 53 / 5 / 40

HEX #984790

RGB 152 71 144

HSL 305.93, 0.36%, 0.44%

LAB 43.06, 44.01, -25.16

 

Description

Color code: HEX #987847 | qconv.com Color code: HEX #987847 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 120 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 120 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 53 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 53% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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