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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98781A it is the complementary color #6787E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98781A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98781A shade: #9D7815, #AE8A28, #BF9C3B, #D0AE4E and #E1C061

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98781A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98781A shade: #98781A, #876607, #765400, #654200 and #543000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98781A shade: #987819, #985619, #983419 and #981919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98781A shade: #987819, #969819, #749819, #529819 and #309819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98781A shade matches the following richer shades: #987819 and #A77F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98781A shade: #987819, #8A7128, #7B6A36, #6D6345 and #5E5C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98781A shade: #983319, #985519, #987619, #989819 and #769819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98781A shade: #52400D, #755C13, #987819, #BB941F and #DAAD2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98781A shade: #98781A, #229819 and #441998

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98781A shade: #98781A, #199876 and #761998

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98781A shade: #98781A, #229819, #193B98 and #901998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98781A shade: #98781A, #199837, #193B98 and #98197B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 83 / 40

HEX #98781A

RGB 152 120 26

HSL 44.76, 0.71%, 0.35%

LAB 52.04, 3.37, 51.8

 

Complementary color

CMYK 55 / 41 / 0 / 10

HEX #6787E5

RGB 103 135 229

HSL 224.76, 0.71%, 0.65%

LAB 57.91, 15.68, -51.23

 

CMYK 0 / 24 / 87 / 38

HEX #9D7815

RGB 157 120 21

HSL 43.68, 0.76%, 0.35%

LAB 52.57, 5.54, 54.02

 

CMYK 0 / 21 / 77 / 32

HEX #AE8A28

RGB 174 138 40

HSL 43.88, 0.63%, 0.42%

LAB 59.28, 3.92, 54.26

 

CMYK 0 / 18 / 69 / 25

HEX #BF9C3B

RGB 191 156 59

HSL 44.09, 0.53%, 0.49%

LAB 65.88, 2.57, 53.65

 

CMYK 0 / 16 / 63 / 18

HEX #D0AE4E

RGB 208 174 78

HSL 44.31, 0.58%, 0.56%

LAB 72.38, 1.45, 52.65

 

CMYK 0 / 15 / 57 / 12

HEX #E1C061

RGB 225 192 97

HSL 44.53, 0.68%, 0.63%

LAB 78.79, 0.5, 51.48

 

CMYK 0 / 21 / 83 / 40

HEX #98781A

RGB 152 120 26

HSL 44.76, 0.71%, 0.35%

LAB 52.04, 3.37, 51.8

 

CMYK 0 / 24 / 95 / 47

HEX #876607

RGB 135 102 7

HSL 44.53, 0.9%, 0.28%

LAB 45.18, 5.19, 50.57

 

CMYK 0 / 29 / 100 / 54

HEX #765400

RGB 118 84 0

HSL 42.71, 1%, 0.23%

LAB 38.19, 7.43, 46.5

 

CMYK 0 / 35 / 100 / 60

HEX #654200

RGB 101 66 0

HSL 39.21, 1%, 0.2%

LAB 31.03, 9.98, 40.61

 

CMYK 0 / 43 / 100 / 67

HEX #543000

RGB 84 48 0

HSL 34.29, 1%, 0.16%

LAB 23.67, 12.71, 33.32

 

CMYK 0 / 21 / 84 / 40

HEX #987819

RGB 152 120 25

HSL 44.88, 0.72%, 0.35%

LAB 52.04, 3.33, 52.13

 

CMYK 0 / 43 / 84 / 40

HEX #985619

RGB 152 86 25

HSL 28.82, 0.72%, 0.35%

LAB 43.36, 22.78, 44.47

 

CMYK 0 / 66 / 84 / 40

HEX #983419

RGB 152 52 25

HSL 12.76, 0.72%, 0.35%

LAB 36.37, 40.52, 38.06

 

CMYK 0 / 84 / 84 / 40

HEX #981919

RGB 152 25 25

HSL 0, 0.72%, 0.35%

LAB 32.79, 50.39, 34.67

 

CMYK 0 / 21 / 84 / 40

HEX #987819

RGB 152 120 25

HSL 44.88, 0.72%, 0.35%

LAB 52.04, 3.33, 52.13

 

CMYK 1 / 0 / 84 / 40

HEX #969819

RGB 150 152 25

HSL 60.94, 0.72%, 0.35%

LAB 60.79, -15.05, 59.58

 

CMYK 24 / 0 / 84 / 40

HEX #749819

RGB 116 152 25

HSL 77.01, 0.72%, 0.35%

LAB 58.26, -29.78, 56.4

 

CMYK 46 / 0 / 84 / 40

HEX #529819

RGB 82 152 25

HSL 93.07, 0.72%, 0.35%

LAB 56.41, -42.6, 54.04

 

CMYK 68 / 0 / 84 / 40

HEX #309819

RGB 48 152 25

HSL 109.13, 0.72%, 0.35%

LAB 55.23, -51.94, 52.54

 

CMYK 0 / 21 / 84 / 40

HEX #987819

RGB 152 120 25

HSL 44.88, 0.72%, 0.35%

LAB 52.04, 3.33, 52.13

 

CMYK 0 / 24 / 93 / 35

HEX #A77F0B

RGB 167 127 11

HSL 44.62, 0.88%, 0.35%

LAB 55.5, 6.01, 59.12

 

CMYK 0 / 21 / 84 / 40

HEX #987819

RGB 152 120 25

HSL 44.88, 0.72%, 0.35%

LAB 52.04, 3.33, 52.13

 

CMYK 0 / 18 / 71 / 46

HEX #8A7128

RGB 138 113 40

HSL 44.69, 0.55%, 0.35%

LAB 48.72, 1.47, 42.56

 

CMYK 0 / 14 / 56 / 52

HEX #7B6A36

RGB 123 106 54

HSL 45.22, 0.39%, 0.35%

LAB 45.34, -0.41, 31.35

 

CMYK 0 / 9 / 37 / 57

HEX #6D6345

RGB 109 99 69

HSL 45, 0.22%, 0.35%

LAB 42.16, -0.96, 18.52

 

CMYK 0 / 2 / 12 / 63

HEX #5E5C53

RGB 94 92 83

HSL 49.09, 0.06%, 0.35%

LAB 39, -0.99, 5.46

 

CMYK 0 / 66 / 84 / 40

HEX #983319

RGB 152 51 25

HSL 12.28, 0.72%, 0.35%

LAB 36.2, 40.98, 37.9

 

CMYK 0 / 44 / 84 / 40

HEX #985519

RGB 152 85 25

HSL 28.35, 0.72%, 0.35%

LAB 43.13, 23.35, 44.25

 

CMYK 0 / 22 / 84 / 40

HEX #987619

RGB 152 118 25

HSL 43.94, 0.72%, 0.35%

LAB 51.5, 4.47, 51.66

 

CMYK 0 / 0 / 84 / 40

HEX #989819

RGB 152 152 25

HSL 60, 0.72%, 0.35%

LAB 60.96, -14.15, 59.79

 

CMYK 22 / 0 / 84 / 40

HEX #769819

RGB 118 152 25

HSL 76.06, 0.72%, 0.35%

LAB 58.39, -28.95, 56.57

 

CMYK 0 / 22 / 84 / 68

HEX #52400D

RGB 82 64 13

HSL 44.35, 0.73%, 0.19%

LAB 28.09, 2.02, 32.05

 

CMYK 0 / 21 / 84 / 54

HEX #755C13

RGB 117 92 19

HSL 44.69, 0.72%, 0.27%

LAB 40.38, 2.69, 42.43

 

CMYK 0 / 21 / 84 / 40

HEX #987819

RGB 152 120 25

HSL 44.88, 0.72%, 0.35%

LAB 52.04, 3.33, 52.13

 

CMYK 0 / 21 / 83 / 27

HEX #BB941F

RGB 187 148 31

HSL 45, 0.72%, 0.43%

LAB 63.21, 3.96, 61.36

 

CMYK 0 / 21 / 81 / 15

HEX #DAAD2A

RGB 218 173 42

HSL 44.66, 0.7%, 0.51%

LAB 72.87, 4.55, 67.62

 

CMYK 0 / 21 / 83 / 40

HEX #98781A

RGB 152 120 26

HSL 44.76, 0.71%, 0.35%

LAB 52.04, 3.37, 51.8

 

CMYK 78 / 0 / 84 / 40

HEX #229819

RGB 34 152 25

HSL 115.75, 0.72%, 0.35%

LAB 54.93, -54.48, 52.16

 

CMYK 55 / 84 / 0 / 40

HEX #441998

RGB 68 25 152

HSL 260.31, 0.72%, 0.35%

LAB 24.29, 49.03, -60.77

 

CMYK 0 / 21 / 83 / 40

HEX #98781A

RGB 152 120 26

HSL 44.76, 0.71%, 0.35%

LAB 52.04, 3.37, 51.8

 

CMYK 84 / 0 / 22 / 40

HEX #199876

RGB 25 152 118

HSL 163.94, 0.72%, 0.35%

LAB 56.06, -41, 8.72

 

CMYK 22 / 84 / 0 / 40

HEX #761998

RGB 118 25 152

HSL 283.94, 0.72%, 0.35%

LAB 31.38, 56.57, -48.9

 

CMYK 0 / 21 / 83 / 40

HEX #98781A

RGB 152 120 26

HSL 44.76, 0.71%, 0.35%

LAB 52.04, 3.37, 51.8

 

CMYK 78 / 0 / 84 / 40

HEX #229819

RGB 34 152 25

HSL 115.75, 0.72%, 0.35%

LAB 54.93, -54.48, 52.16

 

CMYK 84 / 61 / 0 / 40

HEX #193B98

RGB 25 59 152

HSL 223.94, 0.72%, 0.35%

LAB 28.38, 24.4, -54.17

 

CMYK 5 / 84 / 0 / 40

HEX #901998

RGB 144 25 152

HSL 296.22, 0.72%, 0.35%

LAB 35.77, 61.37, -41.59

 

CMYK 0 / 21 / 83 / 40

HEX #98781A

RGB 152 120 26

HSL 44.76, 0.71%, 0.35%

LAB 52.04, 3.37, 51.8

 

CMYK 84 / 0 / 64 / 40

HEX #199837

RGB 25 152 55

HSL 134.17, 0.72%, 0.35%

LAB 55.01, -53.04, 40.84

 

CMYK 84 / 61 / 0 / 40

HEX #193B98

RGB 25 59 152

HSL 223.94, 0.72%, 0.35%

LAB 28.38, 24.4, -54.17

 

CMYK 0 / 84 / 19 / 40

HEX #98197B

RGB 152 25 123

HSL 313.7, 0.72%, 0.35%

LAB 35.6, 58.6, -23.87

 

Description

Color code: HEX #98781A | qconv.com Color code: HEX #98781A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 120 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 120 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 83 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 83% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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