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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9869D6 it is the complementary color #679629. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9869D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9869D6 shade: #9D69D1, #AE7BE4, #BF8DF7, #D09FFF and #E1B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9869D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9869D6 shade: #9869D6, #8757C3, #7645B0, #65339D and #54218A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9869D6 shade: #996AD6, #B66AD6, #D36AD6, #D66ABC and #D66A9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9869D6 shade: #996AD6, #7C6AD6 and #6A6AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9869D6 shade matches the following richer shades: #996AD6, #975BE5 and #954CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9869D6 shade: #996AD6, #9B7AC7, #9D89B7, #9F98A8 and #A1A799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9869D6 shade: #6A77D6, #7B6AD6, #976AD6, #B46AD6 and #D16AD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9869D6 shade: #6E33BB, #824ACD, #996AD6, #AF8BDF and #C5ABE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9869D6 shade: #9869D6, #D66A94 and #6AD66C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9869D6 shade: #9869D6, #D6976A and #6AD697

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9869D6 shade: #9869D6, #D66A94, #A9D66A and #6AD6AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9869D6 shade: #9869D6, #D66A73, #A9D66A and #6AD6CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 51 / 0 / 16

HEX #9869D6

RGB 152 105 214

HSL 265.87, 0.57%, 0.63%

LAB 53.64, 40.8, -49.37

 

Complementary color

CMYK 31 / 0 / 73 / 41

HEX #679629

RGB 103 150 41

HSL 85.87, 0.57%, 0.37%

LAB 56.94, -33.22, 49.62

 

CMYK 25 / 50 / 0 / 18

HEX #9D69D1

RGB 157 105 209

HSL 270, 0.53%, 0.62%

LAB 53.89, 40.92, -46.1

 

CMYK 24 / 46 / 0 / 11

HEX #AE7BE4

RGB 174 123 228

HSL 269.14, 0.66%, 0.69%

LAB 60.57, 40.02, -46.1

 

CMYK 23 / 43 / 0 / 3

HEX #BF8DF7

RGB 191 141 247

HSL 268.3, 0.87%, 0.76%

LAB 67.16, 39.18, -46.1

 

CMYK 18 / 38 / 0 / 0

HEX #D09FFF

RGB 208 159 255

HSL 270.63, 1%, 0.81%

LAB 73.17, 35.95, -40.92

 

CMYK 12 / 31 / 0 / 0

HEX #E1B1FF

RGB 225 177 255

HSL 276.92, 1%, 0.85%

LAB 78.85, 31.27, -31.99

 

CMYK 29 / 51 / 0 / 16

HEX #9869D6

RGB 152 105 214

HSL 265.87, 0.57%, 0.63%

LAB 53.64, 40.8, -49.37

 

CMYK 31 / 55 / 0 / 24

HEX #8757C3

RGB 135 87 195

HSL 266.67, 0.47%, 0.55%

LAB 46.85, 41.79, -49.43

 

CMYK 33 / 61 / 0 / 31

HEX #7645B0

RGB 118 69 176

HSL 267.48, 0.44%, 0.48%

LAB 39.99, 42.78, -49.44

 

CMYK 36 / 68 / 0 / 38

HEX #65339D

RGB 101 51 157

HSL 268.3, 0.51%, 0.41%

LAB 33.07, 43.69, -49.33

 

CMYK 39 / 76 / 0 / 46

HEX #54218A

RGB 84 33 138

HSL 269.14, 0.61%, 0.34%

LAB 26.18, 44.28, -48.94

 

CMYK 29 / 50 / 0 / 16

HEX #996AD6

RGB 153 106 214

HSL 266.11, 0.57%, 0.63%

LAB 53.96, 40.5, -48.86

 

CMYK 15 / 50 / 0 / 16

HEX #B66AD6

RGB 182 106 214

HSL 282.22, 0.57%, 0.63%

LAB 57.18, 48.27, -43.55

 

CMYK 1 / 50 / 0 / 16

HEX #D36AD6

RGB 211 106 214

HSL 298.33, 0.57%, 0.63%

LAB 60.79, 56.24, -37.62

 

CMYK 0 / 50 / 12 / 16

HEX #D66ABC

RGB 214 106 188

HSL 314.44, 0.57%, 0.63%

LAB 60.1, 52.71, -23.93

 

CMYK 0 / 50 / 26 / 16

HEX #D66A9F

RGB 214 106 159

HSL 330.56, 0.57%, 0.63%

LAB 59.07, 48.41, -8.82

 

CMYK 29 / 50 / 0 / 16

HEX #996AD6

RGB 153 106 214

HSL 266.11, 0.57%, 0.63%

LAB 53.96, 40.5, -48.86

 

CMYK 42 / 50 / 0 / 16

HEX #7C6AD6

RGB 124 106 214

HSL 250, 0.57%, 0.63%

LAB 51.21, 33.23, -53.41

 

CMYK 50 / 50 / 0 / 16

HEX #6A6AD6

RGB 106 106 214

HSL 240, 0.57%, 0.63%

LAB 49.77, 29.14, -55.79

 

CMYK 29 / 50 / 0 / 16

HEX #996AD6

RGB 153 106 214

HSL 266.11, 0.57%, 0.63%

LAB 53.96, 40.5, -48.86

 

CMYK 34 / 60 / 0 / 10

HEX #975BE5

RGB 151 91 229

HSL 266.09, 0.73%, 0.63%

LAB 51.52, 51.84, -61.25

 

CMYK 39 / 69 / 0 / 4

HEX #954CF4

RGB 149 76 244

HSL 266.07, 0.88%, 0.63%

LAB 49.61, 62.53, -72.78

 

CMYK 29 / 50 / 0 / 16

HEX #996AD6

RGB 153 106 214

HSL 266.11, 0.57%, 0.63%

LAB 53.96, 40.5, -48.86

 

CMYK 22 / 39 / 0 / 22

HEX #9B7AC7

RGB 155 122 199

HSL 265.71, 0.41%, 0.63%

LAB 57.09, 28.35, -35.4

 

CMYK 14 / 25 / 0 / 28

HEX #9D89B7

RGB 157 137 183

HSL 266.09, 0.24%, 0.63%

LAB 60.32, 16.68, -21.31

 

CMYK 5 / 10 / 0 / 34

HEX #9F98A8

RGB 159 152 168

HSL 266.25, 0.08%, 0.63%

LAB 63.88, 5.66, -7.44

 

CMYK 4 / 0 / 8 / 35

HEX #A1A799

RGB 161 167 153

HSL 85.71, 0.07%, 0.63%

LAB 67.66, -4.75, 6.5

 

CMYK 50 / 44 / 0 / 16

HEX #6A77D6

RGB 106 119 214

HSL 232.78, 0.57%, 0.63%

LAB 53.07, 21.25, -50.51

 

CMYK 43 / 50 / 0 / 16

HEX #7B6AD6

RGB 123 106 214

HSL 249.44, 0.57%, 0.63%

LAB 51.12, 32.99, -53.55

 

CMYK 29 / 50 / 0 / 16

HEX #976AD6

RGB 151 106 214

HSL 265, 0.57%, 0.63%

LAB 53.75, 39.98, -49.2

 

CMYK 16 / 50 / 0 / 16

HEX #B46AD6

RGB 180 106 214

HSL 281.11, 0.57%, 0.63%

LAB 56.95, 47.73, -43.93

 

CMYK 2 / 50 / 0 / 16

HEX #D16AD6

RGB 209 106 214

HSL 297.22, 0.57%, 0.63%

LAB 60.53, 55.69, -38.04

 

CMYK 41 / 73 / 0 / 27

HEX #6E33BB

RGB 110 51 187

HSL 266.03, 0.57%, 0.47%

LAB 36.5, 53.1, -61.62

 

CMYK 37 / 64 / 0 / 20

HEX #824ACD

RGB 130 74 205

HSL 265.65, 0.57%, 0.55%

LAB 44.31, 50.16, -59.33

 

CMYK 29 / 50 / 0 / 16

HEX #996AD6

RGB 153 106 214

HSL 266.11, 0.57%, 0.63%

LAB 53.96, 40.5, -48.86

 

CMYK 22 / 38 / 0 / 13

HEX #AF8BDF

RGB 175 139 223

HSL 265.71, 0.57%, 0.71%

LAB 64.09, 30.22, -37.8

 

CMYK 15 / 26 / 0 / 9

HEX #C5ABE8

RGB 197 171 232

HSL 265.57, 0.57%, 0.79%

LAB 74.08, 21.08, -27.13

 

CMYK 29 / 51 / 0 / 16

HEX #9869D6

RGB 152 105 214

HSL 265.87, 0.57%, 0.63%

LAB 53.64, 40.8, -49.37

 

CMYK 0 / 50 / 31 / 16

HEX #D66A94

RGB 214 106 148

HSL 336.67, 0.57%, 0.63%

LAB 58.74, 46.95, -2.95

 

CMYK 50 / 0 / 50 / 16

HEX #6AD66C

RGB 106 214 108

HSL 121.11, 0.57%, 0.63%

LAB 77.42, -52.35, 42.75

 

CMYK 29 / 51 / 0 / 16

HEX #9869D6

RGB 152 105 214

HSL 265.87, 0.57%, 0.63%

LAB 53.64, 40.8, -49.37

 

CMYK 0 / 29 / 50 / 16

HEX #D6976A

RGB 214 151 106

HSL 25, 0.57%, 0.63%

LAB 67.63, 18.55, 33.04

 

CMYK 50 / 0 / 29 / 16

HEX #6AD697

RGB 106 214 151

HSL 145, 0.57%, 0.63%

LAB 78.11, -45.29, 21.8

 

CMYK 29 / 51 / 0 / 16

HEX #9869D6

RGB 152 105 214

HSL 265.87, 0.57%, 0.63%

LAB 53.64, 40.8, -49.37

 

CMYK 0 / 50 / 31 / 16

HEX #D66A94

RGB 214 106 148

HSL 336.67, 0.57%, 0.63%

LAB 58.74, 46.95, -2.95

 

CMYK 21 / 0 / 50 / 16

HEX #A9D66A

RGB 169 214 106

HSL 85, 0.57%, 0.63%

LAB 80.5, -32.07, 48.17

 

CMYK 50 / 0 / 19 / 16

HEX #6AD6AD

RGB 106 214 173

HSL 157.22, 0.57%, 0.63%

LAB 78.56, -40.77, 10.81

 

CMYK 29 / 51 / 0 / 16

HEX #9869D6

RGB 152 105 214

HSL 265.87, 0.57%, 0.63%

LAB 53.64, 40.8, -49.37

 

CMYK 0 / 50 / 46 / 16

HEX #D66A73

RGB 214 106 115

HSL 355, 0.57%, 0.63%

LAB 57.89, 43.22, 15.02

 

CMYK 21 / 0 / 50 / 16

HEX #A9D66A

RGB 169 214 106

HSL 85, 0.57%, 0.63%

LAB 80.5, -32.07, 48.17

 

CMYK 50 / 0 / 4 / 16

HEX #6AD6CD

RGB 106 214 205

HSL 175, 0.57%, 0.63%

LAB 79.37, -33.24, -5.11

 

Description

Color code: HEX #9869D6 | qconv.com Color code: HEX #9869D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 105 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 105 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 51 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 51% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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